22279 books match the query 'Social Science' and 635 start with h

cover of Histories of the Transgender Child

Histories of the Transgender Child

Jules Gill-Peterson

University of Minnesota Press, 2018

A groundbreaking twentieth-century history of transgender children


With transgender rights front and center in American politics, media, and culture, the pervasive myth still exists that today’s transgender children are a brand new generation—pioneers in a field of new obstacles and hurdles. Histories of the Transgender Child shatters this myth, uncovering a previously unknown twentieth-century history when transgender children not only existed but preexisted the term transgender and its predecessors, playing a central role in the medicalization of trans people, and all sex and gender.

Beginning with the early 1900s when children with “ambiguous” sex first sought medical attention, to the 1930s when transgender people began to seek out doctors involved in altering children’s sex, to the invention of the category gender, and finally the 1960s and ’70s when, as the field institutionalized, transgender children began to take hormones, change their names, and even access gender confirmation, Julian Gill-Peterson reconstructs the medicalization and racialization of children’s bodies. Throughout, they foreground the racial history of medicine that excludes black and trans of color children through the concept of gender’s plasticity, placing race at the center of their analysis and at the center of transgender studies.

Until now, little has been known about early transgender history and life and its relevance to children. Using a wealth of archival research from hospitals and clinics, including incredible personal letters from children to doctors, as well as scientific and medical literature, this book reaches back to the first half of the twentieth century—a time when the category transgender was not available but surely existed, in the lives of children and parents.

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cover of History Is in the Land: Multivocal Tribal Traditions in Arizona's San Pedro Valley

History Is in the Land

Multivocal Tribal Traditions in Arizona's San Pedro Valley

T. J. Ferguson and Chip Colwell-Chanthaphonh

University of Arizona Press, 2006

Arizona’s San Pedro Valley is a natural corridor through which generations of native peoples have traveled for more than 12,000 years, and today many tribes consider it to be part of their ancestral homeland. This book explores the multiple cultural meanings, historical interpretations, and cosmological values of this extraordinary region by combining archaeological and historical sources with the ethnographic perspectives of four contemporary tribes: Tohono O’odham, Hopi, Zuni, and San Carlos Apache.

Previous research in the San Pedro Valley has focused on scientific archaeology and documentary history, with a conspicuous absence of indigenous voices, yet Native Americans maintain oral traditions that provide an anthropological context for interpreting the history and archaeology of the valley. The San Pedro Ethnohistory Project was designed to redress this situation by visiting archaeological sites, studying museum collections, and interviewing tribal members to collect traditional histories. The information it gathered is arrayed in this book along with archaeological and documentary data to interpret the histories of Native American occupation of the San Pedro Valley.

This work provides an example of the kind of interdisciplinary and politically conscious work made possible when Native Americans and archaeologists collaborate to study the past. As a methodological case study, it clearly articulates how scholars can work with Native American stakeholders to move beyond confrontations over who “owns” the past, yielding a more nuanced, multilayered, and relevant archaeology.
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cover of History Repeating Itself: The Republication of Children's Historical Literature and the Christian Right

History Repeating Itself

The Republication of Children's Historical Literature and the Christian Right

Gregory M. Pfitzer

University of Massachusetts Press, 2014

Recently publishers on the Christian Right have been reprinting nineteenth-century children's history books and marketing them to parents as “anchor texts” for homeschool instruction. Why, Gregory M. Pfitzer asks, would books written more than 150 years ago be presumed suitable for educating twenty-first-century children? The answer, he proposes, is that promoters of these recycled works believe that history as a discipline took a wrong turn in the early twentieth century, when progressive educators introduced social studies methodologies into public school history classrooms, foisting upon unsuspecting and vulnerable children ideologically distorted history books. 

In History Repeating Itself, Pfitzer tests these assertions by scrutinizing and contextualizing the original nineteenth-century texts on which these republications are based. He focuses on how the writers borrowed from one another to produce works that were similar in many ways yet differed markedly in terms of pedagogical strategy and philosophy of history. Pfitzer demonstrates that far from being non-ideological, these works were rooted in intense contemporary debates over changing conceptions of childhood. 

Pfitzer argues that the repurposing of antiquated texts reveals a misplaced resistance to the idea of a contested past. He also raises essential philosophical questions about how and why curricular decisions are shaped by the “past we choose to remember” on behalf of our children.

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cover of History and Hope in the Heart of Dixie: Scholarship, Activism, and Wayne Flynt in the Modern South

History and Hope in the Heart of Dixie

Scholarship, Activism, and Wayne Flynt in the Modern South

Edited by Gordon E. Harvey, Richard D. Starnes and Glenn Feldman

University of Alabama Press, 2006

Exploring the history, challenges, and promise of a changing South through the legacy of Wayne Flynt.

This collection of essays on the social and political history of the modern South consider the region’s poor, racial mores and race relations, economic opportunity, Protestant activism, political coalitions and interest groups, social justice, and progressive reform. History and Hope in the Heart of Dixie illuminates the dual role of historian and public advocate in modern America. In a time when the nation’s eyes have been focused by Hurricanes Katrina and Rita onto the vulnerability and dire condition of poor people in the South, the applicability of research, teaching, and activism for this voiceless element seems all the more relevant.

Responding to the example of Wayne Flynt, whose fierce devotion to his state of Alabama and its region has not blinded his recognition of the inequities and despair that define southern life for so many, the scholars assembled in this work present contributions to the themes Flynt so passionately explored in his own work.Two seasoned observers of southern history and culture—John Shelton Reed and Dan T. Carter—offer assessments of Flynt’s influence on the history profession as a whole and on the region of the South in particular.

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cover of History and Legend: Ideas and Images in the Ming Historical Novels

History and Legend

Ideas and Images in the Ming Historical Novels

Shelley Hsueh-lun Chang

University of Michigan Press, 1990

History, according to the Confucian tradition, was a “comprehensive mirror” for aid in government: it was part of the great Way (ta-tao), the tradition of the governing elite. Fiction, which was originally referred to as “the talk of the streets,” belonged to the small Way (hsia-tao), the tradition of the governed masses. In History and Legend: Ideas and Images in the Ming Historical Novels, Shelly Hsueh-Iun Chang maintains that the historical novels blended legends with historical fact, making them a medium of interplay between the elite and popular traditions.
 
This combination of influences in the historical novels was especially significant during the Ming dynasty because of the rise of both urban culture of great refinement and diversity and a popularizing vernacular designed to promote learning among all people. These two exuberant movements came together in the historical novel to propagate the difficult and complex Official Histories of the governing elite, as well as to adapt unofficial histories and fictitious narratives, thus opening the way to the influence of the common people in literature.
 
This book is the first study of the novels from a historical standpoint. Combining traditional historical research with new source material of the historical novels and with analytical strategies, Chang creates a three-dimensional picture of the “historical world” of the Ming people. Chang compares issues of the dynastic cycle and political legitimacy of a regime, human ambitions and immortality, ethics in the relations between historical personages and legendary heroes, ideals of government and grandiose imperial institutions, and supernatural power and the justice of history that emerged from the historical novels with those in the Official Histories and Confucian canon.
 
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cover of History and Theory: Feminist Research, Debates, Contestations

History and Theory

Feminist Research, Debates, Contestations

Edited by Barbara Laslett, Ruth-Ellen Boetcher Joeres, Mary Jo Maynes, Evelyn Brooks Higginbotham

University of Chicago Press, 1997

This volume of recent Signs articles offers a number of significant contributions to feminist debates on history and theory. It illustrates the uses of theories in recent feminist historical research and the often contentious arguments that surround them. The readings are organized into three sections. The first draws on the tradition of political economy, and discusses the importance of class relations for understanding historical events and social relationships and the expansion of concepts of political economy to include race. The second section, on "The Body," demonstrates how feminist scholars have increasingly worked to re-place the body, to move it from its traditionally less valued position in the hierarchal Enlightenment mind/body split to an approach that emphasizes the body as both material and discursive, both "real" and "representational." The final section, "Discourse," focuses on an examination of the productive power of language in both reflecting and shaping experience and in the contestation of social relations of power.
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cover of History as They Lived It: A Social History of Prairie du Rocher, Illinois

History as They Lived It

A Social History of Prairie du Rocher, Illinois

Margaret Kimball Brown, Foreword by Carl J. Ekberg

Southern Illinois University Press, 2005

“His­tory as They Lived It deserves to be placed within the rich context of Illinois Country historiography going back more than a century. . . . It brings together the fully ripened thoughts of a mature scholar at the very moment that students of the Illinois Country need such a book.”—from the foreword by Carl J. Ekberg

Settled in 1722, Prairie du Rocher was at the geographic center of a French colony in the Mississippi Valley, which also included other villages in what is now Illinois and Missouri: Cahokia, Kaskaskia, Fort de Chartres, St. Philippe, Ste. Genevieve, and St. Louis.  Located in an alluvial valley near towering limestone bluffs, which inspired the village’s name—French for “prairie of the rock”— Prairie du Rocher is the only one of the seven French colonial villages that still exists today as a small compact community.

The village of Prairie du Rocher endured governance by France, Great Britain, Virginia, and the Illinois territory before Illinois became a state in 1818. Despite these changes, the villagers persisted in maintaining the community and its values. Margaret Kimball Brown looks at one of the oldest towns in the region through the lenses of history and anthropology, utilizing extensive research in archives and public records to give historians, anthropologists, and general readers a lively depiction of this small community and its people.

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cover of History of Old Age: From Antiquity to the Renaissance

History of Old Age

From Antiquity to the Renaissance

Georges Minois

University of Chicago Press, 1990

History of Old Age is the first major study of the ways in which old age has been perceived in western culture throughout history. Georges Minois paints a vast fresco, starting with the first old man to relate his own story—an Egyptian scribe some 4500 years ago—and ending with the deaths of Elizabeth I and Henry IV in the sixteenth century. Tracing the changing conceptions of the nature, value, and burden of the old, Minois argues that western history during this period is marked by great fluctuation in the social and political role of the aged.

Minois shows how, in ancient Greece, the cult of youth and beauty on the one hand, and the reverence for the figure of the Homeric sage, on the other, created an ambivalent attitude toward the aged. This ambiguity appears again in the contrast between the active role that older citizens played in Roman politics and their depiction in satirical literature of the period. Christian literature in the Middle Ages also played a large part in defining society's perception of the old, both in the image of the revered holy sage and in the total condemnation of the aged sinner.

Drawing on literary texts throughout, Minois considers the interrelation of literary, religious, medical, and political factors in determining the social fate of the elderly and their relationship to society. This book will be of great interest to social and cultural historians, as well as to general readers interested in the subject of the aged in society today.
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cover of History of Public Health in New York City, 1625-1866: Volume 1

History of Public Health in New York City, 1625-1866

Volume 1

John Duffy

Russell Sage Foundation, 1968

Traces the development of the sanitary and health problems of New York City from earliest Dutch times to the culmination of a nineteenth-century reform movement that produced the Metropolitan Health Act of 1866, the forerunner of the present New York City Department of Health. Professor Duffy shows the city's transition from a clean and healthy colonial settlement to an epidemic-ridden community in the eighteenth century, as the city outgrew its health and sanitation facilities. He describes the slow growth of a demand for adequate health laws in the mid-nineteenth century, leading to the establishment of the first permanent health agency in 1866.
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cover of History of the Mosaic Templars of America: Its Founders and Officials

History of the Mosaic Templars of America

Its Founders and Officials

A.E. Bush

University of Arkansas Press, 2008

Originally published in 1924 and long out of print, this book tells the story of the Mosaic Templars of America (MTA), a famous Black fraternal organization that was founded by John E. Bush and Chester W. Keatts (both former slaves) in Little Rock, Arkansas, in the late-nineteenth century. The organization originally provided illness, death, and burial insurance during an era of segregation when few basic services were available to Black people, and grew to include an insurance company, a building and loan association, a publishing company, a business college, a nursing school, and a hospital.

By 1905 it had a number of lodges across the state of Arkansas with thousands of members. In 1913 a handsome new headquarters building opened and Booker T. Washington delivered the dedication speech. In the 1920s they claimed chapters in twenty-six states and six foreign countries, making it one of the largest Black organizations in the world. 

However, in the 1930s the MTA began to feel the effects of the Great Depression and eventually ceased operations except for a single chapter in Barbados. Tragically, the original Little Rock headquarters building burned down in 2005.

This replica edition of History of the Mosaic Templars of America, with a new introduction by John William Graves, was published to coincide with the grand opening in 2008 of a completely rebuilt structure that houses the new Mosaic Templars Cultural Center.

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cover of History on the Run: Secrecy, Fugitivity, and Hmong Refugee Epistemologies

History on the Run

Secrecy, Fugitivity, and Hmong Refugee Epistemologies

Ma Vang

Duke University Press, 2021

During its secret war in Laos (1961–1975), the United States recruited proxy soldiers among the Hmong people. Following the war, many of these Hmong soldiers migrated to the United States with refugee status. In History on the Run Ma Vang examines the experiences of Hmong refugees in the United States to theorize refugee histories and secrecy, in particular those of the Hmong. Vang conceptualizes these histories as fugitive histories, as they move and are carried by people who move. Charting the incomplete archives of the war made secret through redacted US state documents, ethnography, film, and literature, Vang shows how Hmong refugees tell their stories in ways that exist separately from narratives of U.S. empire and that cannot be traditionally archived. In so doing, Vang outlines a methodology for writing histories that foreground refugee epistemologies despite systematic attempts to silence those histories.
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cover of History's Erratics: Irish Catholic Dissidents and the Transformation of American Capitalism, 1870-1930

History's Erratics

Irish Catholic Dissidents and the Transformation of American Capitalism, 1870-1930

David M. Emmons

University of Illinois Press, 2024

As Ice Age glaciers left behind erratics, so the external forces of history tumbled the Irish into America. Existing both out of time and out of space, a diverse range of these Roman-Catholic immigrants saw their new country in a much different way than did the Protestants who settled and claimed it. These erratics chose backward looking tradition and independence over assimilation and embraced a quintessentially Irish form of subversiveness that arose from their culture, faith, and working-class outlook. David M. Emmons draws on decades of research and thought to plumb the mismatch of values between Protestant Americans hostile to Roman Catholicism and the Catholic Irish strangers among them. Joining ethnicity and faith to social class, Emmons explores the unique form of dissidence that arose when Catholic Irish workers and their sympathizers rejected the beliefs and symbols of American capitalism.

A vibrant and original tour de force, History’s Erratics explores the ancestral roots of Irish nonconformity and defiance in America.

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cover of History, Power, and Identity: Ethnogenesis in the Americas, 1492-1992

History, Power, and Identity

Ethnogenesis in the Americas, 1492-1992

Jonathan D. Hill

University of Iowa Press, 1996

For the past five centuries, indigenous and African American communities throughout the Americas have sought to maintain and recreate enduring identities under conditions of radical change and discontinuity. The essays in this groundbreaking volume document this cultural activity—this ethnogenesis—within and against the broader contexts of domination; the authors simultaneously encompass the entanglements of local communities in the webs of national and global power relations as well as people's unique abilities to gain control over their history and identity.

By defining ethnogenesis as the synthesis of people's cultural and political struggles, History, Power, and Identity breaks out of the implicit contrast between isolated local cultures and dynamic global history. From the northeastern plains of North America to Amazonia, colonial and independent states in the Americas interacted with vast multilingual and multicultural networks, resulting in the historical emergence of new ethnic identities and the disappearance of many earlier ones. The importance of African, indigenous American, and European religions, myths, and symbols, as historical cornerstones in the building of new ethnic identities, emerges as one of the central themes of this convincing collection.

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cover of Hitchhiking Hitchhiking Twenty-Five Thousand Miles: Crisscrossing the USA for free in the 1960s and 1970s

Hitchhiking Hitchhiking Twenty-Five Thousand Miles

Crisscrossing the USA for free in the 1960s and 1970s

Peter Madcat Ruth

Parkhurst Brothers, Inc., 2026

Personal Travelogue with dates, ride lists, and commentary about the hitchhiking culture of the era.

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cover of Hiv and Aids in Africa

Hiv and Aids in Africa

Douglas Webb

Pluto Press, 1997

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cover of Hives of Sickness: Public Health and Epidemics in New York City

Hives of Sickness

Public Health and Epidemics in New York City

Rosner, David

Rutgers University Press, 1995

An 1865 report on public health in New York painted a grim picture of "high brick blocks and closely-packed houses . . . literally hives of sickness" propagating epidemics of cholera, smallpox, typhoid, typhus, and yellow fever, which swept through the whole city. In this stimulating collection of essays, nine historians of American medicine explore New York's responses to its public health crises from colonial times to the present. The essays illustrate the relationship between the disease environment of New York and changes in housing, population, social conditions, and the success of medical science, linking such factors to New York's experiences with smallpox, polio, and AIDS.

The volume is essential reading for anyone interested in American public health and the social history of New York.

The contributors are Ronald Bayer, Elizabeth Blackmar, Gretchen A. Condran, Elizabeth Fee, Daniel M. Fox, Evelynn M. Hammonds, Alan M. Kraut, Judith Walzer Leavitt, and Naomi Rogers. David Rosner is a professor of history at Baruch College and The Graduate School of the City University of New York. Robert R. Macdonald is the director of the Museum of the City of New York.

A publication of the Museum of the City of New York


Choice Reviews 1995 November

This is one of a series of books focusing on the impact of disease intended to enhance the understanding of both past and present regarding reactions to periodic epidemics. Robert B. Macdonald, director of the Museum of the City of New York, which supports this series, states: "The individual and collective responses to widespread sickness are mirrors to the cultural, religious, economic, political, and social histories of cities and nations." Rosner selected eight renowned and respected individuals to describe the reactions and responses to smallpox, polio, and AIDS epidemics in New York City since 1860, and the efforts of officials and professionals to deal with the impact of disease. Essayists present disease broadly from economic, social, political, and health perspectives. Causes of epidemics include the expected and usual: thousands of immigrants pouring into the city, inadequate water and food supplies, lack of sewage disposal, unemployment leading to poverty. An unexpected cause was the avarice of real estate investors, inexorably driving up housing costs.

Highly recommended for all students of history, public health, health policy, and sociology. Upper-division undergraduate through professional. Copyright 1999 American Library Association

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cover of Hmong America: Reconstructing Community in Diaspora

Hmong America

Reconstructing Community in Diaspora

Chia Youyee Vang

University of Illinois Press, 2010

The first scholarly work to come from inside the Hmong community, Hmong America documents Chia Youyee Vang's own migration from Laos to Minnesota at age nine and the transformations she has witnessed in Hmong communities throughout the migration and settlement processes.

Vang depicts Hmong experiences in Asia and examines aspects of community building in America to reveal how new Hmong identities have been formed and how they have challenged popular assumptions about race and ethnicity in multicultural America. Combining participant observation and archival research with personal experience, Vang constructs a nuanced and complex portrait of the more than 130,000 Hmong people who came to the United States as political refugees beginning in the mid-1970s. Her critique of previous representations of the Hmong community provides the sociological underpinnings for a bold reassessment of Hmong history in the greater context of globalization. This new understanding redefines concepts of Hmong homogeneity and characterizes ordinary Hmong migrants not as passive victims but as dynamic actors who have exercised much power over their political and social destinies.

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cover of Hmong Americans in Michigan

Hmong Americans in Michigan

Martha Aladjem Bloomfield

Michigan State University Press, 2014

The Hmong people, originating from the mountainous regions of China, Vietnam, Thailand, and Laos, are unique among American immigrants because of their extraordinary history of migration; loyalty to one another; prolonged abuse, trauma, and suffering at the hands of those who dominated them; profound loss; and independence, as well as their amazing capacity to adapt and remain resilient over centuries. This introduction to their experience in Michigan discusses Hmong American history, culture, and more specifically how they left homelands filled with brutality and warfare to come to the United States since the mid-1970s. More than five thousand Hmong Americans live in Michigan, and many of them have faced numerous challenges as they have settled in the Midwest. How did these brave and innovative people adapt to strange new lives thousands of miles away from their homelands? How have they preserved their past through time and place, advanced their goals, and cultivated plans for their children and education? What are their lives like in the diaspora? As this book documents via personal interviews and extensive research, despite the tremendous losses they have suffered for many years, the Hmong people in Michigan continue to demonstrate courage and profound resilience.
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cover of Hmong Means Free: Life in Laos and America

Hmong Means Free

Life in Laos and America

Sucheng Chan

Temple University Press, 1994

This collection of evocative personal testimonies by three generations of Hmong refugees is the first to describe their lives in Laos as slash-and-burn farmers, as refugees after a Communist government came to power in 1975, and as immigrants in the United States. Reflecting on the homes left behind, their narratives chronicle the difficulties of forging a new identity.

From Jou Yee Xiong's Life Story: 
"I stopped teaching my sons many of the Hmong ways because I felt my ancestors and I had suffered enough already. I thought that teaching my children the old ways would only place a burden on them."

From Ka Pao Xiong's (Jou Yee Xiong's son) Life Story: 
"It has been very difficult for us to adapt because we had no professions or trades and we suffered from culture shock. Here in America, both the husband and wife must work simultaneously to earn enough money to live on. Many of our children are ignorant of the Hmong way of life…. Even the old people are forgetting about their life in Laos, as they enjoy the prosperity and good life in America."

From Xang Mao Xiong's Life Story: 
"When the Communists took over Laos and General Vang Pao fled with his family, we, too, decided to leave. Not only my family, but thousands of Hmong tried to flee. I rented a car for thirty thousand Laotian dollars, and it took us to Nasu…. We felt compelled to leave because many of us had been connected to the CIA…. Thousands of Hmong were traveling on foot. Along the way, many of them were shot and killed by Communist soldiers. We witnessed a bloody massacre of civilians."

From Vue Vang's Life Story: 
"Life was so hard in the [Thai refugee] camp that when we found out we could go to the United States, we did not hesitate to grasp the chance. We knew that were we to remain in the camp, there would be no hope for a better future. We would not be able to offer our children anything better than a life of perpetual poverty and anguish."

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cover of Hmong in Wisconsin

Hmong in Wisconsin

Mai Zong Vue

Wisconsin Historical Society Press, 2020

Unknown to many Americans at the time, the Hmong helped the US government fight Communists in Laos during the Secret War of the 1960s and 1970s, a parallel conflict to the Vietnam War. When Saigon fell and allies withdrew, the surviving Hmong fled for their lives, spending years in Thai refugee camps before being relocated to the United States and other countries.

Many of these families found homes in Wisconsin, which now has the third largest Hmong population in the country, following California and Minnesota. As one of the most recent cultural groups to arrive in the Badger State, the Hmong have worked hard to establish a new life here, building support systems to preserve traditions and to help one another as they enrolled in schools, started businesses, and strived for independence. 

Told with a mixture of scholarly research, interviews, and personal experience of the author, this latest addition to the popular People of Wisconsin series shares the Hmong’s varied stories of survival and hope as they have become an important part of Wisconsin communities.

 
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cover of Hobomok and Other Writings on Indians

Hobomok and Other Writings on Indians

Karcher, Carolyn L

Rutgers University Press, 1986

Hobomok, A Tale of Early Times is the provocative story of an upperclass white woman who marries an Indian chief, has a child, then leaves him--with the child--for another man. This novel, originally published in 1824, is a powerful first among antipatriarchal and antiracist novels in American literature. In addition, this collection contains seven remarkable short stories; an extract on Indian women from Child's groundbreaking History of the Condition of Women in Various Ages and Nations (1835); a selection from her best-selling volume of journalistic sketches, Letters from New-York (1843); and her eloquent Appeal for Indians (1868). This revised edition of "Hobomok" and Other Writings on Indians includes three new stories: "The Church in the Wilderness," "Willie Wharton," and "The Indians"--as well as explanatory notes and an updated bibliography.
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cover of Hoecakes, Hambone, and All That Jazz: African American Traditions in Missouri

Hoecakes, Hambone, and All That Jazz

African American Traditions in Missouri

Rose M. Nolen

University of Missouri Press, 2003

Many African Americans in Missouri are the descendants of slaves brought by the French or the Spanish to the Louisiana Territory in the 1700s or by Americans who moved from slave states after the Louisiana Purchase in the 1800s. In Hoecakes, Hambone, and All That Jazz, Rose M. Nolen explores the ways in which those Missouri “immigrants with a difference”—along with other Africans brought to America against their will—developed cultural, musical, and religious traditions that allowed them to retain customs from their past while adapting to the circumstances of the present.

Nolen writes, “Instead of the bond of common ancestors and a common language, which families had shared in Africa, the enslaved in the United States were bound together by skin color, hair texture, and condition of bondage. Out of this experience a strong sense of community was born.” Nolen traces the cultural traditions shaped by African Americans in Missouri from the early colonial period through the Civil War and Reconstruction and shows how those traditions were reshaped through the struggles of the civil rights movement and integration. Nolen demonstrates how the strong sense of community built on these traditions has sustained African Americans throughout their history.
 
Nolen focuses on some of the extraordinary Missourians produced by that community, among them William Wells Brown, “the first black man born in America to write plays, a novel, and accounts of his travels in Europe, as well as a ‘slave narrative’”; John Berry Meachum, a former slave who founded a “floating school,” anchored in the Mississippi River and thus exempt from state law, where blacks could be educated; J. W. “Blind” Boone, the celebrated composer and concert pianist; Elizabeth Keckley, who purchased her freedom, started her own business, and became dress designer and confidante to Mary Todd Lincoln; and Lucinda Lewis Haskell, daughter of a former slave, who helped establish the St. Louis Colored Orphan’s Home.
 
Hoecakes, Hambone, and All That Jazz recalls the many advances African Americans have made throughout Missouri’s history and uses the accomplishments of individuals to demonstrate the considerable contribution of African American culture to Missouri and all of the United States.
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cover of Hog Wild: The Battle for Workers' Rights at the World's Largest Slaughterhouse

Hog Wild

The Battle for Workers' Rights at the World's Largest Slaughterhouse

Lynn Waltz

University of Iowa Press, 2018

When Smithfield Foods opened its pork processing plant in Tar Heel, North Carolina, in 1992, workers in the rural area were thrilled to have jobs at what was billed as “the largest slaughterhouse in the world.” However, they soon left in droves because of the fast, unrelenting line speed and high rate of injury. Those who stayed wanted higher wages and safer working conditions, but every time they tried to form a union, the company quickly cracked down, firing union leaders, assaulting organizers, and setting minority groups against each other. 
Author and journalist Lynn Waltz reveals how these aggressive tactics went unchecked for years until Sherri Buffkin, a higher-up manager at Smithfield, blew the lid off the company’s corrupt practices. Through meticulous reporting, in-depth interviews with key players, and a mind for labor and environmental histories, Waltz weaves a fascinating tale of the nearly two-decade struggle that eventually brought justice to the workers and accountability to the food giant, pitting the world’s largest slaughterhouse against the world’s largest meatpacking union. 
Following in a long tradition of books that expose the horrors of the meatpacking industry—from Upton Sinclair’s The Jungle to Eric Schlosser’s Fast Food Nation—Hog Wild uncovers rampant corporate environmental hooliganism, labor exploitation, and union-busting by one of the nation’s largest meat producers. Waltz’s eye-opening examination sheds new light on the challenges workers face not just in meatpacking, but everywhere workers have lost their power to collectively bargain with powerful corporations. 
 
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cover of Hohokam Along the Cañada del Oro: Specialized Land Use at the Rooney Ranch Site

Hohokam Along the Cañada del Oro

Specialized Land Use at the Rooney Ranch Site

Edited by Jeffrey T. Jones and Helen L. O’Brien

University of Arizona Press, 2026

This work presents the results of more than a decade of archaeological fieldwork at the Rooney Ranch site in Oro Valley, Arizona—an upland Hohokam village that played a key role in regional agave production. Edited by Jeffrey T. Jones and Helen L. O’Brien, this volume synthesizes extensive data collected by the Pima Community College Centre for Archaeological Field Training, offering a rare and richly detailed look at how small peripheral settlements contributed to the sustainability of larger Hohokam communities in the Sonoran Desert. Through GIS-based mapping and the analysis of ceramics, lithics, and faunal and botanical remains, the book reveals how specialized land use shaped the economic and social fabric of the region for centuries.

This legacy project stands out not only for its depth but also for its educational significance. As one of the few long-term, community-college-led excavations in the Southwest, the Rooney Ranch project highlights the vital role of student training and local collaboration in archaeological research. With more than seventy data-rich tables and contributions from leading specialists, this volume is an essential resource for archaeologists, historians, and anyone interested in Indigenous land use, desert adaptation, and the enduring legacy of the Hohokam in southern Arizona.

Contributors
Jon Boyd
Chance Copperstone
Michael W. Diehl
Linda M. Gregonis
Lea Mason-Kohlmeyer
Christine H. Virden-Lange

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cover of Hold It Against Me: Difficulty and Emotion in Contemporary Art

Hold It Against Me

Difficulty and Emotion in Contemporary Art

Jennifer Doyle

Duke University Press, 2013

In Hold It Against Me, Jennifer Doyle explores the relationship between difficulty and emotion in contemporary art, treating emotion as an artist's medium. She encourages readers to examine the ways in which works of art challenge how we experience not only the artist's feelings, but our own. Discussing performance art, painting, and photography, Doyle provides new perspectives on artists including Ron Athey, Aliza Shvarts, Thomas Eakins, James Luna, Carrie Mae Weems, and David Wojnarowicz. Confronting the challenge of writing about difficult works of art, she shows how these artists work with feelings as a means to question our assumptions about identity, intimacy, and expression. They deploy the complexity of emotion to measure the weight of history, and to deepen our sense of where and how politics happens in contemporary art.

Doyle explores ideologies of emotion and how emotion circulates in and around art. Throughout, she gives readers welcoming points of entry into artworks that they may at first find off-putting or confrontational. Doyle offers new insight into how the discourse of controversy serves to shut down discussion about this side of contemporary art practice, and counters with a critical language that allows the reader to accept emotional intensity in order to learn from it.

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cover of Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992

Hold On to Your Dreams

Arthur Russell and the Downtown Music Scene, 1973-1992

Tim Lawrence

Duke University Press, 2009

Hold On to Your Dreams is the first biography of the musician and composer Arthur Russell, one of the most important but least known contributors to New York's downtown music scene during the 1970s and 1980s. With the exception of a few dance recordings, including "Is It All Over My Face?" and "Go Bang! #5", Russell's pioneering music was largely forgotten until 2004, when the posthumous release of two albums brought new attention to the artist. This revival of interest gained momentum with the issue of additional albums and the documentary film Wild Combination. Based on interviews with more than seventy of his collaborators, family members, and friends, Hold On to Your Dreams provides vital new information about this singular, eccentric musician and his role in the boundary-breaking downtown music scene.

Tim Lawrence traces Russell's odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. "He lived in a world in which those walls weren't there." Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell's openness to sound, his commitment to collaboration, and his uncompromising idealism.

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Holding Fast

Resilience and Civic Engagement Among Latino Immigrants

James A. McCann

Russell Sage Foundation, 2020

The fight over immigration reform and immigrants’ rights in the U.S. has been marked by sharp swings in both public sentiment and official enforcement. In 2006, millions of Latino immigrants joined protests for immigration reform. Deferred Action for Childhood Arrivals, a policy granting work permits and protection from deportation to undocumented immigrants who entered the country before age 16, was enacted in 2012, despite a sharp increase in deportations during the Bush and Obama administrations. The 2016 election of Donald J. Trump prompted a surge in anti-immigrant sentiment which threatened DACA and other progressive immigration policies. In Holding Fast, political scientists James McCann and Michael Jones-Correa investigate whether and how these recent shifts have affected political attitudes and civic participation among Latino immigrants.
​
 Holding Fast draws largely from a yearlong survey of Latino immigrants, including both citizens and noncitizens, conducted before and after the 2016 election. The survey gauges immigrants’ attitudes about the direction of the country and the emotional underpinnings of their political involvement. While survey respondents expressed pessimism about the direction of the United States following the 2016 election, there was no evidence of their withdrawal from civic life. Instead, immigrants demonstrated remarkable resilience in their political engagement, and their ties to America remained robust. 

McCann and Jones-Correa examine Latino immigrants’ trust in government as well as their economic concerns and fears surrounding possible deportations of family members and friends. They find that Latino immigrants who were concerned about the likelihood of deportation were more likely to express a lack of trust in government. Concerns about personal finances were less salient. Disenchantment with the U.S. government did not differ based on citizenship status, length of stay in America, or residence in immigrant-friendly states. Foreign-born Latinos who are naturalized citizens shared similar sentiments to those with fewer political rights, and immigrants in California, for example, express views similar to those in Texas.

Addressing the potential influence immigrant voters may wield in in the coming election, the authors point to signs that the turnout rate for naturalized Latino immigrant may be higher than that for Latinos born in the United States.  The authors further underscore the importance of the parties' platforms and policies, noting the still-tenuous nature of Latino immigrants’ affiliations with the Democratic Party. 

Holding Fast outlines the complex political situation in which Latino immigrants find themselves today. Despite well-founded feelings of anger, fear, and skepticism, in general they maintain an abiding faith in the promise of American democracy. This book provides a comprehensive account of Latino immigrants’ political opinions and a nuanced, thoughtful outlook on the future of Latino civic participation. It will be an important contribution to scholarly work on civic engagement and immigrant integration.
 
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cover of Holding Up More Than Half the Sky: Chinese Women Garment Workers in New York City, 1948-92

Holding Up More Than Half the Sky

Chinese Women Garment Workers in New York City, 1948-92

Xiaolan Bao

University of Illinois Press, 2001

In 1982, 20,000 Chinese-American garment workers—most of them women—went on strike in New York City. Every Chinese garment industry employer in the city soon signed a union contract. The successful action reflected the ways women's changing positions within their families and within the workplace galvanized them to stand up for themselves. 

Xiaolan Bao's now-classic study penetrates to the heart of Chinese American society to explain how this militancy and organized protest, seemingly so at odds with traditional Chinese female behavior, came about. Drawing on more than one hundred interviews, Bao blends the poignant personal stories of Chinese immigrant workers with the interwoven history of the garment industry and the city's Chinese community. Bao shows how the high rate of married women employed outside the home profoundly transformed family culture and with it the image and empowerment of Chinese American women. At the same time, she offers a complex and subtle discussion of the interplay of ethnic and class factors within New York's garment industry. 

Passionately told and prodigiously documented, Holding Up More Than Half the Sky examines the journey of a community's women through an era of change in the home, on the shop floor, and walking the picket line.

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Holding the World Together

African Women in Changing Perspective

Edited by Nwando Achebe and Claire Robertson

University of Wisconsin Press, 2021

Featuring contributions from some of the most accomplished scholars on the topic, Holding the World Together explores the rich and varied ways in which women have wielded power across the African continent, from the precolonial period to the present. Suitable for classroom use, this comprehensive volume considers such topics as the representation of African women, their role in national liberation movements, their experiences of religious fundamentalism (both Christian and Muslim), their incorporation into the world economy, changing family and marriage systems, impacts of the world economy on their lives and livelihoods, and the unique challenges they face in the areas of health and disease.

Contributors: Nwando Achebe, Ousseina Alidou, Signe Arnfred, Andrea L. Arrington-Sirois, Henryatta Ballah, Teresa Barnes, Josephine Beoku-Betts, Emily Burril, Abena P. A. Busia, Gracia Clark, Alicia Decker, Karen Flint, December Green, Cajetan Iheka, Rachel Jean-Baptiste, Elizabeth M. Perego, Claire Robertson, Kathleen Sheldon, Aili Mari Tripp, Cassandra Veney
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cover of Holes in Our Moccasins, Holes in Our Stories: Apachean Origins and the Promontory, Franktown, and Dismal River Archaeological Records

Holes in Our Moccasins, Holes in Our Stories

Apachean Origins and the Promontory, Franktown, and Dismal River Archaeological Records

Edited by John W. Ives and Joel C. Janetski

University of Utah Press, 2022

From 1930 to 1931, Julian Steward recovered hundreds of well-worn moccasins, along with mittens, bison robe fragments, bows, arrows, pottery, bone and stone tools, cordage, gaming pieces, and abundant faunal remains, making Utah’s Promontory Caves site one of the most remarkable hunter-gatherer archaeological records in western North America. Although Steward recognized that the moccasins and other artifacts were characteristic of the Canadian Subarctic and northern Plains and not the Great Basin, his findings languished for decades. 

This volume connects Steward’s work with results from new excavations in Promontory Caves 1 and 2 and illustrates that the early Promontory Phase resulted from an intrusive large-game hunting population very different from nearby late Fremont communities. Lingering for just one or two human generations, the cave occupants began to accept people as well as material and symbolic culture from surrounding thirteenth-century neighbors. Volume contributors employ a transdisciplinary approach to evaluate the possibility that the Promontory Phase materials reflect the presence of Apachean ancestors.  In these records lies the seeds for the intensive Plains-Puebloan interactions of the centuries that followed. 
 
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Holidays in the Danger Zone

Entanglements of War and Tourism

Debbie Lisle

University of Minnesota Press, 2016

Holidays in the Danger Zone exposes the mundane and everyday interactions between two seemingly opposed worlds: warfare and tourism. Debbie Lisle shows how a tourist sensibility shapes the behavior of soldiers in war—especially the experiences of Western military forces in “exotic” settings. This includes not only R&R but also how battlefields become landscapes of leisure and tourism. She further explores how a military sensibility shapes the development of tourism in the postwar context, from “Dark Tourism” (engaging with displays of conflict and atrocity) to exhibitions of conflict in museums and at memorial sites, as well as advertising, film, journals, guidebooks, blogs, and photography. 

Focused on how war and tourism reinforce prevailing modes of domination, Holidays in the Danger Zone critically examines the long historical arc of the war–tourism nexus—from nineteenth-century imperialism to World War I and World War II, from the Cold War to globalization and the War on Terror.

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Hollow and Home

A History of Self and Place

E. Fred Carlisle

West Virginia University Press, 2017

Hollow and Home explores the ways the primary places in our lives shape the individuals we become. It proposes that place is a complex and dynamic phenomenon. Place refers to geographical and constructed places—location, topography, landscape, and buildings. It also refers to the psychological, social, and cultural influences at work at a given location. These elements act in concert to constitute a place.
 
Carlisle incorporates perspectives from writers like Edward S. Casey, Christian Norberg-Schulz, Yi-Fu Tuan, and Witold Rybczynski, but he applies theory with a light touch. Placing this literature in dialog with personal experience, he concentrates on two places that profoundly influenced him and enabled him to overcome a lifelong sense of always leaving his pasts behind. The first is Clover Hollow in Appalachian Virginia, where the author lived for ten years among fifth-, sixth-, and seventh-generation residents. The people and places there enabled him to value his own past and primary places in a new way. The story then turns to Carlisle’s life growing up in Delaware, Ohio. He describes in rich detail the ways the town shaped him in both enabling and disabling ways. In the end, after years of moving from place to place, Carlisle’s experience in Appalachia helped him rediscover his hometown—both the Old Delaware, where he grew up, and the New Delaware, a larger, thriving small city—as his true home.
 
The themes of the book transcend specific localities and speak to the relationship of self and place everywhere.
 
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cover of Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance

Hollywood Asian

Philip Ahn and the Politics of Cross-Ethnic Performance

Hye Seung Chung

Temple University Press, 2006

From silent films to television programs, Hollywood has employed actors of various ethnicities to represent "Oriental"characters, from Caucasian stars like Loretta Young made up in yellow-face to Korean American pioneer Philip Ahn, whose more than 200 screen performances included roles as sadistic Japanese military officers in World War II movies and a wronged Chinese merchant in the TV show Bonanza. The first book-length study of Korean identities in American cinema and television, Hollywood Asian investigates the career of Ahn (1905-1978), a pioneering Asian American screen icon and son of celebrated Korean nationalist An Ch'ang-ho. In this groundbreaking scholarly study, Hye Seung Chung examines Ahn's career to suggest new theoretical paradigms for addressing cross-ethnic performance and Asian American spectatorship. Incorporating original material from a wide range of sources, including U.S. government and Hollywood screen archives, Chung's work offers a provocative and original contribution to cinema studies, cultural studies, and Asian American as well as Korean history.
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cover of Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations

Hollywood Diplomacy

Film Regulation, Foreign Relations, and East Asian Representations

Hye Seung Chung

Rutgers University Press, 2020

Hollywood Diplomacy contends that, rather than simply reflect the West’s cultural fantasies of an imagined “Orient,” images of Chinese, Japanese, and Korean ethnicities have long been contested sites where the commercial interests of Hollywood studios and the political mandates of U.S. foreign policy collide, compete against one another, and often become compromised in the process. While tracing both Hollywood’s internal foreign relations protocols—from the “Open Door” policy of the silent era to the “National Feelings” provision of the Production Code—and external regulatory interventions by the Chinese government, the U.S. State Department, the Office of War Information, and the Department of Defense, Hye Seung Chung reevaluates such American classics as Shanghai Express and The Great Dictator and applies historical insights to the controversies surrounding contemporary productions including Die Another Day and The Interview. This richly detailed book redefines the concept of “creative freedom” in the context of commerce: shifting focus away from the artistic entitlement to offend foreign audiences toward the opportunity to build new, better relationships with partners around the world through diplomatic representations of race, ethnicity, and nationality.
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cover of Hollywood Faith: Holiness, Prosperity, and Ambition in a Los Angeles Church

Hollywood Faith

Holiness, Prosperity, and Ambition in a Los Angeles Church

Marti, Gerardo

Rutgers University Press, 2008

In Christianity, as with most religions, attaining holiness and a higher spirituality while simultaneously pursuing worldly ideals such as fame and fortune is nearly impossible. So how do people pursuing careers in Hollywood's entertainment industry maintain their religious devotion without sacrificing their career goals? For some, the answer lies just two miles south of the historic center of Hollywood, California, at the Oasis Christian Center.

In Hollywood Faith, Gerardo Marti shows how a multiracial evangelical congregation of 2,000 people accommodates itself to the entertainment industry and draws in many striving to succeed in this harsh and irreverent business. Oasis strategically sanctifies ambition and negotiates social change by promoting a new religious identity as "champion of life"-an identity that provides people who face difficult career choices and failed opportunities a sense of empowerment and endurance.

The first book to provide an in-depth look at religion among the "creative class," Hollywood Faith will fascinate those interested in the modern evangelical movement and anyone who wants to understand how religion adapts to social change.

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cover of Hollywood Troubleshooter: W. T. Ballard's Bill Lennox Stories

Hollywood Troubleshooter

W. T. Ballard's Bill Lennox Stories

James L. Traylor

University of Wisconsin Press, 1985

This is the first collection of short stories by W.T. Ballard. This volume is just a sampling of Ballard's most famous character Bill Lennox, a selection for both the connoisseur of crime and the lover of good, fast-moving crime/adventure stories.

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Hollywood Unions

Kate Fortmueller

Rutgers University Press, 2025

Hollywood Unions is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions’ actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry’s workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood.
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Hollywood at the Intersection of Race and Identity

Delia Malia Caparoso Konzett

Rutgers University Press, 2020

Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities?  The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film’s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal?
 
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Hollywood on Location

An Industry History

Gleich, Joshua

Rutgers University Press, 2019

Location shooting has always been a vital counterpart to soundstage production, and at times, the primary form of Hollywood filmmaking. But until now, the industrial and artistic development of this production practice has been scattered across the margins of larger American film histories. Hollywood on Location is the first comprehensive history of location shooting in the American film industry, showing how this mode of filmmaking changed Hollywood business practices, production strategies, and visual style from the silent era to the present. The contributors explore how location filmmaking supplemented and  later, supplanted production on the studio lots. Drawing on archival research and in-depth case studies, the seven contributors show how location shooting expanded the geography of American film production, from city streets and rural landscapes to far-flung territories overseas, invoking a new set of creative, financial, technical, and logistical challenges. Whereas studio filmmaking sought to recreate nature, location shooting sought to master it, finding new production values and production economies that reshaped Hollywood’s modus operandi. 
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Hollywood's African American Films

The Transition to Sound

Ryan Friedman

Rutgers University Press, 2011

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.
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Hollywood's Cold War

Tony Shaw

University of Massachusetts Press, 2007

At a moment when American film reflects a deepening preoccupation with the Bush administration's War on Terror, this authoritative and timely book offers the first comprehensive account of Hollywood's propaganda role during the defining ideological conflict of the twentieth century: the Cold War. In an analysis of films dating from America's first Red Scare in the wake of the 1917 Bolshevik Revolution to the collapse of the Berlin Wall in 1989, Tony Shaw examines the complex relationship between filmmakers, censors, politicians, and government propagandists. 

Movies, Shaw demonstrates, were at the center of the Cold War's battle for hearts and minds. Hollywood's comedies, love stories, musicals, thrillers, documentaries, and science fiction shockers played a critical dual role: on the one hand teaching millions of Americans why communism represented the greatest threat their country had ever faced, and on the other selling America's liberal-capitalist ideas around the globe. Drawing on declassified government documents, studio archives, and filmmakers' private papers, Shaw reveals the different ways in which cinematic propaganda was produced, disseminated, and received by audiences during the Cold War. In the process, he addresses subjects as diverse as women's fashions, McCarthyism, drug smuggling, Christianity, and American cultural diplomacy in India. Anyone seeking to understand wartime propaganda today will find striking contemporary resonance in his conclusions about Hollywood's versatility and power.

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Hollywood's Hawaii

Race, Nation, and War

Delia Malia Caparoso Konzett

Rutgers University Press, 2017

Whether presented as exotic fantasy, a strategic location during World War II, or a site combining postwar leisure with military culture, Hawaii and the South Pacific figure prominently in the U.S. national imagination. Hollywood’s Hawaii is the first full-length study of the film industry’s intense engagement with the Pacific region from 1898 to the present.
 
Delia Malia Caparoso Konzett highlights films that mirror the cultural and political climate of the country over more than a century—from the era of U.S. imperialism on through Jim Crow racial segregation, the attack on Pearl Harbor and WWII, the civil rights movement, the contemporary articulation of consumer and leisure culture, as well as the buildup of the modern military industrial complex. Focusing on important cultural questions pertaining to race, nationhood, and war, Konzett offers a unique view of Hollywood film history produced about the national periphery for mainland U.S. audiences. Hollywood’s Hawaii presents a history of cinema that examines Hawaii and the Pacific and its representations in film in the context of colonialism, war, Orientalism, occupation, military buildup, and entertainment. 
 
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Hollywood's Italian American Filmmakers

Capra, Scorsese, Savoca, Coppola, and Tarantino

Jonathan J. Cavallero

University of Illinois Press, 2011

Hollywood's Italian American Filmmakers explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American "imagined community," others have ignored or even denied their background. Jonathan J. Cavallero examines the films of Frank Capra, Martin Scorsese, Nancy Savoca, Francis Ford Coppola, and Quentin Tarantino with a focus on what the films reveal about each director's view on Italian American identities. Whereas Capra's films highlight similarities between immigrant characters and WASP Americans, Scorsese accepts his ethnic heritage but also sees it as confining. Similarly, many of Coppola's films provide a nostalgic treatment of Italian American identity, but with little criticism of the culture's more negative aspects. And while Savoca's movies reveal her artful ability to recognize how ethnic, gender, and class identities overlap, Tarantino's films exhibit a playfully postmodern engagement with Italian American ethnicity.
 
Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola, and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural institution that works to assimilate, has also served as a forum where assimilation was resisted.
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Hollywood's Unofficial Film Corps

American Jewish Moviemakers and the War Effort

Michael Berkowitz

University of Wisconsin Press, 2025

It has long been known that Hollywood was actively involved in shaping US public opinion during World War II. Less well-documented are the ways in which Washington sought to work behind the scenes, subtly obliterating the boundaries between “studio” and “government” films. Michael Berkowitz studies the contributions of humorist and best-selling author Leo Rosten (The Joys of Yiddish, The Education of H*Y*M*A*N* K*A*P*L*A*N) and writer, producer, and screenwriter Budd Schulberg (On the Waterfront, A Face in the Crowd) in order to examine the elusive story of Jewish Hollywood’s role in World War II. 

Hollywood’s Unofficial Film Corps shows that Rosten, Schulberg, and others—including Garson Kanin, George Cukor, Stanley Kramer, and Jules Buck—created movies that were both entertaining and politically expeditious for US war aims. At the same time, in an effort to unify the American public, they avoided focusing on the fate of European Jews, even while addressing racism and antisemitism in the United States. Jewish themes were often downplayed, and Jewish directors, writers, and other contributors frequently went uncredited. As Berkowitz writes, “Rosten’s cohort changed feature films forever.” Thanks to his research, we now have a better understanding of how and why.
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Hollywood’s Africa after 1994

MaryEllen Higgins

Ohio University Press, 2012

Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling?

The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa.

Contributors
Harry Garuba and Natasha Himmelman
Margaret R. Higonnet, with Ethel R. Higgonet
Joyce B. Ashuntantang
Kenneth W. Harrow
Christopher Odhiambo
Ricardo Guthrie
Clifford T. Manlove
Earl Conteh-Morgan
Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade
Christopher Garland
Kimberly Nichele Brown
Jane Bryce
Iyunolu Osagie
Dayna Oscherwitz

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Holocaust And Memory In The Global Age

Daniel Levy

Temple University Press, 2005

Can collective memories of the past shape the future? If one of the fears about a globalized society is the homogenization of culture, can it nevertheless be true that the homogenization of memory might have a positive impact on political and cultural norms?

Originally published in Germany, The Holocaust and Memory in the Global Age examines the nature of collective memory in a globalized world, and how the memory of one particular event—the Holocaust—helped give rise to an emerging global consensus on human rights.

Daniel Levy and Natan Sznaider show how memories of the Holocaust have been de-contextualized from the original event and offer a framework for interpreting contemporary acts of injustice such as ethnic cleansing and genocide. Representations of mass atrocities in Bosnia and Kosovo during the 1990s resonated with iconographies of the Holocaust and played a significant role in the political and military interventions in the Balkans. Subsequently, these representations have had a crucial impact on the consolidation of international human rights and related issues of transitional justice, reparations, and restitution.
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Holocaust Education

Contemporary Challenges and Controversies

Edited by Stuart Foster, Andy Pearce, and Alice Pettigrew

University College London, 2020

How do you teach children about the horrifying and systematic violence of the Holocaust? Especially when the very thing that makes it challenging—its intense and complex cruelty—also makes it so necessary to be taught?
 
Teaching and learning about the Holocaust is central to school curriculums across the globe. But the history of the Holocaust remains controversial and can render teaching it daunting, even to the most experienced instructors. Drawing on landmark research into teaching practices and students’ knowledge, Holocaust Education provides unique insights about classroom learning. It sheds light on key challenges in Holocaust education, including the impact of misconceptions and misinformation, the dilemma posed by images of atrocity, and how to approach teaching in ethnically diverse environments. Overviews of the most significant debates in Holocaust education provide wider context for the classroom evidence. Holocaust Education offers a vital guide, leading readers through some of the most vexed areas of Holocaust challenges and controversies for teachers, researchers, and policymakers.
 
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cover of Holocaust Graphic Narratives: Generation, Trauma, and Memory

Holocaust Graphic Narratives

Generation, Trauma, and Memory

Victoria Aarons

Rutgers University Press, 2020

In Holocaust Graphic Narratives, Victoria Aarons demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Aarons analyzes the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss. In recreating moments of traumatic rupture, dislocation, and disequilibrium, these graphic narratives contribute to the evolving field of Holocaust representation and establish a new canon of visual memory. The intergenerational dialogue established by Aarons’ reading of these narratives speaks to the on-going obligation to bear witness to the Holocaust. Examined together, these intergenerational works bridge the erosions created by time and distance. As a genre of witnessing, these graphic stories, in retracing the traumatic tracks of memory, inscribe the weight of history on generations that follow.
 
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cover of Holocaust Mothers and Daughters: Family, History, and Trauma

Holocaust Mothers and Daughters

Family, History, and Trauma

Federica K. Clementi

Brandeis University Press, 2013

In this brave and original work, Federica Clementi focuses on the mother-daughter bond as depicted in six works by women who experienced the Holocaust, sometimes with their mothers, sometimes not. The daughters’ memoirs, which record the “all-too-human” qualities of those who were persecuted and murdered by the Nazis, show that the Holocaust cannot be used to neatly segregate lives into the categories of before and after. Clementi’s discussions of differences in social status, along with the persistence of antisemitism and patriarchal structures, support this point strongly, demonstrating the tenacity of trauma—individual, familial, and collective—among Jews in twentieth-century Europe.
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cover of Holocaust Testimonies: European Survivors and American Liberators in New Jersey

Holocaust Testimonies

European Survivors and American Liberators in New Jersey

Preil, Joseph J

Rutgers University Press, 2001

A project of the Holocaust Resource Center of Kean University, New Jersey, this book is a reference tool for teaching the Holocaust, for Holocaust survivors and their families, and for the general reader. Drawing on the center’s central missions is to produce and preserve a series of oral-history videotapes based on the personal experiences of Holocaust survivors who reside in New Jersey. Joseph J. Preil brings together the most compelling testimonies of 153 Holocaust survivors as well as twenty concentration-camp liberators. Through these riveting accounts, the book traces the mass murder of the Jews across Europe in a geographical as well as chronological order. The testimonies in each chapter are grouped by the witnesses’ country or region of origin, preceded by a brief introduction of the history of events in a particular area. In the last part of the book, American soldiers recount their impressions of being present at the liberation of the camps.

“If you can imagine that the Jew to the German was like a cockroach. In the United States, if you step on a cockroach . . . it doesn’t mean anything to you. The same thing, exactly the same thing, the Jew was to the German—a cockroach. . . . One particular Shabbos (Sabbath), they shot twelve or thirteen people in my area. In other words, the German had the right, if he saw me, any Jew that he saw in the street, he could go over to you calmly, take out his revolver, and put it to your head, and shoot you down like a . . . roach. . . . It was a free-for-all.”—Testimony of Sol Einhorn, cited in Holocaust Testimonies: European Survivors and American Liberators in New Jersey

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