18293 books match the query 'United States' and 1182 start with s

cover of Stephen King's America

Stephen King's America

Jonathan P. Davis

University of Wisconsin Press, 1994

Stephen King's America aims to heighten awareness of the numerous American issues that resonate throughout King's fiction, issues that bear universal application to the evolution of the human condition.

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cover of Steppin' Out: New York Nightlife and the Transformation of American Culture

Steppin' Out

New York Nightlife and the Transformation of American Culture

Lewis A. Erenberg

University of Chicago Press, 1984

The evolution of New York nightlife from the Gay Nineties through the Jazz Age was, as Lewis A. Erenberg shows, both symbol and catalyst of America's transition out of the Victorian period. Cabaret culture led the way to new styles of behavior and consumption, dissolving conventional barriers between classes, races, the sexes—even between life and art. A fabulous era of chorus girls, jazz players, lobster palaces, and hip flasks—the age of Sophie Tucker, Irene and Vernon Castle, and Gilda Gray—tangos through the pages of this ground-breaking, as well as entertaining, cultural history.
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cover of Stepping Away: Returning to the Faculty After Senior Academic Leadership

Stepping Away

Returning to the Faculty After Senior Academic Leadership

Lisa Jasinski

Rutgers University Press, 2023

In no other professional field do senior leaders habitually return to the rank-and-file workforce in the twilight of their careers. Corporate CEOs rarely conclude their working lives by resuming the duties of a mid-level account executive; on the verge of retirement, four-star generals do not return to the infantry. But in academia former senior leaders often conclude their careers by reprising the roles and responsibilities of a professor. Until now, leaders and institutions have been left to navigate these transitions on their own—often learning hard lessons that might have been avoided. Stepping Away moves beyond the well-worn clichés of “stepping down” to examine how senior leadership role changes impact individuals and the institutions they serve. Drawn from empirical research involving more than fifty college presidents, provosts, and deans, this book delivers fresh understanding of the challenges and opportunities leaders face as they assume a new place in the social architecture of their campus. Bridging the gap between theory and practice, Stepping Away translates research into practical strategies that leaders can use to make this change successfully, providing guidance about when to speak up and when to remain quiet, how to develop new relationships, where to office, whether to apply for new jobs, and how to use their knowledge and skills to add value to their campus communities, on-campus and off.
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cover of Stepping Into Zion: Hatzaad Harishon, Black Jews, and the Remaking of Jewish Identity

Stepping Into Zion

Hatzaad Harishon, Black Jews, and the Remaking of Jewish Identity

Janice W. Fernheimer

University of Alabama Press, 2014

Considers the question “Who is a Jew?”— a critical rhetorical issue with far-reaching consequences for Jews and non-Jews alike

Hatzaad Harishon ("The First Step") was a New York-based, multiracial Jewish organization that worked to increase recognition and legitimacy for Black Jews in the sixties and seventies. In Stepping into Zion, Janice W. Fernheimer examines the history and archives of Hatzaad Harishon to illuminate the shifting definitions and borders of Jewish identity, which have critical relevance to Jews of all traditions as well as to non-Jews.

Fernheimer focuses on a period when Jewish identity was in flux and deeply influenced by the Civil Rights and Black Power movements. In 1964, white and Black Jews formed Hatzaad Harishon to foster interaction and unity between Black and white Jewish communities. They raised the question of who or what constitutes Jewishness or Jewish identity, and in searching for an answer succeeded—both historically and rhetorically—in gaining increased recognition for Black Jews. Fernheimer traces how, despite deep disagreement over definitions, members of Hatzaad Harishon were able to create common ground in a process she terms "interruptive invention": an incremental model for rhetorical success that allows different groups to begin and continue important but difficult discussions when they share little common ground or make unequal claims to institutional and discursive power, or when the nature of common ground is precisely what is at stake. Consequently, they provide a practical way out of the seemingly incommensurable stalemate incompatible worldviews present.

Through insightful interpretations of Hatzaad Harishon's archival materials, Fernheimer chronicles the group's successes and failures within the larger rhetorical history of conflicts that emerge when cultural identities shift or expand.

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cover of Stepping Left: Dance and Politics in New York City, 1928–1942

Stepping Left

Dance and Politics in New York City, 1928–1942

Ellen Graff

Duke University Press, 1997

Stepping Left simultaneously unveils the radical roots of modern dance and recalls the excitement and energy of New York City in the 1930s. Ellen Graff explores the relationship between the modern dance movement and leftist political activism in this period, describing the moment in American dance history when the revolutionary fervor of "dancing modern" was joined with the revolutionary vision promised by the Soviet Union. This account reveals the major contribution of Communist and left-wing politics to modern dance during its formative years in New York City.
From Communist Party pageants to union hall performances to benefits for the Spanish Civil War, Graff documents the passionate involvement of American dancers in the political and social controversies that raged throughout the Depression era. Dancers formed collectives and experimented with collaborative methods of composition at the same time that they were marching in May Day parades, demonstrating for workers’ rights, and protesting the rise of fascism in Europe. Graff records the explosion of choreographic activity that accompanied this lively period—when modern dance was trying to establish legitimacy and its own audience. Stepping Left restores a missing legacy to the history of American dance, a vibrant moment that was supressed in the McCarthy era and almost lost to memory. Revisiting debates among writers and dancers about the place of political content and ethnicity in new dance forms, Stepping Left is a landmark work of dance history.
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cover of Stepping Out of the Shadows: Alabama Women, 1819–1990

Stepping Out of the Shadows

Alabama Women, 1819–1990

Mary Martha Thomas

University of Alabama Press, 1995

Discover the women who transformed Alabama's past and continue to inspire its future.

The history of Alabama has been told, but most often in terms of white men and their politics and economics. Now a more complex story of the state is emerging from the shadows of history in a new book that investigates the place of women from the perspective of race, class, and gender. Stepping Out of the Shadows, is a compilation of articles first presented at the 1990 Alabama Women’s History Forum in Birmingham, and edited by Mary Martha Thomas. The writers discuss the lives of women in antebellum Alabama and reexamine the roles of both black and white women as missionaries during Reconstruction, as reformers and suffrage leaders in the Progressive era, and as members of the state legislature in the 20th century.
 

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cover of Steve Lacy: Conversations

Steve Lacy

Conversations

Jason Weiss, ed.

Duke University Press, 2006

Steve Lacy: Conversations is a collection of thirty-four interviews with the innovative saxophonist and jazz composer. Lacy (1934–2004), a pioneer in making the soprano saxophone a contemporary jazz instrument, was a prolific performer and composer, with hundreds of recordings to his name.

This volume brings together interviews that appeared in a variety of magazines between 1959 and 2004. Conducted by writers, critics, musicians, visual artists, a philosopher, and an architect, the interviews indicate the evolution of Lacy’s extraordinary career and thought. Lacy began playing the soprano saxophone at sixteen, and was soon performing with Dixieland musicians much older than he. By nineteen he was playing with the pianist Cecil Taylor, who ignited his interest in the avant-garde. He eventually became the foremost proponent of Thelonious Monk’s music. Lacy played with a broad range of musicians, including Monk and Gil Evans, and led his own bands. A voracious reader and the recipient of a MacArthur “genius” grant, Lacy was particularly known for setting to music literary texts—such as the Tao Te Ching, and the work of poets including Samuel Beckett, Robert Creeley, and Taslima Nasrin—as well as for collaborating with painters and dancers in multimedia projects.

Lacy lived in Paris from 1970 until 2002, and his music and ideas reflect a decades-long cross-pollination of cultures. Half of the interviews in this collection originally appeared in French sources and were translated specifically for this book. Jason Weiss provides a general introduction, as well as short introductions to each of the interviews and to the selection of Lacy’s own brief writings that appears at the end of the book. The volume also includes three song scores, a selected discography of Lacy’s recordings, and many photos from the personal collection of his wife and longtime collaborator, Irene Aebi.

Interviews by: Derek Bailey, Franck Bergerot, Yves Bouliane, Etienne Brunet, Philippe Carles, Brian Case, Garth W. Caylor Jr., John Corbett, Christoph Cox, Alex Dutilh, Lee Friedlander, Maria Friedlander, Isabelle Galloni d'Istria, Christian Gauffre, Raymond Gervais, Paul Gros-Claude, Alain-René Hardy, Ed Hazell, Alain Kirili, Mel Martin, Franck Médioni, Xavier Prévost, Philippe Quinsac, Ben Ratliff, Gérard Rouy, Kirk Silsbee, Roberto Terlizzi, Jason Weiss

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cover of Steve McQueen: The Great Escape

Steve McQueen

The Great Escape

Wes D. Gehring

Indiana Historical Society Press, 2009

The poster-child victim of a dysfunctional family from Beech Grove, Indiana, Steve McQueen experienced an unsettled early life with a rebellious and alcoholic mother. McQueen channeled his difficult childhood into a masterful career on screen portraying tough, self-sufficient characters in such iconic films as The Magnificent Seven (1960), The Great Escape (1963), The Sand Pebbles (1966), Bullitt (1968). Gehring explores how McQueen rose from his days as a troubled youth into one of Hollywood’s top box-office stars, and how he attempted to ease the lives of other troubled youth. Gehring delves into McQueen’s early success, his rocky relationships with women, his sense of humor, his love of fast cars and motorcycles, and his often neglected acting.
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cover of Sticky Rice: A Politics of Intraracial Desire

Sticky Rice

A Politics of Intraracial Desire

Cynthia Wu

Temple University Press, 2018

Cynthia Wu’s provocative Sticky Rice examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada’s No-No Boy, Monique Truong’s The Book of Salt, H. T. Tsiang’s And China Has Hands, and Lois-Ann Yamanaka’s Blu’s Hanging, as well as Philip Kan Gotanda’s play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity.

The “sticky rice” of Wu’s title is a term used in gay Asian American culture to describe Asian American men who desire other Asian American men. The bonds between men addressed in Sticky Rice show how the thoughts and actions founded by real-life intraracially desiring Asian-raced men can inform how we read the refusal of multiple normativities in Asian Americanist discourse. Wu lays bare the trope of male same-sex desires that grapple with how Asian America’s internal divides can be resolved in order to resist assimilation.

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cover of Still Connected: Family and Friends in America Since 1970

Still Connected

Family and Friends in America Since 1970

Claude S. Fischer

Russell Sage Foundation, 2011

National news reports periodically proclaim that American life is lonelier than ever, and new books on the subject with titles like Bowling Alone generate considerable anxiety about the declining quality of Americans' social ties. Still Connected challenges such concerns by asking a simple yet significant question: have Americans' bonds with family and friends changed since the 1970s, and, if so, how? Noted sociologist Claude Fischer examines long-term trends in family ties and friendships and paints an insightful and ultimately reassuring portrait of Americans' personal relationships. Still Connected analyzes forty years of survey research to address whether and how Americans' personal ties have changed—their involvement with relatives, the number of friends they have and their contacts with those friends, the amount of practical and emotional support they are able to count on, and how emotionally tied they feel to these relationships. The book shows that Americans today have fewer relatives than they did forty years ago and that formal gatherings have declined over the decades—at least partially as a result of later marriages and more women in the work force. Yet neither the overall quantity of personal relationships nor, more importantly, the quality of those relationships has diminished. Americans' contact with relatives and friends, as well as their feelings of emotional connectedness, has changed relatively little since the 1970s. Although Americans are marrying later and single people feel lonely, few Americans report being socially isolated and the percentage who do has not really increased. Fischer maintains that this constancy testifies to the value Americans place on family and friends and to their willingness to adapt to changing circumstances in ways that sustain their social connections. For example, children now often have schedules as busy as their parents. Yet today's parents spend more quality time with their children than parents did forty years ago—although less in the form of organized home activities and more in the form of accompanying them to play dates or sports activities. And those family meals at home that seem to be disappearing? While survey research shows that families dine at home together less often, it also shows that they dine out together more often. Americans are fascinated by the quality of their relationships with family and friends and whether these bonds fray or remain stable over time. With so many voices heralding the demise of personal relationships, it's no wonder that confusion on this topic abounds. An engrossing and accessible social history, Still Connected brings a much-needed note of clarity to the discussion. Americans' personal ties, this book assures us, remain strong.
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cover of Still Dangerous!: The Harmony Hammond Reader

Still Dangerous!

The Harmony Hammond Reader

Harmony Hammond. Edited by Tirza True Latimer.

Duke University Press, 2026

Harmony Hammond, a leading figure in New York’s feminist and lesbian art movements, is primarily known for her abstract painting and sculpture. As a cofounder of A.I.R., the first major women’s cooperative art gallery, and Heresies, a groundbreaking feminist journal, Hammond played a critical role in the emergence of lesbian and feminist art through her curation and writing. Still Dangerous!, with an introduction by the volume editor, Tirza True Latimer, and a foreword by Julia Bryan-Wilson, brings together five decades of Hammond’s writings addressing the historical invisibility of women and lesbian artists, the politics of gender and sexuality in contemporary creative practice, materiality, feminism’s expanding purview, resisting censorship, and strategies of feminist and queer abstraction. Compiling essays, reviews, artist’s statements, presentations, letters, and interviews, Still Dangerous! fleshes out Hammond’s career while providing a valuable resource for scholars and students of contemporary culture.
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cover of Still Seeking the Magic Mushroom: Fungi, Pharmaceuticals, and Mysticism Without Religion

Still Seeking the Magic Mushroom

Fungi, Pharmaceuticals, and Mysticism Without Religion

Hugh B. Urban

University of Chicago Press, 2026

A sweeping cultural history of our yearning for psychedelics to free us from both modern life and traditional religion.

In 1957, Life Magazine published an article called “Seeking the Magic Mushroom” about a Mexican healing ritual centered on an obscure psychedelic: Psilocybe mushrooms. Readers raced to experiment with the drug for their own spiritual, therapeutic, and recreational purposes until a psychedelic wave swept the nation. Today, though psilocybin has been transformed from a sacred fungus into a pharmaceutical product, many people still turn to the enigmatic mushroom to encounter profound spiritual experiences without the baggage of traditional religion.

In Still Seeking the Magic Mushroom, Hugh B. Urban examines the alluring promise of mysticism without religion. With psychedelics, one need not fast, flagellate, or even worship a god to encounter the transcendent; a carefully timed ingestion of psilocybin will suffice. But, Urban argues, stripping the trip from its religion came at a cost: the erasure of Indigenous culture and the eventual commercialization and scientification of the psychedelic underground. Urban shows that psychedelic mushrooms, far from the fringe or countercultural margins, have been central players in shaping American attitudes toward religion and science over the last century. He argues that our love affair with the intoxicating fungus reveals a deep frustration with a disenchanted world, desire for meaning beyond religion, yearning for nature amid ecological crisis, faith in science to save us, and the relentless power of capitalism to turn everything into commodities.

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cover of Still The Big News: Racial Oppression In America

Still The Big News

Racial Oppression In America

Bob Blauner

Temple University Press, 2001

For more than thirty years, Bob Blauner's incisive writing on race relations has drawn a wide and varied audience. Whether his topic is the Watts riots in 1965, Chicano culture, or the tension between Blacks and Jews, his work is remarkable for its originality and candor. Beginning with the key essays of his landmark book, Racial Oppression in America, this volume makes the case that race and racism still permeate every aspect of American experience.

Blauner launched his concept of internal colonialism in the turbulent 1960's, a period in which many Americans worried that racial conflicts would propel the country into another  civil war. The notion that the systematic oppression of people of color in the United States resembles the situation of colonized populations in Third World countries still informs much of the academic research on race as well as public discourse. Indeed, today's critical race and whiteness studies are deeply indebted to Blauner's work on internal colonialism and the pervasiveness of white privilege. Offering a radical perspective on the United States' racial landscape, Bob Blauner forcefully argues that we ignore the persistence of oppression and our continuing failure to achieve equality at our own peril.
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cover of Still a Hollow Hope: State Power and the Second Amendment

Still a Hollow Hope

State Power and the Second Amendment

Anthony D. Cooling

University of Michigan Press, 2022

The U.S. Supreme Court increasingly matters in American political life when those across the political spectrum look at the Court for relief from policies they oppose and as another venue for advancing their own policy agendas. However, the evidence is mounting, to include this book in a big way, that courts are more of a sideshow to the culture war. While court decisions, especially Supreme Court decisions, do have importance, the decisions emanating from the Court reflect social, cultural, and political change that occurred long prior to their decision ever being made.

This book tests how much political and social change has been made primarily through Gerald Rosenberg’s framework from his seminal work, The Hollow Hope: Can Courts Bring About Social Change, but it also utilizes Daniel Elazar’s Political Culture Theory to explain state level variations in political and social change. The findings indicate that while courts are not powerless institutions, reformers will not have success unless supported by the public and the elected branches, and most specifically, that preexisting state culture is a determining factor in the amount of change courts make. In short, federalism still matters.

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cover of Still the Wild River Runs: Congress, the Sierra Club, and the Fight to Save Grand Canyon

Still the Wild River Runs

Congress, the Sierra Club, and the Fight to Save Grand Canyon

Byron E. Pearson

University of Arizona Press, 2002

Between 1963 and 1968, environmentalists were outraged when western water interests sought to construct two dams in Grand Canyon as part of the Central Arizona Project. The Sierra Club led a national campaign opposed to the project, which most environmental historians credit with defeating the dams. In the wake of its victory, the Sierra Club has been lauded as the savior of Grand Canyon. Byron Pearson now takes a closer look at history to show that the Sierra Club's ability to mobilize public opinion did not appreciably influence Congress, where the issue was actually decided. When Arizona congressman Stewart Udall became Interior Secretary in 1960, he promoted a plan to import water from the Pacific Northwest to California in order to placate that state's opposition to the CAP with its proposed dams. When this support dissolved in the face of resistance from Washington senator Henry Jackson, who chaired the Senate Interior Committee, the pragmatic Udall sought passage of a bare-bones CAP bill without the dams before he and Arizona senator Carl Hayden retired. Despite this congressional deal-making, the Sierra Club received credit for blocking the dams and was propelled to the undisputed leadership of the environmental movement. Using the myth that it had saved the Canyon, the club transformed its image of power into real political influence after Congress passed the National Environmental Policy Act in 1970, giving environmental advocates access to the policy-making process for the first time. In revealing how the Sierra Club played a much lesser role in blocking the dams than they would have had the public believe, Pearson contrasts the ways in which the controversy unfolded in the court of public opinion versus the actual political process. He takes readers into congressional chambers and conference rooms, reconstructing the legislative process to convey the full flavor of this political give-and-take. Based on research in archives from all over the country, Still the Wild River Runs will itself be a subject of controversy as it challenges long-standing notions about the power of environmental lobbies. By putting this chain of historical events in clearer perspective, it can give citizens concerned with future causes a better understanding of the political process and what really moves it.
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cover of Still: American Silent Motion Picture Photography

Still

American Silent Motion Picture Photography

David S. Shields

University of Chicago Press, 2013

The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery.
 
Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names.
 
Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
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cover of Stirring It Up with Molly Ivins: A Memoir with Recipes

Stirring It Up with Molly Ivins

A Memoir with Recipes

By Ellen Sweets

University of Texas Press, 2011

You probably knew Molly Ivins as an unabashed civil libertarian who used her rapier wit and good ole Texas horse sense to excoriate political figures she deemed unworthy of our trust and respect. But did you also know that Molly was one helluva cook? And we're not just talking chili and chicken-fried steak, either. Molly Ivins honed her culinary skills on visits to France—often returning with perfected techniques for saumon en papillote or delectable clafouti aux cerises. Friends who had the privilege of sharing Molly's table got not only a heaping helping of her insights into the political shenanigans of the day, but also a mouth-watering meal, prepared from scratch with the finest ingredients and assembled with the same meticulous attention to detail that Molly devoted to skewering a political recalcitrant.

In Stirring It Up with Molly Ivins, her longtime friend, fellow reporter, and frequent sous-chef Ellen Sweets takes us into the kitchen with Molly and introduces us to the private woman behind the public figure. She serves up her own and others' favorite stories about Ivins as she recalls the fabulous meals they shared, complete with recipes for thirty-five of Molly's signature dishes. These stories reveal a woman who was even more fascinating and complex than the "professional Texan" she enjoyed playing in public. Friends who ate with Molly knew a cultured woman who was a fluent French speaker, voracious reader, rugged outdoors aficionado, music lover, loyal and loving friend, and surrogate mom to many of her friends' children, as well as to her super-spoiled poodle. They also came to revere the courageous woman who refused to let cancer stop her from doing what she wanted, when she wanted. This is the Molly you'll be delighted to meet in Stirring It Up with Molly Ivins.

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cover of Stolen Bases: Why American Girls Don't Play Baseball

Stolen Bases

Why American Girls Don't Play Baseball

Jennifer Ring

University of Illinois Press, 2013

This history of women in baseball demonstrates that, far from being strictly a men's sport, baseball has long been enjoyed and played by Americans of all genders, races, and classes since it became popular in the 1830s. The game itself was invented by English girls and boys, and when it immigrated to the United States, numerous prominent women's colleges formed intramural teams and fielded intensely spirited and powerful players. With the professionalization of the sport in the late nineteenth century, however, American boys and men shoved girls off the diamonds and sandlots. Girls have been fighting to get back in the game ever since.

Jennifer Ring questions the forces that try to keep girls who want to play baseball away from the game. Focusing on a history that, unfortunately, repeats itself, Ring describes the circumstances that twice stole baseball from American girls: once in the late nineteenth and early twentieth century, and again in the late twentieth century, after it was no longer legal to exclude girls who wanted to play. In the early twentieth century, Albert Goodwill Spalding--sporting goods magnate, baseball player, and promoter--declared baseball off limits for women and envisioned global baseball on a colonialist scale, using the American sport to teach men from non-white races and non-European cultures to become civilized and rational. And by the late twentieth century, baseball had become serious business for boys and men at all levels, with female players perceived as obstacles or detriments to rising male players' chances of success.

Stolen Bases also looks at the backgrounds of American softball, which was originally invented by men who wanted to keep playing baseball indoors during cold winter months but has become the consolation sport for most female players. Throughout her analysis, Ring searches for ways to rescue baseball from its arrogance and sense of exclusionary entitlement.

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cover of Stolen Time: Black Fad Performance and the Calypso Craze

Stolen Time

Black Fad Performance and the Calypso Craze

Shane Vogel

University of Chicago Press, 2018

In 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.
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cover of Stone Tower: The Political Theater of Arthur Miller

Stone Tower

The Political Theater of Arthur Miller

Jeffrey D. Mason

University of Michigan Press, 2008

Jeffrey D. Mason's Stone Tower sets out to enrich -- and challenge --traditional views of playwright Arthur Miller. While Miller has long been acclaimed as a social dramatist, this fresh appraisal clearly establishes him as an essentially political playwright. The book pays close attention not only to the public and private power relations in Miller's dramatic works but also in his nondramatic writings. Stone Tower begins with a detailed critique of Miller's 1956 testimony before the House Committee on Un-American Activities and of his published essays on topics ranging from Nazism to the contested presidential election of 2000. Mason moves on to explore Miller's dramatic works, presenting All My Sons and Death of a Salesman as plays that stage the political in personal terms, then offering The Crucible and The Archbishop's Ceiling as explorations of the personal in political terms. The book provides invaluable insights on Miller's theatrical response to the Holocaust in Incident at Vichy, Broken Glass, Playing for Time, and After the Fall. It offers revealing analyses of Miller's treatment of women throughout his plays and aspects of male domination in The Ride Down Mt. Morgan. Mason concludes with Miller's late satire Resurrection Blues as evidence that the playwright's mistrust of authority and social power remained unresolved. With attention to staging issues, social history, and dramatic analysis, the book explores the impact of this canonical American dramatist, breaks new ground in Miller studies, and suggests the deeper implications and extensive engagement of the American theater of the latter twentieth century. Stone Tower opens up new territory in Miller studies by exploring the political impact of this canonical American dramatist. This book should be useful to theater scholars and students, as well as readers who want to familiarize themselves with Miller's work.
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cover of Stop the Presses (So I Can Get Off): Tales from Forty Years of Sports Writing

Stop the Presses (So I Can Get Off)

Tales from Forty Years of Sports Writing

Clyde Bolton

University of Alabama Press, 2005

A delightful blend of memoir, opinion, and sports from an Alabama original.

For 31 years, Clyde Bolton wrote four sports columns per week for the Birmingham News. By his estimation, this makes him the most widely read Alabamian in history. He may be right.

In Stop the Presses (So I Can Get Off) he takes the reader along on a joyride through more than three decades of Alabama sports. Unsurprisingly, tales of Bear Bryant and Shug Jordan, Roll Tide and War Eagle, dominate, but at one point or another, Clyde covered just about every type of sporting event in the state. Personalities and events from the realms of high school sports, minor league baseball, college basketball, and Nextel Cup Racing are just some of the many facets of his personal and professional life that he shares in this, his 17th book.

In relating the outlines of his life, Bolton pays homage to his mentors, including famed sports editor Benny Marshall, and shares some insights he’s gained after a lifetime in the newspaper game. But throughout the book, he never forgets that any good journalist—any good writer—is in the business of telling stories. And oh, what stories!

Bolton writes of meeting Michael Jordan during the basketball star’s year with the Birmingham Barons; of having dinner with Muhammad Ali at the Lambda Chi Alpha fraternity house at Auburn University; of walking incognito down sunny Birmingham sidewalks with Hall-of-Famer Johnny Unitas. He explains why Bear Bryant, in his opinion, is the greatest football coach ever, tells of interviewing Joe Namath in the men’s bathroom, and reveals why his grandmother watched professional wrestling on her hands and knees on the floor in front of the television.

Stop the Presses (So I Can Get Off) is a joyous romp through the SEC, the Nextel Cup Circuit, and, in the end, life itself.

 

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cover of Stop the Presses! I Want to Get Off!: A Brief History of the Prisoners’ Digest International

Stop the Presses! I Want to Get Off!

A Brief History of the Prisoners’ Digest International

Joseph W. Grant

Michigan State University Press, 2012

The final book in the groundbreaking Voices from the Underground series, Stop the Presses! I Want to Get Off!, is the inspiring, frenetic, funny, sad, always-cash-starved story of Joe Grant, founder and publisher of Prisoners’ Digest International, the most important prisoners’ rights underground newspaper of the Vietnam era. From Grant’s military days in pre-Revolutionary Cuba during the Korean War, to his time as publisher of a pro-union newspaper in Cedar Rapids and his eventual imprisonment in Leavenworth, Kansas, Grant’s personal history is a testament to the power of courage under duress. One of the more notorious federal penitentiaries in the nation, Leavenworth inspired Grant to found PDI in an effort to bring hope to prisoners and their families nationwide.

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cover of Stories Employers Tell: Race, Skill, and Hiring in America

Stories Employers Tell

Race, Skill, and Hiring in America

Philip Moss

Russell Sage Foundation, 2001

Is the United States justified in seeing itself as a meritocracy, where stark inequalities in pay and employment reflect differences in skills, education,and effort? Or does racial discrimination still permeate the labor market, resulting in the systematic under hiring and underpaying of racial minorities, regardless of merit? Throughout the 1980s and early 1990s African Americans have lost ground to whites in the labor market, but this widening racial inequality is most often attributed to economic restructuring, not the racial attitudes of employers. It is argued that the educational gap between blacks and whites, though narrowing, carries greater penalties now that we are living in an era of global trade and technological change that favors highly educated workers and displaces the low-skilled. Stories Employers Tell demonstrates that this conventional wisdom is incomplete. Racial discrimination is still a fundamental part of the explanation of labor market disadvantage. Drawing upon a wide-ranging survey of employers in Atlanta, Boston, Detroit, and Los Angeles, Moss and Tilly investigate the types of jobs employers offer, the skills required, and the recruitment, screening and hiring procedures used to fill them. The authors then follow up in greater depth on selected employers to explore the attitudes, motivations, and rationale underlying their hiring decisions, as well as decisions about where to locate a business. Moss and Tilly show how an employer's perception of the merit or suitability of a candidate is often colored by racial stereotypes and culture-bound expectations. The rising demand for soft skills, such as communication skills and people skills, opens the door to discrimination that is rarely overt, or even conscious, but is nonetheless damaging to the prospects of minority candidates and particularly difficult to police. Some employers expressed a concern to race-match employees with the customers they are likely to be dealing with. As more jobs require direct interaction with the public, race has become increasingly important in determining labor market fortunes. Frequently, employers also take into account the racial make-up of neighborhoods when deciding where to locate their businesses. Ultimately, it is the hiring decisions of employers that determine whether today's labor market reflects merit or prejudice. This book, the result of years of careful research, offers us a rare opportunity to view the issue of discrimination through the employers' eyes. A Volume in the Multi-City Study of Urban Inequality
[more]
cover of Stories Of Raymond Carver: A Critical Study

Stories Of Raymond Carver

A Critical Study

Kirk Nesset

Ohio University Press, 1994

Raymond Carver, known in some circles as the “godfather of minimalism,” has been credited by many as the rejuvenator of the once-dying American short story. (See the link on this page to a 2008 Kenyon Review story that discusses the recent controversy over the editing of Carver’s stories.) Drawing on representative tales from each of Carver’s major volumes of fiction, Nesset’s critical exploration leads us deep into the heart of Carver country, an eerie post-industrial world of low-rent survivors. In the earliest fiction, the politics of sex are tied to politics of fortune and chance; marriage as an institution is capricious and unsettling. In later stories, the gesture of telling stories provides an escape for certain of these characters, metaphorically and otherwise; and in Carver’s last stories, subtle strategies of language offer a similar, if more tentative release. From beginning to end, Carver’s distinctive, highly imitative style is intrinsic to his subject and is crucial in presenting what Carver called the “dark side of Reagan’s America.”

In this comprehensive study of Carver, Nesset discusses the relationship of minimalism and postmodern trends and the rise of new realism. By locating Carver in the gallery of American letters, Nesset shows him to be at once more simple and more complex than we might have believed, skillfully laying the groundwork for Carver studies to come.
[more]
cover of Stories from First-Year Composition: FYC Pedagogies that Foster Student Writing Identity and Agency

Stories from First-Year Composition

FYC Pedagogies that Foster Student Writing Identity and Agency

Jo-Anne Kerr

University Press of Colorado, 2020

The central value of first-year composition is often questioned, typically accompanied by characterizations of FYC as a “service” course. This collection counters those perceptions, sharing with readers a new FYC story, one that demonstrates a new “service” that the course provides to first-year students, a service that accommodates the realities of writing—that it is never just writing and that the writing process entails much more than plugging in the “right” words (that mean the same to everyone) in predetermined forms. The collection offers insights into effective FYC pedagogies and opportunities for readers to consider and think about their own teaching and their identities as FYC instructors. It offers prompts for reflection, suggestions for further reading, and multimedia components that can deepen and enrich our understandings of teaching FYC and instill a sense of agency for teaching FYC effectively and advocating for its value and relevance.
 
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Stories from Jonestown

Leigh Fondakowski

University of Minnesota Press, 2010

The saga of Jonestown didn’t end on the day in November 1978 when more than nine hundred Americans died in a mass murder-suicide in the Guyanese jungle. While only a handful of people present at the agricultural project survived that day in Jonestown, more than eighty members of Peoples Temple, led by Jim Jones, were elsewhere in Guyana on that day, and thousands more members of the movement still lived in California. Emmy-nominated writer Leigh Fondakowski, who is best known for her work on the play and HBO film The Laramie Project, spent three years traveling the United States to interview these survivors, many of whom have never talked publicly about the tragedy. Using more than two hundred hours of interview material, Fondakowski creates intimate portraits of these survivors as they tell their unforgettable stories.

Collectively this is a record of ordinary people, stigmatized as cultists, who after the Jonestown massacre were left to deal with their grief, reassemble their lives, and try to make sense of how a movement born in a gospel of racial and social justice could have gone so horrifically wrong—taking with it the lives of their sons and daughters, husbands and wives, fathers and mothers, and brothers and sisters. As these survivors look back, we learn what led them to join the Peoples Temple movement, what life in the church was like, and how the trauma of Jonestown’s end still affects their lives decades later.

What emerges are portrayals both haunting and hopeful—of unimaginable sadness, guilt, and shame but also resilience and redemption. Weaving her own artistic journey of discovery throughout the book in a compelling historical context, Fondakowski delivers, with both empathy and clarity, one of the most gripping, moving, and humanizing accounts of Jonestown ever written.
 

[more]
cover of Stories from the Wreckage: A Great Lakes Maritime History Inspired by Shipwrecks

Stories from the Wreckage

A Great Lakes Maritime History Inspired by Shipwrecks

John Odin Jensen

Wisconsin Historical Society Press, 2019

Every shipwreck has a story that extends far beyond its tragic end. The dramatic tales of disaster, heroism, and folly become even more compelling when viewed as junction points in history—connecting to stories about the frontier, the environment, immigration, politics, technology, and industry. In Stories from the Wreckage, John Odin Jensen examines a selection of Great Lakes shipwrecks of the wooden age for a deeper dive into this transformative chapter of maritime history. He mines the archeological evidence and historic record to show how their tragic ends fit in with the larger narrative of Midwestern history. Featuring the underwater photography of maritime archeologist Tamara Thomsen, this vibrant volume is a must-have for shipping enthusiasts as well as anyone interested in the power of water to shape history.
[more]
cover of Stories in Stone: The Enchanted Gem Carvings of Vasily Konovalenko

Stories in Stone

The Enchanted Gem Carvings of Vasily Konovalenko

Stephen E. Nash

University Press of Colorado, 2016

Vasily Konovalenko’s unique, dynamic, and theatrical sculptures stand alone in the gem-carving world—bawdy but not salacious, political but not diplomatic, boisterous and exuberant yet occasionally sensitive. Stories in Stone offers the first comprehensive treatment of the life of this little-known Russian artist and the remarkable history of his wonderful sculptures.
 
Part art catalogue and part life history, Stories in Stone tells the tale of Konovalenko’s impressive works, explaining their conception, creation, and symbolism. Each handcrafted figure depicts a scene from life in the Soviet Union—a bowman hunting snow geese, a woman reposing in a hot spring surrounded by ice, peasants spinning wool, a pair of gulag prisoners sawing lumber—painstakingly rendered in precious stones and metals. The materials used to make the figurines are worth millions of dollars, but as cultural artifacts, the sculptures are priceless. Author Stephen Nash draws upon oral history and archival research to detail the life of their creator, revealing a rags-to-riches and life-imitates-art narrative full of Cold War intrigue, Communist persecution, and capitalist exploitation.
 
Augmented by Richard M. Wicker’s exquisite and revelatory photographs of sixty-five Konovalenko sculptures from museums, state agencies, and private collections around the world, Stories in Stone is a visually stunning glimpse into a unique corner of Russian art and cultural history, the craft and science of gem carving, and the life of a Russian artist and immigrant who loved people everywhere.
 
Co-published with the Denver Museum of Nature & Science, home to the most significant collection of Russian gem-carving sculptures by Vasily Konovalenko in the world.
[more]
cover of Stories of Becoming: Demystifying the Professoriate for Graduate Students in Composition and Rhetoric

Stories of Becoming

Demystifying the Professoriate for Graduate Students in Composition and Rhetoric

Claire Lutkewitte

Utah State University Press, 2021

Based on findings from a multiyear, nationwide study of new faculty in the field of rhetoric and composition, Stories of Becoming provides graduate students—and those who train them—with specific strategies for preparing for a career in the professoriate. Through the use of stories, the authors invite readers to experience their collaborative research processes for conducting a nationwide survey, qualitative interviews, and textual analysis of professional documents.
 
Using data from the study, the authors offer six specific strategies—including how to manage time, how to create a work/life balance, and how to collaborate with others—that readers can use to prepare for the composition and rhetoric job market and to begin their careers as full-time faculty members. Readers will learn about the possible responsibilities they may take on as new faculty, particularly those that go beyond teaching, research, service, and administration to include navigating the politics of higher education and negotiating professional identity construction. And they will also engage in activities and answer questions designed to deepen their understanding of the field and help them identify their own values and desired career trajectory.
 
Stories of Becoming demystifies the professoriate, compares what current new faculty have to say of their job expectations with the realities that students might face when on the job, and brings to light the invisible, behind-the-scenes work done by new faculty. It will be invaluable to graduate students, those who teach graduate students, new faculty, and hiring administrators in composition and rhetoric.
 
[more]
cover of Stories of New Jersey

Stories of New Jersey

Stockton, Frank

Rutgers University Press, 1961

Frank R. Stockton's stories recreate the events and moods of New Jersey from the days of the Lenni-Lenape Indians and the Dutch colonists to the expolits of New Jerseyans in the Mexican War. Here are the colorful historical and legendary figures of New Jersey's past: colonials who fought, traded with, and were captured by Indians; the perpetrators of New Jersey's own Tea Party; revolutionary heroes and heroines; frontiersmen, early inventors, schoolmasters, doctors, and privateersmen. Some of their stories have been told many times, but rarely as well. These tales are reproduced exactly as they first appeared in 1896, in a book which remained in print until 1945 and which has remained so popular over the years that it has in itself become a part of New Jersey's history. The book's turn-of-the-century flavor is enhanced by many illustrations, including drawings by twenty-one artists that provide realistic detail in the style of a bygone era.
[more]
cover of Stories of Our Lives: Memory, History, Narrative

Stories of Our Lives

Memory, History, Narrative

Frank de Caro

Utah State University Press, 2013

In Stories of Our Lives Frank de Caro demonstrates the value of personal narratives in enlightening our lives and our world. We all live with legends, family sagas, and anecdotes that shape our selves and give meaning to our recollections. Featuring an array of colorful stories from de Caro’s personal life and years of field research as a folklorist, the book is part memoir and part exploration of how the stories we tell, listen to, and learn play an integral role in shaping our sense of self. 
 
De Caro’s narrative includes stories within the story: among them a near-mythic capture of his golden-haired grandmother by Plains Indians, a quintessential Italian rags-to-riches grandfather, and his own experiences growing up in culturally rich 1950s New York City, living in India amid the fading glories of a former princely state, conducting field research on Day of the Dead altars in Mexico, and coming home to a battered New Orleans after Hurricane Katrina.
 
Stories of Our Lives shows that our lives are interesting, and that the stories we tell—however particular to our own circumstances or trivial they may seem to others—reveal something about ourselves, our societies, our cultures, and our larger human existence.
[more]
cover of Stories of Raising Boys: Masculinity, Disability, Gender Expansiveness, and Anxiety

Stories of Raising Boys

Masculinity, Disability, Gender Expansiveness, and Anxiety

Julie-Ann Scott-Pollock

Temple University Press, 2026

In her poignant, affecting autoethnography, Stories of Raising Boys, Julie-Ann Scott-Pollock investigates the meaning of disability, gender, race, and privilege in contemporary culture. Scott-Pollock is a white mother living with a physical disability raising four boys—Theo, a three-year-old risktaker; Tony, ten, who lives with seizures; Vinny, eight, who is gender expansive; and five-year-old Nico, who is also gender expansive and experiences anxiety. They live on the southeastern U.S. coast with their father, Evan, and their baby sister, Rosalie.

Through narrative analysis, Scott-Pollock compares and contrasts her circumstances to the ways in which adult interviewees manage the same lived experiences as her sons. She also includes their opinions about masculinity and identity, as well as parenting boys. In doing so, Stories of Raising Boys deepens the cultural complexity of parent–child relationships and expands our collective understanding of how they form and emerge. In addition, Scott-Pollock uses a metaphor of swimming through the ocean near her family’s home to illustrate resisting marginalization while also promoting strong cultural identities, especially in turbulent waters.

Stories of Raising Boys offers an absorbing cultural reflection on the intersectionality of identity, power, and privilege. 

[more]
cover of Stories of Survival: Arkansas Farmers during the Great Depression

Stories of Survival

Arkansas Farmers during the Great Depression

William Downs Jr.

University of Arkansas Press, 2015

Through dozens of in-depth interviews representing all sections of the state, farm families recall their best times, their worst times, and day-to-day experiences such as chores, washing, bathing, clothes making, medical care, home remedies, spiritual life, courtship and marriage, and school experiences. Their stories reveal how ordinary men and women, frequently living in abject poverty, endured cataclysmic natural disasters and economic collapse with extraordinary courage, faith, resourcefulness, and a good sense of humor.
[more]
cover of Stories, Songs, and Stretches!: Creating Playful Storytimes with Yoga and Movement

Stories, Songs, and Stretches!

Creating Playful Storytimes with Yoga and Movement

Katie Scherrer

American Library Association, 2017

[more]
cover of Storm Beat: A Journalist Reports from the Oregon Coast

Storm Beat

A Journalist Reports from the Oregon Coast

Lori Tobias

Oregon State University Press, 2020

Journalist Lori Tobias arrived on the Oregon Coast in 2000. After freelancing from Newport for several years, she signed on to the Oregonian as a stringer covering the coast from Florence to Astoria; later she would be hired as a staff writer responsible for the entirety of Oregon’s coast—one person for more than three hundred miles. This meant long hours, being called out for storms in the middle of the night (and in dangerous conditions), driving hundreds of miles in a day if stories called for it.

The Oregon Coast is a rugged, beautiful region. Separated from the state’s population centers by the Coast Range, it is a land of small towns reliant primarily on fishing and tourism, known for its dramatic landscapes and dramatic storms. Many of the stories Tobias covered were tragedies: car crashes, falls, drownings, capsizings. And those are just the accidents; Tobias covered plenty of violent crimes as well. But her stories also include more lighthearted moments, including her own experiences learning to live on and cover the coast. Tobias’s story is as much her own as it is the coast’s; she takes the reader through familiar beats of life (regular trips back east as her parents age), the decline of journalism in the twenty-first century, and the unexpected (and not entirely glamorous) experiences of a working reporter—such as a bout of vertigo after rappelling from a helicopter onto a ship. Ultimately, Tobias tells a compelling story of a region that many visit but few truly know.
[more]
cover of Storm of Words: Science, Religion, and Evolution in the Civil War Era

Storm of Words

Science, Religion, and Evolution in the Civil War Era

Monte Harrell Hampton

University of Alabama Press, 2014

A study of the ways that southern Presbyterians in the wake of the Civil War contended with a host of cultural and theological questions

Southern Presbyterian theologians enjoyed a prominent position in antebellum southern culture. Respected for both their erudition and elite constituency, these theologians identified the southern society as representing a divine, Biblically ordained order. Beginning in the 1840s, however, this facile identification became more difficult to maintain, colliding first with antislavery polemics, then with Confederate defeat and reconstruction, and later with women’s rights, philosophical empiricism, literary criticisms of the Bible, and that most salient symbol of modernity, natural science.

As Monte Harrell Hampton shows in Storm of Words, modern science seemed most explicitly to express the rationalistic spirit of the age and threaten the Protestant conviction that science was the faithful “handmaid” of theology. Southern Presbyterians disposed of some of these threats with ease. Contemporary geology, however, posed thornier problems. Ambivalence over how to respond to geology led to the establishment in 1859 of the Perkins Professorship of Natural Science in Connexion with Revealed Religion at the seminary in Columbia, South Carolina. Installing scientist-theologian James Woodrow in this position, southern Presbyterians expected him to defend their positions.

Within twenty-five years, however, their anointed expert held that evolution did not contradict scripture. Indeed, he declared that it was in fact God’s method of creating. The resulting debate was the first extended evolution controversy in American history. It drove a wedge between those tolerant of new exegetical and scientific developments and the majority who opposed such openness. Hampton argues that Woodrow believed he was shoring up the alliance between science and scripture—that a circumscribed form of evolution did no violence to scriptural infallibility. The traditionalists’ view, however, remained interwoven with their identity as defenders of the Lost Cause and guardians of southern culture.

The ensuing debate triggered Woodrow’s dismissal. It also capped a modernity crisis experienced by an influential group of southern intellectuals who were grappling with the nature of knowledge, both scientific and religious, and its relationship to culture—a culture attempting to define itself in the shadow of the Civil War and Reconstruction.

[more]
cover of Storming the City: U.S. Military Performance in Urban Warfare from World War II to Vietnam

Storming the City

U.S. Military Performance in Urban Warfare from World War II to Vietnam

Alec Wahlman

University of North Texas Press, 2015

[more]
cover of Storming the Reality Studio: A Casebook of Cyberpunk & Postmodern Science Fiction

Storming the Reality Studio

A Casebook of Cyberpunk & Postmodern Science Fiction

Larry McCaffery, ed.

Duke University Press, 1992

The term “cyberpunk” entered the literary landscape in 1984 to describe William Gibson’s pathbreaking novel Neuromancer. Cyberpunks are now among the shock troops of postmodernism, Larry McCaffery argues in Storming the Reality Studio, marshalling the resources of a fragmentary culture to create a startling new form. Artificial intelligence, genetic engineering, multinational machinations, frenetic bursts of prose, collisions of style, celebrations of texture: although emerging largely from science fiction, these features of cyberpunk writing are, as this volume makes clear, integrally related to the aims and innovations of the literary avant-garde.

By bringing together original fiction by well-known contemporary writers (William Burroughs, Thomas Pynchon, Don DeLillo, Kathy Acker, J. G. Ballard, Samuel R. Delany), critical commentary by some of the major theorists of postmodern art and culture (Jacques Derrida, Fredric Jameson, Timothy Leary, Jean-François Lyotard), and work by major practitioners of cyberpunk (William Gibson, Rudy Rucker, John Shirley, Pat Cadigan, Bruce Sterling), Storming the Reality Studio reveals a fascinating ongoing dialog in contemporary culture.

What emerges most strikingly from the colloquy is a shared preoccupation with the force of technology in shaping modern life. It is precisely this concern, according to McCaffery, that has put science fiction, typically the province of technological art, at the forefront of creative explorations of our unique age.
A rich opporunity for reading across genres, this anthology offers a new perspective on the evolution of postmodern culture and ultimately shows how deeply technological developments have influenced our vision and our art.

Selected Fiction contributors: Kathy Acker, J. G. Ballard, William S. Burroughs, Pat Cadigan, Samuel R. Delany, Don DeLillo, William Gibson, Harold Jaffe, Richard Kadrey, Marc Laidlaw, Mark Leyner, Joseph McElroy, Misha, Ted Mooney, Thomas Pynchon, Rudy Rucker, Lucius Shepard, Lewis Shiner, John Shirley, Bruce Sterling, William Vollman

Selected Non-Fiction contributors: Jean Baudrillard, Jacques Derrida, Joan Gordon, Veronica Hollinger, Fredric Jameson, Arthur Kroker and David Cook, Timothy Leary, Jean-François Lyotard, Larry McCaffery, Brian McHale, Dave Porush, Bruce Sterling, Darko Suvin, Takayuki Tatsumi

[more]
cover of Storying Writing Center Labor for Anti-Capitalist Futures

Storying Writing Center Labor for Anti-Capitalist Futures

Genie Nicole Giaimo

University Press of Colorado, 2025

Rooted in storying and testimony, Storying Writing Center Labor offers an inclusive, theoretically grounded, labor-oriented approach to writing center scholarship and praxis. While emotional labor and other wellness-related topics have long received attention in the field, issues of precarity, austerity, workism, and related concerns remain under-examined. Marrying ethnography and storying to uncover trends and circumstances related to writing center labor, this book offers insights into the lived working experiences of writing center professionals along with actionable items for creating just, sustainable, and intentional workspaces. Importantly, Storying Writing Center Labor tackles long-established labor issues in the field that have been and continue to be exacerbated by higher education’s austerity politics and reliance on disaster capitalism to inform decision making.
[more]
cover of Storytelling and Science: Rewriting Oppenheimer in the Nuclear Age

Storytelling and Science

Rewriting Oppenheimer in the Nuclear Age

David K. Hecht

University of Massachusetts Press, 2015

No single figure embodies Cold War science more than the renowned physicist J. Robert Oppenheimer. Although other scientists may have been more influential in establishing the institutions and policies of the nuclear age, none has loomed larger in the popular imagination than the “father of the atomic bomb.” Americans have been drawn to the story of the Manhattan Project Oppenheimer helped lead and riveted by the McCarthy-era politics that caught him in its crosshairs. Journalists and politicians, writers and artists have told Oppenheimer's story in many different ways since he first gained notoriety in 1945. In Storytelling and Science, David K. Hecht examines why they did so, and what they hoped to achieve through their stories.

From the outset, accounts of Oppenheimer's life and work were deployed for multiple ends: to trumpet or denigrate the value of science, to settle old scores or advocate new policies, to register dissent or express anxieties. In these different renditions, Oppenheimer was alternately portrayed as hero and villain, establishment figure and principled outsider, “destroyer of worlds” and humanist critic. Yet beneath the varying details of these stories, Hecht discerns important patterns in the way that audiences interpret, and often misinterpret, news about science. In the end, he argues, we find that science itself has surprisingly little to do with how its truths are assimilated by the public. Instead its meaning is shaped by narrative traditions and myths that frame how we think and write about it.

[more]
cover of Storytelling in Queer Appalachia: Imagining and Writing the Unspeakable Other

Storytelling in Queer Appalachia

Imagining and Writing the Unspeakable Other

Hillery Glasby

West Virginia University Press, 2020

In one of the first collections of scholarship at the intersection of LGBTQ studies and Appalachian studies, voices from the region’s valleys, hollers, mountains, and campuses blend personal stories with scholarly and creative examinations of living and surviving as queers in Appalachia. The essayists collected in Storytelling in Queer Appalachia are academics, social workers, riot grrrl activists, teachers, students, practitioners, scholars of divinity, and boundary crossers, all imagining how to make legible the unspeakable other of Appalachian queerness.
 
Focusing especially on disciplinary approaches from rhetoric and composition, the volume explores sexual identities in rural places, community and individual meaning-making among the Appalachian diaspora, the storytelling infrastructure of queer Appalachia, and the role of the metronormative in discourses of difference. Storytelling in Queer Appalachia affirms queer people, fights for queer visibility over queer erasure, seeks intersectional understanding, and imagines radically embodied queer selves through social media.
[more]
cover of Storytimes for Everyone!: Developing Young Children's Language and Literacy

Storytimes for Everyone!

Developing Young Children's Language and Literacy

Saroj Nadkarni Ghoting

American Library Association, 2013

[more]
cover of Storytimes for Two-Year-Olds

Storytimes for Two-Year-Olds

Judy American Library Association

American Library Association, 2007

[more]
cover of Storyville, New Orleans: Being an Authentic, Illustrated Account of the Notorious Red-Light District

Storyville, New Orleans

Being an Authentic, Illustrated Account of the Notorious Red-Light District

Al Rose

University of Alabama Press, 1978

A true-to-life impression of Storyville, the only legally established red light district in the US

At the turn of the twentieth-century, there were hundreds of red-light districts in the United States, ranging in size from a discreet “house” or two in or near small towns and cities to block after bawdy block of brothels in larger cities such as Chicago and San Francisco. Storyville, New Orleans: Being an Authentic, Illustrated Account of the Notorious Red Light District seeks to offer the reader a reasonably true-to-life impression of Storyville, the most famous of the large districts and the only such district in the United States that was legally established.

Storyville was an area, carefully defined by law, outside of which prostitutes or women “notoriously abandoned to lewdness” were not permitted to live or work. Prostitutes working within the District were considered to be engaged in legal enterprises so long as they confined themselves to prostitution and other related activities such as dispensing food and drink to their customers.

From the early days of the French colony of Louisiana, a great number of prostitutes, women from correctional centers, and those with so-called “loose morals” were transported to the New World, resulting in a large proportion of the earliest female residents in New Orleans engaging in prostitution. During the course of Storyville’s legal existence from January 1, 1898 to November 12, 1917—it is evident that in establishing this district the New Orleans city council acted out of a sense of frustration after decades of attempting to deal rationally with a serious social problem. As the author says in the preface, “You may see this as a disorderly book about disorderly houses—and so it may be. But I doubt you will find it dull.”
 

[more]
cover of Stowe in Her Own Time: A Biographical Chronicle of Her Life, Drawn from Recollections, Interviews, and Memoirs by Family, F

Stowe in Her Own Time

A Biographical Chronicle of Her Life, Drawn from Recollections, Interviews, and Memoirs by Family, F

Susan Belasco

University of Iowa Press, 2009

One of the first celebrity authors, Harriet Beecher Stowe (1811–1896) became famous almost overnight when Uncle Tom’s Cabin—which sold more than 300,000 copies in its first year of publication—appeared in 1852. Known by virtually all famous writers in the United States and many in England and regarded by many women writers as a role model because of her influence in the literary marketplace, Stowe herself was the subject of many books, articles, essays, and poems during her lifetime.

This volume brings together for the first time a range of primary materials about Stowe’s private and public life written by family members, friends, and fellow writers who knew or were influenced by her before and after Uncle Tom’s Cabin catapulted her to fame. Included are periodical articles by Fanny Fern and Charles Dudley Warner; biographical essays by Sarah Josepha Hale and Rose Terry Cooke; letters by Oliver Wendell Holmes, Elizabeth Barrett Browning, and Harriet Jacobs; recollections by Frederick Douglass, Annie Adams Fields, Isabella Beecher Hooker, and Charles Beecher; and poems by Paul Laurence Dunbar and John Greenleaf Whittier. An introduction at the beginning of each essay connects it to its historical and cultural context, explanatory notes provide information about people and places, and the book includes a detailed introduction and a chronology of Stowe’s life. 

The thirty-eight recollections gathered in Stowe in Her Own Time form a biographical narrative designed to provide several perspectives on the famous author, sometimes in conflict and sometimes in agreement but always perceptive. The figure who emerges from this insightful, analytical collection is far more complex than the image she helped construct in her lifetime.
[more]
cover of Straddling Worlds: The Jewish-American Journey of Professor Richard W. Leopold

Straddling Worlds

The Jewish-American Journey of Professor Richard W. Leopold

Steven J. Harper

Northwestern University Press, 2008

Author Steven J. Harper pays tribute to a well-respected teacher with this biography of a distinguished William Smith Mason Professor of History at Northwestern University, Richard W. Leopold. Harper had maintained contact with his former professor, as had hundreds of other alumni, meeting with him in the apartment to which his age and health confined him. When Leopold invited him to review his biographical materials to prepare a New York Times obituary, Harper began to catch glimpses of a deeper history in Leopold’s life: that of Jews in America after the turn of the century.

Across two years of Sundays, Leopold’s life came together and Harper began to notice parallels between the life of his professor and the life of his recently deceased father-in-law. Both grew up in less orthodox households but were still identified as Jewish by others; both attended Ivy League colleges, fighting (and beating) anti-Semitism there; and both served their country with distinction in World War II. The two men persevered through a twentieth century Jewish-American experience that they and many others shared, but rarely discussed. Steven Harper has caught them both on the page just in time to document their lives, their culture, and the nation that grew and changed alongside them.

[more]
cover of Straddling the Border: Immigration Policy and the INS

Straddling the Border

Immigration Policy and the INS

By Lisa Magaña

University of Texas Press, 2003

With the dual and often conflicting responsibilities of deterring illegal immigration and providing services to legal immigrants, the U. S. Immigration and Naturalization Service (INS) is a bureaucracy beset with contradictions. Critics fault the agency for failing to stop the entry of undocumented workers from Mexico. Agency staff complain that harsh enforcement policies discourage legal immigrants from seeking INS aid, while ever-changing policy mandates from Congress and a lack of funding hinder both enforcement and service activities.

In this book, Lisa Magaña convincingly argues that a profound disconnection between national-level policymaking and local-level policy implementation prevents the INS from effectively fulfilling either its enforcement or its service mission. She begins with a history and analysis of the making of immigration policy which reveals that federal and state lawmakers respond more to the concerns, fears, and prejudices of the public than to the realities of immigration or the needs of the INS. She then illustrates the effects of shifting and conflicting mandates through case studies of INS implementation of the Immigration Reform and Control Act of 1986, Proposition 187, and the 1996 Welfare Reform and Responsibility Act and their impact on Mexican immigrants. Magaña concludes with fact-based recommendations to improve the agency's performance.

[more]
cover of Straight Edge: Hardcore Punk, Clean Living Youth, and Social Change

Straight Edge

Hardcore Punk, Clean Living Youth, and Social Change

Haenfler, Ross

Rutgers University Press, 2006

Straight edge is a clean-living youth movement that emerged from the punk rock subculture in the early 1980s. Its basic tenets promote a drug-free, tobacco-free, and sexually responsible lifestyle—tenets that, on the surface, seem counter to those typical of teenage rebellion. For many straight-edge kids, however, being clean and sober was (and still is) the ultimate expression of resistance—resistance to the consumerist and self-indulgent ethos that defines mainstream U.S. culture.

In this first in-depth sociological analysis of the movement, Ross Haenfler follows the lives of dozens of straight-edge youths, showing how for these young men and women, and thousands of others worldwide, the adoption of the straight-edge doctrine as a way to better themselves evolved into a broader mission to improve the world in which they live. Straight edge used to signify a rejection of mind-altering substances and promiscuous sex, yet modern interpretations include a vegetarian (or vegan) diet and an increasing involvement in environmental and political issues.

The narrative moves seamlessly between the author’s personal experiences and theoretical concerns, including how members of subcultures define “resistance,” the role of collective identity in social movements, how young men experience multiple masculinities in their quest to redefine manhood, and how young women establish their roles in subcultures. This book provides fresh perspectives on the meaning of resistance and identity in any subculture.

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cover of Straight Power Concepts in the Middle East: US Foreign Policy, Israel and World History

Straight Power Concepts in the Middle East

US Foreign Policy, Israel and World History

Gregory Harms

Pluto Press, 2010

How did the US become a world power? How did it become involved in the Middle East? What is the history and nature of its 'special relationship' with Israel?

Given the increase in tensions in the Middle East, and the United States' involvement in them, news coverage is in abundance. Yet, the reportage and discussion of American foreign policy is often narrow in scope, offering little background or context. The subject is routinely treated with the vocabulary provided by government officials, presenting best intentions while conceding occasional mistakes and unfortunate incidents. As Gregory Harms demonstrates in Straight Power Concepts, the historical record bears out a different vocabulary and tells a story that sharply contrasts with the common assumptions.

In this brief and accessible account, the reader is guided through the panoramic sweep of world and American history, reviewing how the US became a world power, how the Middle East became 'modern' and how Israel became an American 'strategic asset.' In so doing, the book provides a broad frame of reference, illustrating that recent developments are closer to business-as-usual and nothing resembling the rhetoric commonly used by heads of state, press secretaries, news media, and commentators.

As in his highly successful book The Palestine-Israel Conflict, Harms makes complex subjects accessible to everyone, without sacrificing analytical rigour. This book should be the first port of call for students and anyone seeking clarity and a historical elucidation of current events involving the United States, Israel, and the Middle East.

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cover of Strained Relations: US Foreign-Exchange Operations and Monetary Policy in the Twentieth Century

Strained Relations

US Foreign-Exchange Operations and Monetary Policy in the Twentieth Century

Michael D. Bordo, Owen F. Humpage, and Anna J. Schwartz

University of Chicago Press, 2015

During the twentieth century, foreign-exchange intervention was sometimes used in an attempt to solve the fundamental trilemma of international finance, which holds that countries cannot simultaneously pursue independent monetary policies, stabilize their exchange rates, and benefit from free cross-border financial flows. Drawing on a trove of previously confidential data, Strained Relations reveals the evolution of US policy regarding currency market intervention, and its interaction with monetary policy. The authors consider how foreign-exchange intervention was affected by changing economic and institutional circumstances—most notably the abandonment of the international gold standard—and how political and bureaucratic factors affected this aspect of public policy.
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