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During the pre-Civil War period, Cincinnati was the fastest growing and, according to many contemporary observers, most interesting city in America. This classic study, completed in the early 1970s, focuses on the community in 1840 to explain its success but also to suggest some broader patterns in the city’s development and American urbanization.

Using local census records, city directories, tax lists, newspapers, and other contemporary sources, Walter Stix Glazer describes the demographic, social, economic, and political structure of the adult white male population in 1840 and then develops a unified model of its social and functional organizations. This analysis (based on computerized records of thousands of Cincinnatians) also documents some broader trends between 1820 and 1860: the volatility of Cincinnati’s labor force, the career patterns of its homeowners, and the leadership of a small group of successful citizens active in a broad range of voluntary associations.

This statistical analysis is complemented with sections of traditional historical narrative and biographical profiles that illustrate the general themes of the book. Glazer argues that Cincinnati’s success up to 1840 was due to a unified booster vision and a cohesive community elite that gradually broke down, as a result of ethnic and economic division, over the next twenty years. This story has broader implications in terms of the character of Jacksonian democracy and American urbanization.

For eighteen years following the Civil War, the police in St. Paul, Minnesota, informally regulated brothel prostitution. Each month, the madams who ran the brothels were charged with keeping houses of ill fame and fined in the city’s municipal court. In effect, they were paying licensing fees in order to operate illegal enterprises. This arrangement was open; during this period, the city’s newspapers published hundreds of articles about vice and its regulation.

Joel Best claims that the sort of informal regulation in St. Paul was common in the late nineteenth century and was far more typical than the better known but brief experiment with legalization tried in St. Louis. With few exceptions, the usual approach to these issues of social control has been to treat informal regulation as a form of corruption, but Best’s view is that St. Paul’s arrangement exposes the assumption that the criminal justice system must seek to eradicate crime. He maintains that other policies are possible.

In a book that integrates history and sociology, the author has reconstructed the municipal court records for most of 1865–83, using newspaper articles, an arrest ledger kept by the St. Paul police, and municipal court dockets. He has been able to trace which madams operated brothels and the identities of many of the prostitutes who lived and worked in them.

Examines the authority a ruling elite exercised over the surrounding countryside through a complex of social, political, and religious symbolism

This study uses the theoretical concepts of agency, power, and ideology to explore the development of cultural complexity within the hierarchically organized Cahokia Middle Mississippian society of the American Bottom from the 11th to the 13th centuries. By scrutinizing the available archaeological settlement and symbolic evidence, Emerson demonstrates that many sites previously identified as farmsteads were actually nodal centers with specialized political, religious, and economic functions integrated into a centralized administrative organization. These centers consolidated the symbolism of such 'artifacts of power' as figurines, ritual vessels, and sacred plants into a rural cult that marked the expropriation of the cosmos as part of the increasing power of the Cahokian rulers.

During the height of Cahokian centralized power, it is argued, the elites had convinced their subjects that they ruled both the physical and the spiritual worlds. Emerson concludes that Cahokian complexity differs significantly in degree and form from previously studied Eastern Woodlands chiefdoms and opens new discussion about the role of rural support for the Cahokian ceremonial center.

Between 1890 and 1915, a predominately African American state convict crew built Clemson University on John C. Calhoun’s Fort Hill Plantation in upstate South Carolina. Calhoun’s plantation house still sits in the middle of campus. From the establishment of the plantation in 1825 through the integration of Clemson in 1963, African Americans have played a pivotal role in sustaining the land and the university. Yet their stories and contributions are largely omitted from Clemson’s public history.

This book traces “Call My Name: African Americans in Early Clemson University History,” a Clemson English professor’s public history project that helped convince the university to reexamine and reconceptualize the institution’s complete and complex story from the origins of its land as Cherokee territory to its transformation into an increasingly diverse higher-education institution in the twenty-first century. Threading together scenes of communal history and conversation, student protests, white supremacist terrorism, and personal and institutional reckoning with Clemson’s past, this story helps us better understand the inextricable link between the history and legacies of slavery and the development of higher education institutions in America.

The remarkable story of pastor Donald Gay and his family’s lasting contributions to gospel music and Chicago culture.

When the preacher Gregory Donald Gay joined his sisters onstage at Carnegie Hall in 1950, on a sold-out bill they shared with Mahalia Jackson and the Clara Ward Singers, he became a participant in a landmark moment: the first concert in the venue to feature entirely gospel music. He was just five years old.

The Gay Sisters—Evelyn, Geraldine, and Mildred—were key figures in gospel’s Golden Age, and their youngest brother had a front-row seat. Evelyn and Geraldine each innovated singular approaches to gospel piano, while Mildred sang. Together, they toured and performed on a series of influential gospel recordings from 1948 to 1973, playing the Apollo Theatre and crossing paths with musical luminaries like Sister Rosetta Tharpe, Sam Cooke, Pops Staples, and Dizzy Gillespie. But despite a hit record and prodigious talent, the Gay Sisters faded from the limelight. In the ensuing years, they weathered personal trials while their mother, Fannie, devoted her attention to another family undertaking: starting a church.

Can I Get a Witness! is a call-and-response between Steven B. Dolins, founder of The Sirens Records, and Donald Gay, who vividly describes his boyhood in Chicago’s Woodlawn neighborhood, his family’s remarkable place in gospel history, his mother’s work as a faith leader, and his own calling as a pastor. The book spotlights the rich contributions of a family remembered not only for the songs they recorded but also for their unwavering kindness to others, a legacy that the legendary Sonny Rollins recounts in a moving foreword.

Winner of the 2026 Missouri Conference on History Book Award; the 2026 Missouri History Book Award; and shortlisted for the 2026 ASU Humanities Book Award

On August 9, 2014, Michael Brown and a friend were walking down Canfield Drive, a residential street in the St. Louis suburb of Ferguson. There, they encountered Ferguson Police Officer Darren Wilson. Moments later, Brown was dead on the street—shot by Wilson at least six times. That evening, a memorial appeared on the pavement where he had fallen. In the days that followed, vigils turned into protests, and protests into an Uprising, as police in riot gear faced off with a grieving, outraged community. For nearly two weeks, Ferguson commanded the nation’s attention. The killing of Michael Brown was an outrage and it should not have happened. But Canfield Drive was primed for tragedy long before that fatal encounter because the street was already a place of racial conflict. This was no accident. 
 
Canfield Drive: A History of Race and the American City on a Street in St. Louis uncovers the deeper history behind the street where Brown died, tracing how race and the built environment have long intersected in St. Louis—from the city’s founding to the Ferguson Uprising. The book follows the story of Black space across two centuries: from early Black communities, to the birth of the St. Louis Blues, to the Halcyon days of The Ville, to the destruction of Mill Creek Valley, to the tragedy of Pruitt-Igoe, and to the construction of Canfield Drive. Though Canfield Drive is the first comprehensive history of St. Louis’s Black urban landscape, it is more than just St. Louis's story. Canfield Drive details the racial engineering of the American city. Here is the machinery of American segregation laid bare: occupancy covenants, court decisions, racial steering, white flight, public housing, voucher systems, and predatory policing that combine to transform neighborhoods into traps. Here too are the people who fought back, building community against staggering odds and securing civil rights reforms that transformed America's understanding of government's obligations to its citizens.
 
Canfield Drive provides a powerful lens on the national story of race and the American city and reveals how Michael Brown's death was not just one officer's deadly decision, but the inevitable outcome of America's built environment—a tragedy centuries in the making, on a street designed for violence. This is how a place becomes a powder keg. This is how history erupts into headlines. This is the story behind the story that America couldn't look away from. This is the story of how a street came to matter, and how it came to stand for something far greater than itself.

Named one of the 2026 Southwest Books of the Year

Throughout history, humans have sought creation stories to define our identity and affirm our connections with the universe, diverse life forms, and one another. Over the last two centuries, science has delivered a bold new creation story full of immense time and space, extraordinary objects, and powerful natural forces. Science ideas can seem mere abstractions, but at the Grand Canyon, better than anywhere else on Earth, our new creation story is manifested physically and powerfully.
 
A major work of literary nature writing, Canyon and Cosmos takes readers on a journey through the Grand Canyon's deep time, geological forces, and biological evolution, making them very real, personal, and meaningful. Through decades of hiking and kayaking, author Don Lago has gotten to know the canyon intimately. Ranging through world mythologies and Native American spirituality, he explores how humans have sought to understand the universe. He confronts existential questions of whether humans can find enough meaning in the scientific cosmos. Through poetic prose, symbolism, and philosophical insight, he shows how existence itself is our deepest source of life and meaning.  

Paul Cuffe is best understood as a member of the Black founding fathers—a group of pre-eminent African Americans who built institutions and movements during the first decades of the United States. While he is known amongst scholars, his astounding life story deserves a much wider audience. Jeffrey A. Fortin has crafted a beautiful, moving portrait of this important maritime figure that will appeal to anyone interested in early American history and who loves great story telling.

Born on Cuttyhunk Island, Massachusetts in 1759 to a formerly enslaved African father and a Wampanoag Indian mother, Cuffe emerged from anonymity to become the most celebrated African-American sea captain during the Age of Sail. An abolitionist, veteran, and community activist, celebrity followed Cuffe as he built a shipping empire that traded both in American coastal waters and across the wider Atlantic Ocean. Cuffe and his Black crews shook the foundations of systemic racism, challenging norms by sailing into Charleston and other ports where slavery was legal, and thus demonstrating that business and profits were more powerful than social limitations. He founded America’s first racially integrated school in Westport, Massachusetts, and is considered the leader of the nation’s first back-to-Africa movement. Newspapers in England, the United States, and the Caribbean reported his whereabouts and adventures, and abolitionists hailed him for his Quaker beliefs, sobriety, and commitment to advancing opportunities for persons of African descent.

Drawing on pamphlets, letters, and other documents, and painstakingly reconstructing his genealogy, Fortin vividly describes Cuffe’s experiences and places them within the broader history of the Early Republic to help reveal the central role of African Americans in the founding of the United States. Unlike previous biographies, Fortin situates Cuffe within an Atlantic world where race and identity were fluid, and Africans and African Americans sought to build and govern a free Black nation in West Africa. 

This volume draws together an unusually rich body of original sources that tell the story of the 1704 French and Indian attack on Deerfield, Massachusetts, from different vantage points. Texts range from one of the most famous early American captivity narratives, John Williams's The Redeemed Captive, to the records of French soldiers and clerics, to little-known Abenaki and Mohawk stories of the raid that emerged out of their communities' oral traditions. Evan Haefeli and Kevin Sweeney provide a general introduction, extensive annotations, and headnotes to each text.

Although the oft-reprinted Redeemed Captive stands at the core of this collection, it is juxtaposed to less familiar accounts of captivity composed by other Deerfield residents: Quentin Stockwell, Daniel Belding, Joseph Petty, Joseph Kellogg, and the teenaged Stephen Williams. Presented in their original form, before clerical editors revised and embellished their content to highlight religious themes, these stories challenge long-standing assumptions about classic Puritan captivity narratives.

The inclusion of three Abenaki and Mohawk narratives of the Deerfield raid is equally noteworthy, offering a rare opportunity not only to compare captors' and captives' accounts of the same experiences, but to do so with reference to different Native oral traditions. Similarly, the memoirs of French military officers and an excerpt from the Jesuit Relations illuminate the motivations behind the attack and offer fresh insights into the complexities of French-Indian alliances.

Taken together, the stories collected in this volume, framed by the editors' introduction and the assessments of two Native scholars, Taiaiake Alfred and Marge Bruchac, allow readers to reconstruct the history of the Deerfield raid from multiple points of view and, in so doing, to explore the interplay of culture and memory that shapes our understanding of the past.

A gripping account of Union soldiers behind Confederate bars—where survival, sacrifice, and the unforgiving realities of Civil War imprisonment collide.

In Captives in Blue, Roger Pickenpaugh examines the ways the Confederate army contended with the growing prison population, the variations in the policies and practices of different Confederate prison camps, the effects these policies and practices had on Union prisoners, and the logistics of prisoner exchanges. He explores conditions that arose from conscious government policy decisions and conditions that were the product of local officials or unique local situations. He also considers how Confederate prisons and policies dealt with African American Union soldiers. Black soldiers held captive in Confederate prisons faced uncertain fates; many former slaves were returned to their former owners, while others faced harsh treatment in the camps. Drawing on prisoner diaries, Pickenpaugh provides compelling first-person accounts of life in prison camps often overlooked by scholars in the field.

This study of Union captives in Confederate prisons is a companion to Roger Pickenpaugh’s earlier groundbreaking book Captives in Gray: The Civil War Prisons of the Union and extends his examination of Civil War prisoner-of-war facilities into the Confederacy.

A collection of essays grappling with the many, often overlooked, forms of unfree labor in the West.

When Americans think of unfree labor—coerced, extracted from workers unable to freely enter and exit contracts—what comes to mind is Black slavery and peonage in the South. But other forms of unfree labor also built the United States. Collecting a diverse range of sharply argued historical essays, Capturing Labor shares the story of unfree labor in the Southwest, affecting mainly Indigenous people, Mexican Americans, and people of color.

In Texas and elsewhere, state agents developed various methods for directing the movement of workers, seizing their time, and controlling the products of their efforts. Case studies highlight the detention during World War I of Indigenous children and unaccompanied women, who were placed in boarding schools, fined, and obligated to work off the resulting debt. Other essays expose authorities forcing workers to break strikes and jailing Americans who supported labor uprisings in rural Mexico and the United States. Prisons and asylums supplied coerced agricultural workers and musicians who were never compensated for their labor or by the labels that took their recordings.

Editors Jessica Pliley and John Mckiernan-González contend that unfree labor continues to shape American life, and is all around us today. Understanding its history aids us in recognizing and bringing attention to the grim realities of the present.