Results by title
8113 books match the query 'Literary Criticism' and 619 start with a
Against!
Rebellious Daughters in Black Immigrant Fiction in the United StatesAsha Jeffers
The Ohio State University Press, 2025
Against! is the first book-length study of Afro-Caribbean and African immigrant and second-generation writing in the United States. In it, Asha Jeffers evaluates the relationship between Blackness and immigranthood in the US as depicted through the recurring theme of rebellious Black immigrant daughters. Considering the work of Paule Marshall, Edwidge Danticat, Chimamanda Ngozi Adichie, and Taiye Selasi, Jeffers untangles how rebellion is informed by race, gender, ethnicity, and migration status.
Immigrant and second-generation writers mobilize often complicated familial relationships to comment on a variety of political, social, and psychic contexts. Jeffers argues that rather than categorizing Black migrants as either immediately fully integrated into an African American experience or seeing them as another category altogether that is unbound by race, Marshall, Danticat, Adichie, and Selasi identify the unstable position of Black migrants within the American racial landscape. By highlighting the diverse ways Black migrants and their children negotiate this position amid the dual demands of the respectability politics imposed on African Americans and the model-minority myth imposed on immigrants, Jeffers reveals the unsteady nature of US racial categories.
Agamemnon
Aeschylus, A verse translation by David Mulroy, with introduction and notes
University of Wisconsin Press, 2015
Aeschylus (525/4–456/5 B.C.E.) was the first of the three great tragic dramatists of ancient Greece, a forerunner of Sophocles and Euripides. His early tragedies were largely choral pageants with minimal plots. In Agamemnon, choral songs still predominate, but Aeschylus infuses them with such dramatic feeling that the spectator or reader is constantly spellbound.
Translator David Mulroy brings this ancient tragedy to life for modern readers and audiences. Using end rhyme and strict metrics, he combines the buoyant lyricism of the Greek text with a faithful rendering of its meaning in lucid English.
Agent of Change
Print Culture Studies after Elizabeth L. EisensteinSabrina Alcorn Baron
University of Massachusetts Press, 2007
Inspiring debate since the early days of its publication, Elizabeth L. Eisenstein's The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1979) has exercised its own force as an agent of change in the world of scholarship. Its path-breaking agenda has played a central role in shaping the study of print culture and “book history”—fields of inquiry that rank among the most exciting and vital areas of scholarly endeavor in recent years.
Joining together leading voices in the field of print scholarship, this collection of twenty essays affirms the catalytic properties of Eisenstein's study as a stimulus to further inquiry across geographic, temporal, and disciplinary boundaries. From early modern marginalia to the use of architectural title pages in Renaissance books, from the press in Spanish colonial America to print in the Islamic world, from the role of the printed word in nation-building to changing histories of reading in the electronic age, this book addresses the legacy of Eisenstein's work in print culture studies today as it suggests future directions for the field.
In addition to a conversation with Elizabeth L. Eisenstein, the book includes contributions by Peng Hwa Ang, Margaret Aston, Tony Ballantyne, Vivek Bhandari, Ann Blair, Barbara A. Brannon, Roger Chartier, Kai-wing Chow, James A. Dewar, Robert A. Gross, David Scott Kastan, Harold Love, Paula McDowell, Jane McRae, Jean-Dominique Mellot, Antonio Rodriguez-Buckingham, Geoffrey Roper, William H. Sherman, Peter Stallybrass, H. Arthur Williamson, and Calhoun Winton.
Agitated States
Performance in the American Theater of CrueltyAnthony Kubiak
University of Michigan Press, 2002
Beginning with the writings of John Winthrop and others, through the Federalist and "romantic" stages of American cultural life, and into the modern and contemporary periods, Anthony Kubiak finds an America not usually discovered by traditional or materialist approaches to history. He deploys the psychoanalytic theory of Jacques Lacan, the cultural theory of SlavojZizek, and the performance theory of Herbert Blau in an unparalleled reappraisal of dominant American identity, culture, and history.
Anthony Kubiak is Associate Professor of English, University of South Florida. He is also author of Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History.
Agony for Others
On Literature and PainJessica Colangelo
University of Michigan Press, 2026
Agony for Others investigates the phenomenological, rhetorical, and political challenges of representing pain in literature. Pain cries vary between cultural and linguistic groups, and pain expression (such as grimacing or crying) can likewise vary in quality and intensity from person to person, affected by disability, temperament, and past experiences with pain, as well as the experiencer’s own understanding of what that pain is and what it means. Jessica Colangelo explores pain's role as a subjective indication of objective damage; that, contrary to claims of its subjective privacy, the feeling of pain is always felt in terms of an objectively existing entity (one’s physical body) which is perceivable by others. Thus, pain enters into intersubjectivity through the physical body—one's expressions, words, actions, presence—which then mediates between the self and the other.
Drawing on disability studies, phenomenology, philosophy, and literary studies, Colangelo examines works by Virginia Woolf, James Baldwin, Sarah Kane, Elie Wiesel, and Margaret Edson to argue that the belief that pain is incommunicable and thought-destroying obscures its central role in relationships and community formation. Agony for Others demonstrates that pain is not excluded from, but rather constitutive of, intersubjectivity, and argues that the aesthetic dimension of interpretation is essential to understanding the ethical and political role of pain.
Aguecheek's Beef, Belch's Hiccup, and Other Gastronomic Interjections
Literature, Culture, and Food Among the Early ModernsRobert Appelbaum
University of Chicago Press, 2006
Ahab Unbound
Melville and the Materialist TurnMeredith Farmer
University of Minnesota Press, 2021
Why Captain Ahab is worthy of our fear—and our compassion
Herman Melville’s Captain Ahab is perennially seen as the paradigm of a controlling, tyrannical agent. Ahab Unbound leaves his position as a Cold War icon behind, recasting him as a contingent figure, transformed by his environment—by chemistry, electromagnetism, entomology, meteorology, diet, illness, pain, trauma, and neurons firing—in ways that unexpectedly force us to see him as worthy of our empathy and our compassion.
In sixteen essays by leading scholars, Ahab Unbound advances an urgent inquiry into Melville’s emergence as a center of gravity for materialist work, reframing his infamous whaling captain in terms of pressing conversations in animal studies, critical race and ethnic studies, disability studies, environmental humanities, medical humanities, political theory, and posthumanism. By taking Ahab as a focal point, we gather and give shape to the multitude of ways that materialism produces criticism in our current moment. Collectively, these readings challenge our thinking about the boundaries of both persons and nations, along with the racist and environmental violence caused by categories like the person and the human.
Ahab Unbound makes a compelling case for both the vitality of materialist inquiry and the continued resonance of Melville’s work.
Contributors: Branka Arsić, Columbia U; Christopher Castiglia, Pennsylvania State U; Colin Dayan, Vanderbilt U; Christian P. Haines, Pennsylvania State U; Bonnie Honig, Brown U; Jonathan Lamb, Vanderbilt U; Pilar Martínez Benedí, U of L’Aquila, Italy; Steve Mentz, St. John’s College; John Modern, Franklin and Marshall College; Mark D. Noble, Georgia State U; Samuel Otter, U of California, Berkeley; Donald E. Pease, Dartmouth College; Ralph James Savarese, Grinnell College; Russell Sbriglia, Seton Hall U; Michael D. Snediker, U of Houston; Matthew A. Taylor, U of North Carolina at Chapel Hill; Ivy Wilson, Northwestern U.
Ahab's Rolling Sea
A Natural History of "Moby-Dick"Richard J. King
University of Chicago Press, 2019
A revelation for Moby-Dick devotees and neophytes alike, Ahab’s Rolling Sea is a chronological journey through the natural history of Melville’s novel. From white whales to whale intelligence, giant squids, barnacles, albatross, and sharks, Richard J. King examines what Melville knew from his own experiences and the sources available to a reader in the mid-1800s, exploring how and why Melville might have twisted what was known to serve his fiction. King then climbs to the crow’s nest, setting Melville in the context of the American perception of the ocean in 1851—at the very start of the Industrial Revolution and just before the publication of On the Origin of Species. King compares Ahab’s and Ishmael’s worldviews to how we see the ocean today: an expanse still immortal and sublime, but also in crisis. And although the concept of stewardship of the sea would have been entirely foreign, if not absurd, to Melville, King argues that Melville’s narrator Ishmael reveals his own tendencies toward what we would now call environmentalism.
Featuring a coffer of illustrations and an array of interviews with contemporary scientists, fishers, and whale watch operators, Ahab’s Rolling Sea offers new insight not only into a cherished masterwork and its author but also into our evolving relationship with the briny deep—from whale hunters to climate refugees.
Ain't I an Anthropologist
Zora Neale Hurston Beyond the Literary IconJennifer L. Freeman Marshall
University of Illinois Press, 2023
Perceptive and original, Ain’t I an Anthropologist is an overdue reassessment of Zora Neale Hurston’s place in American cultural and intellectual life.
Air's Appearance
Literary Atmosphere in British Fiction, 1660-1794Jayne Elizabeth Lewis
University of Chicago Press, 2012
Albert Camus, Jean Sénac, or The Rebel Son
Hamid Nacer-Khodja
Michigan State University Press, 2019
Albert Camus
The Artist in the ArenaEmmett Parker
University of Wisconsin Press, 1966
Albert Murray and the Aesthetic Imagination of a Nation
Edited by Barbara A. Baker
University of Alabama Press, 2010
Reimagining America Through the Blues, Jazz, and the Cultural Vision of Albert Murray.
This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray protégés and associates, and interviews with Murray himself. It illustrates Murray’s place as a central figure in African American arts and letters and as an American cultural pioneer.
Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from Tuskegee University, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them The Omni-Americans, South to a Very Old Place, Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the “fakelore” of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art.
Alcman and the Cosmos of Sparta
Gloria Ferrari
University of Chicago Press, 2008
Alcott in Her Own Time
A Biographical Chronicle of Her LIfe, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and AssociatesShealy, Daniel
University of Iowa Press, 2005
Many of the printed recollections in this book appeared after Alcott became famous and showcase her as a literary lion, but others focus on her teen years, when she was living the life of Jo March; these intimate glimpses into the life of the Alcott family lead the reader to one conclusion: the family was happy, fun, and entertaining, very much like the fictional Marches. The recollections about an older and wealthier Alcott show a kind and generous, albeit outspoken, woman little changed by her money and status.
From Annie Sawyer Downs’s description of life in Concord to Anna Alcott Pratt’s recollections of the Alcott sisters’ acting days to Julian Hawthorne’s neighborly portrait of the Alcotts, the thirty-six recollections in this copiously illustrated volume tell the private and public story of a remarkable life.
Alejo Carpentier
The Pilgrim at HomeBy Roberto González Echevarría
University of Texas Press, 1990
Alejo Carpentier was one of the greatest Latin American novelists of the twentieth century, as well as a musicologist, journalist, cultural promoter, and diplomat. His fictional world issues from an encyclopedic knowledge of the history, art, music, and literature of Latin America and Europe. Carpentier’s novels and stories are the enabling discourse of today’s Latin American narrative, and his interpretation of Latin American history has been among the most influential. Carpentier was the first to provide a comprehensive view of Caribbean history that centered on the contribution of Africans, above and beyond the differences created by European cultures and languages. Alejo Carpentier: The Pilgrim at Home, first published in 1977 and updated for this edition, covers the life and works of the great Cuban novelist, offering a new perspective on the relationship between the two.
González Echevarría offers detailed readings of the works La música en Cuba, The Kingdom of This World, The Lost Steps, and Explosion in a Cathedral. In a new concluding chapter, he takes up Carpentier’s last years, his relationship with the Cuban revolutionary regime, and his last two novels, El arpa y la sombra and La consagración de la primavera, in which Carpentier reviewed his life and career.
Alexander Pushkin's Little Tragedies
The Poetics of BrevitySvetlana Evdokimova
University of Wisconsin Press, 2004
Alexander Pushkin’s four compact plays, later known as The Little Tragedies, were written at the height of the author’s creative powers, and their influence on many Russian and Western writers cannot be overestimated. Yet Western readers are far more familiar with Pushkin’s lyrics, narrative poems, and prose than with his drama. The Little Tragedies have received few translations or scholarly examinations. Setting out to redress this and to reclaim a cornerstone of Pushkin’s work, Evodokimova and her distinguished contributors offer the first thorough critical study of these plays. They examine the historical roots and connective themes of the plays, offer close readings, and track the transformation of the works into other genres.
This volume includes a significant new translation by James Falen of the plays—"The Covetous Knight," "Mozart and Salieri," "The Stone Guest," and "A Feast in Time of Plague."
Alexander The Great
A NovelNikos Kazantzakis
Ohio University Press, 1982
Nikos Kazantzakis is no stranger to the heroes of Greek antiquity. In this historical novel based on the life of Alexander the Great, Kazantzakis has drawn on both the rich tradition of Greek legend and the documented manuscripts from the archives of history to recreate an Alexander in all his many-faceted images—Alexander the god; Alexander the descendant of Heracles performing the twelve labors; Alexander the mystic, the daring visionary destined to carry out a divine mission; Alexander the flesh-and-blood mortal who, on occasion, is not above the common soldier’s brawling and drinking.
The novel, which resists the temptation to portray Alexander in the mantle of purely romantic legend, covers his life from age fifteen to his death at age thirty-two. It opens with Alexander’s first exploit, the taming of the horse, Bucephalas, and is seen in great part through the eyes of his young neighbor who eventually becomes an officer in his army and follows him on his campaign to conquer the world.
The book, which was written primarily as an educational adjunct for young readers, is intended for the adult mind as well, and like the legends of old, is entertaining as well as instructive for readers of all ages. It was originally published in Greece in serial form in 1940, and was republished in a complete volume in 1979.
Alexander the Great
The Unique History of Quintus CurtiusElizabeth Baynham
University of Michigan Press, 2004
The reign and personality of Alexander the Great---one of the most romantic and powerful kings in history---have remained a source of fascination from antiquity to the present. But because the ancient information surrounding the conqueror is rich, contradictory, and complex, every historian of this near-mythical ruler-whether ancient or modern-invariably creates his or her own Alexander.
The unique work of one such ancient historian, Quintus Curtius, is the subject of Elizabeth Baynham's book. She mines Curtius' study of power for his contemporary perspective, historical methodology, and his portrait of the famous king and presents us with a brilliant, multifaceted study of this unique account regarding one of the most fascinating rulers in history.
Alfred Bester
Jad Smith
University of Illinois Press, 2016
Jad Smith traces the career of the unlikeliest of SF icons. Winner of the first Hugo Award for The Demolished Man, Bester also worked in comics, radio, and TV, and his intermittent SF writing led some critics to brand him a dabbler. In the 1960s, however, New Wave writers championed his work, and his reputation grew. Smith follows Bester's journey from consummate outsider to an artist venerated for foundational works that influenced the New Wave and cyberpunk revolutions. He also explores the little-known roots of a wayward journey fueled by curiosity, disappointment with the SF mainstream, and an artist's determination to go his own way.
Alice beyond Wonderland
Essays for the Twenty-first CenturyCristopher Hollingsworth
University of Iowa Press, 2008
The scholars in this volume attempt to move beyond the sexually charged permutations of the "Carroll myth," the image of an introverted man fumbling into literary immortality through his love for a prepubescent Alice. Contributions include an essay comparing Dantean and Carrollian underworlds, one investigating child characters as double agents in untamed lands, one placing Wonderland within the geometrical and algebraic “fourth dimension,” one investigating the visual and verbal interplay of hand imagery, and one exploring the influence of Japanese translations of Alice on the Gothic-Lolita subculture of neo-Victorian enthusiasts. This is a bold, capacious, and challenging work.
Alice in Pornoland
Hardcore Encounters with the Victorian GothicLaura Helen Marks
University of Illinois Press, 2018
Laura Helen Marks investigates the contradictions and seesawing gender dynamics in Victorian-inspired adult films and looks at why pornographers persist in drawing substance and meaning from the era's Gothic tales. She focuses on the particular Victorianness that pornography prefers, and the mythologies of the Victorian era that fuel today's pornographic fantasies. In turn, she exposes what porning the Victorians shows us about pornography as a genre.
A bold foray into theory and other forbidden places, Alice in Pornoland reveals how modern-day Victorian Gothic pornography constantly emphasizes, navigates, transgresses, and renegotiates issues of gender, sexuality, and race.
Alice in Space
The Sideways Victorian World of Lewis CarrollGillian Beer
University of Chicago Press, 2016
Gillian Beer explores Carroll’s work through the speculative gaze of Alice, for whom no authority is unquestioned and everything can speak. Parody and Punch, evolutionary debates, philosophical dialogues, educational works for children, math and logic, manners and rituals, dream theory and childhood studies—all fueled the fireworks. While much has been written about Carroll’s biography and his influence on children’s literature, Beer convincingly shows him at play in the spaces of Victorian cultural and intellectual life, drawing on then-current controversies, reading prodigiously across many fields, and writing on multiple levels to please both children and adults in different ways.
With a welcome combination of learning and lightness, Beer reminds us that Carroll’s books are essentially about curiosity, its risks and pleasures. Along the way, Alice in Space shares Alice’s exceptional ability to spark curiosity in us, too.
Alien Capital
Asian Racialization and the Logic of Settler Colonial CapitalismIyko Day
Duke University Press, 2016
Alien Constructions
Science Fiction and Feminist ThoughtBy Patricia Melzer
University of Texas Press, 2006
Though set in other worlds populated by alien beings, science fiction is a site where humans can critique and re-imagine the paradigms that shape this world, from fundamentals such as the sex and gender of the body to global power relations among sexes, races, and nations. Feminist thinkers and writers are increasingly recognizing science fiction's potential to shatter patriarchal and heterosexual norms, while the creators of science fiction are bringing new depth and complexity to the genre by engaging with feminist theories and politics. This book maps the intersection of feminism and science fiction through close readings of science fiction literature by Octavia E. Butler, Richard Calder, and Melissa Scott and the movies The Matrix and the Alien series.
Patricia Melzer analyzes how these authors and films represent debates and concepts in three areas of feminist thought: identity and difference, feminist critiques of science and technology, and the relationship among gender identity, body, and desire, including the new gender politics of queer desires, transgender, and intersexed bodies and identities. She demonstrates that key political elements shape these debates, including global capitalism and exploitative class relations within a growing international system; the impact of computer, industrial, and medical technologies on women's lives and reproductive rights; and posthuman embodiment as expressed through biotechnologies, the body/machine interface, and the commodification of desire. Melzer's investigation makes it clear that feminist writings and readings of science fiction are part of a feminist critique of existing power relations—and that the alien constructions (cyborgs, clones, androids, aliens, and hybrids) that populate postmodern science fiction are as potentially empowering as they are threatening.
Alien Heart
The Life and Work of Margaret LaurenceLyall Powers
University of Manitoba Press, 2005
Lyall Powers is both a respected scholar of literature and a lifelong friend of Laurence's, having met her when they were students together at Winnipeg's United College in the 1940s. Alien Heart is the first full-length biography of Margaret that combines personal knowledge and insights about Laurence with a study of her work, which often paralleled the events and concerns in her own life.
Drawing on letters, personal correspondence, journals, and interviews, Lyall Powers discusses the struggles and triumphs Laurence experienced in her efforts to understand herself in the roles of writer, wife, mother, and public figure. He portrays a deeply compassionate and courageous woman, who yet felt troubled by conflicting demands. While Laurence's work is not directly autobiographical, Powers illustrates how her writing expressed many of the same dilemmas, and how the resolution her characters achieved in the novels and stories had an impact on Laurence's own life.
Powers provides an in-depth analysis of all Laurence's work, including the early African essays, fiction, and translations, and her books for children, as well as the beloved Manawaka fiction. The study clearly shows the progression and expression of Laurence as a writer of great humanity and conscience.
Alienated Women
A Study on Polish Women's Writing, 1845 -1918Grazyna Borkowska
Central European University Press, 2001
Aliens
An Anthropology of Science FictionEdited by George E. Slusser and Eric S. Rabkin
Southern Illinois University Press, 1987
How and when does there come to be an “anthropology of the alien?” This set of essays, written for the eighth J. Lloyd Eaton Conference on Fantasy and Science Fiction, is concerned with the significance of that question. “[Anthropology] is the science that must designate the alien ifit is to redefine a place for itself in the universe,” according to the Introduction.
The idea of the alien is not new. In the Renaissance, Montaigne’s purpose in describing an alien encounter was excorporation—mankind was the “savage” because the artificial devices of nature controlled him. Shakespeare’s version of the alien encounter was incorporation; his character of Caliban is brought to the artificial, political world of man and incorporated into the body politic
“The essays in this volume . . . show, in their general orientation, that the tribe of
This book is divided into three parts: “Searchings: The Quest for the Alien” includes “The Aliens in Our Mind,” by Larry Niven; “Effing the Ineffable,” by Gregory Benford; “Border Patrols,” by Michael Beehler; “Alien Aliens,” by Pascal Ducommun; and “Metamorphoses of the Dragon,” by George E. Slusser.
“Sightings: The Aliens among Us” includes “Discriminating among Friends,” by John Huntington; “Sex, Superman, Sociobiology,” by Joseph D. Miller; “Cowboys and Telepaths,” by Eric S. Rabkin; “Robots,” by Noel Perrin; “Aliens in the Supermarket,” by George R. Guffey; and “Aliens ‘R’ U.S.,” by Zoe Sofia.
Alimentary Orientalism
Britain’s Literary Imagination and the Edible EastYin Yuan
Bucknell University Press, 2023
All Contraries Confounded
The Lyrical FictionKaren Kaivola
University of Iowa Press, 1991
Kaivola has worked out a strikingly original means of reading difference—and reading differently—in order to account for what has been inexplicable in different literary texts by women. All Contraries Confounded seeks to problematize feminist theory that celebrates resistance in fiction by women, for it questions the ability of dominant modes of feminist critical theory to recognize and address fully the forms of contradiction and ambivalence that riddle women's writings—and women's lives.
All Is True
The Claims and Strategies of Realist FictionLilian R. Furst
Duke University Press, 1995
In close textual analyses of works ranging across European and American literature, including paradigmatic texts by Balzac, Flaubert, George Eliot, Zola, Henry James, and Thomas Mann, Furst shows how the handling of time, the presentation of place, and certain narrational strategies have served the realists’ claim. She demonstrates how readers today, like those a hundred years ago, are convinced of the authenticity of the created illusion by such means as framing, voice, perspective, and the slippage from metonymy to metaphor. Further, Furst reveals the pains the realists took to conceal these devices, and thus to protect their claim to be employing a simple form. Taking into account both the claims and the covert strategies of these writers, All Is True puts forward an alternative to the conventional polarized reading of the realist text—which emerges here as neither strictly an imitation of an extraneous model nor simply a web of words but a brilliantly complex imbrication of the two.
A major statement on one of the most enduring forms in cultural history, this book promises to alter not only our view of realist fiction but our understanding of how we read it.
All My Relatives
Community in Contemporary Ethnic American LiteraturesBonnie TuSmith
University of Michigan Press, 1994
All My Relatives provides a new way of reading popular works such as The Woman Warrior, The Joy Luck Club, The Color Purple and John Edgar Wideman's Sent for You Yesterday. TuSmith's study will appeal to general readers as well as students and scholars of American culture, ethnic studies, and American literature.
"An original contribution to the field. TuSmith's willingness to step over invisible boundaries and to draw parallels between the cultural contexts of several ethnic groups at once is refreshing and important." --Amy Ling, University of Wisconsin, Madison
"Ambitious and timely . . . a significant work that Americanists will want to read. TuSmith does an excellent job of clarifying the meaning and significance of the term "ethnicity" in relation to American literature."--Ramón Saldívar, Stanford University
". . . TuSmith establishes the importance of traditional (usually oral) modes of expression to ethnic texts that are both relational and accessible . . . . [S]hould become a standard point of reference in the emerging field of comparative American literature."--Choice
Bonnie TuSmith is Assistant Professor of English, Bowling Green State University.
All New, All Different?
A History of Race and the American SuperheroBy Allan W. Austin and Patrick L. Hamilton
University of Texas Press, 2019
Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019
MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020
Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television.
Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.
All the Fun’s in How You Say a Thing
An Explanation of Meter and VersificationTimothy Steele
Ohio University Press, 1999
All the Fun’s in How You Say a Thing
An Explanation of Meter and VersificationTimothy Steele
Ohio University Press, 2024
All the Names of the Lord
Lists, Mysticism, and MagicValentina Izmirlieva
University of Chicago Press, 2008
This unexpected juxtaposition of a theological treatise and a magical amulet allows Izmirlieva to reveal lists’ rhetorical potential to create order and to function as both tools of knowledge and of power. Despite the two different visions of order represented by each list, Izmirlieva finds that their uses in Christian practice point to a complementary relationship between the existential need for God’s protection and the metaphysical desire to submit to his infinite majesty—a compelling claim sure to provoke discussion among scholars in many fields.
All the Rage
William Logan
University of Michigan Press, 1998
Logan was among the first critics to review a generation of poets now in creative maturity, and his comments on the early works of Jorie Graham, Gjertrud Schnackenberg, and the late Amy Clampitt show the enthusiasm of fresh discovery. But he is no respecter of old reputation, as his reviews of John Ashbery and Robert Penn Warren demonstrate. In total, his criticism considers virtues with their defects and always speaks its author's mind. Some contemporary poetry has had few better friends, and some few greater enemies, than William Logan.
William Logan is the author of Sad-Faced Men, Difficulty, Sullen Weedy Lakes, and Vain Empires. He is Alumni/ae Professor of English, University of Florida.
Allegories of Empire
The Figure of Woman in the Colonial TextJenny Sharpe
University of Minnesota Press, 1993
Allegories of the Anthropocene
Elizabeth M. DeLoughrey
Duke University Press, 2019
Allen Ginsberg's Buddhist Poetics
Tony Trigilio
Southern Illinois University Press, 2007
The book also considers the place of Ginsberg’s poetry in the cultural and aesthetic contexts of his career, covering the rise of an “American Buddhism”; the antiwar, drug decriminalization, and gay civil rights movements; and the shift from modern to postmodern strategies in contemporary U.S. poetry.
Allen Tate
John V. Glass III
Catholic University of America Press, 2016
Allen Tate and His Work
Critical EvaluationsRadcliffe Squires, EditorIntroduction by Radcliffe Squires
University of Minnesota Press, 1972
Allen Tate and His Work was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The thirty-five essays and memoirs about Allen Tate which are collected in this volume along with the introduction by Radcliffe Squires provide a perceptive, many-windowed view of Tate's work and his life. Poet, critic, novelist -- Tate is all of these, and the selections, reflecting these various aspects of his career, are arranged in sections entitled "The Man," "The Essayist," "The Novelist," and "The Poet." As Professor Squires points out, the last three divisions take cognizance of the astounding diversity of Tate's achievement. "But in a last analysis," he continues, "the divisions are an Aristotelian nicety, an arbitrary convenience. His work is really all of a piece. It has all derived from the same energy, the same insights. It has all had a single aim."
What is that aim? Squires compares it to a simple physics experiment in which students are taught the principles of pressure, and he goes on to explain: "The synergy of Allen Tate's poetry, fiction, and essays has had the aim of applying pressure—think of the embossed, bitterly stressed lines, his textured metaphors—until it brings up before our eyes a blanched parody of the human figure, which is our evil, the world's evil, so that we begin to long for God. That has seemed to him a worthwhile task to perform for modern man threatened by such fatal narcissism, such autotelic pride that he is in danger of disappearing into a glassy fantasy of his own concoction. We shall need his help for a long time to come."
The selections were first published in a variety of periodicals and books over the years. The volume includes a substantial bibliography.
Alliterative Proverbs in Medieval England
Language Choice and Literary MeaningSusan E. Deskis
The Ohio State University Press, 2016
The proverb has been an underutilized resource in tracing the linguistic and intellectual cultures of the past. Making the fullest use of this material, this study, by Susan E. Deskis, is complex in its combination of philology, paroemiology, literary history, and sociolinguistics, ultimately reaching conclusions that are enlightening for both the literary and linguistic histories of medieval England. In the language ecology of England from about 1100 to about 1500, where English, French, and Latin compete for use, alliterative proverbs are marked not only by the choice of English as the language of expression but also because alliteration in Middle English connotes a conscious connection to the past. Alliterative Proverbs in Medieval England: Language Choice and Literary Meaning explores how that connection is exploited in various literary genres from school texts and sermons to romances and cycle plays.
Alter-Nations
Nationalisms, Terror, and the State in Nineteenth-Century Britain and IrelandAmy E. Martin
The Ohio State University Press, 2012
Althusser and His Contemporaries
Philosophy's Perpetual WarWarren Montag
Duke University Press, 2013
Alva Ixtlilxochitl's Native Archive and the Circulation of Knowledge in Colonial Mexico
Amber Brian
Vanderbilt University Press, 2016
Born between 1568 and 1580, Alva Ixtlilxochitl was a direct descendant of Ixtlilxochitl I and Ixtlilxochitl II, who had been rulers of Texcoco, one of the major city-states in pre-Conquest Mesoamerica. After a distinguished education and introduction into the life of the empire of New Spain in Mexico, Ixtlilxochitl was employed by the viceroy to write histories of the indigenous peoples in Mexico. Engaging with this history and delving deep into the resultant archives of this life's work, Amber Brian addresses the question of how knowledge and history came to be crafted in this era.
Brian takes the reader through not only the history of the archives itself, but explores how its inheritors played as crucial a role in shaping this indigenous history as the author. The archive helped inspire an emerging nationalism at a crucial juncture in Latin American history, as Creoles and indigenous peoples appropriated the history to give rise to a belief in Mexican exceptionalism. This belief, ultimately, shaped the modern state and impacted the course of history in the Americas. Without the work of Ixtlilxochitl, that history would look very different today.
Ambient Life
Melville and the Ethereal EnlightenmentBranka Arsic
University of Minnesota Press, 2026
Rethinking the human through Melville’s encounters with oceans, ecologies, and non-Western cosmologies
Ambient Life offers a bold reimagining of Herman Melville’s writing through the lens of ecology. Renowned literary critic Branka Arsić reframes Melville not just as a novelist but as an environmental thinker—one who reoriented the terms of human identity, perception, and relation. Rather than treating Melville’s texts as separate literary objects, Arsić gathers them collectively to stage a philosophical meeting between Western Enlightenment epistemologies and the cosmologies of Polynesian and African traditions.
In Ambient Life, Melville’s thinking becomes a site where vegetal, animal, and elemental images dissolve the distinction between inner life and outer world, yielding a radically relational form of individuation. Showing how Melville envisioned the human body not as a bounded, rational mind-container but as a porous, sensing organ infused with its surroundings, Arsić presents the mind as ambient rather than internal—a “coral psyche” shaped by atmospheric, aesthetic, and affective entanglements. Drawing from rich historical archives and ethnographic narratives, Arsić’s archipelagic method mirrors this fluidity, traveling across oceans and epistemes to map a mode of thought.
Pushing the boundaries of scholarly form and content, Ambient Life is a resonant meditation on the unstable boundaries of the self that positions Melville as a witness to the ecological precarity of our time—and an unwitting ancestor of posthumanist thought.
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Ambiguity and Gender in the New Novel of Brazil and Spanish America
A Comparative AssessmentPayne, Judith A.
University of Iowa Press, 1993
Ambiguous Borderlands
Shadow Imagery in Cold War American CultureErik Mortenson
Southern Illinois University Press, 2016
After contextualizing the postwar use of shadow imagery in the wake of the atomic bomb, Ambiguous Borderlands looks at shadows in print works, detailing the reemergence of the pulp fiction crime fighter the Shadow in the late-1950s writings of Sylvia Plath, Amiri Baraka, and Jack Kerouac. Using Freudian and Jungian conceptions of the unconscious, Mortenson then discusses Kerouac’s and Allen Ginsberg’s shared dream of a “shrouded stranger” and how it shaped their Beat aesthetic. Turning to the visual, Mortenson examines the dehumanizing effect of shadow imagery in the Cold War photography of Robert Frank, William Klein, and Ralph Eugene Meatyard. Mortenson concludes with an investigation of the use of chiaroscuro in 1950s film noir and the popular television series The Twilight Zone, further detailing how the complexities of Cold War society were mirrored across these media in the ubiquitous imagery of light and dark.
From comics to movies, Beats to bombs, Ambiguous Borderlands provides a novel understanding of the Cold War cultural context through its analysis of the image of the shadow in midcentury media. Its interdisciplinary approach, ambitious subject matter, and diverse theoretical framing make it essential reading for anyone interested in American literary and popular culture during the fifties and sixties.
Ambivalent Desires
Affect and Boys Love in ChinaLiang Ge
University of Michigan Press, 2027
Ambivalent Desires carefully investigates Chinese danmei creators’ and fans’ everyday affective experiences in the dynamic yet ambivalent boys love cultural ecology of China. Emerging in mainland China in the late 1990s and flourishing in the 2010s, danmei, also known as boys love fiction, is a genre that features male-male romances or erotica. This book offers a rich, empirically grounded account of danmei, examining the complex and embodied lived experiences of those producing and consuming male homoeroticism and framing ambivalence as an ongoing queer feminist project.
Proposing a novel theoretical framework of “the grammar of ambivalences,” Liang Ge seeks to understand how desires, affects, and queer feminist politics operate within and against the everyday heteropatriarchal and party-state conditions of postsocialist China. Ambivalent Desires attends simultaneously to the backward-looking normativities infused within danmei culture and the forward-facing transformative potential it generates, refusing the reductive binary of resistance versus escapism that has structured much existing scholarship.