Results by title
28167 books match the query 'History' and 1913 start with c
Cosa V
An Intermittent Town, Excavations 1991-1997Elizabeth Fentress
University of Michigan Press, 2003
Cosa and the Colonial Landscape of Republican Italy (Third and Second Centuries BCE)
Andrea U. De Giorgi, Editor
University of Michigan Press, 2019
This important new volume examines archaeological evidence of Roman colonization of the Middle Republican period. Themes of land use, ethnic accommodation and displacement, colonial identity, and administrative schemes are also highlighted. In delving deeply into the uniqueness of select colonial contexts, these essays invite a novel discussion on the phenomenon of colonialism in the political landscape of Rome’s early expansion. Roman urbanism of the Middle Republican period brought to the Italian peninsula fundamental changes, an important example of which, highlighted by a wealth of studies, is the ebullience of a dense network of colonies, as well as a mix of senatorial tactics and individual initiatives that underpinned their foundation. Whether Latin, Roman, or Maritimae, colonies created a new mesh of communities and imposed a new topography; more subtly, they signified the mechanisms of the rising hegemony. This book brings to the fore the diversity, agendas, and overall impact of a “settlement device” that changed the Italian landscape and introduced a new idea of Roman town.
Cosa
The Roman and Greek AmphorasElizabeth Lyding Will and Kathleen Warner Slane
University of Michigan Press, 2019
At the time of Will’s death, her manuscript consisted of a typed catalogue of the amphora stamps from Cosa and an equal number of unstamped vessels, but was missing important elements. On the basis of extensive notes and photographs, Kathleen Warner Slane has reviewed and updated the manuscript, adding type descriptions and footnotes to materials that have appeared since Will’s death as well as a framing introduction and conclusions. Appendices highlight an Augustan amphora dump on the Arx and add a catalogue of the Greek amphora stamps found at Cosa.
Cosa: The Roman and Greek Amphoras will be of interest to scholars and students of Rome and its system of colonies, and also to those interested in Greek and Roman archaeology and trade in the ancient world.
Cosa
The Sculpture and Furnishings in Stone and MarbleJacquelyn Collins-Clinton
University of Michigan Press, 2020
Cosella Wayne
Or, Will and DestinyCora Wilburn, edited and introduced by Jonathan D. Sarna
University of Alabama Press, 2019
Published serially in the spiritualist journal Banner of Light in 1860, Cosella Wayne: Or, Will and Destiny is the first coming-of-age novel, written and published in English by an American Jewish woman, to depict Jews in the United States and transforms what we know about the history of early American Jewish literature. The novel never appeared in book form, went unmentioned in Jewish newspapers of the day, and studies of nineteenth-century American Jewish literature ignore it completely. Yet the novel anticipates many central themes of American Jewish writing: intermarriage, generational tension, family dysfunction, Jewish-Christian relations, immigration, poverty, the place of women in Jewish life, the nature of romantic love, and the tension between destiny and free will.
The narrative recounts a relationship between an abusive Jewish father and the rebellious daughter he molested as well as that daughter’s struggle to find a place in the complex social fabric of nineteenth-century America. It is also unique in portraying such themes as an unmarried Jewish woman’s descent into poverty, her forlorn years as a starving orphaned seamstress, her apostasy and return to Judaism, and her quest to be both Jewish and a spiritualist at one and the same time.
Jonathan Sarna, who introduces the volume, discovered Cosella Wayne while pursuing research at the Israel Institute for Advanced Studies in Jerusalem. This edition is supplemented with selections from Cora Wilburn’s recently rediscovered diary, which are reprinted in the appendix. Together, these materials help to situate Cosella Wayne within the life and times of one of nineteenth-century American Jewry’s least known and yet most prolific female authors.
Cosmas of Prague
Lisa Wolverton
Catholic University of America Press, 2014
Cosmas of Prague
The Chronicle of the CzechsPetra Mutlová
Central European University Press, 2020
The Latin-English bilingual volume presents the text of The Chronicle of the Czechs by Cosmas of Prague. Cosmas was born around 1045, educated in Liège, upon his return to Bohemia, he got married as well as became a priest. In 1086 he was appointed prebendary, a senior member of clergy in Prague. He completed the first book of the Chronicle in 1119, starting with the creation of the world and the earliest deeds of the Czechs up to Saint Adalbert. In the second and third books Cosmas presents the preceding century in the history of Bohemia, and succeeds in reporting about events up to 1125, the year when he died.
The English translation was done by Petra Mutlova and Martyn Rady with the cooperation of Libor Švanda. The introduction and the explanatory notes were written by Jan Hasil with the cooperation of Irene van Rensvoude.T
Cosmodernism
American Narrative, Late Globalization, and the New Cultural ImaginaryChristian Moraru
University of Michigan Press, 2010
"Christian Moraru is an especially dynamic and brilliant scholar who works at a high level of critical and theoretical sophistication. I've never seen anything quite so exhaustive, so magisterial. Readers of Cosmodernism will think of the Keats line about an astronomer's exhilaration when a new planet swims into his ken."
---David Cowart, University of South Carolina
"Cosmodernism has the potential to become foundational for the study of a whole period. Christian Moraru undertakes here to establish a new basis for thinking about the era of cultural history in which we have found ourselves, in the United States but also around the world, since the end of the Cold War. The strength of Moraru's work lies in its intellectual ambition and scope; its polymathic range and breadth of learning; its confident mastery of a variety of disciplinary discourses; its fresh and thoughtful selection of texts for discussion; the sharpness and insight of its textual analyses; and, animating everything, its fervent commitment to a new and better way of understanding our relationship to others and the world at large."
---Brian McHale, The Ohio State University
A sweeping inquiry into post–Cold War American literature and theory, Cosmodernism argues, cautiously but persuasively, for the rise of a new cultural paradigm against the backdrop of accelerating globalization. Moraru calls this paradigm "cosmodern." He uses the term to account for what seems to be gradually challenging the postmodern over the last twenty-odd years. Not so much a well-structured movement yet, cosmodernism is chiefly a critical construct enabling Moraru to articulate representative literary-theoretical interventions of the past two decades into a reasonably coherent model. The coherence inheres, he shows, in a certain "relational" imaginary, which the critic canvasses by placing a wide range of authors and works in, across, and against the material-conceptual networks of globalization, cosmopolitanism, modernism, postmodernism, postcolonialism, multiculturalism, and other areas of contemporary U.S. intellectual history.
Christian Moraru is Professor of English at the University of North Carolina, Greensboro. His latest books include Rewriting: Postmodern Narrative and Cultural Critique in the Age of Cloning (2001), Memorious Discourse: Reprise and Representation in Postmodernism (2005), and the edited collection Postcommunism, Postmodernism, and the Global Imagination (2009).
Cover art: Earth, oil and acrylic on canvas, 48" × 36", 2008. Painting courtesy of Rebecca Darlington.
Cosmopolis
The Hidden Agenda of ModernityStephen Toulmin
University of Chicago Press, 1992
In the seventeenth century, a vision arose which was to captivate the Western imagination for the next three hundred years: the vision of Cosmopolis, a society as rationally ordered as the Newtonian view of nature. While fueling extraordinary advances in all fields of human endeavor, this vision perpetuated a hidden yet persistent agenda: the delusion that human nature and society could be fitted into precise and manageable rational categories. Stephen Toulmin confronts that agenda—its illusions and its consequences for our present and future world.
Cosmopolitan Minds
Literature, Emotion, and the Transnational ImaginationBy Alexa Weik von Mossner
University of Texas Press, 2014
During World War II and the early Cold War period, factors such as race, gender, sexual orientation, or class made a number of American writers feel marginalized in U.S. society. Cosmopolitan Minds focuses on a core of transnational writers—Kay Boyle, Pearl S. Buck, William Gardner Smith, Richard Wright, and Paul Bowles—who found themselves prompted to seek experiences outside of their home country, experiences that profoundly changed their self-understanding and creative imagination as they encountered alternative points of views and cultural practices in Europe, Asia, and Africa.
Alexa Weik von Mossner offers a new perspective on the affective underpinnings of critical and reflexive cosmopolitanism by drawing on theories of emotion and literary imagination from cognitive psychology, philosophy, and cognitive literary studies. She analyzes how physical dislocation, and the sometimes violent shifts in understanding that result from our affective encounters with others, led Boyle, Buck, Smith, Wright, and Bowles to develop new, cosmopolitan solidarities across national, ethnic, and religious boundaries. She also shows how, in their literary texts, these writers employed strategic empathy to provoke strong emotions such as love, sympathy, compassion, fear, anger, guilt, shame, and disgust in their readers in order to challenge their parochial worldviews and practices. Reading these texts as emotionally powerful indictments of institutionalized racism and national violence inside and outside of the United States, Weik von Mossner demonstrates that our emotional engagements with others—real and imagined—are crucially important for the development of transnational and cosmopolitan imaginations.
Cosmopolitan Publics
Anglophone Print Culture in Semi-Colonial ShanghaiShen, Shuang
Rutgers University Press, 2009
Cosmopolitan Publics focuses on China's "cosmopolitans," Western-educated intellectuals who returned to Shanghai in the late 1920s to publish in English and who, ultimately, became both cultural translators and citizens of the wider world. Shuang Shen highlights their work in publications such as The China Critic and T'ien Hsia, providing readers with a broader understanding of the role and function of cultural mixing, translation, and multilingualism in China's cultural modernity.
Decades later, as nationalist biases and political restrictions emerged within China, the influence of the cosmopolitans was neglected and the significance of cosmopolitan practice was underplayed. Shen's encompassing study revisits and presents the experience of Chinese modernity as far more heterogeneous, emergent, and transnational than it has been characterized until now.
Cosmopolitanism and Solidarity
Studies in Ethnoracial, Religious, and Professional Affiliation in the United StatesDavid A. Hollinger
University of Wisconsin Press, 2006
Building on many of the topics in his highly acclaimed earlier work, these essays treat a number of contentious issues, many of them deeply embedded in America's past and present political polarization. Essays include "Amalgamation and Hypodescent," "Enough Already: Universities Do Not Need More Christianity," "Cultural Relativism," "Why Are Jews Preeminent in Science and Scholarship: The Veblen Thesis Reconsidered," and "The One Drop Rule and the One Hate Rule." Hollinger is at his best in his judicious approach to America's controversial history of race, ethnicity, and religion, and he offers his own thoughtful prescriptions as Americans and others throughout the world struggle with the pressing questions of identity and solidarity.
Cosmopolitanisms and the Jews
Cathy S. Gelbin and Sander L. Gilman
University of Michigan Press, 2017
Cosmopolitics I
Isabelle Stengers
University of Minnesota Press, 2010
Cosmopolitics II
Isabelle Stengers
University of Minnesota Press, 2011
Originally published in French in seven volumes, Cosmopolitics investigates the role and authority of the sciences in modern societies and challenges their claims to objectivity, rationality, and truth. Cosmopolitics II includes the first English-language translations of the last four books: Quantum Mechanics: The End of the Dream, In the Name of the Arrow of Time: Prigogine’s Challenge, Life and Artifice: The Faces of Emergence, and The Curse of Tolerance.
Arguing for an “ecology of practices” in the sciences, Isabelle Stengers explores the discordant landscape of knowledge derived from modern science, seeking intellectual consistency among contradictory, confrontational, and mutually exclusive philosophical ambitions and approaches. For Stengers, science is a constructive enterprise, a diverse, interdependent, and highly contingent system that does not simply discover preexisting truths but, through specific practices and processes, helps shape them.
Stengers concludes this philosophical inquiry with a forceful critique of tolerance; it is a fundamentally condescending attitude, she contends, that prevents those worldviews that challenge dominant explanatory systems from being taken seriously. Instead of tolerance, she proposes a “cosmopolitics” that rejects politics as a universal category and allows modern scientific practices to peacefully coexist with other forms of knowledge.
Cosmos And Hearth
A Cosmopolite’s ViewpointYi-Fu Tuan
University of Minnesota Press, 1999
In a volume that represents the culmination of his life’s work in considering the relationship between culture and landscape, eminent scholar Yi-Fu Tuan argues that “cosmos” and “hearth” are two scales that anchor what it means to be fully and happily human. Illustrating this contention with examples from both his native China and his home of the past forty years, the United States, Tuan proposes a revised conception of culture, one thoroughly grounded in one’s own society but also embracing curiosity about the world. Optimistic and deeply human, this important volume lays out a path to being “at home in the cosmos.”
Hardcover:In this moving meditation on the difficult choices facing humanity in the next millennium, celebrated scholar Yi-Fu Tuan reaffirms his faith in the value of a cosmopolitan worldview. In a volume that represents the culmination of his life's work in considering the relationship between culture and landscape, Tuan argues that “cosmos” and “hearth” are two scales that anchor what it means to be fully and happily human. Hearth is our house and neighborhood, family and kinfolk, habit and custom. Cosmos, by contrast, is the larger reality-world, civilization, and humankind. Tuan addresses the extraordinary revival of interest in the hearth in recent decades, examining both the positive and negative effects of this renewed concern. Among the beneficent outcomes has been a revival of ethnic culture and sense of place. Negative repercussions abound, however, manifested as an upsurge in superstition, excessive pride in ancestry and custom, and a constricted worldview that when taken together can inflame local passions, leading at times to violent conflict-from riots in American cities to wars in the Balkans. In Cosmos and Hearth, Tuan takes the position that we need to embrace both the sublime and the humble, drawing what is valuable from each. Illustrating the importance of both cosmos and hearth with examples from his country of birth, China, and from his home of the past forty years, the United States, Tuan proposes a revised conception of culture, the “cosmopolitan hearth,” that has the coziness but not the narrowness and bigotry of the traditional hearth. Tuan encourages not only being thoroughly grounded in one’s own culture but also the embracing of curiosity about the world. Optimistic and deeply human, Cosmos and Hearth lays out a path to being “at home in the cosmos.” Born in China and educated in Australia, the Philippines, England, and the United States, Yi-Fu Tuan is professor of geography at the University of Wisconsin, Madison, and the author of Space and Place: The Perspective of Experience (Minnesota, 1977), Landscapes of Fear (Minnesota, 1982), The Good Life (1986), and Passing Strange and Wonderful: Aesthetics, Nature, and Culture (1993). Excerpt: “Thinking yields a twofold gain: although it isolates us from our immediate group it can link us both seriously and playfully to the cosmos-to strangers in other places and times; and it enables us to accept a human condition that we have always been tempted by fear and anxiety to deny, namely, the impermanence of our state wherever we are, our ultimate homelessness. A cosmopolite is one who considers the gain greater than the loss. Having seen something of the splendid spaces, he or she will not want to return, permanently, to the ambiguous safeness of the hearth.”
Cosmos, Self, and History in Baniwa Religion
For Those UnbornBy Robin M. Wright
University of Texas Press, 1998
The Baniwa Indians of the Northwest Amazon have engaged in millenarian movements since at least the middle of the nineteenth century. The defining characteristic of these movements is usually a prophecy of the end of this present world and the restoration of the primordial, utopian world of creation. This prophetic message, delivered by powerful shamans, has its roots in Baniwa myths of origin and creation.
In this ethnography of Baniwa religion, Robin M. Wright explores the myths of creation and how they have been embodied in religious movements and social action—particularly in a widespread conversion to evangelical Christianity. He opens with a discussion of cosmogony, cosmology, and shamanism, and then goes on to explain how Baniwa origin myths have played an active role in shaping both personal and community identity and history. He also explores the concepts of death and eschatology and shows how the mythology of destruction and renewal in Baniwa religion has made the Baniwa people receptive to both Catholic and Protestant missionaries.
Cosmos
An Illustrated History of Astronomy and CosmologyJohn North
University of Chicago Press, 2008
Organizing his history chronologically, North begins by examining Paleolithic cave drawings that clearly chart the phases of the moon. He then investigates scientific practices in the early civilizations of Egypt, Greece, China, and the Americas (among others), whose inhabitants developed sophisticated methods to record the movements of the planets and stars. Trade routes and religious movements, North notes, brought these ancient styles of scientific thinking to the attention of later astronomers, whose own theories—such as Copernicus’ planetary theory—led to the Scientific Revolution.
The work of master astronomers, including Ptolemy, Galileo, Kepler, and Newton, is described in detail, as are modern-day developments in astrophysics, such as the advent of radio astronomy, the brilliant innovations of Einstein, and the many recent discoveries brought about with the help of the Hubble telescope. This new edition brings North’s seminal book right up to the present day, as North takes a closer look at last year’s reclassification of Pluto as a “dwarf” planet and gives a thorough overview of current research.
With more than two hundred illustrations and a comprehensive bibliography, Cosmos is the definitive history of astronomy and cosmology. It is sure to find an eager audience among historians of science and astronomers alike.
Cosmosexuals
Screen Acting, Stardom, and Male Sex AppealMark Gallagher
University of Texas Press, 2025
An examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors’ circulation on an increasingly global stage.
Sex appeal is complicated, especially for screen actors. Looking good is not enough. Charisma and charm have to register when the camera rolls. And sexiness has to travel. Today’s heartthrobs are expected to raise temperatures all around the world.
Cosmosexuals theorizes male sex appeal as a form of capital in an age of international stardom. Screen scholar Mark Gallagher assembles a diverse cast—Idris Elba, Pedro Pascal, Simu Liu, Ryan Gosling, and more—analyzing how each actor uses his appearance, voice, and movement to perform in ways that viewers across cultural divides register as sexually appealing. Cosmosexuals also explores the intersection of global sex appeal and exoticism in historical and contemporary contexts—from the malleable racial identities of Omar Sharif and Conrad Veidt to Mads Mikkelsen’s “accented whiteness”—and assesses the barriers that confine nonwhite actors, in spite of their talent or celebrity. Far more than handsome faces and chiseled abs, male sex symbols emerge as laborers subject to disciplinary regimes steeped in patriarchy, racism, and structural inequity. As such, they have much to tell us about the economies of taste at work in the construction of screen masculinity and the terms of human desire.
Costume and History in Highland Ecuador
Edited by Ann Pollard Rowe
University of Texas Press, 2011
The traditional costumes worn by people in the Andes—women's woolen skirts, men's ponchos, woven belts, and white felt hats—instantly identify them as natives of the region and serve as revealing markers of ethnicity, social class, gender, age, and so on. Because costume expresses so much, scholars study it to learn how the indigenous people of the Andes have identified themselves over time, as well as how others have identified and influenced them.
Costume and History in Highland Ecuador assembles for the first time for any Andean country the evidence for indigenous costume from the entire chronological range of prehistory and history. The contributors glean a remarkable amount of information from pre-Hispanic ceramics and textile tools, archaeological textiles from the Inca empire in Peru, written accounts from the colonial period, nineteenth-century European-style pictorial representations, and twentieth-century textiles in museum collections. Their findings reveal that several garments introduced by the Incas, including men's tunics and women's wrapped dresses, shawls, and belts, had a remarkable longevity. They also demonstrate that the hybrid poncho from Chile and the rebozo from Mexico diffused in South America during the colonial period, and that the development of the rebozo in particular was more interesting and complex than has previously been suggested. The adoption of Spanish garments such as the pollera (skirt) and man's shirt were also less straightforward and of more recent vintage than might be expected.
Costume, Makeup, and Hair
McLean, Adrienne L
Rutgers University Press, 2016
From the acclaimed Behind the Silver Screen series, Costume, Makeup, and Hair charts the development of these three crafts in the American film industry from the 1890s to the present. Each chapter examines a different era in film history, revealing how the arts of cinematic costume, makeup, and hair, have continually adapted to new conditions, making the transitions from stage to screen, from monochrome to color, and from analog to digital. Together, the book’s contributors give us a remarkable glimpse into how these crafts foster creative collaboration and improvisation, often fashioning striking looks and ingenious effects out of limited materials.
Costume, Makeup, and Hair not only considers these crafts in relation to a wide range of film genres, from sci-fi spectacles to period dramas, but also examines the role they have played in the larger marketplace for fashion and beauty products. Drawing on rare archival materials and lavish color illustrations, this volume provides readers with both a groundbreaking history of film industry labor and an appreciation of cinematic costume, makeup, and hairstyling as distinct art forms.
Cotton City
Urban Development in Antebellum MobileHarriet E. Amos Doss
University of Alabama Press, 2001
The exploration of the North-South relationship and the growth of of antebellum Mobile.
Cotton City offers a compelling exploration of Mobile, Alabama’s transformation into a thriving urban center during the antebellum period. Historian Harriet E. Amos examines how economic ambition, civic planning, and the cotton trade shaped the city’s development between 1819 and 1861. Through detailed archival research, Amos reveals how Mobile’s leaders sought to modernize infrastructure, expand commerce, and assert the city’s regional importance—all while navigating the tensions of slavery, class, and Southern identity.
This richly contextualized study highlights the interplay between urban growth and the broader forces of the Southern economy, making Cotton City a vital contribution to the histories of the American South, urbanization, and antebellum society.
Cotton Patch Schoolhouse
Susie Powers Tompkins
University of Alabama Press, 1992
Step back into 1920s Alabama, where grit, laughter, and the red clay roads of the Black Belt shape one young woman’s unforgettable first year of teaching
Cotton-Patch Schoolhouse follows 18‑year‑old Susie Powers Tompkins as she takes on a one-room school with eight children, zero experience, and a Model T that’s always one mud puddle away from disaster. With warmth and wit, she discovers that the real curriculum is written not in textbooks—but in the faces, fears, and fierce hopes of her students.
In a world of cotton fields, nature walks, homemade art supplies, and potbellied stoves, Susie learns that teaching is as much about heart as it is about lessons. She navigates runaway love affairs, surprise pets (including an opinionated mouse), the hardships of rural poverty, and the extraordinary generosity of neighbors who have little but give much.
As contemporary readers grapple with educational inequities, rural depopulation, and renewed conversations about community, Cotton-Patch Schoolhouse feels strikingly fresh. It reminds us that creativity blooms under constraint, that relationships matter more than resources, and that small schools can make a big difference. Tompkins' memoir will delight lovers of Southern history, educators, memoir readers, rural studies enthusiasts, and anyone who enjoys heartfelt stories of resilience, community, and the transformative power of teaching
Cotton and Capital
Boston Businessmen and Antislavery Reform, 1854-1868Richard H. Abbott
University of Massachusetts Press, 1991
Couched in Death
Klinai and Identity in Anatolia and BeyondElizabeth P. Baughan
University of Wisconsin Press, 2013
Count Those Buzzards! Stamp Those Grey Mules!
Superstitions Remembered from a Southern ChildhoodKathryn Tucker Windham with a preface by Dilcy Hilley Windham and a foreword by Emily Blejwas
University of Alabama Press, 2026
A nostalgic journey through the beliefs, customs, sayings, superstitions, and folk wisdom of a Southern childhood
Count Those Buzzards! Stamp Those Grey Mules! is a warm and engaging celebration of the folklore, superstitions, and everyday wisdom that once shaped life across the rural South. Drawing on her Alabama childhood, beloved storyteller Kathryn Tucker Windham recounts the sayings, rituals, beliefs, and customs passed from generation to generation long before information was instantly available at the touch of a screen.
With humor, affection, and a keen eye for the memorable details of ordinary life, Windham introduces readers to a world where bottle trees repelled evil spirits, rabbit’s feet promised good fortune, and signs and omens guided daily decisions. Her stories capture not only the traditions themselves but also the families and communities that kept them alive.
Part memoir and part folklore treasury, this enduring classic preserves a rich cultural inheritance while offering a vivid portrait of twentieth-century Southern life. Featuring a new introduction by Dilcy Windham and a foreword by Emily Blejwas, this edition invites readers to rediscover a fascinating world of memory, myth, and tradition.
Counter Cultures
Saleswomen, Managers, and Customers in American Department Stores, 1890-1940Susan Porter Benson
University of Illinois Press, 1986
Counter-cartographies
Neurodivergence and the Errancies of PerformanceLeon J. Hilton
University of Minnesota Press, 2025
How to remake the world with neurodivergence at its heart
What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-cartographies offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence.
Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing.
Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world.
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Countercultural Conservatives
American Evangelicalism from the Postwar Revival to the New Christian RightAxel R. Schäfer
University of Wisconsin Press, 2012
In the mid-twentieth century, far more evangelicals supported such “liberal” causes as peace, social justice, and environmental protection. Only gradually did the conservative evangelical faction win dominance, allying with the Republican Party of Ronald Reagan and, eventually, George W. Bush.
In Countercultural Conservatives Axel Schäfer traces the evolution of a diffuse and pluralistic movement into the political force of the New Christian Right. In forging its complex theological and political identity, evangelicalism did not simply reject the ideas of 1960s counterculture, Schäfer argues. For all their strict Biblicism and uncompromising morality, evangelicals absorbed and extended key aspects of the countercultural worldview.
Carefully examining evangelicalism’s internal dynamics, fissures, and coalitions, this book offers an intriguing reinterpretation of the most important development in American religion and politics since World War II.
Counterculture Kaleidoscope
Musical and Cultural Perspectives on Late Sixties San FranciscoNadya Zimmerman
University of Michigan Press, 2013
In a bold reconsideration of the late sixties San Francisco counterculture movement, Counterculture Kaleidoscope takes a close look at the cultural and musical practices of that era. Addressing the conventional wisdom that the movement was grounded in rebellion and opposition, the book exposes two myths: first, that the counterculture was an organized social and political movement of progressives with a shared agenda who opposed the mainstream (dubbed "hippies"); and second, that the counterculture was an innocent entity hijacked by commercialism and transformed over time into a vehicle of so-called "hip consumerism."
Seeking an alternative to the now common narrative, Nadya Zimmerman examines primary source material including music, artwork, popular literature, personal narratives, and firsthand historical accounts. She reveals that the San Francisco counterculture wasn't interested in commitments to causes and made no association with divisive issues---that it embraced everything in general and nothing in particular.
"Astute and accessible, Counterculture Kaleidoscope provides thought-provoking insights into the historical, cultural and social context of the San Francisco counter-culture and its music scene, including discussions of Vietnam and student protest, the Haight-Ashbury Diggers, the Grateful Dead, Led Zeppelin, Altamont, and Charlie Manson. A must for students and scholars of socio-musical activity and for all of us to whom music matters."
---Sheila Whiteley, author of The Space Between the Notes: Rock and the Counter-Culture and Too Much Too Young: Popular Music, Age and Gender
"The hippie counterculture has never garnered the scholarly attention accorded the new left and the black freedom struggle. Overviews of the period ritualistically mention it as part and parcel of that apparently incandescent era---the Sixties---but rarely capture its distinctiveness. Counterculture Kaleidoscope is a timely and provocative intervention in Sixties scholarship that significantly deepens our understanding of this important but understudied phenomenon."
—Alice Echols, Associate Professor, University of Southern California, and author of Scars of Sweet Paradise: The Life and Times of Janis Joplin
Counterfeiting Labor's Voice
William A. A. Carsey and the Shaping of American Reform PoliticsMark A. Lause
University of Illinois Press, 2024
Countering Development
Indigenous Modernity and the Moral ImaginationDavid D. Gow
Duke University Press, 2008
Through ethnographic fieldwork conducted annually in Cauca from 1995 through 2002, Gow compares the development plans of the three communities, looking at both the planning processes and the plans themselves. In so doing, he demonstrates that there is no single indigenous approach to development and modernity. He describes differences in how each community defined and employed the concept of culture, how they connected a concern with culture to economic and political reconstruction, and how they sought to assert their own priorities while engaging with the existing development resources at their disposal. Ultimately, Gow argues that the moral vision advanced by the indigenous movement, combined with the growing importance attached to human rights, offers a fruitful way to think about development: less as a process of integration into a rigidly defined modernity than as a critical modernity based on a radical politics of inclusive citizenship.
Countering the Counterculture
Rereading Postwar American Dissent from Jack Kerouac to Tomás RiveraManuel Luis Martinez
University of Wisconsin Press, 2003
Rebelling against bourgeois vacuity and taking their countercultural critique on the road, the Beat writers and artists have long symbolized a spirit of freedom and radical democracy. Manuel Martinez offers an eye-opening challenge to this characterization of the Beats, juxtaposing them against Chicano nationalists like Raul Salinas, Jose Montoya, Luis Valdez, and Oscar Acosta and Mexican migrant writers in the United States, like Tomas Rivera and Ernesto Galarza.
In an innovative rereading of American radical politics and culture of the 1950s and 1960s, Martinez uncovers reactionary, neoromantic, and sometimes racist strains in the Beats’ vision of freedom, and he brings to the fore the complex stances of Latinos on participant democracy and progressive culture. He analyzes the ways that Beats, Chicanos, and migrant writers conceived of and articulated social and political perspectives. He contends that both the Beats’ extreme individualism and the Chicano nationalists’ narrow vision of citizenship are betrayals of the democratic ideal, but that the migrant writers presented a distinctly radical and inclusive vision of democracy that was truly countercultural.
Counterinsurgency and Collusion in Northern Ireland
Mark McGovern
Pluto Press, 2019
Here Mark McGovern turns back the clock to the late 1980s and early ‘90s—the ‘endgame’ of the Troubles and a period defined by a rash of state-sanctioned paramilitary killings. Drawing on previously unpublished evidence, and original testimony of victims’ families and eyewitnesses, McGovern examines several dozen killings of republicans and their families and communities that took place in the Mid-Ulster area. Placing these accounts within a wider critical analysis of the nature of British counterinsurgency and the state use of agents and informers, McGovern paints a damning picture of covert, deniable, and unlawful violence.
Counterlife
Slavery after Resistance and Social DeathChristopher Freeburg
Duke University Press, 2021
Countermemory
A Rhetoric of ResistanceApril L. O'Brien and James Chase Sanchez
University of Alabama Press, 2025
Investigates the interdisciplinary dimensions of countermemory through a rhetorical lens
Countermemory: A Rhetoric of Resistance by April L. O’Brien and James Chase Sanchez is a groundbreaking monograph that explores the concept of countermemory from an interdisciplinary and rhetorical perspective. The authors define “countermemory” as remembrance that resituates often overlooked or erased narratives of marginalized groups by positioning these memories as equally significant to dominant historical narratives. This work investigates how countermemories emerge in response to public memories, highlighting the tensions and resistance that arise when marginalized voices challenge mainstream historical accounts.
Through a mixed-methodological approach—incorporating site-based analysis, participant observation, textual analysis, and historiography—O’Brien and Sanchez examine countermemory in both physical and digital spaces. From memorial sites and museums to music videos, TV shows, and digital maps, they reveal the various ways countermemory operates and persists. The authors focus particularly on countermemory in the American South, centering on the experiences and histories of Black, Latinx, and Indigenous communities.
Countermemory is essential reading for scholars and students of rhetoric and public memory. The book also offers rich insights to readers who are passionate about addressing issues of racial inequality, people interested in examining their own experiences and the role they can play in promoting social change, and those interested in exploring the ways in which history is constructed and presented, and how marginalized perspectives are often excluded or distorted.
Counterstreams in Migration
Ethiopians' Choices to Stay, Leave, or ReturnHewan Girma
Temple University Press, 2026
Weaving together nearly 100 stories of non-migrants, returnees, and repeat migrants from Ethiopia, Girma advances a theory of migra-emotions, emotions specific to migration, to understand decisions and experiences, such as the imaginary of home and the lived reality of alienation, disaffection abroad, and feelings of duty to one’s homeland.
Looking beyond the meanings of migration or processes of integration, Girma explores the emotional subtext of migration aspirations. In doing so, Counterstreams of Migration complicates conventional understandings of migration and provides a more complete picture of migrant stories.
Counting the Tiger's Teeth
An African Teenager's StoryToyin Falola
University of Michigan Press, 2016
Country Boy
The Roots of Johnny CashColin Edward Woodward
University of Arkansas Press, 2022
Winner, 2023 J. G. Ragsdale Book Award from the Arkansas Historical Association
Because Johnny Cash cut his classic singles at Sun Records in Memphis and reigned for years as country royalty from his Nashville-area mansion, people tend to associate the Man in Black with Tennessee. But some of Cash’s best songs—including classics like “Pickin’ Time,” “Big River,” and “Five Feet High and Rising”—sprang from his youth in the sweltering cotton fields of northeastern Arkansas.
In Country Boy, Colin Woodward combines biography, history, and music criticism to illustrate how Cash’s experiences in Arkansas shaped his life and work. The grip of the Great Depression on Arkansas’s small farmers, the comforts and tragedies of family, and a bedrock of faith all lent his music the power and authenticity that so appealed to millions. Though Cash left Arkansas as an eighteen-year-old, he often returned to his home state, where he played some of his most memorable and personal concerts. Drawing upon the country legend’s songs and writings, as well as the accounts of family, fellow musicians, and chroniclers, Woodward reveals how the profound sincerity and empathy so central to Cash’s music depended on his maintaining a deep connection to his native Arkansas—a place that never left his soul.
Country Comes to Town
The Music Industry and the Transformation of NashvilleJeremy Hill
University of Massachusetts Press, 2016
Country music evokes a simple, agrarian past, with images of open land and pickup trucks. While some might think of the genre as a repository of nostalgia, popular because it preserves and reveres traditional values, Jeremy Hill argues that country music has found such expansive success because its songs and its people have forcefully addressed social and cultural issues as well as geographic change. Hill demonstrates how the genre and its fans developed a flexible idea of “country,” beyond their rural roots, and how this flexibility allowed fans and music to “come to town,” to move into and within urban spaces, while retaining a country “character.”
To understand how the genre has become the far-reaching commercial phenomenon that it is today, Hill explores how various players within the country music fold have grappled with the notion of place. He shows both how the industry has transformed the city of Nashville and how country music—through song lyrics, imagery associated with the music, and branding—has reshaped ideas about the American landscape and character. As the genre underwent significant change in the last decades of the twentieth century, those who sought to explain its new styles and new locations relied on a traditional theme: “You can take the boy out of the country, but you can't take the country out of the boy.” Hill demonstrates how this idea—that you can still be “country” while no longer living in a rural place—has been used to expand country's commercial appeal and establish a permanent home in the urban space of Nashville.
Country Cop
True Tales from a Texas Deputy SheriffBarry Goodson
University of North Texas Press, 2020
Country and Midwestern
Chicago in the History of Country Music and the Folk RevivalMark Guarino
University of Chicago Press, 2023
Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes.
In Country and Midwestern, veteran journalist Mark Guarino tells the epic century-long story of Chicago’s influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest’s biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance—broadcast from the city’s South Loop starting in 1924—flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like “Hillbilly Heaven” in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions.
Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City—celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today.
Coup
The Day the Democrats Ousted Their Governor, Put Republican Lamar Alexander in Office Early, and Stopped a Pardon ScandalKeel Hunt
Vanderbilt University Press, 2017
On January 17, 1979, driven by new information that some of the worst criminals in the state's penitentiaries were about to be released (and fears that James Earl Ray might be one of them), a small bipartisan group chose to take charge. Senior Democratic leaders, friends of the sitting governor, together with the Republican governor-elect Lamar Alexander (now US Senator from Tennessee), agreed to oust Blanton from office before another night fell. It was a maneuver unique in American political history.
Expanded edition, with a newly discovered account of the events by Senator Lamar Alexander:
"In December 2015 something unexpected happened. Keel [Hunt] delivered to my Nashville office a brown three-ring binder. He had only recently discovered it in a box that had been in storage for thirty years." —Senator Lamar Alexander
This binder contained the forgotten typescript, written in 1985, of Alexander's recollections of the events leading up to his early inauguration on January 17, 1979. In this expanded edition of Coup, the Senator's 22,000-word text has been added as a lost footnote to Hunt's definitive account.
From the foreword by John L. Seigenthaler:
"The individual stories of those government officials involved in the coup—each account unique, but all of them intersecting—were scattered like disconnected pieces of a jigsaw puzzle on the table of history until the author conceived this book. Perhaps because it happened so quickly, and without major disagreement, protest, or dissent, this truly historic moment has been buried in the public mind. In unearthing the drama in gripping detail, Keel Hunt assures that the 'dark day' will be remembered as a bright one in which conflicted politicians came together in the public interest."
Courage Tastes of Blood
The Mapuche Community of Nicolás Ailío and the Chilean State, 1906-2001Florencia E. Mallon
Duke University Press, 2005
Mallon recounts the land usurpation Nicolás Ailío endured in the first decades of the twentieth century and the community’s ongoing struggle for restitution. Facing extreme poverty and inspired by the agrarian mobilizations of the 1960s, some community members participated in the agrarian reform under the government of socialist president Salvador Allende. With the military coup of 1973, they suffered repression and desperate impoverishment. Out of this turbulent period the Mapuche revitalization movement was born. What began as an effort to protest the privatization of community lands under the military dictatorship evolved into a broad movement for cultural and political recognition that continues to the present day. By providing the historical and local context for the emergence of the Mapuche revitalization movement, Courage Tastes of Blood offers a distinctive perspective on the evolution of Chilean democracy and its rupture with the military coup of 1973.
Courage, Resistance, and Women in Ciudad Juárez
Challenges to MilitarizationBy Kathleen Staudt and Zulma Y. Méndez
University of Texas Press, 2015
Ciudad Juárez has recently become infamous for its murder rate, which topped 3,000 in 2010 as competing drug cartels grew increasingly violent and the military responded with violence as well. Despite the atmosphere of intimidation by troops, police, and organized criminals, women have led the way in civil society activism, spurring the Juárez Resistance and forging powerful alliances with anti-militarization activists.
An in-depth examination of la Resistencia Juarense, Courage, Resistance, and Women in Ciudad Juárez draws on ethnographic research to analyze the resistance’s focus on violence against women, as well as its clash with the war against drugs championed by Mexican President Felipe Calderón with the support of the United States. Through grounded insights, the authors trace the transformation of hidden discourses into public discourses that openly challenge the militarized border regimes. The authors also explore the advocacy carried on by social media, faith-based organizations, and peace-and-justice activist Javier Sicilia while Calderón faced U.S. political schisms over the role of border trade in this global manufacturing site.
Bringing to light on-the-ground strategies as well as current theories from the fields of sociology, political anthropology, and human rights, this illuminating study is particularly significant because of its emphasis on the role of women in local and transnational attempts to extinguish a hot zone. As they overcome intimidation to become game-changing activists, the figures featured in Courage, Resistance, and Women in Ciudad Juárez offer the possibility of peace and justice in the wake of seemingly irreconcilable conflict.
Courbet's Realism
Michael Fried
University of Chicago Press, 1990
Courbet's Realism is clearly a major contribution to the highly active field of Courbet studies. . . . But to contribute here and now is necessarily also to contribute to central debates about art history itself, and so the book is also—I hesitate to say 'more importantly,' because of the way object and method are woven together in it—a major contribution to current attempts to rethink the foundations and objects of art history. . . . It will not be an easy book to come to terms with; for all its engagement with contemporary literary theory and related developments, it is not an application of anything, and its deeply thought-through arguments will not fall easily in line with the emerging shapes of the various 'new art histories' that tap many of the same theoretical resources. At this moment, there may be nothing more valuable than such a work."—Stephen Melville, Art History
Court of Remorse
Inside the International Criminal Tribunal for RwandaThierry Cruvellier
University of Wisconsin Press, 2010
Fascinated by the Tribunal’s rich complexities, journalist Thierry Cruvellier came back day after day to watch the proceedings, spending more time there than any other outside observer. Gradually he gained the confidence of the victims, defendants, lawyers, and judges. Drawing on interviews with these protagonists and his close observations of their interactions, Cruvellier takes readers inside the courtroom to witness the motivations, mechanisms, and manipulations of justice as it unfolded on the stage of high-stakes, global politics. It is this ground-level view that makes his account so valuable—and so absorbing. A must-read for those who want to understand the dynamics of international criminal tribunals, Court of Remorse reveals both the possibilities and the challenges of prosecuting human rights violations.
Best Books for General Audiences, selected by the American Association for School Libraries and the Public Library Association
Best Books for High Schools, selected by the American Association for School Libraries
Court, Cloister, and City
The Art and Culture of Central Europe, 1450-1800Thomas DaCosta Kaufmann
University of Chicago Press, 1995
"Kaufmann throws considerable light on one of the more neglected and least understood periods in art history."—Philadelphia Inquirer
"A wonderful book which does justice both to a formal analysis of the art and to an explanation of broader political and economic forces at work."—Virginia Quarterly Review
"Important and stimulating, Kaufmann's study examines the cultural legacy of a region too little known and understood."—Choice
"Peaks of the creative heritage which [Kaufmann] describes reserve their message—and their surprises—for those who visit them in situ. But invest in Kaufmann's volume before you go."—R. J. W. Evans, New York Review of Books
Courtesans and Fishcakes
The Consuming Passions of Classical AthensJames N. Davidson
University of Chicago Press, 2011
As any reader of the Symposium knows, the ancient Greek philosopher Socrates conversed over lavish banquets, kept watch on who was eating too much fish, and imbibed liberally without ever getting drunk. In other words, James Davidson writes, he reflected the culture of ancient Greece in which he lived, a culture of passions and pleasures, of food, drink, and sex before—and in concert with—politics and principles. Athenians, the richest and most powerful of the Greeks, were as skilled at consuming as their playwrights were at devising tragedies. Weaving together Greek texts, critical theory, and witty anecdotes, this compelling and accessible study teaches the reader a great deal, not only about the banquets and temptations of ancient Athens, but also about how to read Greek comedy and history.
Courting the Abyss
Free Speech and the Liberal TraditionJohn Durham Peters
University of Chicago Press, 2005
A mesmerizing account of the role of public communication in the Anglo-American world, Courting the Abyss shows that liberty's earliest advocates recognized its fraternal relationship with wickedness and evil. While we understand freedom of expression to mean "anything goes," John Durham Peters asks why its advocates so often celebrate a sojourn in hell and the overcoming of suffering. He directs us to such well-known sources as the prose and poetry of John Milton and the political and philosophical theory of John Locke, Adam Smith, John Stuart Mill, and Oliver Wendell Holmes Jr., as well as lesser-known sources such as the theology of Paul of Tarsus. In various ways they all, he shows, envisioned an attitude of self-mastery or self-transcendence as a response to the inevitable dangers of free speech, a troubled legacy that continues to inform ruling norms about knowledge, ethical responsibility, and democracy today.
A world of gigabytes, undiminished religious passion, and relentless scientific discovery calls for a fresh account of liberty that recognizes its risk and its splendor. Instead of celebrating noxious doctrine as proof of society's robustness, Courting the Abyss invites us to rethink public communication today by looking more deeply into the unfathomable mystery of liberty and evil.