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Fourteen writers reflect on the complexities of Mexican American identity in hyphenated America.

At a time when memoir has become an increasingly popular form of self-expression, fourteen writers from diverse backgrounds engaged with one another in a series of writing workshops sponsored by the Center for Mexican American Studies at UT Austin to reflect on their life journeys. They wrestle with issues that shaped them in provocative, evocative, and sometimes humorous short essays. The writers include a lawyer, a civil rights activist, actors, journalists, and professors who write of belonging, national and sexual identity, coping with illness and loss, career challenges, and life-altering events familiar to us all. The contributors write poignantly about losing a parent at an early age; growing up in segregated communities; bravely confronting serious health problems; living in a household with a mentally disturbed family member; the complexity of being “American” as well as “Mexican”; and the professional challenges facing all hyphenated Americans, many of whom are often the first person of color in their workplaces.

Captain Billy’s Troopers is a frank, literary memoir about William Cobb’s life as a southern writer—his struggles with addiction and illness, his career as a teacher and novelist, and his hard‑won return to creative life.

In this audacious memoir, William Cobb reveals the tumultuous creative life of a distinguished practitioner of southern and Alabama storytelling. As poignant and inspiring as his own fiction, Captain Billy’s Troopers traces Cobb’s early life, education, and struggles with alcohol and the debilitating condition normal pressure hydrocephalus (NPH).

Like a curving river, the broad sweep of Cobb’s turbulent life includes both startling cataracts and desultory eddies, leading sometimes into shadows or opening into unexpected sunlight. With unsentimental clarity, Cobb recounts coming of age in his native Demopolis in the churning middle years of the twentieth century. It’s there he has his first tantalizing tastes of alcohol and begins to drink habitually. Readers then travel with Cobb to Livingston University (now the University of West Alabama) and then on to Vanderbilt University. Along the way, readers relish his first experiences of love and success as a writer, leading to a career as a professor of writing at Alabama College (now the University of Montevallo) in 1963.

From there Cobb’s struggles with alcohol and depression lead to elongated years of tumbling creative output and the collapse of his marriage. The summer of 1984 found Cobb in rehab, the first step in his path to recovery. His unflinching memoir narrates both the milestones and telling details of his intense therapy and years in Alcoholics Anonymous (AA). In the sober thirty years since, Cobb has published a string of critically praised novels and a prize-winning collection of short stories. The capstone of his comeback was winning the Harper Lee Award in 2007 for distinguished fiction writing.

In 2000, shortly after retiring, Cobb developed NPH, which upset his sense of balance and triggered dementia symptoms and other maladies. Nine years later in 2009, brain surgery brought Cobb a dramatic recovery, which began the third act in his writing career. Vital, honest, and entertaining, Captain Billy’s Troopers captures the life of an Alabama original.

One woman, a tiny farm, unruly chickens, and the challenge of putting down roots in a rapidly changing world

Cat Woman in Dog Country is Helena Feder's witty, perceptive account of life on a tiny North Carolina farm. Part memoir, part nature writing, and part literary how-not-to guide to growing and raising things, it chronicles her attempts to cultivate a small plot while marveling at the symbiotic wonders of figs and wasps, navigating chicken politics, and learning to laugh at her own mistakes.

A transplanted Yankee by way of California, Feder often feels like exactly what the title suggests: a cat woman in dog country. Conspicuous in a place where men still largely own and work the land, she finds herself at once welcomed, bewildered, and fascinated by the culture around her. Along the way, she discovers that teaching Walden requires a very different skill set from growing her own beans and that country life comes with its share of challenges, from failed crops to an alarming abundance of rats and copperheads.

Charming, laugh-out-loud funny, and deeply thoughtful, Cat Woman in Dog Country reflects making a home in an era of climate change, forever chemicals, and environmental uncertainty. It is a book for anyone who ponders the personal, social, and planetary meaning of home.
 

What happens when a passage from the world of light to the world of darkness opens onto a new chapter of life? A retrospective account of a pioneering Indian artist who continued to paint after losing his eyesight. 

Benode Behari Mukherjee (1904–1980) was one of the most influential and highly regarded artists in the history of modern Indian art. Chitrakar brings together four broadly autobiographical pieces written by Benode Behari after he lost his eyesight in the summer of 1957. The Artist is a selective reminiscence recapturing various pictures from the years of his childhood, apprenticeship, and maturity, up to the time he became blind. Master of the Household is a candid and complex fictionalized account of his struggle to come to terms with his blindness and continue making art. The Creator is a simple, but telling, parable about the vanity of inordinate ambition. Finally, Art Quest outlines his philosophy of art and the basic elements of his work. 

In the sensitive and empathetic hands of K. G. Subramanyan, once his student and later himself a major figure in the Indian art scene, this translation, appearing for the first time in English, is a precious and timeless document.

From Tuskegee to the United Negro College Fund, one man's legacy changed American education.

Chronicles of Faith: The Autobiography of Frederick D. Patterson, edited by Martia Graham Goodson, presents the remarkable life story of one of the most influential educators and institutional leaders in twentieth-century America. Based on Patterson's personal recollections, the autobiography traces his journey from a childhood marked by adversity to a distinguished career as a veterinarian, educator, college president, and visionary advocate for higher education.

Best known as president of Tuskegee Institute and founder of the United Negro College Fund, Patterson played a pivotal role in expanding educational opportunities for African Americans during an era of segregation and limited resources. The narrative chronicles his leadership in strengthening historically Black colleges and universities, promoting professional education, and developing innovative fundraising models that transformed the future of Black higher education.

Interwoven with accounts of personal determination, faith, and public service, the book offers valuable insight into the challenges and achievements that shaped American educational history. Patterson's story is both an inspiring autobiography and an important historical document, revealing the vision and perseverance required to create lasting institutional change. Essential for understanding the evolution of higher education in the United States, this volume will be especially valuable to students, scholars, educators, historians, and readers interested in African American leadership, HBCUs, philanthropy, and social progress.

A critic once wrote that Rebecca West’s Black Lamb and Grey Falcon was about two things: Yugoslavia and everything else. Something similar might be said about Clear Creek. In this boundary-defying work, Erik Reece spends a year beside the stream in his rural Kentucky homeplace, tracking the movements of the seasons, the animals, and the thoughts passing through his mind.

Clear Creek is a series of vignettes that calls us out of our frenzied, digitized world to a slower, more contemplative way of being. Reece’s subjects range from solitude and solidarity to the intricacies of forest communities, and from the genius of songwriter Tom T. Hall to reforestation projects on abandoned strip mines. A work of close observation and carefully grounded insights, Clear Creek articulates a nature-based philosophy for pondering humanity’s current plight.

In Companionship in Grief, Jeffrey Berman focuses on the most life-changing event for many people—the death of a spouse. Some of the most acclaimed memoirs of the past fifty years offer insights into this profound loss: C. S. Lewis's A Grief Observed; John Bayley's three memoirs about Iris Murdoch, including Elegy for Iris; Donald Hall's The Best Day the Worst Day; Joan Didion's best-selling The Year of Magical Thinking; and Calvin Trillin's About Alice. These books explore the nature of spousal bereavement, the importance of caregiving, the role of writing in recovery, and the possibility of falling in love again after a devastating loss. 

Throughout his study, Berman traces the theme of love and loss in all five memoirists' fictional and nonfictional writings as well as in those of their spouses, who were also accomplished writers. Combining literary studies, grief and bereavement theory, attachment theory, composition studies, and trauma theory, Companionship in Grief will appeal to anyone who has experienced love and loss. Berman's research casts light on five remarkable marriages, showing how autobiographical stories of love and loss can memorialize deceased spouses and offer wisdom and comfort to readers.

 Peter Selgin was cursed/blessed with an unusual childhood. The son of Italian immigrants—his father an electronics inventor and a mother so good looking UPS drivers swerved off their routes to see her—Selgin spent his formative years scrambling among the hat factory ruins of a small Connecticut town, visiting doting—and dotty—relatives in the “old world,” watching mental giants clash at Mensa gatherings, enduring Pavlovian training sessions with a grandmother bent on “curing” his left-handedness, and competing savagely with his right-handed twin.

    B-Day, as it came to be known, finally arrived. It was a Friday. A school day. I identified with Cinderella as I watched Dad get ready for work. Holster, check. Gun, check.  Billy club, check. Handcuffs, check. . . . Saturday morning I got up early. Dad was already gone. Back to work. Ushering the Beatles out of town. On the table . . . there were two small bars of soap, slightly used, the words "Coach House Inn" still legible. One book of matches with four missing. And a note from Dad, "From their room." . . . No one else’s dad comes home from work with something that might, just might, have been intimate with a Beatle.
    Growing up, Mel Miskimen thought that a gun and handcuffs on the kitchen table were as normal as a gallon of milk and a loaf of Mrs. Karl’s bread. Her father, a Milwaukee cop for almost forty years was part Super Hero (He simply held up his hand and three lanes of traffic came to a screeching halt) and part Supreme Being (He could be anywhere at anytime. I never knew when or where he would pop up.) Miskimen’s memoir, told in humorous vignettes, tells what it was like for a girl growing up with a dad who packed a lunch and packed heat.

People live by their stories—how can we use them to accelerate action on climate change?
 

Climate scientist and policy expert Anna Farro Henderson embarks on a remarkable narrative journey in Core Samples, exploring how science is done, discussed, legislated, and imagined. Through stories both raucous and poignant—of far-flung expeditions, finding artistic inspiration in research, and traversing the systemic barriers women and mothers face in science and politics—she brings readers into the daily rhythms and intimacies of scientific research and political negotiation.

Grounded in her experiences as a climate scientist, an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton, and a constant juggler of the many roles and responsibilities of professional moms, Henderson’s eclectic, unconventional essays range from observations, confessions, and meditations on lab and fieldwork to a packing list for a trip to the State Capitol and a lactation diary. Readers are invited on voyages as far afield as the Trinity nuclear test site in New Mexico, the Juneau Icefield in Alaska, and a meteor crater in Ghana—and as close to home as a town hall meeting in America’s corn belt.

A love letter to science and a bracing (and sometimes hilarious) portrait of the many obstacles women, mothers, and people digging for truth navigate, Core Samples illuminates the messy, contradictory humanity of our scientific and political institutions. Bringing us behind the closed doors of discovery and debate, Henderson exposes the flaws in research institutions, the halls of government, and the role of science in policy, yet she shows how each crack is also an invitation for camaraderie, creativity, and change.

Step back into 1920s Alabama, where grit, laughter, and the red clay roads of the Black Belt shape one young woman’s unforgettable first year of teaching

Cotton-Patch Schoolhouse follows 18‑year‑old Susie Powers Tompkins as she takes on a one-room school with eight children, zero experience, and a Model T that’s always one mud puddle away from disaster. With warmth and wit, she discovers that the real curriculum is written not in textbooks—but in the faces, fears, and fierce hopes of her students.

In a world of cotton fields, nature walks, homemade art supplies, and potbellied stoves, Susie learns that teaching is as much about heart as it is about lessons. She navigates runaway love affairs, surprise pets (including an opinionated mouse), the hardships of rural poverty, and the extraordinary generosity of neighbors who have little but give much.

As contemporary readers grapple with educational inequities, rural depopulation, and renewed conversations about community, Cotton-Patch Schoolhouse feels strikingly fresh. It reminds us that creativity blooms under constraint, that relationships matter more than resources, and that small schools can make a big difference. Tompkins' memoir will delight lovers of Southern history, educators, memoir readers, rural studies enthusiasts, and anyone who enjoys heartfelt stories of resilience, community, and the transformative power of teaching

A nostalgic journey through the beliefs, customs, sayings, superstitions, and folk wisdom of a Southern childhood

Before the internet, before social media, and before answers were only a click away, children learned about the world from parents, grandparents, neighbors, and friends. They counted buzzards, stamped grey mules, wished on stars, avoided black cats, and trusted a rich collection of sayings, superstitions, and folk wisdom passed from one generation to the next.

In Count Those Buzzards! Stamp Those Grey Mules!, Kathryn Tucker Windham lovingly recalls the beliefs, customs, rituals, and traditions that shaped her rural Alabama childhood. With her trademark warmth, humor, and storytelling charm, Windham invites readers into a world where bottle trees warded off evil, rabbit's feet brought good luck, and everyday life was filled with signs, symbols, and lessons handed down through family and community.

Part memoir, part folklore collection, and wholly entertaining, this beloved collection preserves a disappearing landscape of Southern folklore while celebrating the people and stories that kept these traditions alive. Whether remembered from childhood or encountered for the first time, these recollections offer a fascinating glimpse into the customs that colored daily life throughout the twentieth-century South.

This new edition features an introductory note by Dilcy Windham, daughter of Kathryn Tucker Windham, and a foreword by Emily Blejwas, author of The Story of Alabama in Fourteen Foods, offering fresh reflections on Kathryn’s enduring legacy and the stories, superstitions, and folklore that shaped generations of Southern life. Fans of Southern history, Alabama culture, rural life, and family traditions will find much to enjoy in this charming and nostalgic collection.

A Supreme Court historian’s memoir places court events in the larger context of American history.

Legal scholar James F. Simon has written many acclaimed books on the history of the US Supreme Court, but in this memoir, he turns his attention to a more personal subject: himself. Simon, a native of Fort Worth, details what it was like growing up in segregated Texas. He left home for college and law school at Yale, interspersed with travels abroad to build a schoolhouse in Ghana, work at an Israeli kibbutz, and spend a year on a fellowship in India.

Simon worked as a legal journalist for Time magazine before embarking on a career as a Supreme Court historian. He later was appointed professor of constitutional law and served as dean of New York Law School. Meanwhile, he continued his work on what became his specialty, well-researched books on the history of the Supreme Court that place events at the court in the larger context of American history. Much of this research is included in his papers, which are now housed at the Briscoe Center for American History.

In this engaging memoir, Simon describes the challenges of interviewing Supreme Court justices and researching constitutional history for his books and juggling his law school and family responsibilities, all the while reflecting on changing American perspectives on civil rights and liberties.

Drawing on his intimate engagement with political conflict in Latin America and the Balkans, Ostertag identifies an art of "insurgent politics" that struggles to expand the parameters of the physical and social world. He also discusses his innovative collaborations with major modern performers, filmmakers, and artists around the world. Part memoir, part journalism, and part aesthetic manifesto, Creative Life is a dazzling set of writings from a musical artist who has worked on the cutting edge of new music for thirty years.