Results by title

The Islamic self-help classes in this book exist at the nexus of sacred texts, aphorisms, and social media engagements, scaffolded by the neoliberal economy that shapes idealized Muslim subjectivities. Within a context whereby the Singapore state discursively frames Malayness in terms of cultural deficiency, Malay Muslim women’s inward focus on transformative ethics rather than societal change underscores the appeal of gendered pious self-help discourses. At the same time, Jamil’s referencing of Black, Indigenous, and Ethnic studies offers a compelling analytical frame that places affective transformation within the context of racial capitalism, historical trauma, and embodied healing.

A provocative and rich ethnography, Faithful Transformations tells the stories of Malay Muslim women desiring piety and self-improvement as minoritized subjects in contemporary Singapore while exploring the limitations of self-care.

Uncovering the overlooked histories of Asians in the American South.

In sharp contrast to the “melting pot” reputation of the United States, the American South—with its history of slavery, Jim Crow, and the civil rights movement—has been perceived in stark and simplistic demographic terms. In Far East, Down South, editors Raymond A. Mohl, John E. Van Sant, and Chizuru Saeki provide a collection of essential essays that restores and explores an overlooked part of the South’s story—that of Asian immigration to the region.

These essays form a comprehensive overview of key episodes and issues in the history of Asian immigrants to the South. During Reconstruction, southern entrepreneurs experimented with the replacement of slave labor with Chinese workers. As in the West, Chinese laborers played a role in the development of railroads. Japanese farmers also played a more widespread role than is usually believed. Filipino sailors recruited by the US Navy in the early decades of the twentieth century often settled with their families in the vicinity of naval ports such as Corpus Christi, Biloxi, and Pensacola. Internment camps brought Japanese Americans to Arkansas. Marriages between American servicemen and Japanese, Korean, Filipina, Vietnamese, and nationals in other theaters of war created many thousands of blended families in the South. In recent decades, the South is the destination of internal immigration as Asian Americans spread out from immigrant enclaves in West Coast and Northeast urban areas.

Taken together, the book’s essays document numerous fascinating themes: the historic presence of Asians in the South dating back to the mid-nineteenth century; the sources of numerous waves of contemporary Asian immigration to the South; and the steady spread of Asians out from the coastal port cities. Far East, Down South adds a vital new dimension to popular understanding of southern history.

2026 Best Book Award, Association for Borderlands Studies
2023 Finalist, Best Academic Themed Book, College Level – English, International Latino Book Awards

A contemplative exploration of cultural representations of Mexican American fathers in contemporary media.

As a young girl growing up in Houston, Texas, in the 1980s, Domino Perez spent her free time either devouring books or watching films—and thinking, always thinking, about the media she consumed. The meaningful connections between these media and how we learn form the basis of Perez’s “slow” research approach to race, class, and gender in the borderlands. Part cultural history, part literary criticism, part memoir, Fatherhood in the Borderlands takes an incisive look at the value of creative inquiry while it examines the nuanced portrayal of Mexican American fathers in literature and film.

Perez reveals a shifting tension in the literal and figurative borderlands of popular narratives and shows how form, genre, and subject work to determine the roles Mexican American fathers are allowed to occupy. She also calls our attention to the cultural landscape that has allowed such a racialized representation of Mexican American fathers to continue, unopposed, for so many years. Fatherhood in the Borderlands brings readers right to the intersection of the white cultural mainstream in the United States and Mexican American cultural productions, carefully considering the legibility and illegibility of Brown fathers in contemporary media.

A bold exploration of Black internationalism’s origins, Fear of a Black Republic links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.

From the day he was born, Federico Jiménez Caballero was predicted to be a successful man. So, how exactly did a young boy from Tututepec, Oaxaca, become a famous Indigenous jewelry artist and philanthropist in Los Angeles? Federico tells the remarkable story of willpower, curiosity, hard work, and passion coming together to change one man’s life forever.

As a child growing up in a small rural town in southern Mexico, Federico Jiménez Caballero faced challenges that most of us cannot imagine, let alone overcome. From a young age, Federico worked tirelessly to contribute to his large family, yet his restless spirit often got him into trouble. Finding himself in the middle of a village-wide catastrophe, he was exiled to a boarding school in Oaxaca City where he was forced to become independent, resilient, and razor-sharp in order to stay afloat. Through his incredible people skills, bravery, and a few nudges from his bold mother, Federico found himself excelling in his studies and climbing the ranks in Oaxaca City. He always held a deep love and respect for his Mixtec Indigenous roots and began to collect Indigenous jewelry and textiles. Through a series of well-timed connections, Federico met his wife Ellen, and, shortly afterward, he came to the United States as a researcher at the University of California, Los Angeles, in the late 1960s.

Carrying his passion for Indigenous jewelry with him from Oaxaca, Federico owned a series of shops in Los Angeles and sold jewelry at flea markets to well-known Hollywood stars. Over the years, he cultivated relationships and became a philanthropist as well as the owner of a museum in Oaxaca City. This book is the inspiring first-person account of eighty years in the life of a man who moved from humble beginnings to the bright lights of Hollywood, following his passion and creating long-lasting relationships as he climbed the ladder of success.

Asian Americans have become the love-hate subject of the American psyche: at times celebrated as the model minority, at other times hated as foreigners. Wen Liu examines contemporary Asian American identity formation while placing it within a historical and ongoing narrative of racial injury. The flexible racial status of Asian Americans oscillates between oppression by the white majority and offers to assimilate into its ranks. Identity emerges from the tensions produced between those two poles. Liu dismisses the idea of Asian Americans as a coherent racial population. Instead, she examines them as a raced, gendered, classed, and sexualized group producing varying physical and imaginary boundaries of nation, geography, and citizenship. Her analysis reveals repeated norms and acts that capture Asian Americanness as part of a racial imagination that buttresses capitalism, white supremacy, neoliberalism, and the US empire.

An innovative challenge to persistent myths, Feeling Asian American ranges from the wartime origins of Asian American psychology to anti-Asian attacks to present Asian Americanness as a complex political assemblage.

Feeling Yellow examines how yellowface has persisted on the contemporary musical stage and how Asian Americans have contested yellowface, as they stake their own claim to the theatrical stage and nation state. Donatella Galella boldly argues that the pleasures of musical theatre and the disavowal of systemic anti-Asian racism enable the ongoing portrayal of Asian and Asian American characters by non-Asian actors. Galella offers two concepts to understand these phenomena: feeling yellow and yellowface without yellowed faces. Feeling yellow encapsulates the racialized anger, despair, and alienation of Asian American artists and audiences. Yellowface without yellowed faces denotes subtle ways of conveying Asianness, such as performing Asianness with exaggerated irony, using racialized costumes rather than yellow skin and slanted eye makeup, and setting musicals in fantasy Asian lands populated by multiracial casts. 

Galella utilizes musicals such as Thoroughly Modern Millie, Anything Goes, The Mikado, and Soft Power, to understand how Asian and Asian American representation is connected to larger questions: How does racial identity shape emotional reactions to musical theatre? Why does yellowface and anti-Asian racism persist? What are the terms for Asian Americans belonging in the United States? Using a range of approaches from dramaturgy to auto-ethnography and materials from interviews to Reddit posts, Feeling Yellow spotlights Asian American affect, artistry, and activism.

With the abolition of the transatlantic slave trade in 1808, many African Americans began calling for “a day of publick thanksgiving” to commemorate this important step toward freedom. During the ensuing century, black leaders built on this foundation and constructed a distinctive and vibrant tradition through their celebrations of the end of slavery in New York State, the British West Indies, and eventually the United States as a whole. In this revealing study, Mitch Kachun explores the multiple functions and contested meanings surrounding African American emancipation celebrations from the abolition of the slave trade to the fiftieth anniversary of U.S. emancipation. 

Excluded from July Fourth and other American nationalist rituals for most of this period, black activists used these festivals of freedom to encourage community building and race uplift. Kachun demonstrates that, even as these annual rituals helped define African Americans as a people by fostering a sense of shared history, heritage, and identity, they were also sites of ambiguity and conflict. Freedom celebrations served as occasions for debate over black representations in the public sphere, struggles for group leadership, and contests over collective memory and its meaning. 

Based on extensive research in African American newspapers and oration texts, this book retraces a vital if often overlooked tradition in African American political culture and addresses important issues about black participation in the public sphere. By illuminating the origins of black Americans' public commemorations, it also helps explain why there have been increasing calls in recent years to make the "Juneteenth" observance of emancipation an American—not just an African American—day of commemoration.

Brenda Werth’s Fictions of the Real traces the transformation of “the real” and its transnational conceptualization by Argentine artists in the twenty-first century, focusing on artists who engage in both documentary theater and filmmaking. Werth places the work of Lola Arias, Romina Paula, Federico León, Mariano Pensotti, and Grupo Krapp in dialogue with the distinct but intertwined lineages of theater and film, exploring the intermedial dimensions of these artists’ theatrical work, resonances in their documentary films, and the transmedial relationships between their documentary plays and films. Focusing on the dynamic and shifting context of Argentina between 1998 and 2023, a period roughly bookmarked by the economic crisis of 2001 and the COVID-19 pandemic, this book explores how these artists disrupt the relations of power and counter political manipulation with their own evocative fictions of the real as they engage in the roles of translators, curators, researchers, archivists, and collaborators.

Prince George’s County, Maryland, is a suburban jurisdiction in the Washington, D.C., metropolitan area and is home to the highest concentration of Black middle-class residents in the United States. As such, it is well positioned to overcome White domination and anti-Black racism and their social and economic consequences. Yet Prince George’s does not raise tax revenue sufficient to provide consistent high-quality public goods and services. In Fighting for a Foothold, sociologist Angela Simms examines the factors contributing to Prince George’s financial troubles.

Simms draws on two years of observations of Prince George’s County’s budget and policy development processes, interviews with nearly 60 Prince George’s leaders and residents, and budget and policy analysis for Prince George’s County and its two Whiter, wealthier neighbors, Montgomery County, Maryland, and Fairfax County, Virginia. She argues legacy and ongoing government policies and business practices—such as federal mortgage insurance policy prior to 1968, local government reliance on property taxes, and private investment patterns—have resulted in disparities in wealth accumulation between Black and White Americans, not only for individuals and families but local jurisdictions as well. Prince George’s County has a lower cost of living than its Whiter, wealthier neighbors. As the most affordable county bordering D.C., it attracts a disproportionate share of the region’s core middle-class, lower middle-class, working class, and low-income residents, resulting in greater budget pressure. 

Prince George’s uses the same strategies as majority-White jurisdictions to increase revenue, such as taxing at similar rates and vying for development opportunities but does not attain the same financial returns. Ultimately, Simms contends Prince George’s endures “relative regional burden” and that the county effectively subsidizes Whiter counties’ wealth accumulation. She offers policy recommendations for removing the constraints Prince George’s County and other majority-Black jurisdictions navigate, including increased federal and state taxes on wealthy Americans and corporations, which will enhance the capacity for government to distribute and redistribute resources equitably; increased state-level funding of public goods and services, which would decrease local jurisdictions’ reliance on locally-generated tax revenue; and the creation of equity funds to remediate harms inflicted upon Black Americans.

Fighting for a Foothold is an in-depth analysis of the fiscal challenges experienced by Prince George’s County and by the suburban Black middle-class and majority-Black jurisdictions, more broadly. The book reveals how race, class, and local jurisdiction boundaries in metropolitan areas interact to create different material living conditions for Americans.