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Puerto Rico, Hawai'i, and California share the experiences of conquest and annexation to the United States in the nineteenth century and mass organizational struggles by rural workers in the twentieth. Organized Agriculture and the Labor Movement before the UFW offers a comparative examination of those struggles, which were the era's longest and most protracted campaigns by agricultural workers, supported by organized labor, to establish a collective presence and realize the fruits of democracy.

Dionicio Nodín Valdés examines critical links between the earlier conquests and the later organizing campaigns while he corrects a number of popular misconceptions about agriculture, farmworkers, and organized labor. He shows that agricultural workers have engaged in continuous efforts to gain a place in the institutional life of the nation, that unions succeeded before the United Farm Workers and César Chávez, and that the labor movement played a major role in those efforts. He also offers a window into understanding crucial limitations of institutional democracy in the United States, and demonstrates that the widespread lack of participation in the nation's institutions by agricultural workers has not been due to a lack of volition, but rather to employers' continuous efforts to prevent worker empowerment.

Organized Agriculture and the Labor Movement before the UFW demonstrates how employers benefitted not only from power and wealth, but also from imperialism in both its domestic and international manifestations. It also demonstrates how workers at times successfully overcame growers' advantages, although they were ultimately unable to sustain movements and gain a permanent institutional presence in Puerto Rico and California.

In the first decades of the twentieth century, print-centered organizations spread rapidly across the United States, providing more women than ever before with opportunities to participate in public life. While most organizations at the time were run by and for white men, women—both Black and white—were able to reshape their lives and their social worlds through their participation in these institutions.

Organizing Women traces the histories of middle-class women—rural and urban, white and Black, married and unmarried—who used public and private institutions of print to tell their stories, expand their horizons, and further their ambitions. Drawing from a diverse range of examples, Christine Pawley introduces readers to women who ran branch libraries and library schools in Chicago and Madison, built radio empires from their midwestern farms, formed reading clubs, and published newsletters. In the process, we learn about the organizations themselves, from libraries and universities to the USDA extension service and the YWCA, and the ways in which women confronted gender discrimination and racial segregation in the course of their work.

Since Columbus first called the natives of the Americas “Indians,” the sources of their art and culture have been a puzzle. The strange mixture of objects of Asian appearance with those decidedly un-Asian has provided fuel for controversy between those who see the American cultures as products of diffusion and those who see them as independent inventions. Origins of Pre-Columbian Art cuts through this old dispute to provide a fresh look at ancient cultural history in the Americas and the Pacific basin.

Using evidence from archaeology, ethnology, and psychology, Terence Grieder suggests that contact between individuals across cultural borders is the root of both invention and diffusion. By tracing the spread of early symbolic techniques, materials, and designs from Europe and Asia to the lands of the Pacific and to the Americas, he displays the threads woven through humanity’s common cultural heritage.

While archaeology provides examples of ancient symbols, ethnology reveals widely separated modern peoples still using these symbols and giving them similar meanings. Mapping these patterns of use and meaning, the author describes three waves of migration from Asia to the Americas, each carrying its own cluster of ideas and the symbols that expressed them.

First Wave cultures focused on their environment and on the human body, inventing symbols that compared people and nature. Second Wave symbolism emphasized the center and the periphery: the village and the horizon; the tree or pole as world axis; and the world’s rim, where spirits exist. These cultures created masks to give form to those beings beyond the horizon. The heavens were finally incorporated into the system of symbols by Third Wave peoples, who named the celestial bodies as gods, treasured heaven-colored stones, and represented the world in pyramids.

Emphasizing the interpretation of art in its many forms, Grieder has found that such seemingly minor decorations as bark cloth clothing and tattoos have deep meaning. Ancient art, he argues, was the vehicle for ancient science, serving to express insights into biology, astronomy, and the natural world.

The American Indian—origin, culture, and language—engaged the best minds of Europe from 1492 to 1729. Were the Indians the result of a co-creation? Were they descended from the Ten Lost Tribes of Israel? Could they have emigrated from Carthage, Phoenicia, or Troy? All these and many other theories were proposed.

How could scholars account for the multiplicity of languages among the Indians, the differences in levels of culture? And how did the Indian arrive in America—by using as a bridge a now-lost continent or, as was later suggested by some persons in the light of an expanding knowledge of geography, by using the Bering Strait as a migratory route?

Most of the theories regarding the American Indian were first advanced in the sixteenth century. In this distinctive book Lee E. Huddleston looks carefully into those theories and proposals. From many research sources he weaves an historical account that engages the reader from the very first.

The two most influential men in an early-developing controversy over Indian origins were Joseph de Acosta and Gregorio García. Approaching the subject with restraint and with a critical eye, Acosta, in 1590, suggested that the presence of diverse animals in America indicated a land connection with the Old World. On the other hand, García accepted several theories as equally possible and presented each in the strongest possible light in his Origen de los indios of 1607.

The critical position of Acosta and the credulous stand of García were both developed in Spanish writing in the seventeenth century. The Acostans settled on an Asiatic derivation for the Indians; the Garcians continued to accept most sources as possible. The Garcian position triumphed in Spain, as was shown by the republication of García’s Origen in 1729 with considerable additions consistent within the original framework.

Outside of Spain, Acosta was the more influential of the two. His writings were critical in the thinking of such men as Joannes de Laet (who bested Grotius in their polemic on Indian origins), Georg Horn, and Samuel Purchas. By the end of the seventeenth century the Acostans of Northern Europe had begun to apply physical characteristics to the determination of Indian origins, and by the early eighteenth century these new criteria were beginning to place the question of Indian origins on a more nearly scientific level.

How a North Alabama river fueled a national showdown over power, democracy, and the New Deal

Origins of the TVA: The Muscle Shoals Controversy, 1920–1932 is the definitive history of the bitter, decade-long struggle that gave rise to the Tennessee Valley Authority, one of the most consequential experiments in American public policy. Centered on Muscle Shoals, Alabama, this book traces how wartime investments in nitrates and hydropower became the focal point for national debates over public versus private power, regional planning, agricultural reform, and the proper role of the federal government. 

In an era grappling with industrial transformation and sectional inequality, the story of Muscle Shoals illuminates why the TVA emerged as a landmark solution with global influence. Drawing on an extraordinary range of sources—more than twenty-five congressional hearings, the Congressional Record, private manuscripts, National Archives collections, and contemporary journalism—historian Preston J. Hubbard delivers a model of scholarly rigor and balance. Originally published in 1961 and still unmatched in scope, the book is widely praised for its restraint, clarity, and meticulous reconstruction of complex political, economic, and technological issues. 

Hubbard demonstrates how a small group of lawmakers led by Senator George W. Norris ultimately shaped a durable vision of public power and regional development. This book will reward historians, political scientists, policy professionals, and students of Southern history, as well as readers interested in the origins of the New Deal, environmental policy, and the enduring debate over public resources and private enterprise.

When originally published in German in 1924, this volume was hailed as the first modern, comprehensive archaeological overview of an emerging area of the world. Yes, the Caribbean islands had long been known and owned, occupied, or traded among by the economically advanced nations of the world. However, the original inhabitants—as well as their artifacts, languages, and culture—had been treated by explorers and entrepreneurs alike as either slaves or hindrances to progress, and were used or eliminated. There was no publication that treated seriously the region and the peoples until this work. In the following ten years, additional pertinent publications emerged, along with a request to translate the original into Spanish. Based on those recent publications, Loven decided to update and reissue the work in English, which he thought to be the future international language of scholarship. This work is a classic, with enduring interpretations, broad geographic range, and an eager audience.

In the spring of 1846 James K. Polk announced that the Mexican Army had invaded United States territory and had “shed American blood upon the American soil.” This political rhetoric, as Glenn W. Price establishes in Origins of the War with Mexico: The Polk-Stockton Intrigue, is part of the myth of American innocence. It represents the “internal contradiction between professed values and patterns of action,” perpetuated by American historical writing that emphasizes national consequences of the acquisition of foreign territory and minimizes both its international significance and the importance of the diplomatic and military methods used.

A conflict with Mexico, leading to territorial expansion of the United States, was not unwanted. California was Polk’s prime objective from the beginning of his administration, and this Mexican province was to be acquired by conquest in a war initiated on the Texas-Mexican border. To this end Polk sent several agents to Texas, but the man at the center of the war intrigue was Commodore Robert F. Stockton, independently wealthy, prominent in politics, and the head of great business enterprises.

Sufficient evidence exists to substantiate in every important particular the steps in Polk’s path of intrigue: his attempts to bribe Mexican officials; his efforts to encourage revolutionary forces in the Mexican provinces; his use of the threat of force to frighten Mexico into selling California; his attempt to initiate a war by proxy through the government of Texas and Anson Jones.

If Polk was unwilling to assume responsibility for aggressive war, Stockton was not; he arrived in Galveston with a squadron of naval vessels in May of 1845, prepared to finance an army of three thousand men from his personal funds to avoid the overt involvement of the government of the United States. But, says Price, for all the internationally dangerous implications of such a maneuver, the two men who played the chief roles in the war intrigue of 1845 are representative in their written and spoken expression of faith in American righteousness of action and in the American tradition of the divine mission.

Based on extensive research into the written and spoken words of the people who were involved, directly and indirectly, in the events, this analysis (which will be considered revisionist) of the origins of the War with Mexico is the result of the kind of objective approach to national history for which the author makes a plea in his preface and conclusion and in his interpretive comments throughout the work. The historian, Price believes, “has the extraordinary advantage of being able to examine mankind from that distance and elevation and detachment which so often reveals, as it is designed to reveal, the gulf between pretension and performance.”

Roger Paul Clow, an orphaned refugee of the Korean War, was sent to America as a child in 1953. Seventy years later, his historian daughter grapples with the meaning of her father’s life while grieving his death. 

Orphan/Agent is a personal narrative that doubles as an accessible introduction to key issues in transpacific history and Asian American studies. As the book follows Roger from a childhood in wartime Korea, to student years in the continental US, to a career in Hawai‘i, it reckons with the lasting consequences of war and challenges mythic narratives of the American Dream, the model minority, and American exceptionalism. 

Blending family stories and historical analysis, Orphan/Agent models historical thinking for students. Readers may well be inspired to revisit their own family stories, with new questions, respect for their sources, and love.

WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE

Exploring how music reshapes the possibilities of poetry.

Orphic Bend: Music and Innovative Poetics explores the impact of music on recent pioneering literary practices in the United States. Adopting the myth of Orpheus as its framework, Robert L. Zamsky argues that works by Charles Bernstein, Robert Creeley, John Taggart, Tracie Morris, and Nathaniel Mackey restage ancient debates over the relationship between poetry and music even as they develop work that often sharply diverges from traditional literary forms. Opening each chapter with a consideration of the orphic roots of lyric, Zamsky integrates contemporary debates over the prospects and limitations of humanism, the meaningfulness of gesture and performance, and the nature of knowledge with the poetics of the writers under consideration, grounding his analysis in close readings of their work.

The myth of Orpheus is used as a lens throughout the book, its different facets illuminating sometimes dramatically different aspects of the shared framework of poetry and music. In the case of Bernstein, for instance, Zamsky highlights Ezra Pound’s meditations on the relationship between poetry and music (the ground upon which Pound seeks to recapture the lost possibilities of the Renaissance) and Bernstein’s incisive critique of Pound. For her part, Morris emphasizes the performative power of spoken language, foregrounding the fact that all spoken language bears cultural, communal, and personal marks of the speaker, improving an ensemble self even within the most elemental features of language. Meanwhile, in Mackey’s work, the orphic voice of the poet powerfully reaches toward an order of knowledge in which poetry and music are nearly indecipherable from one another. In this sense, music and the musicality of poetic language are the gateways for Mackey’s Gnosticism, the mechanisms of initiation into a realm, not of secrets to be learned, but of visionary knowing that continuously unfolds.

The text explores a range of musical influences on the writers under consideration, from opera to different iterations of jazz, and underscores the variety of ways in which music informs their work. Many of these writers effectively present a theory of music in their invocations of it as an inspiration for, or as an analog to, poetic practice. Zamsky’s focus on poetry and music echoes important interdisciplinary studies on literary modernism, a period for which the importance of music to literary practice is well established and extends that discussion to the contemporary context. In doing so, Orphic Bend provides an important opportunity to consider both the specific legacy of modernism, and to situate contemporary writers in broader historical contexts.

Orthodox Judaism is often perceived simply as the continuation of pre-modern Jewish tradition. In fact, Orthodoxy represents a diverse range of self-conscious attempts to promote new forms of Jewishness that are cast as unchanging over time, filling an urgent need in an age of constant change. In the midst of a tumultuous era, marked by the new values of Enlightenment, Orthodoxy emerged as a new term and movement, struggling to gain stability in a world of conflict and adaptation. Quite unlike its public reputation, Orthodoxy does not convey fixity; rather, it is an elastic term that embraces different and evolving sub-groups of Jews who do not necessarily embrace each other as they struggle to police their boundaries.  

In this first comprehensive history of Orthodoxy, Joshua Shanes argues that Orthodox Jews are not traditional, but traditionalist. As the great historian Jacob Katz explained, traditionalists consciously attempt to recreate a pre-modern system in a new context and with decidedly modern tools, and in an environment that does not take its values as self-evident or authoritative. Even beyond the ritual and theological innovations of Orthodoxy – which are many - its awareness that other options are available produces a counter-intuitive break between Orthodoxy and the world it seeks to perpetuate.

This book traces the emergence and evolution of the term “Orthodoxy” in Judaism and the communities that claimed it, from Western and Central Europe into Eastern Europe, America, Israel and other parts of the Jewish Diaspora. It unpacks an intriguing historical irony: how a traditional culture evolved into a voluntary religio-political community maintained by a determined minority that viewed itself as the sole carriers of Jewish authenticity in the modern world.

A college professor and former college president reveals the political underpinnings of George Orwell as expressed in his novels, with special emphasis on the author’s last two novels, Animal Farm and 1984. The growth of Orwell’s disdain for colonialism, as well as his concern for the quality of life under various political systems, undergirds the analysis. While flaws in Orwell’s analyses are acknowledged, the author believes readers can learn important lessons from the study, lessons that can be applied to the individual’s relationship to the state in our time.