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Our nation began with the simple phrase, “We the People.” But who were and are “We”? Who were we in 1776, in 1865, or 1968, and is there any continuity in character between the we of those years and the nearly 300 million people living in the radically different America of today?

With Made in America, Claude S. Fischer draws on decades of historical, psychological, and social research to answer that question by tracking the evolution of American character and culture over three centuries. He explodes myths—such as that contemporary Americans are more mobile and less religious than their ancestors, or that they are more focused on money and consumption—and reveals instead how greater security and wealth have only reinforced the independence, egalitarianism, and commitment to community that characterized our people from the earliest years. Skillfully drawing on personal stories of representative Americans, Fischer shows that affluence and social progress have allowed more people to participate fully in cultural and political life, thus broadening the category of “American” —yet at the same time what it means to be an American has retained surprising continuity with much earlier notions of American character.

Firmly in the vein of such classics as The Lonely Crowd and Habits of the Heart—yet challenging many of their conclusions—Made in America takes readers beyond the simplicity of headlines and the actions of elites to show us the lives, aspirations, and emotions of ordinary Americans, from the settling of the colonies to the settling of the suburbs.

How did political power function in the communist regimes of East Central Europe after 1945? Making Sense of Dictatorship addresses this question with a particular focus on the acquiescent behavior of the majority of the population until, at the end of the 1980s, their rejection of state socialism and its authoritarian world.

The authors refer to the concept of Sinnwelt, the way in which groups and individuals made sense of the world around them. The essays focus on the dynamics of everyday life and the extent to which the relationship between citizens and the state was collaborative or antagonistic. Each chapter addresses a different aspect of life in this period, including modernization, consumption and leisure, and the everyday experiences of “ordinary people,” single mothers, or those adopting alternative lifestyles.

Empirically rich and conceptually original, the essays in this volume suggest new ways to understand how people make sense of everyday life under dictatorial regimes.

Workers' self-management was one of the unique features of communist Yugoslavia. Goran Musić has investigated the changing ways in which blue-collar workers perceived the recurring crises of the regime. Two self-managed metal enterprises, one in Serbia another in Slovenia, provide the frame of the analysis in the time span between 1945 and 1989. These two factories became famous for strikes in 1988 that evoked echoes in popular discourses in former Yugoslavia. Drawing on interviews, factory publications and other media, local archives, and secondary literature, Musić analyzes the two cases, going beyond the clichés of political manipulation from the top and workers' intrinsic attraction to nationalism.
The author explains how, in the later phase of communist Yugoslavia, growing social inequalities among the workers and undemocratic practices inside the self-managed enterprises facilitated the spread of a nationalist and pro-market ideology on the shop floors. Yet rather than being a mass taken advantage of by populist leaders, the working class Musić presents is one with agency and voice, a force that played an important role in shaping the fate of the country. The book thus seeks to open a debate on the social processes leading up to the dissolution of Yugoslavia.

From the earliest depictions of Benjamin Franklin and his kite experiment to 21st-century renderings of mad scientists, representations of American scientists in the popular media reveal a great deal about our cultural hopes and fears. In an entertaining and insightful survey of popular media over three hundred years of American history—religious tracts, political cartoons, literature, theater, advertising, art, comic books, radio, music, television, and film—Glen Scott Allen examines the stereotypes assigned to scientists for what they tell us about America's pride in its technological achievements as well as our prejudices about certain “suspect” kinds of scientific investigation. 

Working in the tradition of cultural studies, Allen offers an analysis that is historically comprehensive and critically specific. Integrating both “high” literature and “low” comedy, he delves into the assumptions about scientists—good, bad, and mad—that have been shaped by and have in turn shaped American cultural forces. Throughout the book, his focus is on why certain kinds of scientists have been lionized as American heroes, while others have been demonized as anti-American villains. 

Allen demonstrates that there is a continuous thread running from the seminal mad scientists of Hawthorne's nineteenth-century fiction to modern megalomaniacs like Dr. Strangelove; that marketing was as important to the reputation of the great independent inventors as technological prowess was; and that cultural prejudices which can be traced all the way back to Puritan ideology are at work in modern scientific controversies over cloning and evolution. 

The periods and movements examined are remarkably far-ranging: the literature and philosophy of the Romantics; the technology fairs and utopian fiction of the nineteenth century; political movements of the 1930s and 1940s; the science fiction boom of the 1950s; the space and arms races of the 1960s and 1970s; the resurgence of pseudo-sciences in the 1980s and 1990s. This book will be of interest not just to teachers and students of cultural studies and the history of science and technology but to anyone interested in American culture and how it shapes our experience and defines our horizons.

This seminal scholarly work examines T. S. Eliot's literary development and philosophical outlook through the lens of modernist dialectics, exploring the tension between mastery and escape as central to understanding both his poetry and critical thought. Edited and written by acclaimed Eliot scholar Jewel Spears Brooker, this volume presents expert studies of key intellectual influences on Eliot's modernism—particularly Stéphane Mallarmé, Sir James George Frazer, F. H. Bradley, and T. E. Hulme—yielding fresh and original insights into how these thinkers shaped the poet's artistic vision.

Through careful textual analysis and intellectual history, Brooker investigates how Eliot grappled with fundamental modernist anxieties: the desire for artistic mastery and transcendence alongside the simultaneous impulse toward escape from the constraints of tradition, rationality, and conventional form. She demonstrates how Eliot's poetry and prose reflect a dialectical movement, a constant interplay between opposing forces, that defines both his modernist aesthetics and his philosophical positions.

 An essential resource for scholars seeking comprehensive understanding of modernism's philosophical foundations and poetic achievements, Brooker is devoted to tracing both dialectical movements and biographical developments in Eliot's career.

Uses historical and literary insights to consider crime and punishment in the Middle Ages.

Crime is a matter of interpretation, and never was this truer than in the Middle Ages, when societies faced with new ideas and pressures were continually forced to rethink what a crime was-and what was a crime. This collection undertakes a thorough exploration of shifting definitions of crime and changing attitudes toward social control in medieval Europe.

A provocative new approach to medieval culture

In Medieval Identity Machines, Jeffrey J. Cohen examines the messiness, permeability, and perversity of medieval bodies, arguing that human identity always exceeds the limits of the flesh. Combining critical theory with a rigorous reading of medieval texts, Cohen asks if the category “human” isn’t too small to contain the multiplicity of identities. As such, this book is the first to argue for a “posthuman” Middle Ages and to make extensive use of the philosophical writings of Gilles Deleuze to rethink the medieval.

In the 1970s, Argentina was the leader in the “Dirty War,” a violent campaign by authoritarian South American regimes to repress left-wing groups and any others who were deemed subversive. Over the course of a decade, Argentina's military rulers tortured and murdered upwards of 30,000 citizens. Even today, after thirty years of democratic rule, the horror of that time continues to roil Argentine society.

Argentina has also been in the vanguard in determining how to preserve sites of torture, how to remember the “disappeared,” and how to reflect on the causes of the Dirty War. Across the capital city of Buenos Aires are hundreds of grassroots memorials to the victims, documenting the scope of the state's reign of terror. Although many books have been written about this era in Argentina's history, the original Spanish-language edition of Memories of Buenos Aires was the first to identify and interpret all of these sites. It was published by the human rights organization Memoria Abierta, which used interviews with survivors to help unearth that painful history.

This translation brings this important work to an English-speaking audience, offering a comprehensive guidebook to clandestine sites of horror as well as innovative sites of memory. The book divides the 48 districts of the city into 9 sectors, and then proceeds neighborhood-by-neighborhood to offer descriptions of 202 known “sites of state terrorism” and 38 additional places where people were illegally detained, tortured, and killed by the government.

In the 1970s, Argentina was the leader in the “Dirty War,” a violent campaign by authoritarian South American regimes to repress left-wing groups and any others who were deemed subversive. Over the course of a decade, Argentina's military rulers tortured and murdered upwards of 30,000 citizens. Even today, after thirty years of democratic rule, the horror of that time continues to roil Argentine society.

Argentina has also been in the vanguard in determining how to preserve sites of torture, how to remember the “disappeared,” and how to reflect on the causes of the Dirty War. Across the capital city of Buenos Aires are hundreds of grassroots memorials to the victims, documenting the scope of the state's reign of terror. Although many books have been written about this era in Argentina's history, the original Spanish-language edition of Memories of Buenos Aires was the first to identify and interpret all of these sites. It was published by the human rights organization Memoria Abierta, which used interviews with survivors to help unearth that painful history.

This translation brings this important work to an English-speaking audience, offering a comprehensive guidebook to clandestine sites of horror as well as innovative sites of memory. The book divides the 48 districts of the city into 9 sectors, and then proceeds neighborhood-by-neighborhood to offer descriptions of 202 known “sites of state terrorism” and 38 additional places where people were illegally detained, tortured, and killed by the government.

Today, ethnic Mexicans and other Latinos make up the largest population group in California, and in the Santa Clara Valley they represent roughly 30 percent of residents, a proportion that has remained steady for nearly two centuries. Despite this population’s long presence as some of the earliest non-Indigenous settlers in the region and their major contributions to its economy, culture, and development, the history of ethnic Mexicans and other Latinos in the valley has been left untold. Much historical writing by local scholars has focused on ethnic Mexicans before 1846, often implying that their meaningful presence declined after the U.S. gained control of California. As a result, few scholarly works address ethnic Mexican history in the Santa Clara Valley after statehood.

Mexican Colonias in the Santa Clara Valley examines the formation and growth of ethnic Mexican neighborhoods from the late nineteenth century through the mid-twentieth century. Author Gregorio Mora-Torres traces continuity from Californios in the San José Pueblo to later arrivals of ethnic Mexicans from Mexico and the U.S. Southwest, highlighting their efforts to build community while working in agriculture and other manual labor. Despite economic hardship, these communities developed rich cultural and social traditions, including celebrations, entertainment, sports, and civic life. The book also explores midcentury transformation, including tensions between assimilation and cultural retention and the rise of political activism in the early 1960s.

Drawing on Anglo-American newspaper accounts and Mexican, Mexican American, and other Latino perspectives from El Excentrico (1949–1981), the study reconstructs narratives of identity, visibility, and change in the Santa Clara Valley over time.

During the 1630s, more than 14,000 people sailed from Britain bound for New England, constituting what has come to be known as the Great Migration. This book offers the most extensive study of these emigrants ever undertaken. Focusing on 2,000 individuals who moved from the five counties of eastern England, it provides historians with important new findings on mobility, family life, kinship networks, and community cohesion. 

Roger Thompson reveals the personal experiences and ancestral histories of the emigrants. He follows them across the Atlantic and investigates their lives and achievements in the New World. Distinguising between such groups as gentry, entrepreneurs, artisans, farmers, and servants, he explores whether the migration tended to be a solitary uprooting from a stable and predictable world of familiar neighborhoods or simply a longer move among many relocations.

Thompson also sheds light on the issue of motivation: Were these settlers pulled by the hope of eventual enrichment or of founding a purified society, or were they pushed by intolerance and persecution at home? Did they see New England as a haven of escape or an opportunity to exploit? Did New Englanders seek to replicate “English ways,” preserving traditional culture and society, or did they embrace change and innovation? Mobility and Migration provides a wealth of new evidence for historians of both early modern England and colonial America.

Music historian James Wierzbicki sheds light on how the Fifties' pervasive moods affected its sounds. Moving across genres established--pop, country, opera--and transfigured--experimental, rock, jazz--Wierzbicki delves into the social dynamics that caused forms to emerge or recede, thrive or fade away. Red scares and white flight, sexual politics and racial tensions, technological progress and demographic upheaval--the influence of each rooted the music of this volatile period to its specific place and time. Yet Wierzbicki also reveals the host of underlying connections linking that most apprehensive of times to our own uneasy present.