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After a devastating fish kill on the Klamath River, tribal members and theatre artist Theresa May developed a play to give voice to the central spiritual and cultural role of salmon in tribal life. Salmon Is Everything presents the script of that play, along with essays by artists and collaborators that illuminate the process of creating and performing theatre on Native and environmental issues.

Salmon Is Everything simultaneously illuminates the logistics of a crisis in the third largest watershed in the Pacific Northwest—the premature death of more than 30,000 salmon on the Lower Klamath River in 2002—and documents what happened when one community decided to use art to amplify the experiences of its members. The fish kill had unprecedented impact throughout the watershed, and for many tribal communities it signified an ongoing loss of traditional cultural practices. But in the political and ecological upheaval that followed, the role of salmon in tribal life went largely unacknowledged, which inspired the collaboration between May and members of the Yurok, Hoopa Valley, and Karuk tribes, as well as farmers, ranchers, and others invested in the Klamath watershed.

Salmon is Everything will appeal to readers interested in the environmental and cultural history of the Pacific Northwest and the ecological and civil challenges its communities face. For artists and activists, it’s a useful case study. Salmon is Everything offers a unique interdisciplinary resource for high school and college level courses in environmental studies, Native American studies, and theatre arts education.

New materials in this second edition include additional essays by Native faculty and actors, an updated introduction by the author, minor textual corrections throughout, and a new online resource guide.

In Los Angeles, night after night, the city's salsa clubs become social arenas where hierarchies of gender, race, and class, and of nationality, citizenship, and belonging are enacted on and off the dance floor. In an ethnography filled with dramatic narratives, Cindy García describes how local salseras/os gain social status by performing an exoticized L.A.–style salsa that distances them from club practices associated with Mexicanness. Many Latinos in Los Angeles try to avoid "dancing like a Mexican," attempting to rid their dancing of techniques that might suggest that they are migrants, poor, working-class, Mexican, or undocumented. In L.A. salsa clubs, social belonging and mobility depend on subtleties of technique and movement. With a well-timed dance-floor exit or the lift of a properly tweezed eyebrow, a dancer signals affiliation not only with a distinctive salsa style but also with a particular conceptualization of latinidad.

Salt and State is an annotated translation of a treatise on salt from Song China. From its inception in the Han dynasty (206 B.C.–220 A.D.), the salt monopoly was a key component in the Chinese government's financial toolkit. Salt, with its highly localized and large-scale production, was an ideal target for bureaucratic management.

In the Song dynasty (960–1279), fiscal pressures on the government had intensified with increased centralization and bureaucratization. A bloated administration and an enormous standing army maintained against incursions by aggressive steppe neighbors placed tremendous strain on Song finances. Developing the salt monopoly seemed a logical and indeed urgent strategy, but each actor in this plan—the emperor, local officials, monopoly administrators, producers, merchants, and consumers—had his own interests to protect and advance. Thus attempts to maximize the effectiveness of the monopoly meant frequent policy swings and led to levels of corruption that would ultimately undo the Song.

Unlike other contemporary sources, the Songshi treatise organizes its subject into an intelligible and detailed narrative, elucidating special terminology, the bureaucracy and its processes, and debates relating to Chinese finance and politics, as well as the salt industry itself. Professor Chien's extensive annotation relies on parallel histories that corroborate and supplement the Songshi account, together providing a comprehensive study of this important institution in China's premodern political economy.

Salt in the Sand is a compelling historical ethnography of the interplay between memory and state violence in the formation of the Chilean nation-state. The historian and anthropologist Lessie Jo Frazier focuses on northern Chile, which figures prominently in the nation’s history as a site of military glory during the period of national conquest, of labor strikes and massacres in the late nineteenth century and early twentieth, and of state detention and violence during World War II and the Cold War. It was also the site of a mass-grave excavation that galvanized the national human rights movement in 1990, during Chile’s transition from dictatorship to democracy. Frazier analyzes the creation of official and alternative memories of specific instances of state violence in northern Chile from 1890 to the present, tracing how the form and content of those memories changed over time. In so doing, she shows how memory works to create political subjectivities mobilized for specific political projects within what she argues is the always-ongoing process of nation-state formation. Frazier’s broad historical perspective on political culture challenges the conventional periodization of modern Chilean history, particularly the idea that the 1973 military coup marked a radical break with the past.

Analyzing multiple memories of state violence, Frazier innovatively shapes social and cultural theory to interpret a range of sources, including local and national government archives, personal papers, popular literature and music, interviews, architectural and ceremonial commemorations, and her ethnographic observations of civic associations, women's and environmental groups, and human rights organizations. A masterful integration of extensive empirical research with sophisticated theoretical analysis, Salt in the Sand is a significant contribution to interdisciplinary scholarship on human rights, democratization, state formation, and national trauma and reconciliation.

 Ravaged by civil war throughout the 1980s and 1990s, El Salvador has now emerged as a study in contradictions. It is a country where urban call centers and shopping malls exist alongside rural poverty. It is a land now at peace but still grappling with a legacy of violence. It is a place marked by deep social divides, yet offering a surprising abundance of inclusive spaces. Above all, it is a nation without borders, as widespread emigration during the war has led Salvadorans to develop a truly transnational sense of identity.

In Salvadoran Imaginaries, Cecilia M. Rivas takes us on a journey through twenty-first century El Salvador and to the diverse range of sites where the nation’s postwar identity is being forged. Combining field ethnography with media research, Rivas deftly toggles between the physical spaces where the new El Salvador is starting to emerge and the virtual spaces where Salvadoran identity is being imagined, including newspapers, literature, and digital media. This interdisciplinary approach enables her to explore the multitude of ways that Salvadorans negotiate between reality and representation, between local neighborhoods and transnational imagined communities, between present conditions and dreams for the future.

Everyday life in El Salvador may seem like a simple matter, but Rivas digs deeper, across many different layers of society, revealing a wealth of complex feelings that the nation’s citizens have about power, opportunity, safety, migration, and community. Filled with first-hand interviews and unique archival research, Salvadoran Imaginaries offers a fresh take on an emerging nation and its people. 

During the political and economic upheaval that swept El Salvador in the 1980s, as many as 20,000 Salvadorans took refuge in Costa Rica. Despite similarities between the countries, most Salvadorans experienced El Salvador and Costa Rica as very different places; yet some 6,000 chose to remain after the violence in their country ended, re-establishing their lives successfully enough that they claimed that they now "felt Costa Rican." Bridget Hayden examines the ways in which these people integrated into Costa Rican society and the ambiguous sense of identity they developed, exploring their experience of the process and the cultural concepts they used to interpret those experiences.

Salvadorans in Costa Rica: Displaced Lives introduces readers to people from a wide range of class and educational backgrounds who had come to Costa Rica from all over El Salvador. All shared the experience of having become refugees and having settled in a new country under the same circumstances, and when the war in their own country ended, they shared a concern about the issues involved in deciding whether to return there. Their diversity allows Hayden to examine the ways in which the language of national identity played out in different contexts and sometimes contradictory ways.

Drawing on contemporary theories of migration and space, Hayden identifies the discourses, narratives, and concepts that Salvadorans in Costa Rica had in common and then analyzes the ways in which their experiences and their uses of those discourses varied. She focuses on key spatial concepts that Salvadorans used in talking about displacement and re-emplacement in order to show how they constructed the experience of settlement and how such variables as gender and age influenced their experiences. Because "nationality" was an idiom they used to relate their experiences, she pays particular attention to the role of national belonging and national difference—in terms of both the ways in which the Salvadorans were received by Costa Ricans and their reactions to their new lives in Costa Rica. A concluding chapter compares them with Salvadorans who emigrated to other countries.

The story of these displaced Salvadorans, focusing on the lives of real people, can give us a new understanding of how individuals feel a sense of belonging to a sociocultural space. By exploring many meanings of the nation and national belonging for different people under varying conditions, Hayden's study provides fresh insights into the dynamics of migration, gender, and nationalism.

Salvage operations in Hohokam sites of the Colonial, Sedentary and Classic periods. Includes appendices on prehistoric maize and textiles.

This book grew out of an exhibition about Dellinger’s life and work that was curated by Bob Mainfort at the Old State House Museum in Little Rock. The book includes a detailed biography of Dellinger, as well as a discussion of his work, an overview of major collecting efforts in Arkansas by out-of-state institutions, and a history of the University of Arkansas Museum. Lavishly illustrated with over two hundred images of artifacts, this book will now permit archaeologists to see some of the pieces Dellinger’s lifetime of work saved and preserved.

Few cultures have received as much attention in the study of erotic desire, sexuality, and gender as the Sambia of Papua New Guinea. Here, for the first time, is a collection of groundbreaking essays and a new introduction on the Sambia's sexual culture by the renowned anthropologist Gilbert Herdt.

Over the course of 20 years, Herdt made 13 field trips to live with the Sambia in order to understand sexuality and ritual in the context of warfare and gender segregation. Herdt's essays examine Sambia fetish and fantasy, ritual nose-bleeding, the role of homoerotic insemination, the role of the father and mother in the process of identity formation, and the creation of a "third sex" in nature and culture. He also discusses the representation of homosexuality in cross-cultural literature on premodern societies, arguing that scholars have long viewed desires through the tropes of negative western models. Herdt asks us to reconsider the realities and subjective experiences of desires in their own context, and to rethink how the homoerotic is expressed in radically divergent sexual cultures.

Winner of the Herbert Feis Award from the American Historical Association and named one of the best religion books of the year by Publishers Weekly, D. Michael Quinn's Same-Sex Dynamics among Nineteenth-Century Americans has elicited critical acclaim as well as controversy. Using Mormonism as a case study of the extent of early America's acceptance of same-sex intimacy, Quinn examines several examples of long-term relationships among Mormon same-sex couples and the environment in which they flourished before the onset of homophobia in the late 1950s.
 

Saṃskṛta-Subodinī: A Sanskrit Primer marks the culmination of Professor Deshpande’s experience of teaching Sanskrit at the University of Michigan for over twenty-five years. Tested in classes at Michigan and elsewhere and successively improved for over twenty years, the teaching materials in the book now offer an effective tool to learn and teach Sanskrit. The focus is Sanskrit as a language, rather than as a religious or mystical entity. Deshpande’s primer also simplifies the process of learning Sanskrit by dissociating this language-learning process from the heavy burdens imposed both by the tradition of Indo-European linguistics and the tradition of indigenous Sanskrit grammarians in India. By treating Sanskrit as a productive language, rather than as a dead language merely to be deciphered, the book represents a significant advance over the traditional Western approach to the study of Sanskrit.

Work on this book began in 1976, and now almost two generations of Professor Deshpande's students have used successively improved versions. The book’s examples include many modified versions of classical Sanskrit passages from epic texts such as the Mahabharata and the Ramayana. The book also contains examples from Hindu, Buddhist, and Jain traditions, as well as samples of Sanskrit poetry and satire.

As the creator of the Seagram whiskey empire Sam Bronfman became a mythic figure in the business world, and in the years after his death the legend has developed further and further away from the life. Now for the first time the complete story of the man and the business he built is available. Sam Bronfman was according to Business Week "a volatile, shrewd, and highly individualistic leader [whose] technical knowledge and financial acumen remain unchallenged." For over twenty years, Forbes noted, Sam judged the U.S. market correctly -- as virtually no one else did. The story includes the passing on of the vast Seagram enterprise to the leadership of his sons, Edgar and Charles. Samuel Bronfman's father failed as a wheat farmer and then found success selling frozen fish, firewood and horses. At this point young Sam observed to his father, "The bar makes more profits than we do. Instead of selling horses, we should be selling the drinks." And thus began what was to become the Seagram whiskey empire. Sam's insight and timing were right as Canada, and especially the United States, were coming under the influence of the temperance movement. While legend often places Sam in the thick of Prohibition era bootlegging and rum running, in fact he built for the long term and kept his operations within both the law and its loopholes as he supplied American bootleggers. Sam demonstrated his marketing genius by insisting on quality in a business notorious for cutting corners and thereby set the standard for the industry in the decades to follow. Sam's success in penetrating the American market was such that after Prohibition his competitors lobbied the federal government for his protection. While Samuel Bronfman is a classic rags to riches tale, it is also the story of a Jew who remained in many ways outside business and social establishments even after becoming internationally famous. Commuting every week between his Montreal and New York office, his was a private life centered on his family and their home in Montreal and summer places such as Tarrytown, New York. In the 1950s Sam, under instructions from his daughter Phyllis Lambert, commissioned Mies van der Rohe to design a new corporate headquarters, the Seagram building at 375 Park Avenue, a landmark on the New York City skyline. As a leader of the Jewish community Sam was elected president of the Canadian Jewish Congress in 1939, and went on to organize financial aid to the fledgling state of Israel, beginning decades long involvement in Jewish affairs and support for the Jewish state. Sam was an intuitive leader and manager who knew his industry inside out and set the highest standards for his products and himself. His life makes a fascinating tale of business, power, wealth, and ethnic politics.

Samuel Steward and the Pursuit of the Erotic: Sexuality, Literature, Archives examines one of the most fascinating sexual renegades of the twentieth century and the social, cultural, pedagogical, and erotic projects with which he was engaged. This innovative collection, edited by Debra A. Moddelmog and Martin Joseph Ponce, examines the life and work of Samuel Steward at their most daring and controversial. Samuel Steward—writer, literature professor, visual artist, tattoo artist, sexual archivist, unofficial sexologist, and vernacular pornographer—gave voice and vision to some of the central concerns of twentieth-century U.S. gay culture and politics. These essays frame Steward not merely as an associate or a lover of more well-known luminaries but as a significant cultural figure in his own right, one whose work anticipated some of the current aims and methods of queer studies.
With work by prominent scholars in queer, transgender, and sexuality studies, and with topics such as the queer archive, hoarding, masochism, the queer mystery, race and desire, sexology, and gay pornography, Samuel Steward and the Pursuit of the Erotic will appeal to a wide range of readers across a variety of disciplines invested in queer experience. Closing on a personal recollection from one of Steward’s last close friends, the volume will also appeal to readers interested in the personal aspects of this fascinating, idiosyncratic figure’s multifaceted life.
 

An iconic figure of the Asian American movement, Richard Aoki (1938–2009) was also, as the most prominent non-Black member of the Black Panther Party, a key architect of Afro-Asian solidarity in the 1960s and ’70s. His life story exposes the personal side of political activism as it illuminates the history of ethnic nationalism and radical internationalism in America.

A reflection of this interconnection, Samurai among Panthers weaves together two narratives: Aoki’s dramatic first-person chronicle and an interpretive history by a leading scholar of the Asian American movement, Diane C. Fujino. Aoki’s candid account of himself takes us from his early years in Japanese American internment camps to his political education on the streets of Oakland, to his emergence in the Black Panther Party. As his story unfolds, we see how his parents’ separation inside the camps and his father’s illegal activities shaped the development of Aoki’s politics. Fujino situates his life within the context of twentieth-century history—World War II, the Cold War, and the protests of the 1960s. She demonstrates how activism is both an accidental and an intentional endeavor and how a militant activist practice can also promote participatory democracy and social service.

The result of these parallel voices and analysis in Samurai among Panthers is a complex—and sometimes contradictory—portrait of a singularly extraordinary activist and an expansion and deepening of our understanding of the history he lived.

Winner of the 2024 Marysa Navarro Best Book Prize, New England Council for Latin American Studies (NECLAS)

In the early twentieth century, historical imaginings of Japan contributed to the Argentine vision of “transpacific modernity." Intellectuals such as Eduardo Wilde and Manuel Domecq García celebrated Japanese customs and traditions as important values that can be integrated into Argentine society. But a new generation of Nikkei or Japanese Argentines is rewriting this conventional narrative in the twenty-first century. Nikkei writers such as Maximiliano Matayoshi and Alejandra Kamiya are challenging the earlier, unapologetic view of Japan based on their own immigrant experiences.

Compared to the experience of political persecution against Japanese immigrants in Brazil and Peru, the Japanese in Argentina generally lived under a more agreeable sociopolitical climate. In order to understand the "positive" perception of Japan in Argentine history and literature, Samurai in the Land of the Gaucho turns to the current debate on race in Argentina, particularly as it relates to the discourse of whiteness. One of the central arguments is that Argentina's century-old interest in Japan represents a disguised method of (re)claiming its white, Western identity.

Through close readings of diverse genres (travel writing, essay, novel, short story, and film) Samurai in the Land of the Gaucho yields a multi-layered analysis in order to underline the role Japan has played in both defining and defying Argentine modernity from the twentieth century to the present.  

San Francisco Bay Area Sports brings together fifteen essays covering the issues, controversies, and personalities that have emerged as northern Californians recreated and competed over the last 150 years. The area’s diversity, anti-establishment leanings, and unique and beautiful natural surroundings are explored in the context of a dynamic sporting past that includes events broadcast to millions or activities engaged in by just a few.

Professional and college events are covered along with lesser-known entities such as Oakland’s public parks, tennis player and Bay Area native Rosie Casals, environmentalism and hiking in Marin County, and the origins of the Gay Games. Taken as a whole, this book clarifies how sport is connected to identities based on sexuality, gender, race, and ethnicity. Just as crucial, the stories here illuminate how sport and recreation can potentially create transgressive spaces, particularity in a place known for its nonconformity.

The struggle to save the International Hotel and prevent the eviction of its elderly residents became a focal point in the creation of the contemporary Asian American movement, especially among Filipinos.  Like other minorities who were looking for positive models in their past to build an identity movement, Filipino youth found their "roots" in the stories and lives of the "manongs" (respected elders), and the anti-eviction movement became a key site for the formation of a distinct Filipino American consciousness. Estella Habal, a student activist during the anti-eviction protests, relates this history  within the context of the broader left politics of the era, the urban housing movement, and San Francisco city politics.  Ultimately, the hotel was razed, but a new one now occupies the site and commemorates the residents and activists who fought for low-income housing for the elderly and their right to remain in their own community.

A significant work of neotropical archaeology presenting evidence of early hunter-gatherers who produced fiber-tempered ceramics.

Few topics in the development of humans have prompted as much interest and debate as those of the origins of pottery and agriculture. The first appearance of pottery in any area of the world is heralded as a new stage in the progress of humans toward a more complex arrangement of thought and society. Cultures are defined and separated by the occurrence of pottery types, and the association of pottery with mobility and agriculture continues to drive research in anthropology. For these reasons, the discovery of the earliest fiber-tempered pottery in the New World and carbonized remains identified as maize kernels is exciting.

San Jacinto 1 is the archaeological site located in the savanna region of the north coast of Colombia, South America, where excavations by led by the authors have revealed evidence of mobile hunter-gatherers who made pottery and who collected and processed plants from 6000 to 5000 B.P. The site is believed to show an early human adaptation to the tropics in the context of significant environmental changes that were taking place at the time.

This volume presents the data gathered and the interpretations made during excavation and analysis of the San Jacinto 1 site. By examining the social activities of a human population in a highly seasonal environment, it adds greatly to our contemporary understanding of the historical ecology of the tropics. Study of the artifacts excavated at the site allows a window into the early processes of food production in the New World. Finally, the data reveals that the origins of ceramic technology in the tropics were tied to a reduction in mobility and an increase in territoriality and are widely applicable to similar studies of sedentism and agriculture worldwide.

San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery.

Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.

In Sanctuary, Cruz Medina presents a powerful counterstory to dominant narratives surrounding Latin American and Global South im/migration by bringing attention to the displacement of Indigenous Guatemalan Maya people who seek refuge in the United States. These migrants have exchanged gang and narcotrafficker violence for the dehumanizing and exclusionary rhetoric of US political leaders, militarized immigration enforcement, false promises of empowerment through literacy, and further displacement from gentrification. Medina combines decolonial critical race theory with autoethnography to examine white supremacist policies that impact US and transnational Indigenous populations who have been displaced by neocolonial projects of capitalism.

Taking a Northern California community of migrants from Guatemala as a case study, Medina demonstrates the ways in which immigration policy and educational barriers exclude Indigenous migrant populations. He follows the community at the “Sanctuary”—a Spanish-speaking church in the East Bay Area that serves as a place of worship, English language instruction, and refuge for migrants. Medina assembles participant observations, interviews, surveys, and other data to provide points of entry into intersecting issues of immigration, violence, language, and property and to untangle aspects of citizenship, exclusion, and assumptions about literacy.

Sand in a Whirlwind is a dramatic account of the events surrounding hostilities between settlers and Pyramid Paiutes in the spring of 1860. Thirty years after its publication Ferol Egan’s now classic tale continues to enlighten and engage readers.

"A collection of varied and amazing lives, all bent on shaping history. Together, these experienced, undeterred Nicaraguan women offer powerful clues about a truly revolutionary and democratizing feminism."––Adrienne Rich

"If it were not for writers like Margaret, how would women around the world find each other when there is such an institutional effort to keep us apart and silent? Here Margaret brings us the voice of Sandino's daughters, honoring his hat and wearing their own, wiser now, having been part of political and personal revolution."––Holly Near

"Powerful, moving, and challenging. Everyone interested in decency and justice will want to read Sandino's Daughters Revisited."––Blanche Wiesen Cook

Sandino's Daughters, Margaret Randall's conversations with Nicaraguan women in their struggle against the dictator Somoza in 1979, brought the lives of a group of extraordinary female revolutionaries to the American and world public. The book remains a landmark. Now, a decade later, Randall returns to interview many of the same women and others. In Sandino's Daughters Revisited, they speak of their lives during and since the Sandinista administration, the ways in which the revolution made them strong––and also held them back. Ironically, the 1990 defeat of the Sandinistas at the ballot box has given Sandinista women greater freedom to express their feelings and ideas.

Randall interviewed these outspoken women from all walks of life: working-class Diana Espinoza, head bookkeeper of a employee-owned factory; Daisy Zamora, a vice minister of culture under the Sandinistas; and Vidaluz Meneses, daughter of a Somozan official, who ties her revolutionary ideals to her Catholicism. The voices of these women, along with nine others, lead us to recognize both the failed promises and continuing attraction of the Sandinista movement for women. This is a moving account of the relationship between feminism and revolution as it is expressed in the daily lives of Nicaraguan women.

Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumí) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. In Santería Enthroned, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression.

Focusing on the royal throne as a potent metaphor in Santería belief and practice, Brown shows how negotiation among ideologically competing interests have shaped the religion's symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina's Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, Brown argues for a theoretical perspective on culture as a field of potential strategies and "usable pasts" that actors draw upon to craft new forms and identities—a perspective that will be invaluable to all students of the African Diaspora.

American Acemy of Religion Award for Excellence in the Study of Religion (Analytical-Descriptive Category)

In this book, Robin Hackett examines portrayals of race, class, and sexuality in modernist texts by white women to argue for the existence of a literary device that she calls “Sapphic primitivism.” The works vary widely in their form and content and include Olive Schreiner’s proto-modernist exploration of New Womanhood, The Story of an African Farm; Virginia Woolf’s high modernist “play-poem,” The Waves; Sylvia Townsend Warner’s historical novel, Summer Will Show; and Willa Cather’s Southern pastoral, Sapphira and the Slave Girl. In each, blackness and working-class culture are figured to represent sexual autonomy, including lesbianism, for white women. Sapphic primitivism exposes the ways several classes of identification were intertwined with the development of homosexual identities at the turn of the century. Sapphic primitivism is not, however, a means of disguising lesbian content. Rather, it is an aesthetic displacement device that simultaneously exposes lesbianism and exploits modern, primitivist modes of self-representation. Hackett’s revelations of the mutual interests of those who study early twentieth-century constructions of race and sexuality and twenty-first-century feminists doing anti-racist and queer work are a major contribution to literary studies and identity theory.

On a winter day in 1892, in the broad daylight of downtown Memphis, Tennessee, a middle class woman named Alice Mitchell slashed the throat of her lover, Freda Ward, killing her instantly. Local, national, and international newspapers, medical and scientific publications, and popular fiction writers all clamored to cover the ensuing “girl lovers” murder trial. Lisa Duggan locates in this sensationalized event the emergence of the lesbian in U.S. mass culture and shows how newly “modern” notions of normality and morality that arose from such cases still haunt and distort lesbian and gay politics to the present day.
Situating this story alongside simultaneously circulating lynching narratives (and its resistant versions, such as those of Memphis antilynching activist Ida B. Wells) Duggan reveals how stories of sex and violence were crucial to the development of American modernity. While careful to point out the differences between the public reigns of terror that led to many lynchings and the rarer instances of the murder of one woman by another privately motivated woman, Duggan asserts that dominant versions of both sets of stories contributed to the marginalization of African Americans and women while solidifying a distinctly white, male, heterosexual form of American citizenship. Having explored the role of turn-of-the-century print media—and in particular their tendency toward sensationalism—Duggan moves next to a review of sexology literature and to novels, most notably Radclyffe Hall’s The Well of Loneliness. Sapphic Slashers concludes with two appendices, one of which presents a detailed summary of Ward’s murder, the trial, and Mitchell’s eventual institutionalization. The other presents transcriptions of letters exchanged between the two women prior to the crime.
Combining cultural history, feminist and queer theory, narrative analysis, and compelling storytelling, Sapphic Slashers provides the first history of the emergence of the lesbian in twentieth-century mass culture.

To know all we know about Sappho is to know little. Her poetry, dating from the seventh century B.C.E., comes to us in fragments, her biography as speculation. How is it then, Page duBois asks, that this poet has come to signify so much? Sappho Is Burning offers a new reading of this archaic lesbian poet that acknowledges the poet's distance and difference from us and stresses Sappho's inassimilability into our narratives about the Greeks, literary history, philosophy, the history of sexuality, the psychoanalytic subject.

In Sappho is Burning, duBois reads Sappho as a disruptive figure at the very origin of our story of Western civilization. Sappho is beyond contemporary categories, inhabiting a space outside of reductively linear accounts of our common history. She is a woman, but also an aristocrat, a Greek, but one turned toward Asia, a poet who writes as a philosopher before philosophy, a writer who speaks of sexuality that can be identified neither with Michel Foucault's account of Greek sexuality, nor with many versions of contemporary lesbian sexuality. She is named as the tenth muse, yet the nine books of her poetry survive only in fragments. She disorients, troubles, undoes many certitudes in the history of poetry, the history of philosophy, the history of sexuality. DuBois argues that we need to read Sappho again.

The bitter struggle of the Kurdistan Workers' Party, or PKK, against the Turkish state has delivered inspirational but often tragic stories. This memoir by Kurdish revolutionary Sakine Cansiz is one of them. Sakine, whose code name was 'Sara', co-founded the PKK in 1974 and dedicated her life to its cause. On the 9 January 2013 she was assassinated in Paris in circumstances that remain officially unresolved.

This is the first chapter of her iconic life, leading up to her arrest in 1979, penned as dramatic events unfolded against the backdrop of the Turkish revolutionary left. She writes about the excitement of entering the movement as a young woman, discovering she would have to challenge traditional gender roles as she rose amongst its ranks. She was one of the first to demand the recruitment and education of female revolutionaries, and demanded total gender equality within the PKK, which is now one of its central tenets.

Today, 'Sara' is an inspiration to women fighting for liberation across the world. This is her story in her own words, and is in turns shocking, violent and path-breaking.

Translated by Janet Biehl.

This fascinating urban anthropological analysis of Sarajevo and its cultural complexities examines contemporary issues of social divisiveness, pluralism, and intergroup dynamics in the context of national identity and state formation. Rather than seeing Bosnia-Herzegovina as a volatile postsocialist society, the book presents its capital city as a vibrant yet wounded center of multicultural diversity, where citizens live in mutual recognition of difference while asserting a lifestyle that transcends boundaries of ethnicity and religion. It further illuminates how Sarajevans negotiate group identity in the tumultuous context of history, authoritarian rule, and interactions with the built environment and one another.

As she navigates the city, Fran Markowitz shares narratives of local citizenry played out against the larger dramas of nation and state building. She shows how Sarajevans' national identities have been forged in the crucible of power, culture, language, and politics. Sarajevo: A Bosnian Kaleidoscope acknowledges this Central European city's dramatic survival from the ravages of civil war as it advances into the present-day global arena.

Advice on sex and marriage in the literature of antiquity and the middle ages typically stressed the negative: from stereotypes of nagging wives and cheating husbands to nightmarish visions of women empowered through marriage. Satiric Advice on Women and Marriage brings together the leading scholars of this fascinating body of literature. Their essays examine a variety of ancient and early medieval writers' cautionary and often eccentric marital satire beginning with Plautus in the third century B.C.E. through Chaucer (the only non-Latin author studied). The volume demonstrates the continuity in the Latin tradition which taps into the fear of marriage and intimacy shared by ancient ascetics (Lucretius), satirists (Juvenal), comic novelists (Apuleius), and by subsequent Christian writers starting with Tertullian and Jerome, who freely used these ancient sources for their own purposes, including propaganda for recruiting a celibate clergy and the promotion of detachment and asceticism as Christian ideals.

Warren S. Smith is Professor of Classical Languages at the University of New Mexico.