4531 books match the query 'Cultural & Ethnic Studies' and 260 start with m

cover of M Archive: After the End of the World

M Archive

After the End of the World

Alexis Pauline Gumbs

Duke University Press, 2018

Following the innovative collection Spill, Alexis Pauline Gumbs's M Archive—the second book in a planned experimental triptych—is a series of poetic artifacts that speculatively documents the persistence of Black life following a worldwide cataclysm. Engaging with the work of the foundational Black feminist theorist M. Jacqui Alexander, and following the trajectory of Gumbs's acclaimed visionary fiction short story “Evidence,” M Archive is told from the perspective of a future researcher who uncovers evidence of the conditions of late capitalism, antiblackness, and environmental crisis while examining possibilities of being that exceed the human. By exploring how Black feminist theory is already after the end of the world, Gumbs reinscribes the possibilities and potentials of scholarship while demonstrating the impossibility of demarcating the lines between art, science, spirit, scholarship, and politics.
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cover of MEDICAL REVOLUTIONARIES: The Enslaved Healers of Eighteenth-Century Saint Domingue

MEDICAL REVOLUTIONARIES

The Enslaved Healers of Eighteenth-Century Saint Domingue

Karol K. Weaver

University of Illinois Press, 2006

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cover of Macau and Catholic Sacred Music Across the Sino-Western Divide

Macau and Catholic Sacred Music Across the Sino-Western Divide

Jen-yen Chen

University of Michigan Press, 2026

For three centuries, the former Portuguese colony of Macau served as the gateway into mainland China and the locale for the development of an Asian Catholic culture that encompassed distinctive musical practices and styles. Macau and Catholic Music Across the Sino-Western Divide draws extensively upon historical documents in Chinese and Portuguese for a polylingual approach to Catholic sacred music. Jen-yen Chen follows this music from the sixteenth century through the twentieth by reading literary accounts of sound, primary source documents, and musical notation to examine the impacts of linguistic, political, and cultural divides and the ways sounds have traveled across these divides. Chen covers Chinese responses to Western sounds in Macau and southern China, illuminating the strategies for the use of sounds and musicking adopted by Jesuit missionaries; and the complexities of identity formation negotiated by Macau Catholics who confront exceptionalist historical discourses of Chinese or Portuguese “greatness.” 

Drawing from sound studies and  musicological methods, Chen argues that Chinese descriptions of Catholic sounds in Macau, including the ringing of church bells, the playing of the organ, and choral singing, illuminate spatial, sonic, and ideological mobilities that reconfigure Chinese and European identities. Macau and Catholic Music Across the Sino-Western Divide also extends to contemporary times to explore how present day members of Macau’s Catholic community position themselves in relation to the historical narratives often told about their city, cultivating a rich individuality of identity that refuses conformity to fixed notions of Asianness or Westernness.
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cover of Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun

Macbeth in Harlem

Black Theater in America from the Beginning to Raisin in the Sun

Clifford Mason

Rutgers University Press, 2020

2020 George Freedley Memorial Award Special Jury Prize from the Theatre Library Association​
2021 PROSE Awards Finalist, Music & the Performing Arts

In 1936 Orson Welles directed a celebrated all-black production of Macbeth that was hailed as a breakthrough for African Americans in the theater. For over a century, black performers had fought for the right to perform on the American stage, going all the way back to an 1820s Shakespearean troupe that performed Richard III, Othello, and Macbeth, without relying on white patronage.

"Macbeth" in Harlem tells the story of these actors and their fellow black theatrical artists, from the early nineteenth century to the dawn of the civil rights era. For the first time we see how African American performers fought to carve out a space for authentic black voices onstage, at a time when blockbuster plays like Uncle Tom’s Cabin and The Octoroon trafficked in cheap stereotypes. Though the Harlem Renaissance brought an influx of talented black writers and directors to the forefront of the American stage, they still struggled to gain recognition from an indifferent critical press.

Above all, "Macbeth" in Harlem is a testament to black artistry thriving in the face of adversity. It chronicles how even as the endemic racism in American society and its theatrical establishment forced black performers to abase themselves for white audiences’ amusement, African Americans overcame those obstacles to enrich the nation’s theater in countless ways.
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cover of Machine Dreams: Race, Robots, and the Asian American Body

Machine Dreams

Race, Robots, and the Asian American Body

Margaret Rhee

Duke University Press, 2027

In Machine Dreams, Margaret Rhee shows how the entanglement of Asian Americans and technology is embedded within the history of colonization, labor, and trade between East and West through the figure of the robot. Uncovering the complex underpinnings shared between race and robotics, Rhee bridges creative and scholarly writing to consider how processes of racial formation are imbricated with technology through a dialectical and discursive lens. Drawing on extensive archival research and media analysis, she examines the emerging technologies of Asian migrants, the dehumanization fueled by the machine-analogous "model minority" stereotype, the racialization of robots and automatons, and the role of gender in technologies of racialization. Together, these themes highlight the entanglements among Asian Americans, labor, and robots from the seventeenth century to the present AI age. Machine Dreams is an intersectional analysis of how robotization is wielded to make racialized individuals become targets of state-sanctioned violence and cultural hegemony, as well as a beacon for how both robots and Asian Americans can be rehumanized.
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cover of Machos Maricones & Gays: Cuba and Homosexuality

Machos Maricones & Gays

Cuba and Homosexuality

Ian Lumsden

Temple University Press, 1996

This remarkable account of gays in Cuba links the treatment of male homosexuality under Castro with prejudices and preconceptions prevalent in Cuban society before the Revolution. Ian Lumsden argues that much of the present discussion does not acknowledge the significant improvements that have occurred in the last decade. As an antidote to what he considers wide-spread misinformation, Lumsden locates the current issues surrounding homosexual identity within the broad context of Cuban culture, history, and social policy and makes revealing comparisons to the experience of homosexuals in other Latin American countries.

Lumsden explores the historic roots of the oppression of homosexuals through such issues as race, religion, and gender. He considers the cultural history and current erosion of traditional "machismo," the correlation between traditional women's roles and the relationships between gay men, and homosexuality as defined by the law and as presented in typical sexual education. He addresses the international controversy over state-imposed sanatoriums for HIV/AIDS patients, and details the social scene, the varying ideals among different generations of gay Cubans, gay life and family ties, and the difference between being publicly and privately gay in Cuba.

Lumsden's involvement over the years in gay culture in Cuba, his interviews with gay Cuban men, and his formidable scholarship produce a strikingly honest, accurate portrayal of the changes in homosexual life.

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cover of Made in Asia/America: Why Video Games Were Never (Really) about Us

Made in Asia/America

Why Video Games Were Never (Really) about Us

Christopher B. Patterson and Tara Fickle, editors

Duke University Press, 2024

Made in Asia/America explores the key role video games play within the race makings of Asia/America. Its fourteen critical essays on games, ranging from Death Stranding to Animal Crossing, and five roundtables with twenty Asian/American game makers examine the historical entanglements of games, Asia, and America, and reveal the ways games offer new modes of imagining imperial violence, racial difference, and coalition. Shifting away from Eurocentric, white, masculinist takes on gaming, the contributors focus on minority and queer experiences, practices, and innovative scholarly methods to better account for the imperial circulation of games. Encouraging ambiguous and contextual ways of understanding games, the editors offer an “interactive” editorial method, a genre-expanding approach that encourages hybrid works of autotheory, queer of color theory, and conversation among game makers and scholars to generate divergent meanings of games, play, and “Asian America.”

Contributors. Matthew Seiji Burns, Edmond Y. Chang, Naomi Clark, Miyoko Conley, Toby Đỗ, Anthony Dominguez, Tara Fickle, Sarah Christina Ganzon, Yuxin Gao, Domini Gee, Melos Han-Tani, Huan He, Matthew Jungsuk Howard, Rachael Hutchinson, Paraluman (Luna) Javier, Sisi Jiang, Marina Ayano Kittaka, Minh Le, Haneul Lee, Rachel Li, Christian Kealoha Miller, Patrick Miller, Keita C. Moore, Souvik Mukherjee, Christopher B. Patterson, Pamela (Pam) Punzalan, Takeo Rivera, Yasheng She, D. Squinkifer, Lien B. Tran, Prabhash Ranjan Tripathy, Emperatriz Ung, Gerald Voorhees, Yizhou (Joe) Xu, Robert Yang, Mike Ren Yi
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cover of Made in NuYoRico: Fania Records, Latin Music, and Salsa’s Nuyorican Meanings

Made in NuYoRico

Fania Records, Latin Music, and Salsa’s Nuyorican Meanings

Marisol Negrón

Duke University Press, 2024

In Made in NuYoRico, Marisol Negrón tells the cultural history of salsa, tracing the music’s Nuyorican meanings over a fifty-year period that begins with the establishment of Fania Records in 1964 and how it capitalized on salsa’s Nuyorican imaginary to cultivate a global audience. Drawing on interviews with fans, legendary musicians, and music industry figures as well as analyses of songs, albums, films, and archival documents, Negrón shows how Nuyorican cultural and social histories became embedded in and impacted salsa music's flows during its foundational period in the mid-1960s and its boom in the 1970s. Salsa’s Nuyorican aesthetics challenged mainstream notions of Americanness and Puerto Ricanness and produced an alternative public sphere through which New York’s poor and working-class Puerto Ricans could contest racialization and colonial power. By outlining salsa’s complicated musical, cultural, commercial, racial, gendered, legal, and political entanglements, Negrón demonstrates its centrality to Nuyorican identity and subjectivity.
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cover of Made-Up Asians: Yellowface During the Exclusion Era

Made-Up Asians

Yellowface During the Exclusion Era

Esther Kim Lee

University of Michigan Press, 2022

Made-Up Asians traces the history of yellowface, the theatrical convention of non-Asian actors putting on makeup and costume to look East Asian. Using specific case studies from European and U.S. theater, race science, and early film, Esther Kim Lee traces the development of yellowface in the U.S. context during the Exclusion Era (1862–1940), when Asians faced legal and cultural exclusion from immigration and citizenship. These caricatured, distorted, and misrepresented versions of Asians took the place of excluded Asians on theatrical stages and cinema screens. The book examines a wide-ranging set of primary sources, including makeup guidebooks, play catalogs, advertisements, biographies, and backstage anecdotes, providing new ways of understanding and categorizing yellowface as theatrical practice and historical subject. Made-Up Asians also shows how lingering effects of Asian exclusionary laws can still be seen in yellowface performances, casting practices, and anti-Asian violence into the 21st century. 
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cover of Madre and I: A Memoir of Our Immigrant Lives

Madre and I

A Memoir of Our Immigrant Lives

Guillermo Reyes

University of Wisconsin Press, 2010

In this moving and funny memoir, award-winning playwright Guillermo Reyes untangles his life as the secretly illegitimate son of a Chilean immigrant to the United States and as a young man struggling with sexual repression, body image, and gay identity. But this is a double-decker memoir that also tells the poignant, bittersweet, and adventurous story of Guillermo’s mother, María, who supports herself and her son cleaning houses and then working as a nanny in Washington, D.C. and eventually in Hollywood.
    In one memorable scene, after realizing that her friend Carmen is cleaning the house of one of the producers of Annie Hall, María recruits her to take her picture as she poses dramatically with Mr. Joffe’s Oscar in hand. It is María’s defiant yet determined attitude amidst her sacrifices that allows for Guillermo’s spirited coming of age and coming out.
    Their common ground is the drama of their encounters with discovery, heartbreak, and passion—the explosive emotions that light up the stage of their two-actor theater.
 
Honorable Mention, Best Auto/Biography in English, International Latino Book Awards
 
 
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cover of Magical Habits

Magical Habits

Monica Huerta

Duke University Press, 2021

In Magical Habits Monica Huerta draws on her experiences growing up in her family's Mexican restaurants and her life as a scholar of literature and culture to meditate on how relationships among self, place, race, and storytelling contend with both the afterlives of history and racial capitalism. Whether dwelling on mundane aspects of everyday life, such as the smell of old kitchen grease, or grappling with the thorny, unsatisfying question of authenticity, Huerta stages a dynamic conversation among genres, voices, and archives: personal and critical essays exist alongside a fairy tale; photographs and restaurant menus complement fictional monologues based on her family's history. Developing a new mode of criticism through storytelling, Huerta takes readers through Cook County courtrooms, the Cristero Rebellion (in which her great-grandfather was martyred by the Mexican government), Japanese baths in San Francisco—and a little bit about Chaucer too. Ultimately, Huerta sketches out habits of living while thinking that allow us to consider what it means to live with and try to peer beyond history even as we are caught up in the middle of it.
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cover of Magic’s Translations: Reality Politics in Colonial Indonesia

Magic’s Translations

Reality Politics in Colonial Indonesia

Margaret J. Wiener

Duke University Press, 2025

“Do you believe in magic?” This familiar question suggests magic is easily recognized but unreal. In Magic’s Translations, Margaret J. Wiener argues that such views are shaped by historical power struggles, especially in Europe’s relations with the wider world. Focusing on nineteenth- and twentieth-century Dutch interactions with Indonesians, Wiener reveals how colonial agents framed unfamiliar practices, practitioners, and objects as “magic,” rendering distinct phenomena fundamentally alike and advancing colonizing projects that deemed magic antithetical to reason and reality. While colonial authorities, including ethnologists, mobilized the concept of magic to differentiate Europeans from Indonesians, nature from culture, reason from superstition, and fact from fetish, their efforts produced unexpected outcomes: Some Indonesian artifacts and acts not only retained their power but invaded European experiences. As anthropologists were among the key translators of magic throughout the world, Wiener intersperses accounts of magic’s translations in the Indies with reflections on anthropology’s ongoing engagement with the concept. She demonstrates that magic became an object of expert knowledge, political control, and popular fascination, rather than a self-evident category or relic of naïve belief.
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cover of Maid for Television: Race, Class, Gender, and a Representational Economy

Maid for Television

Race, Class, Gender, and a Representational Economy

L. S. Kim

Rutgers University Press, 2023

Honorable Mention -- Association for Asian American Studies Book Award in the Media, Performance, and Visual Studies category

Maid for Television examines race, class, and gender relations as embodied in a long history of television servants from 1950 to the turn of the millennium. Although they reside at the visual peripheries, these figures are integral to the idealized American family. Author L. S. Kim redirects viewers' gaze towards the usually overlooked interface between characters, which is drawn through race, class, and gender positioning. Maid for Television tells the stories of servants and the families they work for, in so doing it investigates how Americans have dealt with difference through television as a medium and a mediator.The book philosophically redirects the gaze of television and its projection of racial discourse.
 
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cover of Making Asian American Film and Video: History, Institutions, Movements

Making Asian American Film and Video

History, Institutions, Movements

Okada, Jun

Rutgers University Press, 2015

The words “Asian American film” might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged. Yet Okada also reveals how the legacy of institutional funding and the “PBS style” unites these filmmakers, whether they are working within that system or setting themselves in opposition to its conventions.  
 
Making Asian American Film and Video explores how the genre has served as a flashpoint for debates about what constitutes Asian American identity. Tracing a history of how Asian American film was initially conceived as a form of public-interest media, part of a broader effort to give voice to underrepresented American minorities, Okada shows why this seemingly well-intentioned project inspired deeply ambivalent responses. In addition, she considers a number of Asian American filmmakers who have opted out of producing state-funded films, from Wayne Wang to Gregg Araki to Justin Lin. 
 
Okada gives us a unique behind-the-scenes look at the various institutions that have bankrolled and distributed Asian American films, revealing the dynamic interplay between commercial and state-run media. More than just a history of Asian Americans in film, Making Asian American Film and Video is an insightful meditation on both the achievements and the limitations of institutionalized multiculturalism. 

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cover of Making Down Syndrome: Motherhood and Kinship Futures in Urban Jordan

Making Down Syndrome

Motherhood and Kinship Futures in Urban Jordan

Christine Sargent

Rutgers University Press, 2026

Making Down Syndrome: Motherhood and Kinship Futures in Urban Jordan draws on ethnographic research conducted primarily in Jordan’s capital city of Amman to explore how the label and identity of Down syndrome is gaining increasing cohesiveness. Focused on the experiences of mothers, who serve as an entry point for understanding broader family dynamics and choices, the book argues that practices and ideologies of care play a central role in making Down syndrome’s embodied and political realities. They do so through the momentum of kinship futures, or futures imagined through the prism of kinship roles and relations, which shape how families organize and distribute care between and beyond kinship networks and under conditions of economic and political uncertainty. By approaching everyday life in Jordan through the lens of disability, Making Down Syndrome offers new insights into how people navigate structures of family, gender, power, inequality, and precarity, all while trying to maintain hope for and cultivate better futures.

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cover of Making Ethnic Choices: California's Punjabi Mexican Americans

Making Ethnic Choices

California's Punjabi Mexican Americans

Karen Isaksen Leonard

Temple University Press, 1994

"[A] thoroughly original study that greatly expands our knowledge of how ethnic identities are formed. Leonard writes clearly and her inclusion of the voices of the Punjabi-Mexicans lends humor and depth to the history. This insightful study will be of interest to all scholars concerned with immigration and ethnicity and the history of California." --The Journal of Asian Studies This is a study of the flexibility of ethnic identity. In the early twentieth century, men from India's Punjab province came to California to work on the land. The new immigrants had few chances to marry. There were very few marriageable Indian women, and miscegenation laws and racial prejudice limited their ability to find white Americans. Discovering an unexpected compatibility, Punjabis married women of Mexican descent and these alliances inspired others as the men introduced their bachelor friends to the sisters and friends of their wives. These biethnic families developed an identity as "Hindus" but also as Americans. Karen Leonard has related theories linking state policies and ethnicity to those applied at the level of marriage and family life. Using written sources and numerous interviews, she invokes gender, generation, class, religion, language, and the dramatic political changes of the 1940s in South Asia and the United States to show how individual and group perceptions of ethnic identity have changed among Punjabi Mexican Americans in rural California. "This is an extraordinary work. It is simultaneously an ethnography of early South Asian immigrant life in California, a model of fine-grained historical research using all manner of documents to reconstruct and interpret the migration flows, social structure, and family cycles of Punjabi men and their Mexican spouses, and a sophisticated examination of the complex role of 'identity' in their perceptions of themselves and their descendants.... In the midst of contemporary discussions about multi-culturalism, politically correctly positions, and valuing diversity, this book would be a fine place to begin a thoughtful consideration of the potential multiplicity of meanings ethnicity may have for human begins." --Journal of American Ethnic History "No other book has the scope or the vision of Karen Leonard's work. I expect this book to be consulted as a model of historical research for many years to come." --James Freeman, San Jose State University
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cover of Making Gaybies: Queer Reproduction and Multiracial Feeling

Making Gaybies

Queer Reproduction and Multiracial Feeling

Jaya Keaney

Duke University Press, 2023

In Making Gaybies Jaya Keaney explores queer family making as a site of racialized intimacy. Drawing on interviews with queer families in Australia, Keaney traces the lived experiences of choice and constraint as these families seek to craft likeness with their future children and tell stories of chosen family made through love. Queer family building often involves multiracial and multicultural encounters, as intending parents take part in the global fertility industry. Keaney follows queer family making through reproductive technologies and highlights the confines of varied transnational reproductive markets and policies as well as changing formations of race, gender, sexuality, and kinship. Whether sharing the story of white gay men choosing Indian and Thai egg donors to make their surrogate-born children’s ethnicities visually distinct from their own or that of an Aboriginal lesbian and her white partner choosing a Cherokee donor from the United States to articulate a global Indigeneity, Keaney foregrounds the entwinement of reproduction, race, and affect. By focusing on queer family making, Keaney demonstrates how reproduction fosters a queer multiracial imaginary of kinship.
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cover of Making Hispanics: How Activists, Bureaucrats, and Media Constructed a New American

Making Hispanics

How Activists, Bureaucrats, and Media Constructed a New American

G. Cristina Mora

University of Chicago Press, 2014

How did Puerto Ricans, Mexicans, and Cubans become known as “Hispanics” and “Latinos” in the United States? How did several distinct cultures and nationalities become portrayed as one? Cristina Mora answers both these questions and details the scope of this phenomenon in Making Hispanics. She uses an organizational lens and traces how activists, bureaucrats, and media executives in the 1970s and '80s created a new identity category—and by doing so, permanently changed the racial and political landscape of the nation.

Some argue that these cultures are fundamentally similar and that the Spanish language is a natural basis for a unified Hispanic identity. But Mora shows very clearly that the idea of ethnic grouping was historically constructed and institutionalized in the United States. During the 1960 census, reports classified Latin American immigrants as “white,” grouping them with European Americans. Not only was this decision controversial, but also Latino activists claimed that this classification hindered their ability to portray their constituents as underrepresented minorities. Therefore, they called for a separate classification: Hispanic. Once these populations could be quantified, businesses saw opportunities and the media responded. Spanish-language television began to expand its reach to serve the now large, and newly unified, Hispanic community with news and entertainment programming. Through archival research, oral histories, and interviews, Mora reveals the broad, national-level process that led to the emergence of Hispanicity in America.
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cover of Making Home in Havana

Making Home in Havana

Pietropaolo, Vincenzo

Rutgers University Press, 2002

Havana is a city that rarely fails to captivate. But much of the unique beauty and culture of this historic city is rapidly disappearing. As Cuban society finds itself at a crossroads, Havana is more than ever a city on the edge, for although frozen in time as a consequence of Fidel Castro’s revolution, it has certainly not been well preserved. Time, climate, and neglect have eroded a rare architectural legacy, making the need to document this heritage even more pressing than ever before.

Making Home in Havana is an elegant book of photographs and testimonies, recording, questioning, and evoking the meaning of place — in particular, the meaning of home. The combination of fine photography and the words of residents of former palaces, humble apartments, and other dwellings offer us an irresistible portrait of Havana that might otherwise be lost forever.

Vincenzo Pietropaolo and Cecelia Lawless have made numerous visits to Havana in order to fully understand and convey the essence of what home means to the inhabitants of the dwellings of the El Vedado and Centro Habana neighborhoods. Together, they—and we—explore how a building becomes a home through its human history as well as its architectural features. With some renovation already underway in colonial Havana, they concentrate on largely unexplored and unrecognized sections that continue to fall into ruin. The intimacy of their connection with the buildings and people offers us a rare combination of documentary realism and high art. Buildings and people speak their histories to us in classic humanistic style. Residents of Havana tell their stories of lifelong efforts to turn decay into beauty, while the photographer’s evocative pictures enable us to feel exactly what they are talking about — a creation of time and space called home.
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cover of Making Lemonade out of Lemons: Mexican American Labor and Leisure in a California Town 1880-1960

Making Lemonade out of Lemons

Mexican American Labor and Leisure in a California Town 1880-1960

José M. Alamillo

University of Illinois Press, 2006

Out of the “lemons” handed to Mexican American workers in Corona, California--low pay, segregated schooling, inadequate housing, and racial discrimination--Mexican men and women made “lemonade” by transforming leisure spaces such as baseball games, parades, festivals, and churches into politicized spaces where workers voiced their grievances, debated strategies for  advancement, and built solidarity. Using oral history interviews, extensive citrus company records, and his own experiences in Corona, José Alamillo argues that Mexican Americans helped lay the groundwork for civil rights struggles and electoral campaigns in the post-World War II era.

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cover of Making Mexican Chicago: From Postwar Settlement to the Age of Gentrification

Making Mexican Chicago

From Postwar Settlement to the Age of Gentrification

Mike Amezcua

University of Chicago Press, 2022

Winner of the Immigration and Ethnic History Society’s First Book Award: an exploration of how the Windy City became a postwar Latinx metropolis in the face of white resistance.

Though Chicago is often popularly defined by its Polish, Black, and Irish populations, Cook County is home to the third-largest Mexican-American population in the United States. The story of Mexican immigration and integration into the city is one of complex political struggles, deeply entwined with issues of housing and neighborhood control. In Making Mexican Chicago, Mike Amezcua explores how the Windy City became a Latinx metropolis in the second half of the twentieth century.

In the decades after World War II, working-class Chicago neighborhoods like Pilsen and Little Village became sites of upheaval and renewal as Mexican Americans attempted to build new communities in the face of white resistance that cast them as perpetual aliens. Amezcua charts the diverse strategies used by Mexican Chicagoans to fight the forces of segregation, economic predation, and gentrification, focusing on how unlikely combinations of social conservatism and real estate market savvy paved new paths for Latinx assimilation. Making Mexican Chicago offers a powerful multiracial history of Chicago that sheds new light on the origins and endurance of urban inequality.
 
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cover of Making Michigan Home: Mexican Americans Bridging the Rural-Urban Experience

Making Michigan Home

Mexican Americans Bridging the Rural-Urban Experience

Brett T. Olmsted

University of Illinois Press, 2025

Mexicanos in Michigan and across the Midwest share a common experience: living as largely invisible outsiders as they struggled to build vibrant communities in places that wanted their labor but not their presence. Brett Olmsted ranges from the 1920s to the 1970s as he analyzes how Mexicanos sought to transcend social, cultural, economic, and political exclusion. Never numerous in any one area, Mexican Americans pursued inclusion via leisure spaces and labor unionism. Activities like celebrations, sports, movies, and music encouraged Mexicanos to claim physical and social space, connect with Michigan’s other Mexicano communities, and construct their own sense of identity. Mexicano workers, meanwhile, embraced interethnic union activism to address racism in job placement and promotion. Olmsted also examines how the state’s Mexicanos adapted to Michigan’s dual economy and found advantages in moving back-and-forth between rural and urban areas. In-depth and innovative, Making Michigan Home spotlights the state’s overlooked Mexicanos and their distinctive experiences within the Latina/o/x Studies Midwest.
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cover of Making Peace With Property: Traces of Post-Conflict Colombia

Making Peace With Property

Traces of Post-Conflict Colombia

Meghan L. Morris

Duke University Press, 2027

In Making Peace with Property, Meghan L. Morris investigates the role of property in armed conflict and peacemaking in Colombia. Property is widely understood to be a root cause of Colombia’s decades-long civil war, and the reordering of property has become both a necessity for and obstacle to peace. Drawing on ethnographic research, legal studies, and historical analysis, Morris examines two of Colombia’s major property reordering projects: one designed to return land to people displaced by war, and another that aspired to overcome a violent past through equitable urban planning. These projects excavated traces of past conflicts to determine truths that would ground property allocation in a future peace. Morris shows how land claims and property disputes facilitate reconfigurations of natural and social worlds and a broad reimagination of political possibility, even as promised horizons of peace continually recede into the future.
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cover of Making Security Social: Disability, Insurance, and the Birth of the Social Entitlement State in Germany

Making Security Social

Disability, Insurance, and the Birth of the Social Entitlement State in Germany

Greg Eghigian

University of Michigan Press, 2000

While welfare has been subject to pronounced criticism throughout the twentieth century, social insurance has consistently enjoyed the overwhelming support of European policy makers and citizens. This volume argues that the emergence of social insurance represents a paradigmatic shift in modern understandings of health, work, political participation, and government. By institutionalizing compensation, social insurance transformed it into a right that the employed population quickly came to assume. Theoretically informed and based on intensive archival research on disability insurance records, most of which have never been used by historians, the book considers how social science and political philosophy combined to give shape to the idea of a "social" insurance in the nineteenth century; the process by which social insurance gave birth to modern notions of "disability" and "rehabilitation"; and the early-twentieth-century development of political action groups for the disabled. Most earlier histories of German social insurance have been legislative histories that stressed the system's coercive features and functions. Making Security Social, by contrast, emphasizes the administrative practices of everyday life, the experience of consumers, and the ability of workers not only to resist, but to transform, social insurance bureaucracy and political debate. It thus demonstrates that social insurance was pivotal in establishing a general attitude of demand, claim, and entitlement as the primary link between the modern state and those it governed. In addition to historians of Germany, Making Security Social will attract researchers across disciplines who are concerned with public policy, disability studies, and public health.
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cover of Making Space for Empire: Colonial Elites, Whiteness, and the Planning of Modern Puerto Rico

Making Space for Empire

Colonial Elites, Whiteness, and the Planning of Modern Puerto Rico

Joaquin Villanueva

Duke University Press, 2027

In Making Space for Empire, Joaquín Villanueva documents how white elites in Puerto Rico and the United States collaborated to produce the physical and ideological landscapes of the archipelago in the modern day. Throughout the mid-twentieth century, the Puerto Rico Planning Board worked to transform a tropical climate into an industrial one to attract US investors. This modernization produced a colonial economy fully dependent on US knowledge, capital, and interests for its survival. Drawing on the Puerto Rico Planning Board archives, Black geographies, and the work of Frantz Fanon, Villanueva shows how dominant conceptions of space, whiteness, and the tropics came together under a midcentury planning ideology that embraced dependent development models, defining Puerto Rico’s future through debt. He offers new insights into both the past and future of the archipelago, showing how seemingly simple acts like letter writing, strategic friendships, and the racialization of nature and space have sustained colonialism on the archipelago. Mapping how planning and imperialism shapes lands and ideologies alike, Making Space for Empire shows that Puerto Rico is not bound to its history. It can, and must, determine its own future.
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cover of Making Their Own Way: Southern Blacks' Migration to Pittsburgh, 1916-30

Making Their Own Way

Southern Blacks' Migration to Pittsburgh, 1916-30

Peter Gottlieb

University of Illinois Press, 1987

      "A model study, one of two or three genuinely indispensable books
        on that momentous movement historians know as the Great Migration. Peter
        Gottlieb shatters the received portrait of southern migrants as bewildered,
        premodern folk, 'utterly unprepared' for the complexities of urban life.
        African Americans in his account emerge as complex, creative agents, exploiting
        old solidarities and building new ones, transforming the urban landscape
        even as it transformed them." -- James Campbell, Northwestern University
      "Engagingly written and well organized. . . . A major addition to
        the fields of Afro-American, urban, and working-class history." --
        Howard N. Rabinowitz, Georgia Historical Quarterly
      "Gottlieb uses oral histories, corporate records, and primary and
        secondary scholarship to present a useful picture of an important part
        of the Great Migration that followed World War I." -- George Lipsitz,
        Choice
      "Sensitive and yet also incisive. . . . clear and often compelling.
        An outstanding study." -- James R. Barrett, Journal of American
        Ethnic History
      Publication of this work was supported in part by a grant from the
        Andrew W. Mellon Foundation.
 
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cover of Making Whole What Has Been Smashed: On Reparations Politics

Making Whole What Has Been Smashed

On Reparations Politics

Torpey, John

Rutgers University Press, 2017

Making Whole What Has Been Smashed explores the spread in recent years of political efforts to rectify injustices handed down from the past. Although it recognizes that campaigns for reparations may lead to an improvement in the well-being of victims of mistreatment by states and to reconciliation among former antagonists, this timely book, featuring a new and updated preface, examines the extent to which the concern with the past may represent a departure from the traditionally future-oriented stance of progressive politics. 

Viewing the search for “coming to terms with the past” as a form of politics, John Torpey argues that there are major differences between reparations for the living victims of past wrongdoing and reparations for the descendants of such victims. More fundamentally, he argues that claims for reparations comprise a relatively novel kind of politics that involves a quest for symbolic recognition and material compensation for those seeking them—through the idiom of the past rather than the present. This reissue is the first paperback edition and contains a new preface by the author.
 
[more]
cover of Making a Global Immigrant Neighborhood: Brooklyn's Sunset Park

Making a Global Immigrant Neighborhood

Brooklyn's Sunset Park

Tarry Hum

Temple University Press, 2014

Based on more than a decade of research, Making a Global Immigrant Neighborhood charts the evolution of Sunset Park--with a densely concentrated working-poor and racially diverse immigrant population--from the late 1960s to its current status as one of New York City's most vibrant neighborhoods. 

Tarry Hum shows how processes of globalization, such as shifts in low-wage labor markets and immigration patterns, shaped the neighborhood. She explains why Sunset Park's future now depends on Asian and Latino immigrant collaborations in advancing common interests in community building, civic engagement, entrepreneurialism, and sustainability planning. She shows, too, how residents' responses to urban development policies and projects and the capital represented by local institutions and banks foster community activism. 

Hum pays close attention to the complex social, political, and spatial dynamics that forge a community and create new models of leadership as well as coalitions. The evolution of Sunset Park so astutely depicted in this book suggests new avenues for studying urban change and community development.

 
[more]
cover of Making a Promised Land: Harlem in Twentieth-Century Photography and Film

Making a Promised Land

Harlem in Twentieth-Century Photography and Film

Massood, Paula J.

Rutgers University Press, 2013

Making a Promised Land examines the interconnected histories of African American representation, urban life, and citizenship as documented in still and moving images of Harlem over the last century. Paula J. Massood analyzes how photography and film have been used over time to make African American culture visible to itself and to a wider audience and charts the ways in which the “Mecca of the New Negro” became a battleground in the struggle to define American politics, aesthetics, and citizenship. Visual media were first used as tools for uplift and education. With Harlem’s downturn in fortunes through the 1930s, narratives of black urban criminality became common in sociological tracts, photojournalism, and film. These narratives were particularly embodied in the gangster film, which was adapted to include stories of achievement, economic success, and, later in the century, a nostalgic return to the past. Among the films discussed are Fights of Nations (1907), Dark Manhattan (1937), The Cool World (1963), Black Caesar (1974), Malcolm X (1992), and American Gangster (2007). Massood asserts that the history of photography and film in Harlem provides the keys to understanding the neighborhood’s symbolic resonance in African American and American life, especially in light of recent urban redevelopment that has redefined many of its physical and demographic contours.

[more]
cover of Making the Human: Race, Allegory, and Asian Americans

Making the Human

Race, Allegory, and Asian Americans

Corinne Mitsuye Sugino

Rutgers University Press, 2025

Winner of the 2026 Cultural Studies Association First Book Prize 

From the debate over affirmative action to the increasingly visible racism amidst the COVID-19 pandemic, Asian Americans have emerged as key figures in a number of contemporary social controversies. In Making the Human: Race, Allegory, and Asian Americans, Corinne Mitsuye Sugino offers the lens of racial allegory to consider how media, institutional, and cultural narratives mobilize difference to normalize a white, Western conception of the human. Rather than focusing on a singular arena of society, Sugino considers contemporary sources across media, law, and popular culture to understand how they interact as dynamic sites of meaning-making. Drawing on scholarship in Asian American studies, Black studies, cultural studies, communication, and gender and sexuality studies, Sugino argues that Asian American racialization and gendering plays a key role in shoring up abstract concepts such as “meritocracy,” “family,” “justice,” “diversity,” and “nation” in ways that naturalize hierarchy. In doing so, Making the Human grapples with anti-Asian racism’s entanglements with colonialism, antiblackness, capitalism, and gendered violence.
 

[more]
cover of Making the MexiRican City: Migration, Placemaking, and Activism in Grand Rapids, Michigan

Making the MexiRican City

Migration, Placemaking, and Activism in Grand Rapids, Michigan

Delia Fernández-Jones

University of Illinois Press, 2023

A Choice Outstanding Academic Title for 2023

Large numbers of Latino migrants began to arrive in Grand Rapids, Michigan, in the 1950s. They joined a small but established Spanish-speaking community of people from Texas, Mexico, and Puerto Rico. Delia Fernández-Jones merges storytelling with historical analysis to recapture the placemaking practices that these Mexicans, Tejanos, and Puerto Ricans used to create a new home for themselves. Faced with entrenched white racism and hostility, Latinos of different backgrounds formed powerful relationships to better secure material needs like houses and jobs and to recreate community cultural practices. Their pan-Latino solidarity crossed ethnic and racial boundaries and shaped activist efforts that emphasized working within the system to advocate for social change. In time, this interethnic Latino alliance exploited cracks in both overt and structural racism and attracted white and Black partners to fight for equality in social welfare programs, policing, and education.

Groundbreaking and revelatory, Making the MexiRican City details how disparate Latino communities came together to respond to social, racial, and economic challenges.

[more]
cover of Making the Mission: Planning and Ethnicity in San Francisco

Making the Mission

Planning and Ethnicity in San Francisco

Ocean Howell

University of Chicago Press, 2015

In the aftermath of the 1906 San Francisco earthquake, residents of the city’s iconic Mission District bucked the city-wide development plan, defiantly announcing that in their neighborhood, they would be calling the shots. Ever since, the Mission has become known as a city within a city, and a place where residents have, over the last century, organized and reorganized themselves to make the neighborhood in their own image.

In Making the Mission, Ocean Howell tells the story of how residents of the Mission District organized to claim the right to plan their own neighborhood and how they mobilized a politics of place and ethnicity to create a strong, often racialized identity—a pattern that would repeat itself again and again throughout the twentieth century. Surveying the perspectives of formal and informal groups, city officials and district residents, local and federal agencies, Howell articulates how these actors worked with and against one another to establish the very ideas of the public and the public interest, as well as to negotiate and renegotiate what the neighborhood wanted. In the process, he shows that national narratives about how cities grow and change are fundamentally insufficient; everything is always shaped by local actors and concerns.
[more]
cover of Making the Second Ghetto: Race and Housing in Chicago, 1940-1960

Making the Second Ghetto

Race and Housing in Chicago, 1940-1960

Arnold R. Hirsch

University of Chicago Press, 2021

First published in 1983 and praised by the likes of Ta-Nehisi Coates and Thomas Sugrue, Arnold R. Hirsch’s Making the Second Ghetto is the rare book that has only become more piercingly prescient over the years.

Hirsch’s classic and groundbreaking work of urban history is a revelatory look at Chicago in the decades after the Great Depression, a period when the city dealt with its rapidly growing Black population not by working to abolish its stark segregation but by expanding and solidifying it. Even as the civil rights movement rose to prominence, Chicago exploited a variety of methods of segregation—including riots, redevelopment, and a host of new legal frameworks—that provided a national playbook for the emergence of a new kind of entrenched inequality. Hirsch’s chronicle of the strategies employed by ethnic, political, and business interests in reaction to the Great Migration of Southern Blacks in the mid-twentieth century makes startingly clear how the violent reactions of an emergent white population found common ground with policy makers to segregate first a city and then the nation.

This enlarged edition of Making the Second Ghetto features a visionary afterword by historian N. D. B. Connolly, explaining why Hirsch’s book still crackles with “blistering relevance” for contemporary readers.
 
[more]
cover of Making the Unequal Metropolis: School Desegregation and Its Limits

Making the Unequal Metropolis

School Desegregation and Its Limits

Ansley T. Erickson

University of Chicago Press, 2016

In a radically unequal United States, schools are often key sites in which injustice grows. Ansley T. Erickson’s Making the Unequal Metropolis presents a broad, detailed, and damning argument about the inextricable interrelatedness of school policies and the persistence of metropolitan-scale inequality. While many accounts of education in urban and metropolitan contexts describe schools as the victims of forces beyond their control, Erickson shows the many ways that schools have been intertwined with these forces and have in fact—via land-use decisions, curricula, and other tools—helped sustain inequality.

Taking Nashville as her focus, Erickson uncovers the hidden policy choices that have until now been missing from popular and legal narratives of inequality. In her account, inequality emerges not only from individual racism and white communities’ resistance to desegregation, but as the result of long-standing linkages between schooling, property markets, labor markets, and the pursuit of economic growth. By making visible the full scope of the forces invested in and reinforcing inequality, Erickson reveals the complex history of, and broad culpability for, ongoing struggles in our schools.
[more]
cover of Malcolm X's Michigan Worldview: An Exemplar for Contemporary Black Studies

Malcolm X's Michigan Worldview

An Exemplar for Contemporary Black Studies

Rita Kiki Edozie

Michigan State University Press, 2024

The provocative debate about Malcolm X’s legacy that emerged after the publication of Manning Marable’s 2011 biography raised critical questions about the revolutionary Black Nationalist’s importance to American and world affairs: What was Malcolm’s association with the Nation of Islam? How should we interpret Malcolm’s discourses? Was Malcolm antifeminist? What is Malcolm’s legacy in contemporary public affairs? How do Malcolm’s early childhood experiences in Michigan shape and inform his worldview? Was Malcolm trending toward socialism during his final year? Malcolm X’s Michigan Worldview responds to these questions by presenting Malcolm’s subject as an iconography used to deepen understanding of African descendent peoples’ experiences through advanced research and disciplinary study. A Black studies reader that uses the biography of Malcolm X both to interrogate key aspects of the Black world experience and to contribute to the intellectual expansion of the discipline, the book presents Malcolm as a Black subject who represents, symbolizes, and associates meaning with the Black/Africana studies discipline. Through a range of multidisciplinary prisms and themes including discourse, race, culture, religion, gender, politics, and community, this rich volume elicits insights about the Malcolm iconography that contribute to the continuous formulation, deepening, and strengthening of the Black studies discipline.
[more]
cover of Maldito Cáncer: Testimonios of Latinx Solidarity, Love, and Resistance

Maldito Cáncer

Testimonios of Latinx Solidarity, Love, and Resistance

Natalia Deeb-Sossa

University of Arizona Press, 2027

This poignant collection brings together powerful testimonios from Chicanx and Latinx patients, family members, caregivers, and community advocates who have faced el maldito cáncer. Authors share first-person narratives of illness, fear, love, solidarity, and resilience, illuminating how Latinx communities navigate cancer journeys within a complex and often inequitable health-care system.

The contributors—ranging from students and community members to renowned scholars and artists—offer their stories through essays, creative nonfiction, poetry, bilingual chapters, and drawings. 

These testimonios honor the diverse ways Latinxs process and communicate the emotional, physical, and cultural realities of cancer. Each section is framed by a short editor introduction that highlights key themes and invites readers to reflect on the resonant insights each story brings. Across four sections—patient voices, family members, community perspectives, and closing reflections—the book reveals how individuals confront illness with courage and how families and communities create networks of care grounded in culture, love, and collective strength.

Exposing physical and emotional vulnerabilities, instances of pain, suffering, worry, and anguish, Maldito Cáncer also opens a space for healing and connection. It offers a new lens to understanding cancer through culturally informed, justice-centered narratives. These acts of testimoniando offer a gift to us: resistance, connection, and hope.

Contributors
Alfonso Aranda
Cathy Arellano
Estela Mara Bensimon
Cindy Camacho-Gutierrez
Daniela A. Carreon
Angie Chabram
Natalia Deeb-Sossa
Yvette G. Flores
Fran García Vásquez
Jennifer Gottlieb
Osa Hidalgo de la Riva
Ekta Kandhway
Skye Kelty
Jorge Antonio Losoya
Dalia Magaña
Maribel Martínez
Pedro Noguera
Lorraine Ramos
Mónica Torreiro-Casal
Rita E. Urquijo-Ruiz
Patricia Zavella

[more]
cover of Malian Women at the Crossroads: Blending Literature and Art

Malian Women at the Crossroads

Blending Literature and Art

Cheryl Toman

Michigan State University Press, 2027

Mali’s history is defined by crossroads—geographic, cultural, and intellectual—linking to the Sahara and to long-standing trade routes. Francophone Malian women’s writing reflects this convergence, positioning literature as a site where diverse artistic and cultural traditions meet and evolve. In Malian Women at the Crossroads: Blending Literature and Art, writers such as Aoua Kéita, Aïcha Fofana, Adame Ba Konaré, Fatoumata Sidibé, Zakiyatou oualett Halatine, and Fadimata walett Oumar blur the boundaries between text and artistic practice, incorporating storytelling, visual arts, music, textile design, and other creative forms into their work. These interdisciplinary expressions both honor and reinterpret tradition, illuminating Mali’s cultural diversity while challenging divisions rooted in gender and ethnicity.

The voices of these writers denounce the conflict that has plagued Mali for over a decade and opt instead for showcasing creativity that preserves the memory of more promising times.

[more]
cover of Mama Africa: Reinventing Blackness in Bahia

Mama Africa

Reinventing Blackness in Bahia

Patricia de Santana Pinho

Duke University Press, 2010

Often called the “most African” part of Brazil, the northeastern state of Bahia has the country’s largest Afro-descendant population and a black culture renowned for its vibrancy. In Mama Africa, Patricia de Santana Pinho examines the meanings of Africa in Bahian constructions of blackness. Combining insights from anthropology, sociology, and cultural studies, Pinho considers how Afro-Bahian cultural groups, known as blocos afro, conceive of Africanness, blackness, and themselves in relation to both. Mama Africa is a translated, updated, and expanded edition of an award-winning book published in Brazil in 2004. Central to the book, and to Bahian constructions of blackness, is what Pinho calls “the myth of Mama Africa,” the idea that Africa exists as a nurturing spirit inside every black person.

Pinho explores how Bahian cultural production influences and is influenced by black diasporic cultures and the idealization of Africa—to the extent that Bahia draws African American tourists wanting to learn about their heritage. Analyzing the conceptions of blackness produced by the blocos afro, she describes how Africa is re-inscribed on the body through clothes, hairstyles, and jewelry; once demeaned, blackness is reclaimed as a source of beauty and pride. Turning to the body’s interior, Pinho explains that the myth of Mama Africa implies that black appearances have corresponding black essences. Musical and dance abilities are seen as naturally belonging to black people, and these traits are often believed to be transmitted by blood. Pinho argues that such essentialized ideas of blackness render black culture increasingly vulnerable to exploitation by the state and commercial interests. She contends that the myth of Mama Africa, while informing oppositional black identities, overlaps with a constraining notion of Bahianness promoted by the government and the tourist industry.

[more]
cover of Mama Might Be Better Off Dead: The Failure of Health Care in Urban America

Mama Might Be Better Off Dead

The Failure of Health Care in Urban America

Laurie Kaye Abraham

University of Chicago Press, 1994

North Lawndale, a neighborhood that lies in the shadows of Chicago’s Loop, is surrounded by some of the city’s finest medical facilities, Yet, it is one of the sickest, most medically underserved communities in the country.

Mama Might Be Better Off Dead immerses readers in the lives of four generations of a poor, African-American family in the neighborhood, who are beset with the devastating illnesses that are all too common in America’s inner-cities. Headed by Jackie Banes, who oversees the care of a diabetic grandmother, a husband on kidney dialysis, an ailing father, and three children, the Banes family contends with countless medical crises. From visits to emergency rooms and dialysis units, to trials with home care, to struggles for Medicaid eligibility, Laurie Kaye Abraham chronicles their access—or more often, lack thereof—to medical care. Told sympathetically but without sentimentality, their story reveals an inadequate health care system that is further undermined by the direct and indirect effects of poverty.

Both disturbing and illuminating, Mama Might Be Better Off Dead is an unsettling, profound look at the human face of health care in America. Published to great acclaim in 1993, the book in this new edition includes an incisive foreword by David Ansell, a physician who worked at Mt. Sinai Hospital, where much of the Banes family’s narrative unfolds.

 
[more]
cover of Mammy: A Century of Race, Gender, and Southern Memory

Mammy

A Century of Race, Gender, and Southern Memory

Kimberly Wallace-Sanders

University of Michigan Press, 2008

"An engaging study of 'mammy,' the provocative figure of the African American nanny, cook, and housekeeper in white households . . . Wallace-Sanders reveals . . . disturbing innuendos of mammy still relevant today, in particular the elevation in value of raising others' children at the expense of one's own."
---Choice

"In this insightful analysis of representations of mammy, Wallace-Sanders skillfully illustrates how this core icon of Black womanhood has figured prominently in upholding hierarchies of race, gender, and class in the United States. Far from being a timeless, natural, benign image of domesticity, the idealized mammy figure was repeatedly reworked to accommodate varying configurations of racial rule. No one reading this book will be able to see Gone with the Wind in the same way ever again."
---Patricia Hill Collins, University of Maryland

"Kimberly Wallace-Sanders' interdisciplinary approach is first-rate. This expansive and engaging book should appeal to students and scholars in American studies, African American studies, and women's studies."
---Thadious Davis, The University of Pennsylvania

Her cheerful smile and bright eyes gaze out from the covers of old cookbooks, song sheets, syrup bottles, salt and pepper shakers, and cookie jars, and she has long been a prominent figure in fiction, film, television, and folk art. She is Mammy, a figure whose provocative hold on the American psyche has persisted since before the Civil War.

But who is Mammy, and where did she come from? Her large, dark body and her round smiling face tower over our imaginations to such an extent that more accurate representations of African American women wither in her shadow. Mammy's stereotypical attributes---a sonorous and soothing voice, raucous laugh, infinite patience, self-deprecating wit, and implicit acceptance of her own inferiority and her devotion to white children---all point to a long-lasting and troubled confluence of racism, sexism, and southern nostalgia.

This groundbreaking book traces the mammy figure and what it has symbolized at various historical moments that are linked to phases in America's racial consciousness. The author shows how representations of Mammy have loomed over the American literary and cultural imagination, an influence so pervasive that only a comprehensive and integrated approach of this kind can do it justice.

The book's many illustrations trace representations of the mammy figure from the nineteenth century to the present, as she has been depicted in advertising, book illustrations, kitchen figurines, and dolls. The author also surveys the rich and previously unmined history of the responses of African American artists to the black mammy stereotype, including contemporary reframings by artists Betye Saar, Michael Ray Charles, and Joyce Scott.

Kimberly Wallace-Sanders is Associate Professor of the Graduate Institute of Liberal Arts and Women's Studies at Emory University. She is editor of Skin Deep, Spirit Strong: The Black Female Body in American Culture.

[more]
cover of Man of Fire: Selected Writings

Man of Fire

Selected Writings

Ernesto Galarza, Edited by Armando Ibarra and Rodolfo D. Torres

University of Illinois Press, 2013

Activist, labor scholar, and organizer Ernesto Galarza (1905–1984) was a leading advocate for Mexican Americans and one of the most important Mexican American scholars and activists after World War II. This volume gathers Galarza's key writings, reflecting an intellectual rigor, conceptual clarity, and a constructive concern for the working class in the face of America's growing influence over Mexico's economic system.
 
Throughout his life, Galarza confronted and analyzed some of the most momentous social transformations of the twentieth century. Inspired by his youthful experience as a farm laborer in Sacramento, he dedicated his life to the struggle for justice for farm workers and urban working-class Latinos and helped build the first multiracial farm workers union, setting the foundation for the emergence of the United Farm Workers Union. He worked to change existing educational philosophies and curricula in schools, and his civil rights legacy includes the founding of the Mexican American Legal Defense Fund (MALDEF) and the National Council of La Raza (NCLR). In 1979, Galarza was the first U.S. Latino to be nominated for the Nobel Prize in Literature, for works such as Strangers in Our Fields, Merchants of Labor, Barrio Boy, and Tragedy at Chualar.
[more]
cover of Managed Migrations: Growers, Farmworkers, and Border Enforcement in the Twentieth Century

Managed Migrations

Growers, Farmworkers, and Border Enforcement in the Twentieth Century

By Cristina Salinas

University of Texas Press, 2018

2020 National Association for Chicana and Chicano Studies (NACCS) Book Award Winner
Honorable Mention, Ramirez Family Award for Most Significant Scholarly Book, Texas Institute of Letters, 2019

Managed Migrations examines the concurrent development of a border agricultural industry and changing methods of border enforcement in the Rio Grande Valley of Texas during the past century.

Needed at one moment, scorned at others, Mexican agricultural workers have moved back and forth across the US–Mexico border for the past century. In South Texas, Anglo growers’ dreams of creating a modern agricultural empire depended on continuous access to Mexican workers. While this access was officially regulated by immigration laws and policy promulgated in Washington, DC, in practice the migration of Mexican labor involved daily, on-the-ground negotiations among growers, workers, and the US Border Patrol. In a very real sense, these groups set the parameters of border enforcement policy.

Managed Migrations examines the relationship between immigration laws and policy and the agricultural labor relations of growers and workers in South Texas and El Paso during the 1940s and 1950s. Cristina Salinas argues that immigration law was mainly enacted not in embassies or the halls of Congress but on the ground, as a result of daily decisions by the Border Patrol that growers and workers negotiated and contested. She describes how the INS devised techniques to facilitate high-volume yearly deportations and shows how the agency used these enforcement practices to manage the seasonal agricultural labor migration across the border. Her pioneering research reveals the great extent to which immigration policy was made at the local level, as well as the agency of Mexican farmworkers who managed to maintain their mobility and kinship networks despite the constraints of grower paternalism and enforcement actions by the Border Patrol.

[more]
cover of Managing Motherhood, Managing Risk: Fertility and Danger in West Central Tanzania

Managing Motherhood, Managing Risk

Fertility and Danger in West Central Tanzania

Denise Roth Allen

University of Michigan Press, 2004

In Managing Motherhood, Managing Risk, Denise Roth Allen persuasively argues that development interventions in the Third World often have unintended and unacknowledged consequences. Based on twenty-two months of fieldwork in the Shinyanga Region of west central Tanzania, this rich and engaging ethnography of women's fertility-related experiences highlights the processes by which a set of seemingly well-intentioned international maternal health policy recommendations go awry when implemented at the local level.

An exploration of how threats to maternal health have been defined and addressed at the global, national, and local levels, Managing Motherhood, Managing Risk presents two contrasting, and oftentimes competing, definitions of risk: those that form the basis of international recommendations and national maternal health policies and those that do not. The effect that these contrasting definitions of risk have on women's fertility-related experiences at the local level are explored throughout the book.

This study employs an innovative approach to the analysis of maternal health risk, one that situates rural Tanzanian women's fertility-related experiences within a broader historical and sociocultural context. Beginning with an examination of how maternal health risk was defined and addressed during the early years of British colonial rule in Tanganyika and moving to a discussion of an internationally conceived maternal health initiative that was launched on the world stage in the late 1980s, the author explores the similarities in the language used and solutions proposed by health development experts over time.

This set of "official" maternal health risks is then compared to an alternative set of risks that emerge when attention is focused on women's experiences of pregnancy and childbirth at the local level. Although some of these latter risks are often spoken about as deriving from spiritual or supernatural causes, the case studies presented throughout the second half of the book reveal that the concept of risk in the context of pregnancy and childbirth is much more complex, involving the interplay of spiritual, physical, and economic aspects of everyday life.

[more]
cover of Mangos, Chiles, and Truckers: The Business of Transnationalism

Mangos, Chiles, and Truckers

The Business of Transnationalism

Robert Alvarez Jr.

University of Minnesota Press, 2005

Mangos, Chiles, and Truckers illuminates how local groups and individuals engage the global world and capitalism in creative ways. Robert Alvarez analyzes how the produce and trucking industries in Mexico affect the organization of work, community, and social space for miles on either side of the international border. Taking an ethnographic approach, Alvarez focuses on the impact transnational economic policies like NAFTA have had on growers of mangos and chiles in Mexico, those who transport the produce across the U.S.–Mexico border, and the immigrant communities receiving these goods in the United States. 

Contrary to common perceptions in postnational studies, Alvarez shows how the nation-state enacts and connects with the transnational, crossing borders in ways that underwrite new technology and trade. Emphasizing the importance and control of the nation-state in the global process, Mangos, Chiles, and Truckers demonstrates how people make meaning as they struggle with the economic circumstances of their lives, creating cultural traditions and giving new value to old customs and practices. 

Robert R. Alvarez Jr. is professor of ethnic studies at the University of California, San Diego. 

George Lipsitz is professor of American studies at the University of California, Santa Cruz.
[more]
cover of Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture

Manifest Technique

Hip Hop, Empire, and Visionary Filipino American Culture

Mark R. Villegas

University of Illinois Press, 2021

An obscured vanguard in hip hop

Filipino Americans have been innovators and collaborators in hip hop since the culture’s early days. But despite the success of artists like Apl.de.Ap of the Black Eyed Peas and superstar producer Chad Hugo, the genre’s significance in Filipino American communities is often overlooked. Mark R. Villegas considers sprawling coast-to-coast hip hop networks to reveal how Filipino Americans have used music, dance, and visual art to create their worlds. Filipino Americans have been exploring their racial position in the world in embracing hip hop’s connections to memories of colonial and racial violence. Villegas scrutinizes practitioners’ language of defiance, placing the cultural grammar of hip hop within a larger legacy of decolonization.

An important investigation of hip hop as a movement of racial consciousness, Manifest Technique shows how the genre has inspired Filipino Americans to envision and enact new ideas of their bodies, their history, and their dignity.  

[more]
cover of Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood

Manufacturing Celebrity

Latino Paparazzi and Women Reporters in Hollywood

Vanessa Diaz

Duke University Press, 2020

In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars.
[more]
cover of Manufacturing Modern Japanese Literature: Publishing, Prizes, and the Ascription of Literary Value

Manufacturing Modern Japanese Literature

Publishing, Prizes, and the Ascription of Literary Value

Edward Mack

Duke University Press, 2010

Emphasizing how modes of book production, promotion, and consumption shape ideas of literary value, Edward Mack examines the role of Japan’s publishing industry in defining modern Japanese literature. In the late nineteenth century and early twentieth, as cultural and economic power consolidated in Tokyo, the city’s literary and publishing elites came to dominate the dissemination and preservation of Japanese literature. As Mack explains, they conferred cultural value on particular works by creating prizes and multivolume anthologies that signaled literary merit. One such anthology, the Complete Works of Contemporary Japanese Literature (published between 1926 and 1931), provided many readers with their first experience of selected texts designated as modern Japanese literature. The low price of one yen per volume allowed the series to reach hundreds of thousands of readers. An early prize for modern Japanese literature, the annual Akutagawa Prize, first awarded in 1935, became the country’s highest-profile literary award. Mack chronicles the history of book production and consumption in Japan, showing how advances in technology, the expansion of a market for literary commodities, and the development of an extensive reading community enabled phenomena such as the Complete Works of Contemporary Japanese Literature and the Akutagawa Prize to manufacture the very concept of modern Japanese literature.
[more]
cover of Manzanar Mosaic: Essays and Oral Histories on America's First World War II Japanese American Concentration Camp

Manzanar Mosaic

Essays and Oral Histories on America's First World War II Japanese American Concentration Camp

Arthur A. Hansen

University Press of Colorado, 2023

Providing a new mosaic-style view of Manzanar’s complex history through unedited interviews and published scholarship, Arthur A. Hansen presents a deep, longitudinal portrait of the politics and social formation of the Japanese American community before, during, and after World War II.
 
To begin, Hansen presents two essays, the first centering on his work with Ronald Larson in the mid-1970s on the history of Doho, a Japanese and English dual-language newspaper, and the second an article with David Hacker on revisionist ethnic perspectives of the Manzanar “riot.” A second section is composed of five oral history interviews of selected camp personalities—a female Nisei journalist, a male Nisei historical documentarian,  a male Kibei Communist block manager, the Caucasian wife and comrade of the block manager, and the male Kibei who was the central figure in the Manzanar Riot/Revolt—that offer powerful insight into the controversial content of the two essays that precede them.
 
Manzanar can be understood only by being considered within the much wider context of Japanese American community formation and contestation before, during, and after World War II. A varied collection of scholarly articles and interviews, Manzanar Mosaic engages diverse voices and considers multiple perspectives to illuminate aspects of the Japanese American community, the ethnic press, the Manzanar concentration camp, and the movement for redress and reparations.
 
[more]
cover of Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art”: A Translation of the 1943 Text with Commentary

Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art”

A Translation of the 1943 Text with Commentary

Bonnie S. McDougall

University of Michigan Press, 1980

The writings of Mao Zedong have been circulated throughout the world more widely, perhaps, than those of any other single person this century. The “Talks at the Yan’an Conference on Literature and Art” has occupied a prominent position among his many works and has been the subject of intense scrutiny both within and outside China. This text has undoubted importance to modern Chinese literature and history. In particular, it reveals Mao’s views on such questions as the relationship between writers or works of literature and their audience, or the nature and value of different kinds of literary products.
In this translation and commentary, Bonnie S. McDougall finds that Mao was in fact ahead of many of his critics in the West and his Chinese contemporaries in his discussion of literary issues. Unlike the majority of modern Chinese writers deeply influenced by Western theories of literature and society (including Marxism), Mao remained close to traditional patterns of thought and avoided the often mechanical or narrowly literal interpretations that were the hallmark of Western schools current in China in the early twentieth century.
Many of the detailed discussions on the “Talks” in the West have been concerned with their political and historical significance. However, since Mao is a literary figure of some importance in twentieth-century China, McDougall finds it worthwhile to follow up his published remarks on the nature and source of literature and the means of its evaluation. By better understanding the complex and revolutionary ideas contained in the “Talks,” McDougall suggests we may acquire the necessary analytical tools for a more fruitful investigation into contemporary Chinese literature.
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cover of Mapping "Race": Critical Approaches to Health Disparities Research

Mapping "Race"

Critical Approaches to Health Disparities Research

Gómez, Laura E

Rutgers University Press, 2013

Researchers commonly ask subjects to self-identify their race from a menu of preestablished options. Yet if race is a multidimensional, multilevel social construction, this has profound methodological implications for the sciences and social sciences. Race must inform how we design large-scale data collection and how scientists utilize race in the context of specific research questions. This landmark collection argues for the recognition of those implications for research and suggests ways in which they may be integrated into future scientific endeavors. It concludes on a prescriptive note, providing an arsenal of multidisciplinary, conceptual, and methodological tools for studying race specifically within the context of health inequalities.

Contributors: John A. Garcia, Arline T. Geronimus, Laura E. Gómez, Joseph L. Graves Jr., Janet E. Helms, Derek Kenji Iwamoto, Jonathan Kahn, Jay S. Kaufman, Mai M. Kindaichi, Simon J. Craddock Lee, Nancy López, Ethan H. Mereish, Matthew Miller, Gabriel R. Sanchez, Aliya Saperstein, R. Burciaga Valdez, Vicki D. Ybarra


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