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This volume brings together research and artistic practices that challenge dominant narratives around motherhood.

Performing Maternities is a collection of essays, creative work, images, and scripts that emerged out of an online international symposium held at Brighton University in November 2020. Together, the contributors challenge, celebrate, and share the normative, the queer, the transgressive, the joy, and the pain of performing maternity. The book asks key questions about the construction of maternal identities and mythologies in the contemporary world; the ways these affect individuals in different social, economic, and sexual identities; and how—as mothers, writers, artists, parents, and grandparents—we can address and challenge those identities.
 

The author of Centuries of Childhood and other landmark historical works, Philippe Ariès (1914–1984) was a singular figure in French intellectual life. He was both a political reactionary and a path-breaking scholar, a sectarian royalist who supported the Vichy regime and a founder of the new cultural history—popularly known as l'histoire des mentalités—that developed in the decades following World War II. In this book, Patrick H. Hutton explores the relationship between Ariès's life and thought and evaluates his contribution to modern historiography, in France and abroad. 

According to Hutton, the originality of Ariès's work and the power of his appeal derived from the way he drew together the two strands of his own intellectual life: his enduring ties to the old cultural order valued by the right-wing Action Française, and a newfound appreciation for the methodology of the leftist Annales school of historians. A demographer by training, he pioneered a new route into the history of private life that eventually won him a wide readership and in late life an appointment to the faculty of the prestigious École des Hautes Études en Sciences Sociales. At the same time, he fashioned himself as a man of letters in the intellectual tradition of the Action Française and became a perspicacious journalist as well as a stimulating writer of autobiographical memoirs. In Hutton's view, this helps explain why, more than any other historian, Philippe Ariès left his personal signature on his scholarship.

Long before movie stars Ronald Reagan and Arnold Schwarzenegger became governors of California, a popular radio personality with no previous political experience—who wasn't even registered to vote—swept into the governor's office of Texas. W. Lee "Pappy" O'Daniel was a 1930s businessman who discovered the power of radio to sell flour. His musical shows with the Light Crust Doughboys (which launched the career of Bob Wills) and his radio homilies extolling family and Christian values found a vast, enthusiastic audience in Depression-era Texas. When Pappy decided to run for governor in 1938 as a way to sell more flour—a fact he proudly proclaimed throughout the campaign—the people of Texas voted for him in record numbers. And despite the ineptitude for politics he displayed once in office, Texans returned him to the governorship in 1940 and then elected him to the U.S. Senate in 1941 in a special election in which he defeated Lyndon Johnson, as well as to a full term as senator in 1942.

While the hit film O Brother, Where Art Thou? celebrated a fictional "Please Pass the Biscuits, Pappy" O'Daniel, this book captures the essence of the real man through photographs taken by employees of the Texas Department of Public Safety, most of which are previously unpublished. Reminiscent of the work of WPA photographers such as Russell Lee and Dorothea Lange, these photos record the last unscripted era of politics when a charismatic candidate could still address a crowd from an unpainted front porch or a mobile bandstand in the back of a truck. They strikingly confirm that Pappy O'Daniel's ability to connect with people was as great in person as on the radio.

To set the photos in context, Bill Crawford has written an entertaining text that discusses the political landscape in Texas and the United States in the 1930s, as well as the rise of radio as mass medium for advertising and entertainment. He also provides extensive captions for each picture. John Anderson, Photo Archivist of the Texas State Archives, discusses the work of Joel Tisdale and the other DPS photographers who left this extraordinary record of the greatest vote-getter in Texas history, who became one of America's first celebrities to cross the line from entertainment to political office.

In Political Anthropology (originally published in 1931 as Macht und menschliche Natur), Helmuth Plessner considers whether politics—conceived as the struggle for power between groups, nations, and states—belongs to the essence of the human. Building on and complementing ideas from his Levels of the Organic and the Human (1928), Plessner proposes a genealogy of political life and outlines an anthropological foundation of the political. In critical dialogue with thinkers such as Carl Schmitt, Eric Voegelin, and Martin Heidegger, Plessner argues that the political relationships cultures entertain with one other, their struggle for acknowledgement and assertion, are expressions of certain possibilities of the openness and unfathomability of the human. 

Translated into English for the first time, and accompanied by an introduction and an epilogue that situate Plessner's thinking both within the context of Weimar-era German political and social thought and within current debates, this succinct book should be of great interest to philosophers, political theorists, and sociologists interested in questions of power and the foundations of the political.
 

Guiding the reader through the key arguments of the classic figures of Western political philosophy, from Plato through to the modern era, this revised edition includes new essays on Aristotle's 'Politics', Confucianism, Islamic social philosophy and Nazism, as well as additional material on 'Roman Law', Anarchism and 'anti-capitalism'.

Cohen moves chronologically through the development of political philosophy. He presents key texts in their own terms, before offering short, precise analyses of their strengths, weaknesses and influence. The book finishes with a discussion of modern liberalism and conservatism.

Providing both a broad overview and precise summaries of key ideas, this is an invaluable guide for all students of political thought.

The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political engagement, from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel.

Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization.

This is an auto-narrated audiobook edition of this book.

In this age of nearly unprecedented partisan rancor, you’d be forgiven for thinking we could all do with a smaller daily dose of politics. In his provocative and sharp book, however, Ned O’Gorman argues just the opposite: Politics for Everybody contends that what we really need to do is engage more deeply with politics, rather than chuck the whole thing out the window. In calling for a purer, more humanistic relationship with politics—one that does justice to the virtues of open, honest exchange—O’Gorman draws on the work of Hannah Arendt (1906–75). As a German-born Jewish thinker who fled the Nazis for the United States, Arendt set out to defend politics from its many detractors along several key lines: the challenge of separating genuine politics from distorted forms; the difficulty of appreciating politics for what it is; the problems of truth and judgment in politics; and the role of persuasion in politics. O’Gorman’s book offers an insightful introduction to Arendt’s ideas  for anyone who wants to think more carefully

From Plato through the nineteenth century, the West could draw on comprehensive political visions to guide government and society. Now, for the first time in more than two thousand years, Tracy B. Strong contends, we have lost our foundational supports. In the words of Hannah Arendt, the state of political thought in the twentieth and twenty-first centuries has left us effectively “thinking without a banister.”