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This is the first biography of Dale L. Morgan, preeminent Western historian of the fur trade, historic trails, and the Latter Day Saint movement. The book explores how, despite personal struggles, Morgan committed his life to tracking down sources and interpreting the past on the strength of documentary evidence. Connecting Morgan’s life with some of the broad cultural changes that shaped his experiences, this book engages with methodological shifts in the historical profession, the mid-twentieth-century collision of interpretations within Latter Day Saint history, and the development of a descriptive, scholarly approach to that history.
 
Morgan’s body of work and commitment to serious scholarship signaled the start of new ways of understanding, studying, and retelling history, and he motivated a generation of historians from the 1930s to the 1970s to transform their historical approaches. Sounding board, mentor, and close friend to Nels Anderson, Fawn Brodie, Juanita Brooks, Bernard DeVoto, Wallace Stegner, and Leonard Arrington, Dale Morgan is the common factor linking this influential generation of mid-twentieth-century historians of western America.

From the ruthless deals of the Ewing clan on TV's "Dallas" to the impeccable customer service of Neiman-Marcus, doing business has long been the hallmark of Dallas. Beginning in the 1920s and 1930s, Dallas business leaders amassed unprecedented political power and civic influence, which remained largely unchallenged until the 1970s.

In this innovative history, Patricia Evridge Hill explores the building of Dallas in the years before business interests rose to such prominence (1880 to 1940) and discovers that many groups contributed to the development of the modern city. In particular, she looks at the activities of organized labor, women's groups, racial minorities, Populist and socialist radicals, and progressive reformers—all of whom competed and compromised with local business leaders in the decades before the Great Depression.

This research challenges the popular view that business interests have always run Dallas and offers a historically accurate picture of the city's development. The legacy of pluralism that Hill uncovers shows that Dallas can accommodate dissent and conflict as it moves toward a more inclusive public life. Dallas will be fascinating and important reading for all Texans, as well as for all students of urban development.

A biography and anthology of William Wright (1829–1898), better known by the pen name Dan DeQuille or Dan De Quille, an American author, journalist, and humorist. He was best known for his written accounts of the people, events, and silver mining operations on the Comstock Lode at Virginia City, Nevada, including his non-fiction book History of the Big Bonanza (American Publishing Company, 1876).

DeQuille was on the staff of the (Virginia City) Territorial Enterprise for over thirty years, and his writings were also printed in other publications throughout the country and abroad. Highly regarded for his knowledge of silver mining techniques and his ability to explain them in simple terms, he was also appreciated for his humor, similar in style to that of his associate and friend Mark Twain, and of a type very popular in the United States at that time, now referred to as the Sagebrush School literary genre.

On many Sundays, Black New Orleanians dance through city streets in Second Lines. These processions invite would-be spectators to join in, grooving to an ambulatory brass band for several hours. Though an increasingly popular attraction for tourists, parading provides the second liners themselves with a potent public expression of Black resistance.

Rachel Carrico examines the parading bodies in motion as a form of negotiating and understanding power. Seeing pleasure as a bodily experience, Carrico reveals how second liners’ moves link joy and liberation, self and communal identities, play and dissent, and reclamations of place. As she shows, dancers’ choices allow them to access the pleasure of reclaiming self and city through motion and rhythm while expanding a sense of the possible in the present and for the future.

In-depth and empathetic, Dancing the Politics of Pleasure at the New Orleans Second Line blends analysis with a chorus of Black voices to reveal an indelible facet of Black culture in the Crescent City.

In 1960, University of Illinois professor Leo Koch wrote a public letter condoning premarital sex. He was fired. Four years later, a professor named Revilo Oliver made white supremacist remarks and claimed there was a massive communist conspiracy. He kept his job.

Matthew Ehrlich revisits the Koch and Oliver cases to look at free speech, the legacy of the 1960s, and debates over sex and politics on campus. The different treatment of the two men marked a fundamental shift in the understanding of academic freedom. Their cases also embodied the stark divide over beliefs and values--a divide that remains today. Ehrlich delves into the issues behind these academic controversies and places the events in the context of a time rarely associated with dissent, but in fact a harbinger of the social and political upheavals to come.

An enlightening and entertaining history, Dangerous Ideas on Campus illuminates how the university became a battleground for debating America's hot-button issues.

Addresses structural violence through history and archaeology of immigrant workers

Dangerous Occupations: Archaeologies of Structural Violence, Immigrants, and Resilience in Early California is an impactful work of historical archaeology combined with social history that addresses structural violence in key California industries from the Gold Rush in 1849 until 1920. Monopolistic industries, such as railroading, mining, timbering, explosive manufacturing, lime production, meatpacking, textile milling, and fishing/whaling, relied on immigrant laborers who were recruited and perceived as expendable. Restrictive laws and lack of employment opportunities based on bigotry often forced immigrants into the most dangerous occupations. In the days before workmen’s compensation insurance and strict labor safety laws, laborers often risked their health and even their lives for employment. 

Marco G. Meniketti’s analysis comes from examining excavation of labor camps and housing, landscape studies, bioarchaeological data, architectural footprints, and archival sources. Each chapter offers a case study of industries to exemplify structural violence and its broader consequences among various immigrant labor groups, such as Chinese, Scandinavian, Irish, Italian, Chilean, Cornish, and Portuguese. The narrative includes a historical overview of the industries, identifies who the immigrant laborers were and how they came to be there, examines the dangers and health risks of their jobs, and details their living conditions and daily life, including foodways, leisure, and efforts to treat their job-inflicted maladies. Dangerous Occupations introduces a new generation of readers to how immigrants built the West Coast and at what great cost.
 

Dash of Pepper!: The Depression, The Hobo, and the 1931 World Series is the first book about the 1931 World Series and its unlikely star, Johnnie Leonard Roosevelt “Pepper” Martin. Born in Oklahoma in 1904, Martin grew up in poverty, performing farm labor with his family and attending school only sporadically (he was eventually expelled for his lack of shoes). Local sandlots served as his introduction to baseball, bringing him into an unpretentious world of hand-me-down leather, battered balls bursting at the seams, and boyhood. He was immediately hooked.

Martin spent his adolescence working a variety of odd jobs and playing for even odder baseball teams before making a living as a player for the East Texas League beginning in 1925, the owner of which sold him to the St. Louis Cardinals later that year. Martin played for the Cardinals’ minor league affiliates for the next two years, all while continuing his boyhood habit of “hoboing” freight trains to travel to games. Promoted to the major leagues in 1927, Martin was sent back down to the minors two years later, making his return to the Big Leagues in 1931 and soon thereafter emerging as the star of that year’s World Series. Historians still credit Martin, with his .500 batting average, 4 doubles, 1 home run, and 5 RBIs, for the Cardinals’ taking the championship. 

Author Justin Wingerter documents the words of reporters from every state who told of a Depression-weary nation enthralled by the self-described hobo with endless hustle — “Don’t say Pepper, say STAR,” wrote The St. Louis Star (a play on its motto, “Don’t say ‘paper,’ say STAR”) after the Cardinals’ Game Three win. As Wingerter argues, Martin became a symbol of the forgotten man at a time when his fellow Americans needed a hero. His performance in the 1931 Series was followed obsessively by farmers, businesspeople, industrial workers, and even inmates, all of whom found in Martin a source of solace in a time of widespread misery. As one sportswriter opined in Waterloo, Iowa, “The Pepper Martins have a way of making us forget it all.” 

In Dash of Pepper!, Wingerter explores the 1931 World Series in the context of the era’s national mood, populating the book’s pages with a host of colorful characters reaching far beyond Martin: One-Eyed Connelly, the famed gatecrasher who eventually met his match; the masked assailants of the St. Louis Milk War, a violent labor action that shared the city’s frontpages with the Series; banking regulators rushing to save deposits at Philadelphia’s Franklin Trust, and more.

With Dash of Pepper!, Wingerter makes an original contribution to the field, its focus on American society making it particularly valuable to lovers of United States history in addition to baseball fans.

Rediscover Alabama's long-vanished towns, forts, settlements, and former state capitals that time left behind.

Dead Towns of Alabama is not merely a series of obituaries for dead towns. Instead, it brings back to life 83 Indian towns, 77 fort sites, and 112 colonial, territorial, and state towns. W. Stuart Harris conjures up a wealth of fascinating images from Alabama's rich and colorful past--images of life as the Indians lived it, of colonial life in the wilderness, of Spanish explorers and French exiles, of danger and romance, of riverboats and railroads, of plantations and gold mines, of stagecoaches and ferries. Overall, it presents a thoroughly absorbing panorama of Alabama's early history.

Here we learn about two former capitals--St. Stephens and Cahaba--that have deteriorated to mouldering ruins now. We learn about once thriving communities--county seats, river landings and crossings, trading posts, junctions, and other settlements--that time has forgotten. Absent from most maps, these sites come alive again in Harris's fascinating account, filled anew with the bustling activity of their former inhabitants.

First published in 1977, Dead Towns of Alabama is a unique guidebook to every region of the state. It is an invaluable resource for historians, students, tourists, and anyone interested in exploring Alabama's interesting historical and cultural past.

During the drafting of the Declaration of Independence in 1776, Thomas Jefferson and enslaved valet Robert Hemmings spent several months at 700 Market Street in Philadelphia. The editors and contributors to Declaration House reflect on the history of this site and illuminate the entangled legacy of freedom and enslavement at the core of our nation’s founding. They expand our history by revisiting and mapping this historic place in the city and nation, past and present, as a way to tend to our democracy today.

At the center of the book is artist Sonya Clark’s revelatory public artwork “The Descendants of Monticello,” a multichannel video installation created in collaboration with Hemmings’ collateral descendants and others who are related to the hundreds of people enslaved at Monticello. Interviews and essays about the project and the site consider history, memory, and the founding of our country. Like Clark’s project, Declaration House asks the timely question, "What does the Declaration of Independence mean to us today?"

Contributors: Niya Bates, Kerry Bickford, Paul Buchanan, Sonya Clark, Andrew M. Davenport, Kai Davis, Husnaa Haajarah Hashim, J. Calvin Jefferson Sr., Jabari Jefferson, Jane Kamensky, Matthew Kenyatta, Salamishah Tillet, Gayle Jessup White, Auriana Woods, and the editors

WINNER OF THE GULF SOUTH HISTORICAL ASSOCIATION'S MICHAEL V. R. THOMASON BOOK AWARD

Family, influence, and the making of Southern power.

From Reconstruction through the end of World War II, the Bankheads served as the principal architects of the political, economic, and cultural framework of Alabama and the greater South. As a family, they were instrumental in fashioning the New South and the twentieth century American political economy, but now the Bankhead name is largely associated only with place names.

Deep South Dynasty: The Bankheads of Alabama is a deeply researched epic family biography that reflects the complicated and evolving world inhabited by three generations of the extremely accomplished—if problematic—Bankhead family of northwest Alabama. Kari Frederickson’s expertly crafted account traces the careers of five members of the family—John Hollis Bankhead; his sons, John Hollis Bankhead Jr. and William Brockman Bankhead; his daughter, Marie Bankhead Owen; and his granddaughter, Tallulah Brockman Bankhead.

A Confederate veteran and son of a slaveholder, John Hollis Bankhead held political office almost continuously from 1865 until his death in 1920, first in state-level positions and ultimately in Congress–in the House then in the Senate–for thirty-three years. Two of his three sons, John Jr. and William, followed in their father’s political footsteps. John Jr., a successful corporate attorney, was elected to the state legislature and then to the US Senate in 1930; William was elected to the House of Representatives in 1916 and chosen Speaker of the House in 1936. Together, father and sons played key roles in crafting and maintaining a conservative political culture, legal code, and economic system that facilitated economic opportunities for cotton farmers, coal barons, and emerging industries in Alabama and across the South while perpetuating White supremacy. 

Daughter Marie Bankhead Owen extended the family’s cultural power during her thirty-five-year tenure as director of the Alabama Department of Archives and History. From this position and through her work with groups like the United Daughters of the Confederacy, she embraced and disseminated a historical narrative steeped in Lost Cause mythology that validated the power and privilege of White elites and naturalized the second-class status of African Americans. William’s daughter, actress Tallulah Bankhead, benefited from her family’s rich political bloodlines and in turn lent them a touch of glamour and made the Bankheads modern. Frederickson’s meticulously researched examination of this once-powerful but now largely forgotten southern family is a sweeping and complex story of the region and its relationship with the wider world over the course of eight decades, from the wreckage of the Civil War to the dawn of the nuclear age.
 

Beyond the backwoods—uncovering the Civil War legacy of Alabama’s forgotten frontier.

Much of Alabama’s written history concentrates on the Tennessee Valley, the hill counties, and the Black Belt, while the piney woods of south central and southeastern Alabama, commonly known as the wiregrass region today, is one of the most understudied areas in Alabama history. Deep in the Piney Woods: Southeastern Alabama from Statehood to the Civil War, 1800–1865 offers a comprehensive and long overdue account of a historically rich region of the state, challenging many commonly held assumptions about the area’s formation and settlement, economy, politics, race relations, and its role in both the secession of the state and the Civil War.

Historians routinely depict this part of the state as an isolated, economically backward wilderness filled with poor whites who showed little interest in supporting the Confederacy once civil war erupted in 1861. Tommy Craig Brown challenges those traditional interpretations, arguing instead that many white Alabamians in this territory participated in the market economy, supported slavery, favored secession, and supported the Confederate war effort for the bulk of the conflict, sending thousands of soldiers to fight in some of the bloodiest campaigns of the war.

This thorough and expansive account of southeastern Alabama’s role in the Civil War also discusses its advocacy for state secession in January 1861; the effects of Confederate conscription on the home front; the economic devastation wrought on the area; and the participation of local military companies in key campaigns in both the eastern and western theaters, including Shiloh, the Peninsula Campaign, the Overland Campaign, Atlanta, and Franklin-Nashville. Brown argues that the lasting effects of the war on the region’s politics, identity, economy, and culture define it in ways that are still evident today.