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And so begins a journey—not only an exploration of rapids, lakes, and forests, but also an inner journey of discovery. Through poetic text and drawings, woven gracefully with quotes by John Muir, Walking Buffalo, Sigurd F. Olson, Henry David Thoreau, and others, Douglas Wood traces a journey by paddle and canoe that renews the spirit.

A collection of essays that offers an intimate view of Larry McMurtry, America’s preeminent western novelist, through the eyes of a pantheon of writers he helped shape through his work over the course of his unparalleled literary life.

When he died in 2021, Larry McMurtry was one of America’s most revered writers. The author of treasured novels such as Lonesome Dove and The Last Picture Show, and coauthor of the screenplays for Brokeback Mountain and Streets of Laredo, McMurtry created unforgettable characters and landscapes largely drawn from his life growing up on the family’s hardscrabble ranch outside his hometown of Archer City, Texas. Pastures of the Empty Page brings together fellow writers to honor the man and his impact on American letters.

Paulette Jiles, Stephen Harrigan, Stephanie Elizondo Griest, and Lawrence Wright take up McMurtry’s piercing and poetic vision—an elegiac literature of place that demolished old myths of cowboy culture and created new ones. Screenwriting partner Diana Ossana reflects on their thirty-year book and screenwriting partnership; other contributors explore McMurtry’s reading habits and his passion for bookselling. And brother Charlie McMurtry shares memories of their childhood on the ranch. In contrast to his curmudgeonly persona, Larry McMurtry emerges as a trustworthy friend and supportive mentor. McMurtry was famously self-deprecating, but as his admirers attest, this self-described “minor regional writer” was an artist for the ages.

In Pearls, Peaches, and Peddlers: Short Essays on Arkansas’s Amazing History, Tom Dillard offers a lively portrait of Arkansas that reveals how the state was shaped by ordinary people, unexpected industries, and moments of upheaval both grand and small. 

The seventy-four essays collected here draw upon Dillard’s career as a historian, archivist, educator, and preservationist to challenge familiar myths, reveal overlooked stories, and demonstrate how the history of one state can illuminate the larger American experience.

Travel through a garden’s seasons toward healing, reclamation, and wholeness—for us, and for our beloved relative, the Earth

In this rich collection of prose, poetry, and recipes, Teresa Peterson shares how she found refuge from the struggle to reconcile her Christianity and Dakota spirituality, discovering solace and ceremony in communing with the earth. Observing and embracing the cycles of her garden, she awakens to the constant affirmation that healing and wellness can be attained through a deep relationship with land, plants, and waters. Dakota people call this way of seeing and being in the world mitakuye owasin: all my relations. Perennial Ceremony brings us into this relationship, as Peterson guides us through the Dakota seasons to impart lessons from her life as a gardener, gatherer, and lover of the land.

We see the awakening of Wetu (spring), a transitional time when nature comes alive and sweet sap flows from maples, and the imperfect splendor of Bdoketu (summer), when rain becomes a needed and nourishing gift. We share in the harvesting wisdom of Ptaŋyetu (fall), a time to savor daylight and reap the garden’s abundance, and the restorative solitude of Waniyetu (winter), when snow blankets the landscape and sharpens every sound. Through it all, Peterson walks with us along the path that both divides and joins Christian doctrine, everyday spiritual experience, and the healing powers of Indigenous wisdom and spirituality.

In this intimate seasonal cycle, we learn how the garden becomes a healing balm. Peterson teaches us how ceremony may be found there: how in the vegetables and flowers, the woods, the hillsides, the river valley—even in the feeding of friends and family—we can reclaim and honor our relationship with Mother Earth. She encourages us to bring perennial ceremony into our own lives, inviting us on a journey that brings us full circle to makoce kiŋ mitakuye: the land is my relative.

The Yukon Ice Patch Project reveals ancient lives. A road through the boreal forest reads like a map of climate upheaval. Those houses with broken doorknobs—a legacy of government regulation over Indigenous life. Corinna Cook, who was born white on Áak’w Kwáan Tlingit land in Juneau, Alaska, wrestles with the past and future into Canada’s Yukon Territory. With writing that blends research and reverie, her essays ask how we might come into right relations with our most difficult, shared histories. How can we carry the past together, in a good way, as the land melts? The answers—elusive as they are—carry global resonance, taking shape through a deeply personal lens combined with careful study of local arts, artifacts, maps, and the land we depend on.

A bold argument and model for how to bring one’s personal voice and experience into philosophical writing.

Contemporary philosophical writing is deeply impersonal: technical, abstract, and stripped of an individual human voice. In contrast, many of the historical philosophers we most admire saw emotion, style, narrative and humor as essential parts of doing philosophy well. What if they were on to something?

Philosophy in the First Person offers a deft and engaging case for the philosophical personal essay, a genre of writing that unites intimate revelation with intellectual depth and literary flair. As a manifesto, the book argues for a return to the more personal forms of philosophy that preceded academic professionalization. As a guide, it provides substantive advice for aspiring personal-philosophical writers, drawing on ideas from creative nonfiction. As a demonstration, the book is itself a set of philosophical personal essays, tracing one philosopher’s sentimental-intellectual journey through a vocation that frustrates and captivates her in equal measure. 

Blending memoir, theory, and model, the book offers a roadmap for writing philosophy that’s enlightening as well as moving, gripping, and fun. Along the way, it makes a refreshing argument for reconnecting a philosophical vocation with a fully human way of life.

The long awaited new edition of a classic offers memories, myths, and meanings of the largest contiguous piece of wild land in Michigan's Lower Peninsula.

This updated edition explores more deeply why and how the outdoors moves and compels us. It’s a book about mice who sing, elk who wear collars, deer who kiss, and birds who could dictate their compositions to Mozart. It's about the human species interacting in generous and sometimes misguided ways with the rest of life. It's about men trying to ripen pinecones into pineapples and women taking better aim with a revolver than expected. It's about poetry—from Mary Oliver, Lao Tzu, and Theodore Roethke—and seeing hawks dive in a night sky or feeling oil geologists shake the earth below. It's about finding fish dead in the river by the thousands and crouching behind a stump to watch beaver build a dwelling. While this book considers life beyond the boundaries of Pigeon River Country, it is steeped in the specifics of a place that lives mostly on its own, instead of human, terms.

The Pigeon River Country is a remote northern forest, ecologically distinct from most of the United States. Laced with waterways, it has a storied past. Dale Clarke Franz has collected personal accounts from various people intrigued with the Pigeon River Country—including loggers, conservationists, mill workers, campers, even the young Ernest Hemingway, who said he loved the forest "better than anything in the world." There are comprehensive discussions of the area's flora and fauna, guides to trails and camping sites, and photos showcasing the changing face of this hidden national treasure.

Beautifully illustrated, Planting Paradise charts the evolution of thinking about the cultivation of gardens from the sixteenth to the nineteenth centuries. In this age of discovery, when the world was being explored as never before, gardening itself took on new dimensions. The Renaissance belief in direct observation of nature offered an alternative way of thinking and inspired the scientific approach of the Enlightenment, and soon gardens were no longer just places of beauty, but also laboratories for scientific investigation.

            Planting Paradise reveals how the botanic gardens of early modern Europe were largely viewed as a means of supplying surgeons with medicines but by the seventeenth and eighteenth century the interest in gardens and cultivating exotic plants had spread to all levels of society. As global exploration took Europeans all over the world, gardens became a tapestry of many diverse botanical histories—some plants were native, some were introduced from foreign lands, and others were bred in the garden. Planting Paradise shows how the garden became a symbol of human interactions within the botanical world.

            A lovely gift book for garden lovers, Planting Paradise showcases the superb collection of botanical illustrations in the Plant Sciences Department and Bodleian Library, University of Oxford, and presents a handsome and fascinating look at the history of the garden from the picturesque to the practical and back again.

From the town that brought you Molly Ivins, Liz Carpenter, John Henry Faulk, and Greater Tuna, here's Cactus Pryor. For decades, Cactus' wit and wisdom have delighted radio listeners, as well as the many social, political, business, and philanthropic groups throughout the United States whose functions have been enlivened by this accomplished master of ceremonies and after-dinner speaker.

Now the University of Texas Press takes great pleasure in bringing you this quintessential Texas humorist. Playback gathers over forty of Cactus Pryor's favorite radio essays, translating "ear words into eye words," as he puts it. In these pieces, Cactus paints vivid word pictures of people and places, offering readers the same "you are there" immediacy that makes his radio broadcasts so popular. In them, you'll take a sentimental journey with Cactus and his wife to the Maui grave site of Charles Lindbergh—discover how legendary University of Texas football coach Darrell Royal faced the agony of defeat with humor—meet unsung heroes like the 104-year-old who's teaching himself to read and write—get acquainted with the notable folks Cactus has known, including Lady Bird Johnson, John Wayne, Jane Fonda, and James Michener—and, of course, share Cactus' love of family, friends, and the Texas coast.

As Bailey White's essays on National Public Radio have introduced listeners across the country to the lifeways of the Deep South, so Cactus Pryor offers a humorous, revealing look at how we Texans view ourselves, our neighbors, and the world. Read Playback now, and see what you've been missing.

After decades of fantasizing and saving, of working multiple jobs and embracing frugality in the midst of Manhattan, Martha Leb Molnar and her husband had found their parcel of land. Determined to turn an overgrown and unproductive Vermont apple orchard into a thriving and beautiful landscape, they decided to restore this patch of land to a pristine meadow and build a safe haven for their family and nearby wildlife.

Once they cleared the gnarled and dying trees away, Molnar was forced to wage war on the invasive species that had sprung up around the property. Propelled by the heated debates surrounding non-native species and her own complicated family history and migration, she was driven to research the Vermont landscape, turning to scientific literature, experts in botany and environmental science, and locals who have long tended the land in search of answers. At turns funny, thoughtful, and conversational, Playing God in the Meadow follows this big city transplant as she learns to make peace with rural life and an evolving landscape that she cannot entirely control.

A follow-up to the highly praised Poets Teaching Poets, Daniel Tobin and Pimone Triplett's Poet's Work, Poet's Play gathers together essays by some of the most important voices in contemporary poetry: Carl Dennis, Stephen Dobyns, Tony Hoagland, Heather McHugh, Ellen Bryant Voigt, Eleanor Wilner, Dean Young, and the late Larry Levis and Agha Shahid Ali.

Lively, accessible, and erudite, the pieces range from discussions on syntax and the syllable to an exploration of the complexities of canon formation under the shadow of imperialism, race, and history. Exploring the work of John Donne, William Butler Yeats, Robert Frost, Philip Larkin, Charles Olsen, Ezra Pound, Anne Carson, Robert Herrick, Harryette Mullen, and many others, Poet's Work, Poet's Play---like its predecessor volume---will be an invaluable tool for teachers, students, and poets at every level.

"Much more than a set of essays on poetic craft or aesthetic understandings, this collection takes on two of the most prevalent anxieties about writing poetry in our time: the place of subjectivity in poetry, and how to make a significant shape in language while both affirming and interrogating the poetic I's authority. This is a book for anyone who wants to write better poems, who wants to read with greater passion, and who believes that poetry is an independent category of human consciousness that can be as capaciousness as the world, and as nuanced."
---Tom Sleigh, author of Space Walk and Far Side of the Earth

"Gathering together essays by unquestionably important poets, Poet's Work, Poet's Play has immense pedagogical value in the way it demonstrates how to discover in poetry resources of language and structure often overlooked in first, and ensuing, readings of complex texts."
---Laurence Goldstein, Professor of English, University of Michigan, and Editor, Michigan Quarterly Review

"A valuable document illuminating critical aspects of the contemporary American poetry scene."
---John Koethe, Distinguished Professor of Philosophy at the University of Wisconsin, Milwaukee, and author of Sally's Hair: Poems