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    From the McDonald’s hot coffee case to the cattle ranchers’ beef with Oprah Winfrey, from the old English "Assize of Bread" to current nutrition labeling laws, what we eat and how we eat are shaped as much by legal regulations as by personal taste. Barry M. Levenson, the curator of the world-famous (really!) Mount Horeb Mustard Museum and a self-proclaimed "recovering lawyer," offers in Habeas Codfish an entertaining and expert overview of the frustrating, frightening, and funny intersections of food and the law.
    Discover how Mr. Peanut shaped the law of trademark infringement for the entire food industry. Consider the plight of the restaurant owner besmirched by a journalist’s negative review. Find out how traditional Jewish laws of kashrut ran afoul of the First Amendment. Prison meals, butter vs. margarine, definitions of organic food, undercover ABC reporters at the Food Lion, the Massachusetts Supreme Court case that saved fish chowder, even recipes—it’s all in here, so tuck in!

For centuries, the writ of habeas corpus has served as an important safeguard against miscarriages of justice, and today it remains at the center of some of the most contentious issues of our time—among them terrorism, immigration, crime, and the death penalty. Yet, in recent decades, habeas has been seriously abused. In this book, Nancy J. King and Joseph L. Hoffmann argue that habeas should be exercised with greater prudence.

Through historical, empirical, and legal analysis, as well as illustrative case studies, the authors examine the current use of the writ in the United States and offer sound reform proposals to help ensure its ongoing vitality in today’s justice system. Comprehensive and thoroughly grounded in a modern understanding of habeas corpus, this informative book will be an insightful read for legal scholars and anyone interested in the importance of habeas corpus for American government.

Born in Prague to Holocaust survivors, Hadassah Lieberman and her family immigrated in 1949 to the United States. She went on to earn a BA from Boston University in government and dramatics and an MA in international relations and American government from Northeastern University. She built a career devoted largely to public health that has included positions at Lehman Brothers, Pfizer, and the National Research Council. After her first marriage ended in divorce, she married Joe Lieberman, a US senator from Connecticut who was the Democratic nominee for vice president with Al Gore and would go on to run for president.

In Hadassah, Lieberman pens the compelling story of her extraordinary life: from her family's experience in Eastern Europe to their move to Gardner, Massachusetts; forging her career; experiencing divorce; and, following her remarriage, her life on the national political stage. By offering insight into her identity as an immigrant, an American Jew, a working woman, and a wife, mother, and grandmother, Lieberman’s moving memoir speaks to many of the major issues of our time, from immigration to gender politics. Featuring an introduction by Joe Lieberman and an afterword by Megan McCain, it is a true American story.

For the past nine years, acclaimed historian H. W. Brands has been tweeting the history of the United States. But this has been no ordinary version of the American tale. Instead, Brands gives his 5,000-plus followers a regular dose of history and poetry combined: his tweets are in the form of haiku.

Haiku History presents a selection of these smart, shrewd, and always informative short poems. “Shivers and specters / Flit over souls in Salem / As nineteen are hanged; describes the Salem witch trials, and “In angry war paint / Men board three Indiamen / And toss the cargo” depicts the Boston Tea Party. “Then an anarchist / Makes one of the war heroes / The next president” recalls the assassination of William McKinley and the accession of Teddy Roosevelt to the presidency, while “Second invasion: / Iraq, where Saddam is still / In troubling control” returns us to the invasion of Iraq in 2003. As he travels from the thirteen colonies to the 2016 election, Brands brings to life the wars, economic crises, social upheavals, and other events that have shaped our nation. A history book like no other, Haiku History injects both fun and poetry into the story of America—three lines at a time.

A collection of short stories from Pultizer Prize winner, Edna Ferber

The short stories in this collection take the reader from small-town Wisconsin to the bustling streets of New York and Chicago and back again. While they range greatly in length and tone, they all share the trademark wit and affectionate insight of Edna Ferber.

Showcasing the facility with words that made her a mainstay at the Algonquin round table, Ferber explores some of her favorite themes: the role of women (especially strong or unconventional women) in modern society, the mores of the midwestern small town, and the changes over time in relationships between parents and children.

In “The Maternal Feminine,” a plain, overlooked child grows into a strong, resourceful businesswoman and forms a strong motherly bond with the children of her more attractive sister. In “April 25th, As Usual,” an aging Wisconsin couple reluctantly join their successful daughter in New York, where they try to adjust to a very different lifestyle. “Old Lady Mandle” is a bittersweet tale about an elderly Chicago mother coming to terms with the fact that she is no longer the most important woman in the life of her grown son. “One Hundred Per Cent” features Ferber’s celebrated heroine Emma McChesney, now re-married, seeing her husband off to war.

The stories gathered here are beautifully observed chronicles of early twentieth-century life and are filled with characters who, despite their very human foibles, are all bestowed by Ferber with warmth and dignity.

As digital communication has become dominant, commentators have declared that handwriting is a thing of the past, a relic of an earlier age. This volume of original essays makes it clear that anxiety around handwriting has existed for centuries and explores writing practices from a variety of interdisciplinary fields, including manuscript studies, Native American studies, media history, African American studies, book history, bibliography, textual studies, and archive theory.

By examining how a culturally diverse set of people grappled with handwriting in their own time and weathered shifting relationships to it, Handwriting in Early America uncovers perspectives that are multiethnic and multiracial, transatlantic and hemispheric, colonial and Indigenous, multilingual and illiterate.  Essays describe a future of handwriting as envisioned by practitioners, teachers, and even government officials of this time, revealing the tension between the anxiety of loss and the need to allow for variations going forward.

Contributors include James Berkey, Blake Bronson-Bartlett, John J. Garcia, Christopher Hager, Desirée Henderson, Frank Kelderman, Michelle Levy, Lisa Maruca, Christen Mucher, Alan Niles, Seth Perlow, Carla L. Peterson, Sarah Robbins, Patricia Jane Roylance, Karen Sánchez-Eppler, and Danielle Skeehan.

From Aristophanes' Lysistrata to the notorious Mata Hari and the legendary Tokyo Rose, stories of female betrayal during wartime have recurred throughout human history. The myth of Hanoi Jane, Jerry Lembcke argues, is simply the latest variation on this enduring theme. Like most of the iconic femmes fatales who came before, it is based on a real person, Jane Fonda. And also like its predecessors, it combines traces of fact with heavy doses of fiction to create a potent symbol of feminine perfidy—part erotic warrior-woman Barbarella, part savvy antiwar activist, and part powerful entrepreneur.

Hanoi Jane, the book, deconstructs Hanoi Jane, the myth, to locate its origins in the need of Americans to explain defeat in Vietnam through fantasies of home-front betrayal and the emasculation of the national will-to-war. Lembcke shows that the expression “Hanoi Jane” did not reach the eyes and ears of most Americans until five or six years after the end of the war in Vietnam. By then, anxieties about America's declining global status and deteriorating economy were fueling a populist reaction that pointed to the loss of the war as the taproot of those problems. Blaming the antiwar movement for undermining the military's resolve, many found in the imaginary Hanoi Jane the personification of their stab-in-the- back theories.

Ground zero of the myth was the city of Hanoi itself, which Jane Fonda had visited as a peace activist in July 1972. Rumors surrounding Fonda's visits with U.S. POWs and radio broadcasts to troops combined to conjure allegations of treason that had cost American lives. That such tales were more imagined than real did not prevent them from insinuating themselves into public memory, where they have continued to infect American politics and culture.

Hanoi Jane is a book about the making of Hanoi Jane by those who saw a formidable threat in the Jane Fonda who supported soldiers and veterans opposed to the war they fought, in the postcolonial struggle of the Vietnamese people to make their own future, and in the movements of women everywhere for gender equality.

A 2015 CHOICE Outstanding Academic Title

For more than four hundred years, members of the author's family have been telling stories about their American lives. They have told of impassioned elopements and heart-breaking kidnaps, of hairbreadth escapes and shocking murders, of bigamists, changelings, patriots, Indians, fires, floods, and how the great-grandmother of Chief Justice John Marshall married the pirate Blackbeard by mistake.

In this beautifully written work, Andie Tucher considers family stories as another way to look at history, neither from the top down nor the bottom up but from the inside out. She explores not just what happened—everywhere from Jamestown to Boonesborough, from the bloody field at Chickamauga to the metropolis of the Gilded Age—but also what the storytellers thought or wished or hoped or feared happened. She offers insights into what they valued, what they lost, how they judged their own lives and found meaning in them. The narrative touches on sorrow, recompense, love, pain, and the persistent tension between hope and disappointment in a nation that by making the pursuit of happiness thinkable also made unhappiness regrettable. 

Based on extensive research in archives, local history societies, and family-history sources as well as conversations and correspondence, Happily Sometimes After offers an intimate and unusual perspective on how ordinary people used stories to imagine the world they wished for, and what those stories reveal about their relationships with the world they actually had.

Journeying through the emotional migrations of women living in the in-between

In Hilal Isler’s gripping debut story collection, Har Mar, women in the early twenty-first century navigate the complex spaces between countries, families, languages, and selves. Isler’s characters are all on the verge of something—success, rebellion, revelation—and they want to disappear as much as they want to be seen. Moving back and forth between Turkey and the United States, these stories trace migrations both physical and emotional: a nanny plots to flee the wealthy family she cares for in the Grand Bazaar of Istanbul; in Har Mar, a quiet mall tucked in the suburbs of Minneapolis, a bookseller escapes her grief in a complicated relationship with a wig retailer; an actress is hired by a famous American novelist to portray her at public events.

The women in Har Mar don’t always make sound decisions, and they’re not trying to be heroes. But they are reaching—imperfectly, but fiercely—for connection, truth, and home. With moving prose and a deep sense of longing, this collection explores what it means to grow up in the margins, to live in translation, and to build a life at the edge of belonging.
 

The untold story of Boston’s Floating Hospital and the nurses whose work redefined infant care

In late nineteenth-century Boston, nearly one in five babies did not survive infancy. Each summer, outbreaks of “summer complaint”—a deadly gastrointestinal illness caused by contaminated cow’s milk—swept through the city’s poorest neighborhoods. Infants born to immigrant families were especially vulnerable, trapped in stifling tenements with poor sanitation and little access to safe nutrition. Searching for a solution, reform-minded Bostonians looked to New York City’s hospital boats, which offered sick children relief from the heat. In the summer of 1894, Boston launched its own bold experiment: the Boston Floating Hospital.

What began as a modest charitable venture in Boston Harbor soon transformed pediatric care. While physicians have long received credit for the Floating Hospital’s success in reducing infant mortality, Harbor of Hope tells a deeper story. Historian Arlene W. Keeling reveals the essential and often overlooked role of nurses. It was nurses who translated medical theory into lifesaving practice: feeding and bathing fragile infants, administering treatments, calming anxious mothers, and carefully observing each child’s response. Serving as the vital link between doctors and families, they became the heart of the Floating Hospital’s mission.

Tracing the hospital’s story from its first voyage to its tragic destruction by fire in 1927, Harbor of Hope situates these nurses within a city undergoing dramatic change. Against the backdrop of rapid industrial growth, mass immigration, and emerging movements in public health and social reform, Keeling shows how skill, compassion, and persistence reshaped the fate of Boston’s most vulnerable children. Set afloat on Boston Harbor, this is a powerful story of caregiving, innovation, and the women who fought day after day to save babies’ lives.

Three intertwined stories that reveal the challenges faced by the US Navy in its evolution between the Civil War and the First World War

Hard Aground brings together three intertwined stories documenting the US Navy’s strategic and matériel evolution from the end of Civil War through the First World War. These incidents had lasting consequences for how the navy would modernize itself throughout the rest of the twentieth century.

The first story focuses on the reconstruction of the US Navy following the swift and near-total dismantling of the Union Navy infrastructure after the Civil War. This reconstruction began with barely enough time for the navy’s campaigns in the Spanish-American War, and for its role in the First World War. Jampoler argues that the federal government discovered that the fleet requested by the navy, and paid for by Congress, was the wrong fleet. Focus was on battleships and cruisers rather than destroyers and other small combat vessels needed to hunt submarines and serve as convoy escorts.

The second story relates the short, tragic life of the USS Tennessee (later renamed Memphis), one of the steel-hulled ships of the new Armored Cruiser Squadron that was a centerpiece of the navy’s modernization effort. The USS Tennessee was ordered on two unusual missions in the early months of the First World War, long before the United States formally entered the war. These little-known missions and the ship's shocking destruction in a storm surge in the Caribbean serve as the centerpiece of the story. Threaded through the narrative are biographical sketches of the principal players in the drama that unfolded following the ship’s demise, including two of Tennessee’s commanding officers: Vice Admiral Sims, who commanded the US Navy squadrons deployed to Europe in support of the Royal Navy; Rear Admiral William Caperton, who commanded the Caribbean squadron before the Memphis (formerly the Tennessee) was lost; Charles Pond, squadron commander during the wreck; and the American ambassador to the Ottoman court, President Wilson’s enthusiastic supporter, Henry Morgenthau.

Jampoler rounds out this fascinating account with the story of how the USS Tennessee’s destruction prompted fierce deliberations about the US Navy’s operations and chains of command for the remainder of the First World War and the high-level political wrangling inside the Department of the Navy immediately after the war, as civilian appointees and senior officers wrestled to reshape the department in their image.

A career-spanning collection of writings by the legendary labor historian

One of American labor history's most prominent scholars, Melvyn Dubofsky curated an accessible style and historical reach that have long marked his work as required reading for students and scholars. 

This collection juxtaposes Dubofsky's early writings with scholarship from the 1990s. Selections include work on western working-class radicalism, U.S. labor history in transnational and comparative settings, and the impact of technological change on American worker’s movements. Throughout, the writings provide an invaluable eyewitness perspective on the academic and political climate of the 1960s and 1970s while tracing the development of labor history as a discipline. 

An exploration of important themes in labor history, Hard Work combines essential scholarship with the story of how past and present interact in the work of historians.