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Beginning in the 1950s, the theory of modernization emerged as the dominant paradigm of economic, social, and political development within the American foreign policy establishment. Purporting to explain the stages through which all nations pass on the road to industrial modernity, it provided a rationale for a broad range of cultural and political projects aimed at fostering Third World growth while simultaneously combating communism. 

But modernization theory was more than simply an expression of Cold War ideology. As the essays in this volume show, the ideal of modernization proliferated throughout the postcolonial world and across ideological lines in places as diverse as East Asia, Southern Africa, and South Asia. Indeed, it was embraced by all who shared the American enthusiasm for the increased production and higher standards of living promised by industrialization—enemies and allies alike. 

Situating modernization theory historically, Staging Growth avoids conventional chronologies and categories of analysis, particularly the traditional focus on conflicts between major powers. The contributors employ a variety of approaches—from economic and intellectual history to cultural criticism and biography—to shed fresh light on the global forces that shaped the Cold War and its legacies. Most of the pieces are comparative, exploring how different countries and cultures have grappled with the implications of modern development. At the same time, all of the essays address similar fundamental questions. Is modernization the same thing as Westernization? Is the idea of modernization universally valid? Do countries follow similar trajectories as they undertake development? Does modernization bring about globalization? 

In addition to the editors and Akira Iriye, contributors include Michael Adas, Laura Belmonte, Gregg Andrew Brazinsky, Christina Klein, J. Victor Koschmann, and Michael R. Mahoney.

Lair and Knott's discovery of new developments in theater and entertainment during the 1920s led the pair to careers that kept each of them center stage. Inspired by programs such as WLS's Barn Dance and the success of early folk events, Lair promoted Kentucky musicians. Knott staged her own radically inclusive festival, which included Native and African American traditions and continues today as the National Folk Festival. Michael Ann Williams shows how Lair and Knott fed the public's fascination with the "art of the common man" and were in turn buffeted by cultural forces that developed around and beyond them.

Deals with the period of takeover and of ‘high Stalinism’ in Eastern Europe (1945–1955). These years are considered to be fundamentally characterized by institutional and ideological transfers based upon the premise of radical transformism and of cultural revolution. Both a balance-sheet and a politico-historical synthesis that reflects the archival and thematic novelties which came about in the field of communism studies after 1989.

Contains contributions analyzing various aspects related these topics for each country of the former Soviet bloc (with the exception of Albania). The essays are based on new archival research, some are reassessments of the author’s previous research and others are critical appraisals of the specific literature published on issues related to the main topic. A path-breaking comparative framework for interpreting the relationship between late Stalinism and the communist takeovers in former Eastern Europe. A bonus for the volume is that it also provides detailed, sectorial analyses for the Romanian case, something that the field paritcularly lacks.

Reassessing the Political Legacy of Alabama's Most Influential Governor.

Whereas other studies have focused on George Wallace’s career as a national figure, Stand Up for Alabama provides a detailed, comprehensive, and analytical study of Wallace’s political life that emphasizes his activities and their impact within the state of Alabama. Jeff Frederick answers two fundamental questions: What was George Wallace’s impact on the state of Alabama? Why did Alabamians continue to embrace him over a twenty-five year period? Using a variety of sources to document the state’s performance in areas including mental health, education, conservation, prisons, and industrial development, Frederick answers question number one. He cites comparisons between Alabama and both peer states in the South and national averages. Wallace’s policies improved the state, but only in relation to Alabama’s past, not in relation to peer states in the region or national averages. As a result, energy was expended but little progress was made.

To answer the second question, Frederick uses the words of Alabamians themselves through oral history, correspondence, letters to the editor, and other sources. Alabamians, white and eventually black, supported Wallace because race was but one of his appeals. Stand Up for Alabama shows that Wallace connected to Alabamians at a gut level, reminding them of their history and memory, championing their causes on the stump, and soothing their concerns about their place in the region and the nation.

Jeff Frederick examines the development of policy during the Wallace administrations and documents relationships with his constituents in ways that go beyond racial politics. He also analyzes the connections between Wallace’s career and Alabamians’ understanding of their history, sense of morality, and class system. “Stand up for Alabama” was the governor’s campaign slogan.

An innovative study of the history of standardization that draws on both technical documents and novels.

Jonathan H. Grossman’s elegant analysis of standardization approaches the topic by exploring how institutions create standards. Grossman tracks how published standards documents became the dominant means of homogenizing durable objects during the nineteenth century’s industrialization of manufacturing, including printing. Examining these documents as a genre, he reconstructs the nineteenth-century history of published standards documents and shows how they evolved to produce uniformity across manufactured objects.

Shifting focus from the standardized creation of objects to their use by subjects, Grossman then probes how people reimagined, through print, the ways in which their subjectivity combined with identical, interchangeable manufactured objects. To understand that relation, he looks to nineteenth-century novels by Charles Dickens, Mark Twain, and Elizabeth Gaskell, revealing how these books depicted the interchangeability of the subjects implied by this production of identical objects. The novels do not merely observe the interplay between subjects and standardized objects; they materialize it in the assemblage of readers holding their industrially manufactured, print copy.  

During the worst years of apartheid, the most popular show on television in South Africa—among both Black and White South Africans—was The Cosby Show. Why did people living under a system built on the idea that Black people were inferior and threatening flock to a show that portrayed African Americans as comfortably mainstream? Starring Mandela and Cosby takes up this paradox, revealing the surprising impact of television on racial politics.

The South African government maintained a ban on television until 1976, and according to Ron Krabill, they were right to be wary of its potential power. The medium, he contends, created a shared space for communication in a deeply divided nation that seemed destined for civil war along racial lines. At a time when it was illegal to publish images of Nelson Mandela, Bill Cosby became the most recognizable Black man in the country, and, Krabill argues, his presence in the living rooms of white South Africans helped lay the groundwork for Mandela’s release and ascension to power.

Weaving together South Africa’s political history and a social history of television, Krabill challenges conventional understandings of globalization, offering up new insights into the relationship between politics and the media.

A timeless journey into the heart and folklore of Alabama.

Stars Fell on Alabama is a landmark work of Southern literature that transports readers to Alabama during the early 20th century. Written by Carl Carmer, this evocative narrative blends memoir, travel writing, and folklore to paint a rich portrait of a region steeped in tradition and complexity. Carmer captures the rhythms of rural life, the haunting beauty of the landscape, and the voices of its people—farmers, musicians, storytellers—whose tales reveal the cultural fabric of the Deep South. From ghost stories and folk songs to accounts of social customs and racial tensions, this book offers an unflinching yet affectionate look at Alabama’s heritage. Both a historical document and a literary masterpiece, Stars Fell on Alabama remains essential reading for anyone interested in Southern history, American folklore, and the enduring power of storytelling.