788 books match the query 'Caribbean & Latin American' and 78 start with c

cover of Campaigns and Voters in Developing Democracies: Argentina in Comparative Perspective

Campaigns and Voters in Developing Democracies

Argentina in Comparative Perspective

Edited by Noam Lupu, Virginia Oliveros, and Luis Schiumerini

University of Michigan Press, 2019

Voting behavior is informed by the experience of advanced democracies, yet the electoral context in developing democracies is significantly different. Civil society is often weak, poverty and inequality high, political parties ephemeral and attachments to them weak, corruption rampant, and clientelism widespread. Voting decisions in developing democracies follow similar logics to those in advanced democracies in that voters base their choices on group affiliation, issue positions, valence considerations, and campaign persuasion. Yet developing democracies differ in the weight citizens assign to these considerations. Where few social identity groups are politically salient and partisan attachments are sparse, voters may place more weight on issue voting. Where issues are largely absent from political discourse, valence considerations and campaign effects play a larger role. Campaigns and Voters in Developing Democracies develops a theoretical framework to specify why voter behavior differs across contexts.
[more]
cover of Can Literature Promote Justice?: Trauma Narrative and Social Action in Latin American Testimonio

Can Literature Promote Justice?

Trauma Narrative and Social Action in Latin American Testimonio

Kimberly A. Nance

Vanderbilt University Press, 2006

As if in direct response to The New Yorker's question of "The Power of the Pen: Does Literature Change Anything?" Kimberly Nance takes up the relationship between ethics and literature. With the 40th anniversary of the testimonio occurring in 2006, there has never been a better time to reconsider its role in achieving social justice.

The advent of the testimonio--loosely, a political autobiography of a Latin American activist who hopes, through the telling of her life story, to bring about change--was met with a great deal of excitement by scholars who posited it as a radical new form of literature. Those accolades were almost immediately followed by a series of critical problems. In what sense were testimonios "true"? What right did privileged scholars in the U.S. have to engage accounts of suffering with traditional modes of criticism? Were questions of veracity or aesthetics more important? Were these texts autobiography or political screeds? It seemed critics didn't know quite what to make of the testimonio and so, after a brief bout of engagement, disregarded it.

Nance, however, argues that any form as prolific as the testimonio is well worth examining and that these questions, rather than being insurmountable, are exactly the questions with which scholars ought to be wrestling. If, as critics claim, that the testimonio is one of the most pervasive contemporary Latin American cultural genres, then it is high time for a comprehensive study of the genre such as Nance's.

[more]
cover of Cannibal Translation: Literary Reciprocity in Contemporary Latin America

Cannibal Translation

Literary Reciprocity in Contemporary Latin America

Isabel C. Gómez

Northwestern University Press, 2023

Winner of the 2024 ACLA Harry Levin Prize • Honorable Mention MLA Katherine Singer Kovacs Prize 

A bold comparative study illustrating the creative potential of translations that embrace mutuality and resist assimilation

Cannibal translators digest, recombine, transform, and trouble their source materials. Isabel C. Gómez makes the case for this model of literary production by excavating a network of translation projects in Latin America that includes canonical writers of the twentieth century, such as Haroldo and Augusto de Campos, Rosario Castellanos, Clarice Lispector, José Emilio Pacheco, Octavio Paz, and Ángel Rama. Building on the avant-garde reclaiming of cannibalism as an Indigenous practice meant to honorably incorporate the other into the self, these authors took up Brazilian theories of translation in Spanish to fashion a distinctly Latin American literary exchange, one that rejected normative and Anglocentric approaches to translation and developed collaborative techniques to bring about a new understanding of world literature. 

By shedding new light on the political and aesthetic pathways of translation movements beyond the Global North, Gómez offers an alternative conception of the theoretical and ethical challenges posed by this artistic practice. Cannibal Translation: Literary Reciprocity in Contemporary Latin America mobilizes a capacious archive of personal letters, publishers’ records, newspapers, and new media to illuminate inventive strategies of collectivity and process, such as untranslation, transcreation, intersectional autobiographical translation, and transpeaking. The book invites readers to find fresh meaning in other translational histories and question the practices that mediate literary circulation.

[more]
cover of Cannibal Writes: Eating Others in Caribbean and Indian Ocean Women's Writing

Cannibal Writes

Eating Others in Caribbean and Indian Ocean Women's Writing

Njeri Githire

University of Illinois Press, 2014

Postcolonial and diaspora studies scholars and critics have paid increasing attention to the use of metaphors of food, eating, digestion, and various affiliated actions such as loss of appetite, indigestion, and regurgitation. As such stylistic devices proliferated in the works of non-Western women writers, scholars connected metaphors of eating and consumption to colonial and imperial domination.
 
In Cannibal Writes, Njeri Githire concentrates on the gendered and sexualized dimensions of these visceral metaphors of consumption in works by women writers from Haiti, Jamaica, Mauritius, and elsewhere. Employing theoretical analysis and insightful readings of English- and French-language texts, she explores the prominence of alimentary-related tropes and their relationship to sexual consumption, writing, global geopolitics and economic dynamics, and migration. As she shows, the use of cannibalism in particular as a central motif opens up privileged modes for mediating historical and sociopolitical issues.
 
Ambitiously comparative, Cannibal Writes ranges across the works of well-known and lesser known writers to tie together two geographic and cultural spaces that have much in common but are seldom studied in parallel.
[more]
cover of Capital Fictions: The Literature of Latin America's Export Age

Capital Fictions

The Literature of Latin America's Export Age

Ericka Beckman

University of Minnesota Press, 2012

Between 1870 and 1930, Latin American countries were incorporated into global capitalist networks like never before, mainly as exporters of raw materials and importers of manufactured goods. During this Export Age, entire regions were given over to the cultivation of export commodities such as coffee and bananas, capital and labor were relocated to new production centers, and barriers to foreign investment were removed. Capital Fictions investigates the key role played by literature in imagining and interpreting the rapid transformations unleashed by Latin America’s first major wave of capitalist modernization.

Using an innovative blend of literary and economic analysis and drawing from a rich interdisciplinary archive, Ericka Beckman provides the first extended evaluation of Export Age literary production. She traces the emergence of a distinct set of fictions, fantasies, and illusions that accompanied the rise of export-led, dependent capitalism. These “capital fictions” range from promotional pamphlets for Guatemalan coffee and advertisements for French fashions, to novels about stock market collapse in Argentina and rubber extraction in the Amazon.

Beckman explores how Export Age literature anticipated some of the key contradictions faced by contemporary capitalist societies, including extreme financial volatility, vast social inequality, and ever-more-intense means of exploitation. Questioning the opposition between culture and economics in Latin America and elsewhere, Capital Fictions shows that literature operated as a powerful form of political economy during this period.

[more]
cover of Capturing Mariposas: Reading Cultural Schema in Gay Chicano Literature

Capturing Mariposas

Reading Cultural Schema in Gay Chicano Literature

Doug P. Bush

The Ohio State University Press, 2019

Gay Chicano/Latinx literature often holds an intensely personal meaning for its readers, sometimes being the first artistic expression encountered that affirms their own identity as a double minority in a world that is frequently hostile to both. Nevertheless, much of the academic discourse surrounding this body of literature has overlooked how critical audience reaction can be in this inherently political genre, instead seeing the power of a work as resting within the piece itself.
 
In Capturing Mariposas: Reading Cultural Schema in Gay Chicano Literature, Doug P. Bush looks at the book as only the beginning, considering how this literature has the power to bring understanding to disparate groups, speak truth about repressed sexuality and repressive communities, and recast traditional spaces as ones of inclusion, all through the idea of the cultural schema. Integrating elements of narratology and cognitive studies of literature, the cultural schema speaks to how these authors challenge, reaffirm, and transform commonly held experiences of gay Chicanos—or potentially any audience who reads their works. Focusing on twenty-first-century writers such as Manuel Muñoz, Rigoberto González, and Alex Espinoza, Bush examines the cultural schema of their works and then moves toward a more holistic discussion of the publishing and political implications of this genre. In addition to Bush’s important scholarship, the book includes extensive interviews with the authors themselves.
 
[more]
cover of Caracoleando Among Worlds: Reconstructing Maya Worldviews in Chiapas

Caracoleando Among Worlds

Reconstructing Maya Worldviews in Chiapas

Silvia Soto

University of Arizona Press, 2024

The contemporary literary movement of Maya writers of Chiapas and the Zapatista Army of National Liberation (or EZLN) insurgency are intricately intertwined. Even as each has forged its own path, they are bound by a shared commitment to rescuing, reclaiming, and recentering Maya worldviews.

This shared vision emerges in Caracoleando Among Worlds, which provides an in-depth analysis of poetry, short stories, and one of the first novels written by a Maya Tsotsil writer of Chiapas alongside close readings of the EZLN’s six declarations of the Lacandon Jungle. Themes echoing ancestral connections, informing epistemologies, and sustaining cultural and spiritual practices emerge and weave the texts to each other. The work brings into the conversation literature that has been translated into English for the first time and places Maya writers of Chiapas in discussion with other Native American and Indigenous scholars.

This work shows how literature, culture, and activism intertwine, and offers a compelling narrative that transcends boundaries and fosters a deeper understanding of Maya identities and resilience.
[more]
cover of Cardinal in My Window with a Mask on Its Beak

Cardinal in My Window with a Mask on Its Beak

Carlos Aguasaco, Translated by Jennifer Rathbun

University of Arizona Press, 2022

Cardinal in My Window with a Mask on Its Beak takes readers on a journey through poetic portraits, exploring the lives of passionate social justice advocates and historical migrants such as Ota Benga, Sarah Baartman, Isidro Marcelino Orbés, César Vallejo, and Gertrude Stein, among others. Raw and unapologetic, the poems in this bilingual collection ask readers to question their role in today’s society. The verses press the reader to examine what it means to have social justice in our globalized world, as Aguasaco confronts how society treats the Other—be that the immigrant, the Indigenous person, or anyone who embodies Otherness.

A first-generation immigrant to the United States, Aguasaco embraces his transborder/transnational/intercultural identity by building a bridge across time and distance to unite the great voices of the Renaissance with his lyrical poems. The collection offers bold and fascinating dialogue with Spanish authors such as Juan Boscán, Francisco de Quevedo, Garcilaso de la Vega, and Sor Juana Inés de la Cruz. The poems examine the fundamental liberties inherent to humanity through stunning verse. In a quest for freedom, the poems openly criticize the treatment of immigrants in the United States, drawing poignant parallels with human rights abuses throughout history.

Cardinal in My Window with a Mask on Its Beak brings potent voices of the past to life in poems that critically examine the present and future of the human experience.
 
[more]
cover of Caribbean American Narratives of Belonging

Caribbean American Narratives of Belonging

Vivian Nun Halloran

The Ohio State University Press, 2023

In Caribbean American Narratives of Belonging, Vivian Nun Halloran analyzes memoirs, picture books, comic books, young adult novels, musicals, and television shows through which Caribbean Americans recount and celebrate their contributions to contemporary politics, culture, and activism in the United States. The writers, civil servants, illustrators, performers, and entertainers whose work is discussed here show what it is like to fit in and be included within the body politic. From civic memoirs by Sonia Sotomayor and others, to West Side Story, Hamilton, and Into the Spider-Verse, these texts share a forward-looking perspective, distinct from the more nostalgic rhetoric of traditional diasporic texts that privilege connections to the islands of origin.

There is no one way of being Caribbean. Diasporic communities exhibit a broad spectrum of ethnic, racial, religious, linguistic, and political qualities. Claiming a Caribbean American identity asks wider society to recognize and affirm hybridity in ways that challenge binaristic conceptions of race and nationality. Halloran provides a common language and critical framework to discuss the achievements of members of the Caribbean diaspora and their considerable cultural and political capital as evident in their contributions to literature and popular culture.

[more]
cover of Caribbean Inhospitality: The Poetics of Strangers at Home

Caribbean Inhospitality

The Poetics of Strangers at Home

Natalie Lauren Belisle

Rutgers University Press, 2025

The Caribbean has a global reputation for extending unparalleled hospitality to foreign guests. Yet local citizens express feeling alienated from the Caribbean nations they call home. Here, Natalie Lauren Belisle probes the relationship between these incompatible narratives of Caribbean life. Departing from tourist-centered critiques of the Caribbean’s visitor economy, Belisle instead gives primacy to the political life of the Caribbean citizen-subject within a broader hospitality regime. Reading literary, cinematic, and digital texts that traverse the Spanish, Anglophone, and Francophone Caribbean, Belisle interprets citizens’ estrangement through misdirected political deliberation and demonstrates that inhospitality is institutionalized through the aesthetic, reproducing itself in the laws that condition belonging and membership in the nation-state. Ultimately, Caribbean Inhospitality recasts the decay of nation/state sovereignty in the postcolonial Caribbean within the contours of neoliberalism, international relations, and cosmopolitanism.
[more]
cover of Caribbean Literary Discourse: Voice and Cultural Identity in the Anglophone Caribbean

Caribbean Literary Discourse

Voice and Cultural Identity in the Anglophone Caribbean

Barbara Lalla

University of Alabama Press, 2013

A study of the multicultural, multilingual, and Creolized languages that characterize Caribbean discourse, especially as reflected in the language choices that preoccupy creative writers

Caribbean Literary Discourse opens the challenging world of language choices and literary experiments characteristic of the multicultural and multilingual Caribbean. In these societies, the language of the master— English in Jamaica and Barbados—overlies the Creole languages of the majority. As literary critics and as creative writers, Barbara Lalla, Jean D’Costa, and Velma Pollard engage historical, linguistic, and literary perspectives to investigate the literature bred by this complex history. They trace the rise of local languages and literatures within the English speaking Caribbean, especially as reflected in the language choices of creative writers.

The study engages two problems: first, the historical reality that standard metropolitan English established by British colonialists dominates official economic, cultural, and political affairs in these former colonies, contesting the development of vernacular, Creole, and pidgin dialects even among the region’s indigenous population; and second, the fact that literary discourse developed under such conditions has received scant attention.

Caribbean Literary Discourse explores the language choices that preoccupy creative writers in whose work vernacular discourse displays its multiplicity of origins, its elusive boundaries, and its most vexing issues. The authors address the degree to which language choice highlights political loyalties and tensions; the politics of identity, self-representation, and nationalism; the implications of code-switching—the ability to alternate deliberately between different languages, accents, or dialects—for identity in postcolonial society; the rich rhetorical and literary effects enabled by code-switching and the difficulties of acknowledging or teaching those ranges in traditional education systems; the longstanding interplay between oral and scribal culture; and the predominance of intertextuality in postcolonial and diasporic literature.
[more]
cover of Caribbean Literature After Independence: The Case of Earl Lovelace

Caribbean Literature After Independence

The Case of Earl Lovelace

Edited by Bill Schwarz

University of London Press, 2008

Trinidad, historically located at the crossroads of the Americas, has produced an incomparable national literature, fashioning genres that have informed the Caribbean region as a whole. One of the greatest contemporary Trinidadian writers is Earl Lovelace. His novelistic performative epics combine the rhythms of steelband and calypso with the narrative complexity of Faulkner. Lovelace was an early enthusiast for Black Power and remains an indefatigable critic of the inequalities bequeathed by the post-Independence state. Embracing an aesthetic that seeks out the darkness of the nation - the traces of Africa, the passions of the black dispossessed, the liturgies of the Shouter churches - he strives to imagine a society which might at last break free from its colonial past, dramatizing the political and psychic struggles of the poor for selfhood. This is the first published volume to assess Lovelace's fiction and also his larger role in Caribbean letters. The contributors to this book include: J. Dillon Brown (Washington University, St.
Louis), Chris Campbell (Queen Mary, University of London), Louis James (emeritus professor, University of Kent), Nicole King (Royal Holloway, University of London), Aaron Love (New York University), Patricia Murray (London Metropolitan University), James Procter (Newcastle University), Kate Quinn (Institute for the Study of the Americas, University of London), Tina K. Ramnarine (Royal Holloway, University of London), Bill Schwarz (Queen Mary, University of London), Lawrence Scott (University of Trinidad and Tobago), and John Thieme (University of East Anglia).
[more]
cover of Caribbean Migrations: The Legacies of Colonialism

Caribbean Migrations

The Legacies of Colonialism

Anke Birkenmaier

Rutgers University Press, 2021

2021 Choice Outstanding Academic Title

With mass migration changing the configuration of societies worldwide, we can look to the Caribbean to reflect on the long-standing, entangled relations between countries and areas as uneven in size and influence as the United States, Cuba, Hispaniola, Puerto Rico, and Jamaica. More so than other world regions, the Caribbean has been characterized as an always already colonial region. It has long been a key area for empires warring over influence spheres in the new world, and where migration waves from Africa, Europe, and Asia accompanied every political transformation over the last five centuries. In Caribbean Migrations, an interdisciplinary group of humanities and social science scholars study migration from a long-term perspective, analyzing the Caribbean's "unincorporated subjects" from a legal, historical, and cultural standpoint, and exploring how despite often fractured public spheres, Caribbean intellectuals, artists, filmmakers, and writers have been resourceful at showcasing migration as the hallmark of our modern age.
[more]
cover of Caribbean Women Writers: Essays from the First International Conference

Caribbean Women Writers

Essays from the First International Conference

Selwyn R. Cudjoe

University of Massachusetts Press, 1990

An anthology of essays collected from the first international conference on Caribbean women writers, 1988.
[more]
cover of Caribbeana: An Anthology of English Literature of the West Indies, 1657-1777

Caribbeana

An Anthology of English Literature of the West Indies, 1657-1777

Edited by Thomas W. Krise

University of Chicago Press, 1999

Although the colonies in the West Indies were as important to the expanding British empire as those in North America, writings from the British West Indies have been conspicuously absent from anthologies of seventeenth- and eighteenth-century British literature. In this first literary anthology dedicated to the region, Thomas W. Krise gathers important but little-known descriptions, poems, narratives, satires, and essays written in and about this culturally rich and politically tempestuous region.

Caribbeana offers invaluable period commentaries on slavery, colonialism, gender relations, African and European history, natural history, agriculture, and medicine. Highlights include several of the earliest protests against slavery; a superb ode by the Cambridge-educated Afro-Jamaican poet Francis Williams; James Grainger's extended georgic poem, The Sugar Cane; Frances Seymour's poignant tale of the Englishman Inkle who sells his Indian savior-lover Yarico into slavery; and several descriptions of the West Indies during the early years of settlement.
[more]
cover of Carlos Fuentes, Mexico, and Modernity

Carlos Fuentes, Mexico, and Modernity

Maarten van Delden

Vanderbilt University Press, 1998

In Carlos Fuentes, Mexico, and Modernity, Van Delden argues that there is a fundamental paradox at the heart of Fuentes's vision of Mexico and in his role as novelist and critic in putting forth that vision. This paradox hinges on the tension between national identity and modernity. A significant internal conflict emerges in Fuentes's work from his attempt to stake out two different positions for himself, as experimental novelist and as politically engaged and responsible intellectual. Drawing from his fiction, literary essays, and political journalism, Van Delden places these tensions in Fuentes's work in relation to the larger debates about modernity and postmodernity in Latin America. He concludes that Fuentes is fundamentally a modernist writer, in spite of the fact that he occasionally gravitates toward the postmodernist position in literature and politics.

Van Delden's thorough command of the subject matter, his innovative and sometimes iconoclastic conclusions, and his clear and engaging writing style make this study more than just an interpretation of Fuentes's work. Carlos Fuentes, Mexico, and Modernity offers nothing less than a comprehensive analysis of Fuentes's intellectual development in the context of modern Mexican political and cultural life.

[more]
cover of Carlos Fuentes: A Critical View

Carlos Fuentes

A Critical View

Edited by Robert Brody and Charles Rossman

University of Texas Press, 1982

Carlos Fuentes is a master of modern world literature. With the translation of his major works into English and other languages, his reputation has surpassed the boundaries of his native Mexico and of Hispanic literature and has become international. Now each new novel stimulates popular and scholarly reviews in periodicals from Mexico City and Buenos Aires to Paris and New York.

Carlos Fuentes: A Critical View is the first full-scale examination in English of this major writer's work. The range and diversity of this critical view are remarkable and reflect similar characteristics in the creative work of Carlos Fuentes, a man of formidable intellectual energy and curiosity.

The whole of Fuentes' work is encompassed by Luis Leal as he explores history and myth in the writer's narrative. Insightful new views of single works are provided by other well-known scholars, such as Roberto González Echevarría, writing on Fuentes' extraordinary Terra Nostra, and Margaret Sayers Peden, exploring Distant Relations, for which she served as authorized translator. Here too are fresh approaches to Fuentes' other novels, among them Where the Air Is Clear, Aura, and The Hydra Head, as well as an examination by John Brushwood of the writer's short fiction and a look by Merlin Forster at Fuentes the playwright. Lanin Gyurko reaches outside Fuentes' canon for his fascinating study of the influence of Orson Welles' Citizen Kane on The Death of Artemio Cruz. Manuel Durán and George Wing consider Fuentes in his role as critic of both literature and art.

Carlos Fuentes: A Critical View has been prepared with the writer's many English-speaking readers in mind. Quotations are most frequently from standard, readily available English translations of Fuentes' works. A valuable chronology of the writer's life rounds off the volume.

[more]
cover of Carlos Lacerda, Brazilian Crusader: Volume I: The Years 1914-1960

Carlos Lacerda, Brazilian Crusader

Volume I: The Years 1914-1960

By John W. F. Dulles

University of Texas Press, 1991

Playwright, journalist, and spectacularly successful governor, Carlos Lacerda was Brazil's foremost orator in the 20th century and its most controversial politician. He might have become president in the 1960s had not the military taken over. In the words of eminent historian José Honório Rodrigues, "No one person influenced the Brazilian historical process as much as Carlos Lacerda from 1945 to 1968."

In this volume, the first of a two-volume biography, Professor Dulles paints a portrait of a rebellious youth, who had the willfulness of his prominent father and who crusaded for Communism before becoming its most outspoken foe. Recalling Lacerda's rallying cry, "Brazil must be shaken up," Dulles traces the career of the journalist whose unsparing attacks on the men in power led authorities to imprison him and employ thugs who pummeled him physically. The story covers events in which Lacerda helped alter Brazil, such as the redemocratization in 1945 and his revelation of scandals in high places in the early 1950s. An unsuccessful attempt by government men to murder him in 1954 led to the suicide of President Getulio Vargas in 1954.

Lacerda's spirited oratory helped him become Brazil's most popular congressman, but it scared the rulers of Brazil and they prohibited the broadcast of his speeches after he returned from exile in 1956. Their effort to deprive him of his mandate stirred the entire nation and culminated in one of the most dramatic sessions ever held in the Chamber of Deputies.

Dulles, who knew Lacerda well and had access to his papers, sheds light on Lacerda the man, ardent in courtship and in all his undertakings, intellectually restless, and scornful of routine and mediocrity. Lacerda had a vitriolic pen that made bitter enemies, but, as disclosed in these pages, his courage and incorruptibility attracted an enthusiastic following, evident in the landslide election victories that brought him seats on Rio de Janeiro's city council and in the federal Congress.

[more]
cover of Carlos Lacerda, Brazilian Crusader: Volume II:  The Years 1960-1977

Carlos Lacerda, Brazilian Crusader

Volume II: The Years 1960-1977

By John W. F. Dulles

University of Texas Press, 1991

From reviews of Volume I:

"Brazilian Crusader is no doubt the best biography yet produced on Lacerda and the second volume . . . is certainly worth waiting for."

—Luso-Brazilian Review

Journalist and spectacularly successful governor, Carlos Lacerda was Brazil's foremost orator in the 20th century and its most controversial politician. He might have become president in the 1960s had not the military taken over.

In the first volume, John F. W. Dulles paints a portrait of a rebellious youth, who had the willfulness of his prominent father and who crusaded for Communism before becoming its most outspoken foe. Recalling Lacerda's rallying cry, "Brazil must be shaken up," Dulles traces the career of the journalist whose unsparing attacks on the men in power led authorities to imprison him and employ thugs who pummeled him physically. Lacerda's spirited oratory helped him become Brazil's most popular congressman, but it scared the rulers of Brazil, who prohibited the broadcast of his speeches after he returned from exile in 1956. Their effort to deprive him of his mandate stirred the entire nation and culminated in one of the most dramatic sessions ever held in the Chamber of Deputies.

In the second and final volume, Dulles explores the political and private life of Lacerda from 1960, when he became governor of Brazil's Guanabara state, until his death in 1977. Dulles focuses particularly on the years 1960 to 1968, in which Lacerda played a central role in some of the most drastic political changes that Brazil has experienced in this century.

Lacerda's story ranges from the headlines constantly generated by his political attacks and journalistic sensationalism to private moments of personal tragedy. In telling his story, Dulles draws on hundreds of interviews, as well as extensive research in press archives, Lacerda's public papers, and the private collections of Lacerda's family and associates. This material paints a compelling portrait of an honest administrator who alienated top figures in politics, the press, and the military.

[more]
cover of Carlos Monsiváis: Culture and Chronicle in Contemporary Mexico

Carlos Monsiváis

Culture and Chronicle in Contemporary Mexico

Linda Egan

University of Arizona Press, 2001

One of Mexico’s foremost social and political chroniclers and its most celebrated cultural critic, Carlos Monsiváis has read the pulse of his country over the past half century. The author of five collections of literary journalism pieces called crónicas, he is perhaps best known for his analytic and often satirical descriptions of Mexico City’s popular culture.

This comprehensive study of Monsiváis’s crónicas is the first book to offer an analysis of these works and to place Monsiváis’s work within a theoretical framework that recognizes the importance of his vision of Mexican culture. Linda Egan examines his ideology in relation to theoretical postures in Latin America, the United States, and Europe to cast Monsiváis as both a heterodox pioneer and a mainstream spokesman. She then explores the poetics of the contemporary chronicle in Mexico, reviewing the genre’s history and its relation to other narrative forms. Finally, she focuses on the canonical status of Monsiváis’s work, devoting a chapter to each of his five principal collections.

Egan argues that the five books that are the focus of her study tell a story of ever-renewing suspense: we cannot know “the end” until Monsiváis is through constructing his literary project. Despite this, she observes, his work between 1970 and 1995 documents important discoveries in his search for causes, effects, and deconstructions of historical obstacles to Mexico’s passage into modernity.

While anthropologists and historians continue to introduce new paradigms for the study of Mexico’s cultural space, Egan’s book provides a reflexive twist by examining the work of one of the thinkers who first inspired such a critical movement. More than an appraisal of Monsiváis, it offers a valuable discussion of theoretical issues surrounding the study of the chronicle as it is currently practiced in Mexico. It balances theory and criticism to lend new insight into the ties between Mexican society, social conscience, and literature.

[more]
cover of Cash, Clothes, and Construction: Rethinking Value in Bolivia's Pluri-economy

Cash, Clothes, and Construction

Rethinking Value in Bolivia's Pluri-economy

Kate Maclean

University of Minnesota Press, 2023

A groundbreaking feminist perspective on Movimiento al Socialismo (MAS) rule in Bolivia and the country’s radical transformation under Evo Morales
 

The presidency of Evo Morales in Bolivia (2006–2019) has produced considerable academic scholarship, much of it focused on indigenous social movements or extractivism, and often triumphalist about the successes of Morales’s Movimiento al Socialismo (MAS). Turning a new lens on the movement, Cash, Clothes, and Construction presents the first gender-based analysis of “pluri-economy,” a central pillar of Bolivia’s program under Morales, evaluating the potential of this vision of “an economy where all economies fit” to embrace feminist critiques of capitalism and economic diversity. 

 

Based on more than twelve years of empirical research exploring the remarkable transformations in Bolivia since 2006, this book focuses on three sectors—finance, clothing, and construction—in which indigenous women have defied gendered expectations. Kate Maclean presents detailed case studies of women selling secondhand high street clothes from the United States in the vast, peri-urban markets of Bolivian cities; Aymaran designers of new pollera (traditional Andean dress) fashions, one of whom exhibited her collection in New York City; and the powerful and rich chola paceña, whose real estate investments have transformed the cultural maps of La Paz and El Alto. 

 

Cash, Clothes, and Construction offers a gendered analysis of the mission of MAS to dismantle neoliberalism and decolonize politics and economy from the perspective of the Indigenous women who have radically transformed Bolivia’s economy from the ground up.

[more]
cover of Cast in Deathless Bronze: Andrew Rowan, the Spanish-American War, and the Origins of American Empire

Cast in Deathless Bronze

Andrew Rowan, the Spanish-American War, and the Origins of American Empire

Donald Tunnicliff Rice

West Virginia University Press, 2016

In 1898, when war with Spain seemed inevitable, Andrew Summers Rowan, an American army lieutenant from West Virginia, was sent on a secret mission to Cuba. He was to meet with General Calixto García, a leader of the Cuban rebels, in order to gather information for a U.S. invasion. Months later, after the war was fought and won, a flamboyant entrepreneur named Elbert Hubbard wrote an account of Rowan’s mission titled “A Message to García.” It sold millions of copies, and Rowan became the equivalent of a modern-day rock star. His fame resulted in hundreds of magazine and newspaper articles, radio shows, and two movies. Even today he is held up as an exemplar of bravery and loyalty. The problem is that nothing Hubbard wrote about Rowan was true.
 
Donald Tunnicliff Rice reveals the facts behind the story of “A Message to García” while using Rowan’s biography as a window into the history of the Spanish-American War, the Philippine War, and the Moro Rebellion. The result is a compellingly written narrative containing many details never before published in any form, and also an accessible perspective on American diplomatic and military history in the late nineteenth and early twentieth centuries.
 
[more]
cover of Caste War Now and Never: Unreading Gender, Race, and Land in Yucatán

Caste War Now and Never

Unreading Gender, Race, and Land in Yucatán

S. B. West

University of Arizona Press, 2026

In Caste War Now and Never scholar S. B. West considers Yucatán’s nineteenth-century Caste War, the longest and most violent Indigenous uprising of the Western Hemisphere, to argue that it actually never occurred.

Instead, West writes that the violent events grouped under the “Caste War” label must be understood through alternative frameworks that resist the emergent logics of race war and include related regulatory matrices like gender and land. Through this lens, the Caste War emerges as a discursive construct rooted in an anti-Indigenous archive that served the political interests of a frustrated regional elite during the rise of liberalism and nationhood. West argues that Caste War discourse unfolds as a technology that mobilized and legitimized genocidal actions against racialized rebels and inspired assimilation into hegemonic political and social structures.

In the second half of the book, West looks at the Caste War to engage its contemporary polysemic nature through close readings of Yucatec Maya texts, stories, and other forms of knowledge production. These sources reframe the Caste War as an important part of a framework of resistance that defies colonial time and reclaims narrative control of its events.

Caste War Now and Never captures how Maya communities understand the conflict as ongoing and demonstrates that although the Caste War never occurred as such, it continues to endure presently.

[more]
cover of Cenizas: Poems

Cenizas

Poems

Cynthia Guardado

University of Arizona Press, 2022

Cenizas offers an arresting portrait of a Salvadoran family whose lives have been shaped by the upheavals of global politics. The speaker of these poems—the daughter of Salvadoran immigrants—questions the meaning of homeland as she navigates life in the United States while remaining tethered to El Salvador by the long shadows cast by personal and public history. Cynthia Guardado’s poems give voice to the grief of family trauma, while capturing moments of beauty and tenderness. Maternal figures preside over the verses, guiding the speaker as she searches the ashes of history to tell her family’s story. The spare, narrative style of the poems are filled with depth as the family’s layers come to light.

Guardado crafted the poems in Cenizas over a ten-year period, often traveling to El Salvador for research and to conduct interviews. The Salvadoran Civil War haunts the pages of this collection as it unflinchingly explores war, its aftermath, and the bittersweet legacies that are passed down from one generation to the next. The poems mourn those who were lost and honor the strength of the speaker’s ancestors. “All my people have been born from the ashes of volcanoes,” she writes, invoking a family lineage that has endured the atrocities committed against them. Even so, El Salvador keeps pulling the speaker back—and despite warnings of danger, she still manages to find beauty among the ruins.
 
[more]
cover of Challenged Sovereignty: The Impact of Drugs, Crime, Terrorism, and Cyber Threats in the Caribbean

Challenged Sovereignty

The Impact of Drugs, Crime, Terrorism, and Cyber Threats in the Caribbean

Ivelaw Lloyd Griffith

University of Illinois Press, 2024

The drug trade. Crime. Terrorism. Cyber threats. In the Caribbean, these cross-border Problems Without Passports (PWPs) have shaken the very foundation of nation states. Blending case studies with regional analysis, Ivelaw Lloyd Griffith examines the regionwide impact of PWPs and the complex security and sovereignty issues in play. The interaction of local and global forces within PWPs undermines the governments’ basic goal of protecting their people against military threats, subversion, and the erosion of political, economic, and social values. Seeking solutions to these multidimensional threats requires addressing both traditional and non-traditional security and sovereignty issues. Griffith focuses on clashes between PWPs and the state from warring drug gangs in Jamaica, to Trinidad and Tobago’s one-time status as a center for terrorism-related activities, to the political resurgence of drug trafficker Desi Bouterse in Suriname, and the growing cyber threats across the region.

Informed and up to date, Challenged Sovereignty explains the effects of today’s globalized problems on the contemporary Caribbean.

[more]
cover of Challenging the Black Atlantic: The New World Novels of Zapata Olivella and Gonçalves

Challenging the Black Atlantic

The New World Novels of Zapata Olivella and Gonçalves

John T. Maddox IV

Bucknell University Press, 2021

The historical novels of Manuel Zapata Olivella and Ana Maria Gonçalves map black journeys from Africa to the Americas in a way that challenges the Black Atlantic paradigm that has become synonymous with cosmopolitan African diaspora studies. Unlike Paul Gilroy, who coined the term and based it on W.E.B. DuBois’s double consciousness, Zapata, in Changó el gran putas (1983), creates an empowering mythology that reframes black resistance in Colombia, Haiti, Mexico, Brazil, and the United States. In Um defeito de cor (2006), Gonçalves imagines the survival strategies of a legendary woman said to be the mother of black abolitionist poet Luís Gama and a conspirator in an African Muslim–⁠led revolt in Brazil’s “Black Rome.” These novels show differing visions of revolution, black community, femininity, sexuality, and captivity. They skillfully reveal how events preceding the UNESCO Decade of Afro-Descent (2015–2024) alter our understanding of Afro-⁠Latin America as it gains increased visibility. 

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
[more]
cover of Changes in the Landscape: Humans and Nature in Nineteenth-Century Latin America

Changes in the Landscape

Humans and Nature in Nineteenth-Century Latin America

Edited by Jennifer L. French

Vanderbilt University Press, 2024

Changes in the Landscape is a collection of timely essays that bring the methodologies and commitments of ecocriticism to bear on the study of Latin American literature and cultural production. The book’s eleven chapters, written by some of the leading voices in the field, invite readers to consider how the relationship between humans and nonhuman nature was fundamentally transformed during a period when new modes of capitalist production were emerging in the region and around the world. Jennifer L. French’s introductory essay provides a historical and theoretical framework for the collection.

Ranging from the immediate aftermath of the Spanish‑American Wars of Independence (1810–1826) to the early twentieth century (1925), the volume’s essays cover a wide variety of genres and forms of cultural production, from José Hernández’s epic poem Martín Fierro to prose fiction, painting and photography, and the personal albums compiled by Spanish-American women. Individually and collectively, the essays engage with scientific writing as both a discourse of power and a source of potentially significant, even revelatory information about human and nonhuman nature. Changes in the Landscape enables readers to more fully understand the transition from colonial regimes to the ecocidal extractivism of the export boom (1870–1930) by drawing out and analyzing some of the cognitive resources and rhetorical strategies that were available to imagine, protest, or enact new norms and expectations regarding the relations between human and nonhuman life, be it the life of wildflowers, waterfalls, or Cuba’s Ciénaga de Zapata.
[more]
cover of Changing Birth in the Andes: Culture, Policy, and Safe Motherhood in Peru

Changing Birth in the Andes

Culture, Policy, and Safe Motherhood in Peru

Lucia Guerra-Reyes

Vanderbilt University Press, 2019

In 1997, when Lucia Guerra-Reyes began research in Peru, she observed a profound disconnect between the birth care desires of health personnel and those of indigenous women. Midwives and doctors would plead with her as the anthropologist to "educate women about the dangerous inadequacy of their traditions." They failed to see how their aim of achieving low rates of maternal mortality clashed with the experiences of local women, who often feared public health centers, where they could experience discrimination and verbal or physical abuse. Mainly, the women and their families sought a "good" birth, which was normally a home birth that corresponded with Andean perceptions of health as a balance of bodily humors.

Peru's Intercultural Birthing Policy of 2005 was intended to solve these longstanding issues by recognizing indigenous cultural values and making biomedical care more accessible and desirable for indigenous women. Yet many difficulties remain.

Guerra-Reyes also gives ethnographic attention to health care workers. She explains the class and educational backgrounds of traditional birth attendants and midwives, interviews doctors and health care administrators, and describes their interactions with local families. Interviews with national policy makers put the program in context.
[more]
cover of Changing the Subject: Writing Women across the African Diaspora

Changing the Subject

Writing Women across the African Diaspora

K. Merinda Simmons

The Ohio State University Press, 2014

In Changing the Subject: Writing Women across the African Diaspora, K. Merinda Simmons argues that, in first-person narratives about women of color, contexts of migration illuminate constructions of gender and labor. These constructions and migrations suggest that the oft-employed notion of “authenticity” is not as useful a classification as many feminist and postcolonial scholars have assumed. Instead of relying on so-called authentic feminist journeys and heroines for her analysis, Simmons calls for a self-reflexive scholarship that takes seriously the scholar’s own role in constructing the subject.
The starting point for this study is the nineteenth-century Caribbean narrative The History of Mary Prince (1831). Simmons puts Prince’s narrative in conversation with three twentieth-century novels: Zora Neale Hurston’s Their Eyes Were Watching God, Gloria Naylor’s Mama Day, and Maryse Condé’s I, Tituba, Black Witch of Salem. She incorporates autobiography theory to shift the critical focus from the object of study—slave histories—to the ways people talk about those histories and to the guiding interests of such discourses. In its reframing of women’s migration narratives, Simmons’s study unsettles theoretical certainties and disturbs the very notion of a cohesive diaspora.
[more]
cover of Channeling Knowledges: Water and Afro-Diasporic Spirits in Latinx and Caribbean Worlds

Channeling Knowledges

Water and Afro-Diasporic Spirits in Latinx and Caribbean Worlds

Rebeca L. Hey-Colón

University of Texas Press, 2023

2024 Honorable Mention, Isis Duarte Book Prize, Haiti/ Dominican Republic section, Latin American Studies Association

How water enables Caribbean and Latinx writers to reconnect to their pasts, presents, and futures.

Water is often tasked with upholding division through the imposition of geopolitical borders. We see this in the construction of the Rio Grande/Río Bravo on the US-Mexico border, as well as in how the Caribbean Sea and the Pacific Ocean are used to delineate the limits of US territory. In stark contrast to this divisive view, Afro-diasporic religions conceive of water as a place of connection; it is where spiritual entities and ancestors reside, and where knowledge awaits.

Departing from the premise that water encourages confluence through the sustainment of contradiction, Channeling Knowledges fathoms water’s depth and breadth in the work of Latinx and Caribbean creators such as Mayra Santos-Febres, Rita Indiana, Gloria Evangelina Anzaldúa, and the Border of Lights collective. Combining methodologies from literary studies, anthropology, history, and religious studies, Rebeca L. Hey-Colón’s interdisciplinary study traces how Latinx and Caribbean cultural production draws on systems of Afro-diasporic worship—Haitian Vodou, La 21 División (Dominican Vodou), and Santería/Regla de Ocha—to channel the power of water, both salty and sweet, in sustaining connections between past, present, and not-yet-imagined futures.

[more]
cover of Checkerboards and Shatterbelts: The Geopolitics of South America

Checkerboards and Shatterbelts

The Geopolitics of South America

By Philip Kelly

University of Texas Press, 1997

Geography has always played a major role in world politics. In this study, Philip Kelly maps the geopolitics of South America, a continent where relative isolation from the power centers in North America and Eurasia and often forbidding internal terrain have given rise to a fascinating and unique geopolitical structure.

Kelly uses the geographical concepts of "checkerboards" and "shatterbelts" to characterize much of South America's geopolitics and to explain why the continent has never been unified nor dominated by a single nation. This approach accounts for both historical relationships among South American countries and for such current situations as Brazil's inability to extend its authority across the continent from Atlantic to Pacific, its traditional competition with Argentina, its territorial expansion toward the continental heartlands, its encirclement by neighbors fearful of such expansion, and its recent rapprochement with Argentina.

An important component of this book is the incorporation of the thinking and writing of South American geopolitical analysts, which leads to an interesting inventory of viewpoints on frontier conflicts, territorial expansion, industrial development, economic cooperation, and United States and European relations. Kelly's findings will be important reading for geographers, political scientists, and students and scholars of Latin American history.

[more]
cover of Chicana Portraits: Critical Biographies of Twelve Chicana Writers

Chicana Portraits

Critical Biographies of Twelve Chicana Writers

Edited by Norma E. Cantú; With paintings by Raquel Valle-Sentíes

University of Arizona Press, 2023

This innovative collection pairs portraits with critical biographies of twelve key Chicana writers, offering an engaging look at their work, contributions to the field, and major achievements.

Artist Raquel Valle-Sentíes’s portraits bring visual dimension, while essays delve deeply into the authors’ lives for details that inform their literary, artistic, feminist, and political trajectories and sensibilities. The collection brilliantly intersects artistic visual and literary cultural productions, allowing complex themes to emerge, such as the fragility of life, sexism and misogyny, Chicana agency and forging one’s own path, the struggles of becoming a writer and battling self-doubt, economic instability, and political engagement and activism.

Arranged chronologically by birth order of the authors, the book can be read cover to cover for a genealogical overview, or scholars and general readers can easily jump in at any point and read about an individual author, regardless of the chronology.

Biographies included in this work include Raquel Valle-Sentíes, Angela de Hoyos, Montserrat Fontes, Gloria E. Anzaldúa, Norma E. Cantú, Denise Elia Chávez, Carmen Tafolla, Cherríe Moraga, Ana Castillo, Lorna Dee Cervantes, Sandra Cisneros, and Demetria Martínez.

Contributors
Cordelia E. Barrera
Mary Pat Brady
Norma E. Cantú
María Jesus Castro Dopacio
Carlos Nicolás Flores
Myrriah Gómez
Maria Magdalena Guerra de Charur
Gabriella Gutiérrez y Muhs
Georgina Guzmán
Cristina Herrera
María Esther Quintana
Eliza Rodríguez y Gibson
Meagan Solomon
Lourdes Torres
Raquel Valle-Sentíes
Jen Yáñez-Alaniz
[more]
cover of Children Crossing Borders: Latin American Migrant Childhoods

Children Crossing Borders

Latin American Migrant Childhoods

Edited by Alejandra J. Josiowicz and Irasema Coronado

University of Arizona Press, 2022

The Americas are witnessing an era of unprecedented human mobility. With their families or unaccompanied, children are part of this immense movement of people. Children Crossing Borders explores the different meanings of the lives of borderland children in the Americas. It addresses migrant children’s struggle to build a sense of belonging while they confront racism and estrangement on a daily basis.

Unified in their common interest in the well-being of children, the contributors bring an unrivaled breadth of experience and research to offer a transnational, multidimensional, and multilayered look at migrant childhoods in Latin America. Organized around three main themes—educational experiences; literature, art and culture, and media depictions; and the principle of the “best interest of the child”—this work offers both theoretical and practical approaches to the complexity of migrant childhood. The essays discuss family and school lives, children’s experience as wage laborers, and the legislation and policies that affect migrants.

This volume draws much-needed attention to the plight of migrant children and their families, illuminating the human and emotional toll that children experience as they crisscross the Americas. Exploring the connections between education, policy, cultural studies, and anthropology, the essays in this volume navigate a space of transnational children’s rights central to Latin American life in the twentieth and twenty-first centuries.

Contributors
Marissa Bejarano-Fernbaugh
Nancie Bouchard
Lina M. Caswell
Irasema Coronado
Valentina Glockner
Alejandra J. Josiowicz
Patrícia Nabuco Martuscelli
María Inés Pacecca
Martha Rodríguez-Cruz
Emily Ruehs-Navarro
Kathleen Tacelosky
Élisabeth Vallet
[more]
cover of Christianity, Social Change, and Globalization in the Americas

Christianity, Social Change, and Globalization in the Americas

Peterson, Anna L

Rutgers University Press, 2001

This volume resulted from a collaborative research project into responses of Protestant and Catholic religious communities in the Americas to the challenges of globalization. Contributors from the fields of religion, anthropology, political science, and sociology draw on fieldwork in Peru, El Salvador, and the United States to show the interplay of economic globalization, migration, and growing religious pluralism in Latin America.

Organized around three central themes-family, youth, and community; democratization, citizenship, and political participation; and immigration and transnationalism-the book argues that, at the local level, religion helps people, especially women and youths, solidify their identities and confront the challenges of the modern world. Religious communities are seen as both peaceful venues for people to articulate their needs, and forums for building participatory democracies in the Americas. Finally, the contributors examine how religion enfranchises poor women, youths, and people displaced by war or economic change and, at the same time, drives social movements that seek to strengthen family and community bonds disrupted by migration and political violence.

[more]
cover of Chronicle of My Worst Years

Chronicle of My Worst Years

Tino Villanueva

Northwestern University Press, 1994

As a Chicano writer working in Spanish, Tino Villanueva explores experience in the tongue that was the first European language spoken in and around his Texas homeland. Villanueva voices complex and compelling historical, literary, and cultural questions as impassioned personal utterances, investing this collection with intimacy and seriousness. His eloquent, elegant work portrays American realities absent from mainstream poetry.
[more]
cover of Cinema between Latin America and Los Angeles: Origins to 1960

Cinema between Latin America and Los Angeles

Origins to 1960

Horak, Jan-Christopher

Rutgers University Press, 2019

Historically, Los Angeles and its exhibition market have been central to the international success of Latin American cinema. Not only was Los Angeles a site crucial for exhibition of these films, but it became the most important hub in the western hemisphere for the distribution of Spanish language films made for Latin American audiences. Cinema between Latin America and Los Angeles builds upon this foundational insight to both examine the considerable, ongoing role that Los Angeles played in the history of Spanish-language cinema and to explore the implications of this transnational dynamic for the study and analysis of Latin American cinema before 1960. The volume editors aim to flesh out the gaps between Hollywood and Latin America, American imperialism and Latin American nationalism in order to produce a more nuanced view of transnational cultural relations in the western hemisphere. 
[more]
cover of Civil Obedience: Complicity and Complacency in Chile since Pinochet

Civil Obedience

Complicity and Complacency in Chile since Pinochet

Michael J. Lazzara

University of Wisconsin Press, 2020

Since the fall of General Augusto Pinochet's dictatorship in 1990, Chilean society has shied away from the subject of civilian complicity, preferring to pursue convictions of military perpetrators. But the torture, murders, deportations, and disappearances of tens of thousands of people in Chile were not carried out by the military alone; they required a vast civilian network. Some citizens actively participated in the regime's massive violations of human rights for personal gain or out of a sense of patriotic duty. Others supported Pinochet's neoliberal economic program while turning a blind eye to the crimes of that era.

Michael J. Lazzara boldly argues that today's Chile is a product of both complicity and complacency. Combining historical analysis with deft literary, political, and cultural critique, he scrutinizes the post-Pinochet rationalizations made by politicians, artists, intellectuals, bystanders, former revolutionaries-turned-neoliberals, and common citizens. He looks beyond victims and perpetrators to unveil the ambiguous, ethically vexed realms of memory and experience that authoritarian regimes inevitably generate.
[more]
cover of Civil Service Reform in Brazil: Principles Versus Practice

Civil Service Reform in Brazil

Principles Versus Practice

By Lawrence S. Graham

University of Texas Press, 1968

In the 1930s, during the authoritarian government of Getúlio Vargas, the Brazilian civil service reform movement began. Thirty-five years later, the actual administrative practices of the country did not adequately reflect the philosophy underlying this movement, a philosophy drawn from the reform experience and public administration theories of the United States and Western Europe. This book examines why these ideas, when transplanted to another cultural setting, did not take root and, further, why they unexpectedly proved to be most applicable in Brazil during periods of autocratic rule.

These questions are highly relevant not only to Brazil, but equally to other developing countries struggling to create more effective national administrative systems. For this reason, and in order to evaluate the Brazilian reform experience within its total context (social, economic, and political), Lawrence S. Graham develops a broad conceptual framework. His focus is on the years between 1945 and 1964, a period which allowed a relatively free play of political forces but, ironically, produced a diminution in the success of the reform efforts when compared with the authoritarian governments which preceded and followed it. After a comparative consideration of the public administration theories behind the reform movement, Graham examines this period in terms of the political environment, the functions of political patronage, and the influences of a nascent national party. Finally, he juxtaposes the conditions and course of the Brazilian reform experience with those of the United States and Great Britain.

Graham’s study of the Brazilian example, which does not pass judgment on the prevailing public personnel system, reveals the importance of understanding the total cultural context within which administrative principles are put into practice. Such an approach, wider than generally held in the field of public administration, may prove to be the most vital factor in the future of the civil service in Brazil and several other countries facing the same problems.

[more]
cover of Claribel Alegría and Central American Literature: Critical Essays

Claribel Alegría and Central American Literature

Critical Essays

Sandra M. Boschetto-Sandoval

Ohio University Press, 1993

These essays examine the multifaceted work of the Central American author whom Latin American literary historians consider precursor of “cultural dialogism” in poetry and fiction. As poet, essayist, journalist, novelist, and writer of “quasi–testimonio,” Alegría’s multiple discourses transgress the boundaries between traditional and postmodern political theories and practices. Her work reveals an allegory of relation and negotiation between “intelligentsia” and subaltern peoples as well as the need for a more socially extensive literature, not exclusive of more elite “magical literatures.”

The essays in the fist section frame Alegría’s discourses within sociohistorical, political, and literary contexts in order to illuminate the author’s singular place in the literary and political history of Central America. The essays in the second section engage in a feminist dialogic in which the reader encounters various critical validations and valorizations of Alegría’s many female voices. The third section involves the reader in the pursuit of extratextual or extraliterary resonances in Alegría’s work.

[more]
cover of Clear Word and Third Sight: Folk Groundings and Diasporic Consciousness in African Caribbean Writing

Clear Word and Third Sight

Folk Groundings and Diasporic Consciousness in African Caribbean Writing

Catherine A. John

Duke University Press, 2003

Clear Word and Third Sight examines the strands of a collective African diasporic consciousness represented in the work of a number of Black Caribbean writers. Catherine A. John shows how a shared consciousness, or “third sight,” is rooted in both pre- and postcolonial cultural practices and disseminated through a rich oral tradition. This consciousness has served diasporic communities by creating an alternate philosophical “worldsense” linking those of African descent across space and time.

Contesting popular discourses about what constitutes culture and maintaining that neglected strains in negritude discourse provide a crucial philosophical perspective on the connections between folk practices, cultural memory, and collective consciousness, John examines the diasporic principles in the work of the negritude writers Léon Damas, Aimé Césaire, and Léopold Senghor. She traces the manifestations and reworkings of their ideas in Afro-Caribbean writing from the eastern and French Caribbean, as well as the Caribbean diaspora in the United States. The authors she discusses include Jamaica Kincaid, Earl Lovelace, Simone Schwarz-Bart, Audre Lorde, Paule Marshall, and Edouard Glissant, among others. John argues that by incorporating what she calls folk groundings—such as poems, folktales, proverbs, and songs—into their work, Afro-Caribbean writers invoke a psychospiritual consciousness which combines old and new strategies for addressing the ongoing postcolonial struggle.

[more]
cover of Codex Chimalpopoca: The Text in Nahuatl with a Glossary and Grammatical Notes

Codex Chimalpopoca

The Text in Nahuatl with a Glossary and Grammatical Notes

John Bierhorst

University of Arizona Press, 2011

In this companion volume to History and Mythology of the Aztecs, John Bierhorst provides specialists with a transcription of the Nahuatl text, keyed to the translation, and a linguistic apparatus to help elucidate it. The glossary offers definitions for all unusual usages in the codex, as well as careful treatment of many of the commonest (and most semantically flexible) verbs, adverbs, and particles. Detailed discussions of selected features appear in the Grammatical Notes, which complete the work.
[more]
cover of Collective Situations: Readings in Contemporary Latin American Art, 1995–2010

Collective Situations

Readings in Contemporary Latin American Art, 1995–2010

Bill Kelley Jr. and Grant H. Kester, editors

Duke University Press, 2017

In Collective Situations scholars, artists, and art collectives present a range of socially engaged art practices that emerged in Latin America during the Pink Tide period, between 1995 and 2010. This volume's essays, interviews, and artist's statements—many of which are appearing in English for the first time—demonstrate the complex relationship between moments of political transformation and artistic production. Whether addressing human rights in Colombia, the politics of urban spaces in Brazil, the violent legacy of military dictatorships in the region, or art’s intersection with public policy, health, and the environment, the contributors outline the region’s long-standing tradition of challenging ideas about art and the social sphere through experimentation. Introducing English-language readers to some of the most dynamic and innovative contemporary art in Latin America, Collective Situations documents new possibilities for artistic practice, collaboration, and creativity in ways that have the capacity to foster vibrant forms of democratic citizenship.

Contributors
Gavin Adams, Mariola V. Alvarez, Gustavo Buntinx, María Fernanda Cartagena, David Gutiérrez Castañeda, Fabian Cereijido, Paloma Checa-Gismero, Kency Cornejo, Raquel de Anda, Bill Kelley Jr., Grant H. Kester, Suzanne Lacy, Ana Longoni, Rodrigo Martí, Elize Mazadiego, Annie Mendoza, Alberto Muenala, Prerana Reddy, Maria Reyes Franco, Pilar Riaño-Alcalá, Juan Carlos Rodríguez
[more]
cover of Collisions With History: Latin American Fiction and Social Science from “El Boom” to the New World Order

Collisions With History

Latin American Fiction and Social Science from “El Boom” to the New World Order

Frederick M. Nunn

Ohio University Press, 2001

Latin American intellectuals have traditionally debated their region’s history, never with so much agreement as in the fiction, commentary, and scholarship of the late twentieth century. Collisions with History shows how “fictional histories” of discovery and conquest, independence and early nationhood, and the recent authoritarian past were purposeful revisionist collisions with received national versions. These collisions occurred only because of El Boom, thus making Latin America’s greatest literary movement a historical phenomenon as well. Frederick M. Nunn discusses the cataclysmic view of history conveyed in Boom novels and examines the thought and self-perception of selected authors whose political activism enhanced the appeal of their works—historical and otherwise: Alejo Carpentier, Carlos Fuentes, Gabriel García Márquez, and Augusto Roa Bastos; Julio Cortázar, Isabel Allende, Mario Vargas Llosa, and Darcy Ribeiro.

Collisions with History demonstrates how their commentary on history, literature, politics, and international affairs reveals a conscious sense of purpose. From between the lines of their nonfiction emerges a consensus that outside forces have defined as well as controlled Latin America’s history.

Professor Nunn also suggests that, with novelists now no longer very interested in colliding with history, it may fall to social scientists to speak for what remains of the region’s past in the New World Order.

[more]
cover of Colonial Angels: Narratives of Gender and Spirituality in Mexico, 1580-1750

Colonial Angels

Narratives of Gender and Spirituality in Mexico, 1580-1750

By Elisa Sampson Vera Tudela

University of Texas Press, 2000

Spain's attempt to establish a "New Spain" in Mexico never fully succeeded, for Spanish institutions and cultural practices inevitably mutated as they came in contact with indigenous American outlooks and ways of life. This original, interdisciplinary book explores how writing by and about colonial religious women participated in this transformation, as it illuminates the role that gender played in imposing the Spanish empire in Mexico.

The author argues that the New World context necessitated the creation of a new kind of writing. Drawing on previously unpublished writings by and about nuns in the convents of Mexico City, she investigates such topics as the relationship between hagiography and travel narratives, male visions of the feminine that emerge from the reworking of a nun's letters to her confessor into a hagiography, the discourse surrounding a convent's trial for heresy by the Inquisition, and the reports of Spanish priests who ministered to noble Indian women. This research rounds out colonial Mexican history by revealing how tensions between Spain and its colonies played out in the local, daily lives of women.

[more]
cover of Colonial Itineraries of Contemporary Mexico: Literary and Cultural Inquiries

Colonial Itineraries of Contemporary Mexico

Literary and Cultural Inquiries

Edited by Oswaldo Estrada and Anna M. Nogar

University of Arizona Press, 2014

The rewritings of the Mexican colonia discussed in this book question a present reality of marginalities and inequality, of imposed political domination, and of hybrid subjectivities. In their examination of the novels, films, poetry, and chronicles produced in and outside of Mexico since 2000, the critics included in Colonial Itineraries of Contemporary Mexico produce new interpretations, alternative readings, and different angles of analysis that extend far beyond the theories of the new historical novel of the eighties and nineties, and well beyond the limits of the novel as re-creative genre.

Through a transformative interdisciplinary lens, this book studies the ultra-contemporary chronicles of Carlos Monsiváis, the poetry of Carmen Boullosa and Luis Felipe Fabre, and the novels of Enrique Serna, Héctor de Mauleón, Mónica Lavín, and Pablo Soler Frost, among others. The book also pays close attention to a good sample of recent children’s literature that revisit Mexico’s colonia. It includes the transatlantic perspective of Spanish novelist Inma Chacón, and a detailed analysis of the strategies employed by Laura Esquivel in the creation of a best seller. Other chapters are devoted to the study of transnational film productions, a play by Flavio González Mello, and a set of novels set in the nineteenth-century colonia that problematize static notions of both personal and national identity within specific cultural palimpsests. Taken together, these incisive readings open broader conversations about Mexican coloniality as it continues well into the twenty-first century.
[more]
cover of Colonialism and Race in Luso-Hispanic Literature

Colonialism and Race in Luso-Hispanic Literature

Jerome C. Branche

University of Missouri Press, 2006

    In Colonialism and Race in Luso-Hispanic Literature, Jerome C. Branche examines race naming and race making in the modern period (1415–1948). During this time, racism, a partner to both slavery and colonial exploitation, took myriad discursive forms, ranging from the reflections and treatises of philosophers and scientists to travel writing, novels, poetry, drama, and the grammar of everyday life. Branche’s main premise is that modern race making went hand in hand with European expansion, the colonial enterprise, and the international development of capitalism.
            Branche looks at the racially partisan works of the Luso-Hispanic canon to document just how long lasting, widespread, and deep the feelings they expressed were. He also illustrates how important race as narrative has been and continues to be. Branche pays particular attention to the Portuguese travel writing of the mid-fifteenth century, Spanish drama of the sixteenth and seventeenth centuries, Cuban and Brazilian antislavery texts of the nineteenth century, and the Afro-Antillean negrismo movement of the twentieth century.
            While Colonialism and Race in Luso-Hispanic Literature complements important studies of the 1970s and 1990s that treat black identity in the Spanish literary tradition, at the same time its range is wider than many other works because of the inclusion of the Luso-Brazilian dimension, its examination of extraliterary texts, and its coverage of a broader time frame. Branche’s marriage of postcolonial and cultural theory with his own close readings of related texts leads to a provocative reconsideration of how the Negro was portrayed in Latin American cultural discourse.
[more]
cover of Coming of Age(ncy) on the Migrant Trail: Adolescent Journeys in Contemporary Latinx Young Adult Literature

Coming of Age(ncy) on the Migrant Trail

Adolescent Journeys in Contemporary Latinx Young Adult Literature

Susana S. Martínez

The Ohio State University Press, 2025

Susana S. Martínez’s Coming of Age(ncy) on the Migrant Trail maps the contours of agency in young adult literature involving Latine/x migrant youth—a project that could not be timelier given anti-immigrant hostility, LGBTQ+ book bans, and intense scrutiny of how we teach about race. Martínez leads readers chronologically and geographically from the 1980s Central American civil wars north through Mexico during the war on drugs to the recent experiences of those living undocumented in the United States, showing that YA is an ideal medium through which to tease out those stories of Central American migration that are often subsumed within Latine/x studies and to combat stereotypes of young migrants. Viewed through the lenses of intersectionality and racialized capitalism’s politics of disposability, the novels in question contribute to timely antiracist pedagogical discussions where youth emerge as catalysts for social change. By including non-Latinx authors who wrote about the Guatemalan and Salvadoran civil conflicts alongside authors from the Central American diaspora—Marcia Argueta Mickelson, Jennifer De Leon, and Bessie Flores Zaldívar among them—Martínez invites us to reflect on solidarity in contentious times.
[more]
cover of Communism in Mexico: A Study in Political Frustration

Communism in Mexico

A Study in Political Frustration

By Karl M. Schmitt

University of Texas Press, 1965

The ease with which Cuba slipped into its relationship with Communism revived in the United States its recurring nightmare in which other Latin American countries, particularly Mexico, become satellites of Russia or Red China. But such an occurrence is most unlikely in Mexico, according to Karl Schmitt, former intelligence research analyst with the United States Department of State.

Communism in Mexico traces efforts during the early twentieth century to create a Soviet-style society in one of the largest and most strategically situated of the Latin American countries. Schmitt writes authoritatively of the Mexican Communist movement, tracing its development from an early and potentially powerful political-economic base to the increasingly fragmented and weakened collection of parties and front groups of the 1960s. He follows the various schisms and factional divisions to the mid-1950s, when the process of disintegration became most noticeable, and explores and analyzes in detail Communist attempts since then to establish unity among the many quarreling and frustrated groups of the now-splintered movement.

Three Communist parties in Mexico, a score of front groups, and numerous infiltration cells in non-Communist organizations such as student and labor groups, all recognize in a broad way a common and ultimate goal: the creation of a Soviet-style society. But their attempts at unity have consistently led only to further bickering and frustration. This period is subjected to a thorough study and analysis in an effort to understand and explain the Communists' lack of success. Schmitt presciently concludes that Communism's future in Mexico will be as cloudy as its past, and that the accelerating economy and improving social conditions there will serve to weaken the movement still further.

[more]
cover of Conquest of the New Word: Experimental Fiction and Translation in the Americas

Conquest of the New Word

Experimental Fiction and Translation in the Americas

By Johnny Payne

University of Texas Press, 1993

Latin American fiction won great acclaim in the United States during the 1960s, when many North American writers and critics felt that our national writing had reached a low ebb. In this study of experimental fiction from both Americas, Johnny Payne argues that the North American reception of the "boom" in Latin American fiction distorted the historical grounding of this writing, erroneously presenting it as mainly an exotic "magical realism." He offers new readings that detail the specific, historical relation between experimental fiction and various authors' careful, deliberate deformations and reformations of the political rhetoric of the modern state.

Payne juxtaposes writers from Argentina and Uruguay with North American authors, setting up suggestive parallels between the diverse but convergent practices of writers on both continents. He considers Nelson Marra in conjunction with Donald Barthelme and Gordon Lish; Teresa Porzecanski with Harry Mathews; Ricardo Piglia with John Barth; Silvia Schmid and Manuel Puig with Fanny Howe and Lydia Davis; and Jorge Luis Borges and Luisa Valenzuela with William Burroughs and Kathy Acker.

With this innovative, dual-continent approach, Conquest of the New Word will be of great interest to everyone working in Latin American literature, women's studies, translation studies, creative writing, and cultural theory.

[more]
cover of Conservative Thought in Twentieth Century Latin America: The Ideas of Laureano Gomez

Conservative Thought in Twentieth Century Latin America

The Ideas of Laureano Gomez

James D. Henderson

Ohio University Press, 1988

Laureano Gómez was president of Colombia in the early 1950s until overthrown by a military coup. He was also, for some fifty years, the leading exponent of Latin American conservatism, a political philosophy with roots in both nineteenth–century politics and religion. Focusing on Gómez, and other prominent conservative politicians, Henderson traces the evolution of Latin American conservatism and demonstrates the scope of its influence throughout the continent.

While much has been written about particular Marxist movements and right–wing regimes in contemporary Latin America, little attention has been devoted, in recent years, to the more moderate political institutions and individuals which dominate twentieth–century Latin America. This first account of Latin American conservatism should be of interest to all students of the history and politics of the region.

[more]