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A striking examination of the death penalty in the Soviet Union that documents in heart-rending detail how its citizens, hopeful for a new life post-Stalin, lost faith that their transgressions could be forgiven.

From 1954 to 1991 in the Soviet Union, nearly forty thousand citizens were executed after the death penalty was reinstated as a punishment for homicide. Fate in My Hands introduces readers to the many citizens in this period—women and men of all ages and backgrounds—who found themselves on death row and tried to escape it in the only way available to them: asking for forgiveness.

Examining the letters and objects the dead left behind, Skorobogatov recovers their voices and allows them to speak anew. She offers a striking portrait of life in the Soviet Union and the citizens who dreamed of new possibilities even as they faced their tragic end. Using a corpus of never-before-accessed criminal court records, Fate in My Hands brings readers not just into the police interrogation rooms, courthouses, and cells where the condemned awaited their fates, but into the homes, workplaces, and psychiatric hospitals where families and friends alike came together to pursue an elusive, bitter justice in the wake of violent tragedy.

For centuries, the Irish have been famed, and often derided, for their attachment to alcohol. Yet in the 1830s and 1840s, Ireland became a temperance stronghold. The man almost singlehandedly responsible for this surprising transformation was Father Theobald Mathew (1790–1856), a popular Franciscan friar. Over a ten-year period, five million Irish men, women, and children took the pledge at his hands, while hundreds of public houses were forced to shut their doors or switch to selling coffee and tea. 

By the end of the 1840s, however, Mathew's “miracle” was already coming undone. The Great Famine was ravaging Ireland and Mathew's years of nonstop campaigning had left him sick, exhausted, and bankrupt. Undeterred, he traveled to the United States in 1849 to generate support and administer the pledge to as many new immigrants as he could find. Failing health forced him to return to Ireland where he died in 1856, leaving behind a weak and fragmented movement. 

In the late nineteenth century, several Irish priests revived Mathew's crusade. In the United States, Irish American bishops supported the Catholic Total Abstinence Union (CTAU) and joined hands with the Women's Christian Temperance Union in their war against liquor. In Ireland, Father James Cullen formed the Pioneers, a total abstinence association for devout Catholics. While the CTAU languished after the United States Congress passed the Prohibition Amendment in 1919, the Pioneers continued to thrive in Ireland into the 1960s. Although the group's membership has declined in recent years, there are still today a large number of Irish teetotalers.

By taking us inside the prison system, Nurse shows how its structure actively shapes an inmate's relationship with his children. For example, visitation is sometimes restricted to blood relatives and wives. Because relationships between unmarried men and the mothers of their children are often strained, some mothers are unwilling to allow their children to go to the prison with the inmate's family. Or the father may be allowed to receive visits from only one "girlfriend," which forces a man with multiple relationships, or with children by different women, to make impossible choices. Special attention is paid to the gendered nature of prison, its patriarchal and punitive structure, and its high-stress environment. The book then follows newly paroled men as they are released and return to their children.

The author spent four years doing research at the California Youth Authority, during which time she surveyed 258 paroled fathers. The group included young white, black, and Latino men, ages sixteen to twenty-five. She conducted in-depth interviews with men selected from this group, participated in forty parenting class sessions, and observed visiting hours at three different institutions. The data provide fascinating information about the characteristics of the men, their attitudes toward fatherhood, and the ways they are involved with their children. The diversity of the fathers allows for an analysis of racial and ethnic variation in their attitudes and involvement. The study concludes with a series of policy suggestions, especially important in light of the large number of fathers now living under the care and control of the juvenile justice system.

2026 Best Book Award, Association for Borderlands Studies
2023 Finalist, Best Academic Themed Book, College Level – English, International Latino Book Awards

A contemplative exploration of cultural representations of Mexican American fathers in contemporary media.

As a young girl growing up in Houston, Texas, in the 1980s, Domino Perez spent her free time either devouring books or watching films—and thinking, always thinking, about the media she consumed. The meaningful connections between these media and how we learn form the basis of Perez’s “slow” research approach to race, class, and gender in the borderlands. Part cultural history, part literary criticism, part memoir, Fatherhood in the Borderlands takes an incisive look at the value of creative inquiry while it examines the nuanced portrayal of Mexican American fathers in literature and film.

Perez reveals a shifting tension in the literal and figurative borderlands of popular narratives and shows how form, genre, and subject work to determine the roles Mexican American fathers are allowed to occupy. She also calls our attention to the cultural landscape that has allowed such a racialized representation of Mexican American fathers to continue, unopposed, for so many years. Fatherhood in the Borderlands brings readers right to the intersection of the white cultural mainstream in the United States and Mexican American cultural productions, carefully considering the legibility and illegibility of Brown fathers in contemporary media.

The HIV epidemic in Bolivia has received little attention on a global scale in light of the country’s low HIV prevalence rate. However, by profiling the largest city in this land-locked Latin American country, Carina Heckert shows how global health-funded HIV care programs at times clash with local realities, which can have catastrophic effects for people living with HIV who must rely on global health resources to survive. These ethnographic insights, as a result, can be applied to AIDS programs across the globe.
 
In Fault Lines of Care, Heckert provides a detailed examination of the effects of global health and governmental policy decisions on the everyday lives of people living with HIV in Santa Cruz. She focuses on the gendered dynamics that play a role in the development and implementation of HIV care programs and shows how decisions made from above impact what happens on the ground.  

A bold exploration of Black internationalism’s origins, Fear of a Black Republic links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.

A fascinating deep dive into one city’s urban policy—and the anxiety over immigrants that informs it

 

The city of Toronto is often held up as a leader in diversity and inclusion. In Fearing the Immigrant, however, Parastou Saberi argues that Toronto’s urban policies are influenced by a territorialized and racialized security agenda—one that parallels the “War on Terror.” Focusing on the figure of the immigrant and so-called immigrant neighborhoods as the targets of urban policy, Saberi offers an innovative, multidisciplinary approach to the politics of racialization and the governing of alterity through space in contemporary cities.

A comprehensive study of urban policymaking in Canada’s largest city from the 1990s to the late 2010s, Fearing the Immigrant uses Toronto as a jumping-off point to understand how the nexus of development, racialization, and security works at the urban and international levels. Saberi situates urban policymaking in Toronto in relation to the dominant policies of international development and public health, counterinsurgency, and humanitarian intervention. Engaging with the genealogies and contemporary developments of major policy techniques involving mapping and policy concepts such as poverty, security, policing, development, empowerment, as well as social determinants of health, equity, and prevention, she scrutinizes the parallel ways these techniques and concepts operate in urban policy and international relations. 

Fearing the Immigrant ultimately asserts that the geopolitical fear of the immigrant is central to the formation of urban policy in Toronto. Rather than addressing the root causes of poverty, urban policy as it has been practiced aims to pacify the specter of urban unrest and to secure the production of a neocolonial urban order. As such, this book is an urgent call to reimagine urban policy in the name of equality and social justice.

This is a serious scholarly work that is, at the same time, somewhat unorthodox. On the one hand, it elaborates a systematic theory of civilization. It surveys the major theories of civilization and develops a new hypothesis, according to which existential fear has been a major factor in the generation of human culture. The author argues that in order to mitigate this fear and anxiety, human beings and communities have surrounded themselves not only with the walls of their houses and cities, with tools and weapons, laws and institutions, but also with protective spheres of symbols: myths and religions, values and belief systems, ideas and scientific theories, moral and practical rules of behavior, and a multitude of everyday rituals and trivialities. In a word, with the brilliant construct: civilization.

It is, on the other hand, an unorthodox book in that it studies an unusually wide range of examples and shows that the struggle for safety and freedom, for a meaningful life and human dignity, is present not only in the great symbolic systems of humankind but also in the most trivial of everyday activities and aspects of human existence; in tragedies as well as jokes, in the sacred as well as the profane, in the symbolism of medieval cathedrals as well as in that of contemporary shopping malls, in the great drama of Sin and Salvation as well as in the trivial mythology of perfumes. Ultimately, our trivialities are not trivial at all. 

From the ancient Near East to modern-day North America, communal consumption of food and drink punctuates the rhythms of human societies. Feasts serve many social purposes, establishing alliances for war and marriage, mobilizing labor, creating political power and economic advantages, and redistributing wealth. In this collection of fifteen essays, archaeologists and ethnographers explore the material record of food and its consumption as social practice. They examine the locations of roasting pits, hearths, and refuse deposits, or the presence of special decorative ceramics, and infer ways in which feasting traditions reveal social structures of lineage, clan, moiety, and polity.

From the day he was born, Federico Jiménez Caballero was predicted to be a successful man. So, how exactly did a young boy from Tututepec, Oaxaca, become a famous Indigenous jewelry artist and philanthropist in Los Angeles? Federico tells the remarkable story of willpower, curiosity, hard work, and passion coming together to change one man’s life forever.

As a child growing up in a small rural town in southern Mexico, Federico Jiménez Caballero faced challenges that most of us cannot imagine, let alone overcome. From a young age, Federico worked tirelessly to contribute to his large family, yet his restless spirit often got him into trouble. Finding himself in the middle of a village-wide catastrophe, he was exiled to a boarding school in Oaxaca City where he was forced to become independent, resilient, and razor-sharp in order to stay afloat. Through his incredible people skills, bravery, and a few nudges from his bold mother, Federico found himself excelling in his studies and climbing the ranks in Oaxaca City. He always held a deep love and respect for his Mixtec Indigenous roots and began to collect Indigenous jewelry and textiles. Through a series of well-timed connections, Federico met his wife Ellen, and, shortly afterward, he came to the United States as a researcher at the University of California, Los Angeles, in the late 1960s.

Carrying his passion for Indigenous jewelry with him from Oaxaca, Federico owned a series of shops in Los Angeles and sold jewelry at flea markets to well-known Hollywood stars. Over the years, he cultivated relationships and became a philanthropist as well as the owner of a museum in Oaxaca City. This book is the inspiring first-person account of eighty years in the life of a man who moved from humble beginnings to the bright lights of Hollywood, following his passion and creating long-lasting relationships as he climbed the ladder of success.

WINNER OF THE 2020 SOCIETY FOR ECONOMIC BOTANY'S MARY W. KLINGER BOOK AWARD

An authoritative and thoroughly accessible overview of farming and food practices at Cahokia

Agriculture is rightly emphasized as the center of the economy in most studies of Cahokian society, but the focus is often predominantly on corn. This farming economy is typically framed in terms of ruling elites living in mound centers who demanded tribute and a mass surplus to be hoarded or distributed as they saw fit. Farmers are cast as commoners who grew enough surplus corn to provide for the elites.

Feeding Cahokia: Early Agriculture in the North American Heartland presents evidence to demonstrate that the emphasis on corn has created a distorted picture of Cahokia’s agricultural practices. Farming at Cahokia was biologically diverse and, as such, less prone to risk than was maize-dominated agriculture. Gayle J. Fritz shows that the division between the so-called elites and commoners simplifies and misrepresents the statuses of farmers—a workforce consisting of adult women and their daughters who belonged to kin groups crosscutting all levels of the Cahokian social order. Many farmers had considerable influence and decision-making authority, and they were valued for their economic contributions, their skills, and their expertise in all matters relating to soils and crops. Fritz examines the possible roles played by farmers in the processes of producing and preparing food and in maintaining cosmological balance.

This highly accessible narrative by an internationally known paleoethnobotanist highlights the biologically diverse agricultural system by focusing on plants, such as erect knotweed, chenopod, and maygrass, which were domesticated in the midcontinent and grown by generations of farmers before Cahokia Mounds grew to be the largest Native American population center north of Mexico. Fritz also looks at traditional farming systems to apply strategies that would be helpful to modern agriculture, including reviving wild and weedy descendants of these lost crops for redomestication. With a wealth of detail on specific sites, traditional foods, artifacts such as famous figurines, and color photos of significant plants, Feeding Cahokia will satisfy both scholars and interested readers.

Winner, Bolton-Johnson Prize, Conference on Latin American History, 2011
Murdo J. McLeod Book Prize, 2011

On the eastern coast of Brazil, facing westward across a wide magnificent bay, lies Salvador, a major city in the Americas at the end of the eighteenth century. Those who distributed and sold food, from the poorest street vendors to the most prosperous traders—black and white, male and female, slave and free, Brazilian, Portuguese, and African—were connected in tangled ways to each other and to practically everyone else in the city, and are the subjects of this book. Food traders formed the city's most dynamic social component during the late eighteenth and early nineteenth centuries, constantly negotiating their social place. The boatmen who brought food to the city from across the bay decisively influenced the outcome of the war for Brazilian independence from Portugal by supplying the insurgents and not the colonial army. Richard Graham here shows for the first time that, far from being a city sharply and principally divided into two groups—the rich and powerful or the hapless poor or enslaved—Salvador had a population that included a great many who lived in between and moved up and down.

The day-to-day behavior of those engaged in food marketing leads to questions about the government's role in regulating the economy and thus to notions of justice and equity, questions that directly affected both food traders and the wider consuming public. Their voices significantly shaped the debate still going on between those who support economic liberalization and those who resist it.

Asian Americans have become the love-hate subject of the American psyche: at times celebrated as the model minority, at other times hated as foreigners. Wen Liu examines contemporary Asian American identity formation while placing it within a historical and ongoing narrative of racial injury. The flexible racial status of Asian Americans oscillates between oppression by the white majority and offers to assimilate into its ranks. Identity emerges from the tensions produced between those two poles. Liu dismisses the idea of Asian Americans as a coherent racial population. Instead, she examines them as a raced, gendered, classed, and sexualized group producing varying physical and imaginary boundaries of nation, geography, and citizenship. Her analysis reveals repeated norms and acts that capture Asian Americanness as part of a racial imagination that buttresses capitalism, white supremacy, neoliberalism, and the US empire.

An innovative challenge to persistent myths, Feeling Asian American ranges from the wartime origins of Asian American psychology to anti-Asian attacks to present Asian Americanness as a complex political assemblage.

Feeling Yellow examines how yellowface has persisted on the contemporary musical stage and how Asian Americans have contested yellowface, as they stake their own claim to the theatrical stage and nation state. Donatella Galella boldly argues that the pleasures of musical theatre and the disavowal of systemic anti-Asian racism enable the ongoing portrayal of Asian and Asian American characters by non-Asian actors. Galella offers two concepts to understand these phenomena: feeling yellow and yellowface without yellowed faces. Feeling yellow encapsulates the racialized anger, despair, and alienation of Asian American artists and audiences. Yellowface without yellowed faces denotes subtle ways of conveying Asianness, such as performing Asianness with exaggerated irony, using racialized costumes rather than yellow skin and slanted eye makeup, and setting musicals in fantasy Asian lands populated by multiracial casts. 

Galella utilizes musicals such as Thoroughly Modern Millie, Anything Goes, The Mikado, and Soft Power, to understand how Asian and Asian American representation is connected to larger questions: How does racial identity shape emotional reactions to musical theatre? Why does yellowface and anti-Asian racism persist? What are the terms for Asian Americans belonging in the United States? Using a range of approaches from dramaturgy to auto-ethnography and materials from interviews to Reddit posts, Feeling Yellow spotlights Asian American affect, artistry, and activism.