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In Pearls, Peaches, and Peddlers: Short Essays on Arkansas’s Amazing History, Tom Dillard offers a lively portrait of Arkansas that reveals how the state was shaped by ordinary people, unexpected industries, and moments of upheaval both grand and small. 

The seventy-four essays collected here draw upon Dillard’s career as a historian, archivist, educator, and preservationist to challenge familiar myths, reveal overlooked stories, and demonstrate how the history of one state can illuminate the larger American experience.

The pressures Asian Americans feel to be socially and economically exceptional include an unspoken mandate to always be healthy. Nowhere is this more evident than in the expectation for Asian Americans to enter the field of medicine, principally as providers of care rather than those who require care. Pedagogies of Woundedness explores what happens when those considered model minorities critically engage with illness and medicine whether as patients or physicians. 

James Kyung-Jin Lee considers how popular culture often positions Asian Americans as medical authorities and what that racial characterization means. Addressing the recent trend of writing about sickness, disability, and death, Lee shows how this investment in Asian American health via the model minority is itself a response to older racial forms that characterize Asian American bodies as diseased. Moreover, he pays attention to what happens when academics get sick and how illness becomes both methodology and an archive for scholars. 

Pedagogies of Woundedness also explores the limits of biomedical “care,” the rise of physician chaplaincy, and the impact of COVID. Throughout his book and these case studies, Lee shows the social, ethical, and political consequences of these common (mis)conceptions that often define Asian Americans in regard to health and illness.

In a world of increasing traffic congestion, a grassroots movement is carving out a niche for bicycles on city streets. Pedaling Revolution explores the growing bike culture that is changing the look and feel of cities, suburbs, and small towns across North America.

From traffic-dodging bike messengers to tattooed teenagers on battered bikes, from riders in spandex to well-dressed executives, ordinary citizens are becoming transportation revolutionaries. Jeff Mapes traces the growth of bicycle advocacy and explores the environmental, safety, and health aspects of bicycling. He rides with bicycle advocates who are taming the streets of New York City, joins the street circus that is Critical Mass in San Francisco, and gets inspired by the every-day folk pedaling in Amsterdam, the nirvana of American bike activists. Chapters focused on big cities, college towns, and America’s most successful bike city, Portland, show how cyclists, with the encouragement of local officials, are claiming a share of the valuable streetscape.

“A growing number of Americans, mounted on their bicycles like some new kind of urban cowboy, are mixing it up with swift, two-ton motor vehicles as they create a new society on the streets. They’re finding physical fitness, low-cost transportation, environmental purity—and, still all too often, Wild West risks of sudden death or injury.” —from the introduction

The revived Knights of the Ku Klux Klan flourished in Oregon in the early 1920s. With more than sixty chapters established in both large and small communities like Portland, Medford, Astoria, and La Grande, the Klan’s power escalated in the region. Klan salesmen, working on commission, successfully enlisted Oregonians with a message of religious prejudice and racism. At the Klan’s peak, Portland was home to the sixth largest chapter in the country and there were more members per capita in Oregon than in any other state except one.

In Peddlers of Hate, journalist Steve Law draws on published and unpublished sources, new research, and interviews with leading scholars to provide a comprehensive account of how Oregon became one of the Klan’s strongest outposts. Representing the Klan as merely a fraternal lodge, Klan recruiters were trained to vilify Catholics, immigrants, Blacks, and Jews. They gained wide support, toppling an incumbent governor and congressman, persuading voters to ban Catholic schools, and winning control of the legislature and several local governments. From stories of “escaped nuns” to fiery crosses at mass Klan rallies at Salem’s state fairgrounds and Portland’s Mount Tabor Park, Law examines this divisive and forgotten time in Oregon’s history. He shows how it was finally greed, hypocrisy, and corruption that spurred the hate group’s demise—providing historical lessons that will resonate today.

How the American military-industrial complex has invaded our consciousness to create consent for its programs

“We have had the bomb on our minds since 1945. It was first our weaponry and then our diplomacy, and now it’s our economy. How can we suppose that something so monstrously powerful would not, after forty years, compose our identity?” —E. L. Doctorow

--Fred Ross, Cesar Chavez, Dolores Huerta, and the Community Service Organization and National Farm Workers Association
--Nicholas von Hoffman and the Woodlawn Organization
--Tom Gaudette and the Northwest Community Organization
--Ed Chambers, Richard Harmon, and the Industrial Areas Foundation
--Shel Trapp, Gale Cincotta, and National People's Action
--Heather Booth, Midwest Academy, and Citizen Action
--Wade Rathke and ACORN

Weaving classic texts with interviews and their own context-setting commentaries, the editors of People Power provide the first comprehensive history of Alinsky-based organizing in the tumultuous period from 1955 to 1980, when the key organizing groups in the United States took form. Many of these selections--previously available only on untranscribed audiotapes or in difficult-to-read mimeograph or Xerox formats--appear in print here for the first time.

Playwright, biographer, screenwriter, and critic S. N. Behrman (1893–1973) characterized the years he spent writing for The New Yorker as a time defined by “feverish contact with great theatre stars, rich people and social people at posh hotels, at parties, in mansions and great estates.” While he hobnobbed with the likes of Mary McCarthy, Elia Kazan, and Greta Garbo and was one of Broadway's leading luminaries, Behrman would later admit that the friendships he built with the magazine's legendary editors Harold Ross, William Shawn, and Katharine S. White were the “one unalloyed felicity” of his life.

People in a Magazine collects Behrman's correspondence with his editors along with telegrams, interoffice memos, and editorial notes drawn from the magazine's archives—offering an unparalleled view of mid-twentieth-century literary life and the formative years of The New Yorker, from the time of Behrman's first contributions to the magazine in 1929 until his death.

A stunning photographic portrayal of the Ho-Chunk people during a challenging period that presents the resilience of a community whose story continues to this day.

People of the Big Voice tells the visual history of Ho-Chunk families at the turn of the twentieth century and beyond as depicted through the lens of Black River Falls studio photographer Charles Van Schaick. The family relationships among those who sat for the photographer are clearly visible in these images. Sisters, friends, families, and young couples appear and reappear, fleshing out a narrative of the period, from 1879 to 1942, referred to as "the dark ages” in First Nations tribal history.

Following introductory essays from three of the authors are more than three hundred beautifully detailed photographs. Unique to the project are captions that identify over ninety percent of the individuals pictured—made possible by the continuing efforts of tribal members and genealogists—and include both English and Ho-Chunk names.

Also featured are candid shots of Ho-Chunk people on the streets of Black River Falls, outside family dwellings, and at powwows. As author and Ho-Chunk tribal member Amy Lonetree writes, "A significant number of the images were taken just a few short years after the darkest, most devastating period for the Ho-Chunk. Invasion, diseases, warfare, forced assimilation, loss of land, and repeated forced removals from our beloved homelands left the Ho-Chunk people in a fight for their culture and their lives."

A significant contribution to the history of Native peoples, People of the Big Voice is a breathtaking portrayal of a resilient community whose story continues today.

How Cold War computational experts invested in diplomacy, world peace, and human agency created systems that threatened democratic values.

Beginning in the 1950s, international relations experts and United States government officials built novel computer systems designed to make foreign policy knowledge and practice more scientific. Human reason, they feared, might not be enough to guarantee the survival of American democracy in a nuclear-armed world. They didn’t seek to replace humans with machines; they hoped computers would sift information or provide interactive models that analysts could use to make better decisions. But as they struggled to deliver on their ambitious goals, and as the Defense Department became more involved in their projects after the Vietnam War, their commitments to advancing knowledge, policy agency, and peace gave way to very different computing systems, ones in which correlation replaces causality and prediction replaces understanding.

In People of the Machine, Joy Rohde reveals how even the best-intentioned attempts at fostering political engagement and human autonomy evolved into an anti-democratic nightmare. Her political and intellectual history shows how the subtle and corrosive effects of technological change set the template for today’s political and conceptual regimes. Doing so reveals not just the roots of contemporary inequality and disfranchisement but how thoroughly that antihumanism has been baked into our institutions and norms. 

How wheat growing, milling, and baking shaped the people and culture of North Texas.

In the national imaginary, America’s amber fields of grain lie in the country’s center, but for more than a century, they also grew across one pocket of the South: North Texas. From the 1840s to the 1970s, the state's agriculture, dominated in lore by cotton in the east and livestock in the open range, was heavily invested in the cultivation, processing, sale, and consumption of wheat. Recalling a forgotten history, Rebecca Sharpless shows how the rhythms of the wheat harvest—and the evolution of the milling, distribution, and baking industries—governed daily life in what is now known as the Dallas–Fort Worth Metroplex.

In the 1840s, Anglo settlers discovered that grain flourished in North Texas and quickly built an economy that included wheat in fields, mills, and kitchens. After the Civil War, hand labor gave way to mechanization, greatly increasing production. Commercial bakeries churned out novel confections, and big cities were built on the bounty of the countryside. In the second half of the twentieth century, as production moved northward, industrial milling and baking declined, but home baking boomed, flour advertising supported regional music, and wheat fortunes financed the region’s cultural life. Sharpless covers 150 years of wheat’s very human history and shows how the labor that cultivated it, the sustenance it provided, and the prosperity it generated left an indelible mark on the people and institutions of Texas.

At the end of World War II, many Americans longed for a return to a more normal way of life after decades of depression and war. In fact, between 1945 and 1963 the idea of “normality” circulated as a keyword in almost every aspect of American culture. But what did this term really mean? What were its parameters? Whom did it propose to include and exclude? 

In Perfectly Average, Anna Creadick investigates how and why “normality” reemerged as a potent homogenizing category in postwar America. Working with scientific studies, material culture, literary texts, film, fashion, and the mass media, she charts the pursuit of the “normal” through thematic chapters on the body, character, class, sexuality, and community. 

Creadick examines such evidence as the “Norm and Norma” models produced during the war by sexologists and anthropologists—statistical composites of “normal” American bodies. In 1945, as thousands of Ohio women signed up for a Norma Look-Alike contest, a “Harvard Study of Normal Men” sought to define the typical American male according to specific criteria, from body shape to upbringing to blood pressure. By the early 1950s, the “man in the gray flannel suit” had come to symbolize what some regarded as the stultifying sameness of the “normalized” middle class. Meanwhile, novels such as From Here to Eternity and Peyton Place both supported and challenged normative ideas about gender, race, and sexuality, even as they worked to critique the postwar culture of surveillance—watching and being watched—through which normalizing power functioned. 

As efforts to define normality became increasingly personal, the tensions em-bedded in its binary logic multiplied: Was normal descriptive of an average or prescriptive of an ideal? In the end, Creadick shows, a variety of statistics, assumptions, and aspirations converged to recast “normality” not as something innate or inborn, but rather as a quality to be actively pursued—a standard at once highly seductive and impossible to achieve because it required becoming perfectly average.

Performing America provides fresh perspectives on the development of visions of both America and "America"--that is, the actual community and the constructed concept--on a variety of theatrical stages. It explores the role of theater in the construction of American identity, highlighting the tension between the desire to categorize American identity and the realization that such categorical uniformity may neither be desirable nor possible. The topics covered include the links between politics and the stage during the Federalist period, the appropriation of "Indian" artifacts, an exploration of early gender roles, and the metaphorical connections between the theater and western expansion. Other essays treat vaudeville's artistically colonized cultures; Chautauqua's attempt to homogenize culture and commercialize American ideals; W. E. B. Du Bois's pageant, The Star of Ethiopia, as a strategy for constructing "African-American" as "Other" in an attempt to promote a vision of black nationalism; and how theater was used to help immigrants form a new sense of community while joining the resident culture.The collection then turns to questions of how various ethnic minorities through their recent theatrical work have struggled to argue their identities, especially in relation to the dominant white culture. Two final essays offer critiques of contrasting aspects of the American male. Throughout, the collection addresses questions of marginality and community, exclusion and inclusion, colonialism and imperialism, heterogeneity and homogeneity, conflict and negotiation, repression and opportunity, failure and success, and, above all, the relationship of American stages at large. It will appeal to readers of a wide range of disciplines including history, American culture, gender studies, and theater studies.