Results by title

A cruise along the streets of Chennai—or Silicon Valley—filled with professional young Indian men and women, reveals the new face of India. In the twenty-first century, Indians have acquired a new kind of global visibility, one of rapid economic advancement and, in the information technology industry, spectacular prowess. In this book, C. J. Fuller and Haripriya Narasimhan examine one particularly striking group who have taken part in this development: Tamil Brahmans—a formerly traditional, rural, high-caste elite who have transformed themselves into a new middle-class caste in India, the United States, and elsewhere.

Fuller and Narasimhan offer one of the most comprehensive looks at Tamil Brahmans around the world to date. They examine Brahman migration from rural to urban areas, more recent transnational migration, and how the Brahman way of life has translated to both Indian cities and American suburbs. They look at modern education and the new employment opportunities afforded by engineering and IT. They examine how Sanskritic Hinduism and traditional music and dance have shaped Tamil Brahmans’ particular middle-class sensibilities and how middle-class status is related to the changing position of women. Above all, they explore the complex relationship between class and caste systems and the ways in which hierarchy has persisted in modernized India. 

Television existed for a long time before it became commonplace in American homes. Even as cars, jazz, film, and radio heralded the modern age, television haunted the modern imagination. During the 1920s and 1930s, U.S. television was a topic of conversation and speculation. Was it technically feasible? Could it be commercially viable? What would it look like? How might it serve the public interest? And what was its place in the modern future? These questions were not just asked by the American public, but also posed by the people intimately involved in television’s creation. Their answers may have been self-serving, but they were also statements of aspiration. Idealistic imaginations of the medium and its impact on social relations became a de facto plan for moving beyond film and radio into a new era.

In Television in the Age of Radio, Philip W. Sewell offers a unique account of how television came to be—not just from technical innovations or institutional struggles, but from cultural concerns that were central to the rise of industrial modernity. This book provides sustained investigations of the values of early television amateurs and enthusiasts, the fervors and worries about competing technologies, and the ambitions for programming that together helped mold the medium.

Sewell presents a major revision of the history of television, telling us about the nature of new media and how hopes for the future pull together diverse perspectives that shape technologies, industries, and audiences.

On October 20, 1934, University of Michigan officials benched Wolverines star Willis Ward to accommodate Georgia Tech’s refusal to share the field with a Black player. Tyran Kai Steward illuminates how Ward’s experience as a student-athlete highlighted the distinct forms of racism practiced in the North and influenced Ward’s beliefs for the rest of his life.

Michigan’s policy of dubious inclusion showed how white institutions admitted Black individuals and then forced them to face discrimination and isolation. Steward connects Ward’s college experience to his subsequent career, where his work as a personnel executive at Ford Motor Company and the Public Services Commission reflected his ambivalence to civil rights and conservative views on race reform. As time passed, Ward advocated for Black Americans to pursue personal success over collective action, a belief that—along with his staunch Republican Party politics—made Ward an example of the Black conservative approach to racial progress.

In-depth and sobering, The Benching of Willis Ward uses one man’s career to shine a light on the workings and legacy of the North’s systems of discrimination.

Situated in Chicago's famed Gold Coast, just north of the Magnificent Mile, the Charnley house is one of the finest dwellings in the city and considered worldwide to be a stunning example of avant-garde architecture. Now the headquarters of the Society of Architectural Historians and designated a National Historic Landmark in 1998, the house was built in 1892 at a critical moment in urban and architectural history. The Charnley House is the first authoritative publication on the building, which has long been discussed in surveys but never before examined in detail.

In this collection of original essays, six well-known architectural historians illuminate various aspects of the house, both inside and out, as they consider its remarkable formal and spatial qualities, its historical significance in the development of Chicago's elite residential neighborhood, and its place in the context of American domestic architecture. Equally important, the contributors tackle the knotty, decades-old issue concerning the building's designer. While many have ascribed the scheme to Frank Lloyd Wright, Louis Sullivan's chief assistant at the time, this book sheds new light on how the house relates significantly to the work of both master and apprentice.

The continuing debate over the house's "authorship" highlights the importance of the Charnley house in the history of modern architecture as the seminal work of residential design in the United States. These thoroughly researched interpretations, supplemented by an abundance of never before published illustrations, analyze this house of distinction with the care and detail it deserves. Beautifully restored in late 1980s, the Charnley house now has a book worthy of it.

Though the political and intellectual history of mapmaking in the eighteenth century is well established, the details of its commercial revolution have until now been widely scattered. In The Commerce of Cartography, Mary Pedley presents a vivid picture of the costs and profits of the mapmaking industry in England and France, and reveals how the economics of map trade affected the content and appearance of the maps themselves.

Conceptualizing the relationship between economics and cartography, Pedley traces the process of mapmaking from compilation, production, and marketing to consumption, reception, and criticism. In detailing the rise of commercial cartography, Pedley explores qualitative issues of mapmaking as well. Why, for instance, did eighteenth-century ideals of aesthetics override the modern values of accuracy and detail? And what, to an eighteenth-century mind and eye, qualified as a good map?

A thorough and engaging study of the business of cartography during the Enlightenment, The Commerce of Cartography charts a new cartographic landscape and will prove invaluable to scholars of economic history, historical geography, and the history of publishing.

The ninth largest city in the United States, Dallas is exceptional among American cities for the claims of its elites and boosters that it is a "city with no limits" and a "city with no history." Home to the Dallas Cowboys, self-styled as "America's Team," setting for the television series that glamorized its values of self-invention and success, and site of the assassination of John F. Kennedy, Dallas looms disproportionately large in the American imagination. Yet it lacks an identity of its own.

In The Dallas Myth, Harvey J. Graff presents a novel interpretation of a city that has proudly declared its freedom from the past. He scrutinizes the city's origin myth and its governance ideology, known as the "Dallas Way," looking at how these elements have shaped Dallas and served to limit democratic participation and exacerbate inequality. Advancing beyond a traditional historical perspective, Graff proposes an original, integrative understanding of the city's urban fabric and offers an explicit critique of the reactionary political foundations of modern Dallas: its tolerance for right-wing political violence, the endemic racism and xenophobia, and a planning model that privileges growth and monumental architecture at the expense of the environment and social justice.

Revealing the power of myths that have defined the city for so long, Graff presents a new interpretation of Dallas that both deepens our understanding of America's urban landscape and enables its residents to envision a more equitable, humane, and democratic future for all.

What did it mean to be a scientist before the profession itself existed? Jan Golinski finds an answer in the remarkable career of Humphry Davy, the foremost chemist of his day and one of the most distinguished British men of science of the nineteenth century. Originally a country boy from a modest background, Davy was propelled by his scientific accomplishments to a knighthood and the presidency of the Royal Society. An enigmatic figure to his contemporaries, Davy has continued to elude the efforts of biographers to classify him: poet, friend to Coleridge and Wordsworth, author of travel narratives and a book on fishing, chemist and inventor of the miners’ safety lamp. What are we to make of such a man?
           
In The Experimental Self, Golinski argues that Davy’s life is best understood as a prolonged process of self-experimentation. He follows Davy from his youthful enthusiasm for physiological experiment through his self-fashioning as a man of science in a period when the path to a scientific career was not as well-trodden as it is today. What emerges is a portrait of Davy as a creative fashioner of his own identity through a lifelong series of experiments in selfhood.

 Although some people

The Joffrey Ballet is a comprehensive history of the quintessential American dance troupe and a textured portrait of Robert Joffrey, the creative maverick who led and inspired it. Broadly researched, richly anecdotal, and elegantly written, The Joffrey Ballet probes the complex relationship that exists between a culture and its artists through the prism of this company's story.

"[The Joffrey Ballet is] remarkable for its warmth and vigor, and for its blending of candor and judiciousness."—Jack Anderson, New York Times Book Review

"A milestone in dance writing. Few studies in the field will be able to match Sasha Anawalt's elegant style."—Anna Kisselgoff, New York Times

"Anawalt transforms years of meticulous research into a cliffhanger of a history."—Elizabeth Zimmer, dance editor, Village Voice

"[The Joffrey Ballet] is a meticulously detailed, well-documented history, juiced with a little gossip here and there . . . [and] a valuable sweeping look at this all-important troupe."—Sid Smith, Chicago Tribune Book Review

"[Anawalt's] approach is deeper and more satisfying than straightforward biography."—Marcia B. Siegel, Village Voice

This ambitious study sets out to discover what marriage meant in the daily lives of the nobles of the tenth, eleventh, and twelfth centuries. Through entertaining anecdotes, family dramas, and striking quotations, Duby succeeds in bringing his subjects to life, making us feel as if we understand the motives and conflicts of those who inhabited the distant past.

"It is typical of Duby's modest spirit and his book-long concern with the ancient status of beleaguered wives that he ends his study with a plea: 'We must not forget the women. Much has already been said about them. But how much do we really know?' Not everything, certainly, but far more than we did before the author began these charmingly erudite investigations."—Ken Turan, Time

"It is refreshing to find a historian who is always conscious that we simply do not know what or how people thought 1000 years ago. . . . Duby explains the complicated machinations of the medieval churchman and the paterfamilias in a scholarly but lively style."—Sarah Lawson, New Statesman

"Duby has written an extraordinarily rich book—a panoramic view of medieval marriage and the relations between men and women, full of arresting insights and human detail. . . . It is the work of a master historian at the peak of his powers on a subject of central relevance, compulsive and essential reading."—P. Stafford, British History

Georges Duby (1919-1996) was a member of the Académie française and for many years held the distinguished chair in medieval history at the Collège de France. His books include The Three Orders; The Age of Cathedrals; The Knight, the Lady, and the Priest; Love and Marriage in the Middle Ages; and History Continues, all published by the University of Chicago Press.

Bringing together new articles and essays from the controversial Berkeley conference of the same name, The Making and Unmaking of Whiteness presents a fascinating range of inquiry into the nature of whiteness. Representing academics, independent scholars, community organizers, and antiracist activists, the contributors are all leaders in the “second wave” of whiteness studies who collectively aim to combat the historical legacies of white supremacy and to inform those who seek to understand the changing nature of white identity, both in the United States and abroad.
With essays devoted to theories of racial domination, comparative global racisms, and transnational white identity, the geographical reach of the volume is significant and broad. Dalton Conley writes on “How I Learned to Be White.” Allan Bérubé discusses the intersection of gay identity and whiteness, and Mab Segrest describes the spiritual price white people pay for living in a system of white supremacy. Other pieces examine the utility of whiteness as a critical term for social analysis and contextualize different attempts at antiracist activism. In a razor-sharp introduction, the editors not only raise provocative questions about the intellectual, social, and political goals of those interested in the study of whiteness but assess several of the topic’s major recurrent themes: the visibility of whiteness (or the lack thereof); the “emptiness” of whiteness as a category of identification; and conceptions of whiteness as a structural privilege, a harbinger of violence, or an institutionalization of European imperialism.

Contributors. William Aal, Allan Bérubé, Birgit Brander Rasmussen, Dalton Conley, Troy Duster, Ruth Frankenberg, John Hartigan Jr., Eric Klinenberg, Eric Lott, Irene J. Nexica, Michael Omi, Jasbir Kaur Puar, Mab Segrest, Vron Ware, Howard Winant, Matt Wray

At the center of this subtle ethnographic account of the Haya communities of Northwest Tanzania is the idea of a lived world as both the product and the producer of everyday practices. Drawing on his experience living with the Haya, Brad Weiss explores Haya ways of constructing and inhabiting their community, and examines the forces that shape and transform these practices over time. In particular, he shows how the Haya, a group at the fringe of the global economy, have responded to the processes and material aspects of money, markets, and commodities as they make and remake their place in a changing world.
Grounded in a richly detailed ethnography of Haya practice, Weiss’s analysis considers the symbolic qualities and values embedded in goods and transactions across a wide range of cultural activity: agricultural practice and food preparation, the body’s experience of epidemic disease from AIDS to the infant affliction of “plastic teeth,” and long-standing forms of social movement and migration. Weiss emphasizes how Haya images of consumption describe the relationship between their local community and the global economy. Throughout, he demonstrates that particular commodities and more general market processes are always material and meaningful forces with the potential for creativity as well as disruption in Haya social life. By calling attention to the productive dimensions of this spatial and temporal world, his work highlights the importance of human agency in not only the Haya but any sociocultural order.
Offering a significant contribution to the anthropological theories of practice, embodiment, and agency, and enriching our understanding of the lives of a rural African people, The Making and Unmaking of the Haya Lived World will interest historians, anthropologists, ethnographers, and scholars of cultural studies.

The harsh Armistice terms of 1918, the short-lived Weimar Republic, Hindenburg's senile vacillations, and behind-the-scene power plays form the backbone of this excellent study covering German history during the first three-and-a-half decades of the century.

What factors create a successful resort? How did the rise of lavish hotels and spas reflect the changing values of American society as the nineteenth century progressed? Historians have argued that resorts were created to meet the demands of a leisured social elite. Theodore Corbett offers a fresh, compelling argument, demonstrating that resorts created and re-created themselves to keep pace with changing times. Success came with anticipating demands, not just reacting to them.
 

Using an impressive variety of historical documents, Corbett focuses on the conditions underlying the rise—and the demise—of the resorts at Ballston Spa and Caldwell on Lake George. Both towns’ major landlord–developers saw tourism as only one vehicle that could lead to success. As a result of their divided policies, neither town invested in the proper infrastructure to make tourism an immediate succes. Both places were soon overshadowed by Saratoga Springs, which became the premier resort of the upper and middle class.
 

Due to complex interwoven influences, Saratoga Springs was able to supply the amenities needed to attract and retain the patronage of the well heeled. The town provided visitors with lavish hotels, parks, public squares, pleasure gardens, and convenient service alleys. Saratoga Springs also had a work force that was available for the five-month period per year that the spas were active. Corbett examines the history and participation of various ethnic groups in the resort’s service sector: African Americans, Irish, and Native Americans.
 

Corbett also stresses middle-class America’s emulation of the leisure habits of the English aristocracy. Even though these pursuits (hunting, fishing, horse racrting) were dominaterd by men, social rituals were dominated by women, and resorts that accommodated “public domesticity” thrived as the century progressed. The Making of American Resorts offers a window into shifting public values and the structure of commercial tourism.

While conventional wisdom points to the Arab-Israeli War of 1967 as the gateway for the founding of the first Arab American national political organization, such advocacy in fact began with the Syrian nationalist movement, which emerged from immigration trends at the turn of the last century. Bringing this long-neglected history to life, The Making of Arab Americans overturns the notion of an Arab population that was too diverse to share common goals. Tracing the forgotten histories of the Free Syria Society, the New Syria Party, the Arab National League, and the Institute of Arab American Affairs, the book restores a timely aspect of our understanding of an area (then called Syria) that comprises modern-day Syria, Lebanon, Jordan, Israel, and Palestine. Hani Bawardi examines the numerous Arab American political advocacy organizations that thrived before World War I, showing how they influenced Syrian and Arab nationalism. He further offers an in-depth analysis exploring how World War II helped introduce a new Arab American identity as priorities shifted and the quest for assimilation intensified. In addition, the book enriches our understanding of the years leading to the Cold War by tracing both the Arab National League’s transition to the Institute of Arab American Affairs and new campaigns to enhance mutual understanding between the United States and the Middle East. Illustrated with a wealth of previously unpublished photographs and manuscripts, The Making of Arab Americans provides crucial insight for contemporary dialogues.

One of the few interdisciplinary volumes on Bahia available, The Making of Brazil’s Black Mecca: Bahia Reconsidered contains contributions covering a wide chronological and topical range by scholars whose work has made important contributions to the field of Bahian studies over the last two decades. The authors interrogate and problematize the idea of Bahia as a Black Mecca, or a haven where Brazilians of African descent can embrace their cultural and spiritual African heritage without fear of discrimination. In the first section, leading historians create a century-long historical narrative of the emergence of these discourses, their limitations, and their inability to effect meaningful structural change. The chapters by social scientists in the second section present critical reflections and insights, some provocative, on deficiencies and problematic biases built into current research paradigms on blackness in Bahia. As a whole the text provides a series of insights into the ways that inequality has been structured in Bahia since the final days of slavery.
 

The Making of Chicana/o Studies traces the philosophy and historical development of the field of Chicana/o studies from precursor movements to the Civil Rights era to today, focusing its lens on the political machinations in higher education that sought to destroy the discipline. As a renowned leader, activist, scholar, and founding member of the movement to establish this curriculum in the California State University system, which serves as a model for the rest of the country, Rodolfo F. Acuña has, for more than forty years, battled the trend in academia to deprive this group of its academic presence.

The book assesses the development of Chicana/o studies (an area of studies that has even more value today than at its inception)--myths about its epistemological foundations have remained uncontested. Acuña sets the record straight, challenging those in the academy who would fold the discipline into Latino studies, shadow it under the dubious umbrella of ethnic studies, or eliminate it altogether.

Building the largest Chicana/o studies program in the nation was no easy feat, especially in an atmosphere of academic contention. In this remarkable account, Acuña reveals how California State University, Northridge, was instrumental in developing an area of study that offers more than 166 sections per semester, taught by 26 tenured and 45 part-time instructors. He provides vignettes of successful programs across the country and offers contemporary educators and students a game plan--the mechanics for creating a successful Chicana/o studies discipline--and a comprehensive index of current Chicana/o studies programs nationwide.

Latinas/os, of which Mexican Americans are nearly seventy percent, comprise a complex sector of society projected to be just shy of thirty percent of the nation's population by 2050. The Making of Chicana/o Studies identifies what went wrong in the history of Chicana/o studies and offers tangible solutions for the future.

The unprecedented expansion in environmental regulation over the past thirty years—at all levels of government—signifies a transformation of our nation's laws that is both palpable and encouraging. Environmental laws now affect almost everything we do, from the cars we drive and the places we live to the air we breathe and the water we drink. But while enormous strides have been made since the 1970s, gaps in the coverage, implementation, and enforcement of the existing laws still leave much work to be done.

In The Making of Environmental Law, Richard J. Lazarus offers a new interpretation of the past three decades of this area of the law, examining the legal, political, cultural, and scientific factors that have shaped—and sometimes hindered—the creation of pollution controls and natural resource management laws. He argues that in the future, environmental law must forge a more nuanced understanding of the uncertainties and trade-offs, as well as the better-organized political opposition that currently dominates the federal government. Lazarus is especially well equipped to tell this story, given his active involvement in many of the most significant moments in the history of environmental law as a litigator for the Justice Department's Environment and Natural Resources Division, an assistant to the Solicitor General, and a member of advisory boards of the U.S. Environmental Protection Agency, the World Wildlife Fund, and the Environmental Defense Fund.

Ranging widely in his analysis, Lazarus not only explains why modern environmental law emerged when it did and how it has evolved, but also points to the ambiguities in our current situation. As the field of environmental law "grays" with middle age, Lazarus's discussions of its history, the lessons learned from past legal reforms, and the challenges facing future lawmakers are both timely and invigorating.

The Making of Federal Coal Policy provides a unique record of—as well as important future perspectives on—one of the most significant ideological conflicts in national policymaking in the last decade. The management of federally owned coal, almost one-third of the U.S.'s total coal resources, has furnished an arena for the contest between energy development and environmental protection, as well as between the federal government and the states. Robert H. Nelson has written an important historical document and a useful guide for policy analysts.

Alice’s Adventures in Wonderland and Through the Looking-Glass are two of the most famous, translated, and quoted books in the world. What began as a simple tale told by eccentric Oxford mathematician Charles Dodgson (better known as Lewis Carroll) to Alice Liddell, daughter of the Dean of Christ Church, become a worldwide phenomenon. Fostering film adaptations and retellings, and influencing countless other works, the Alice books have a deeply cherished place in popular culture. Known for their oddities and absurdities, the books have been endlessly interpreted and analyzed for symbolism and hidden messages.

Peter Hunt cuts away the psychological speculation that has grown up around the Alice books, and instead traces the historical sources of their multilayered in-jokes and political, literary, and philosophical satire. He situates the books in the history of children’s literature and explores the local and personal references that the real Alice would have understood. Equally fascinating are the rich fragments about everything from the “sensation” novel to Darwinian theory—not to mention Dodgson’s personal feelings—that he wove into the books as they developed.

Illustrated with manuscripts, portraits, Sir John Tenniel’s original line drawings for the first editions, and contemporary photographs, this is an innovative look at two remarkable stories. The Making of Lewis Carroll’s Alice and the Invention of Wonderland takes us on a guided tour from the treacle wells of Victorian Oxford through an astonishing world of politics, philosophy, humor, and nightmare.

“Invention … does not consist in creating out of void, but out of chaos”—Mary Shelley

In the two hundred years since its first publication, the story of Frankenstein’s creation during stormy days and nights at Byron’s Villa Diodati on Lake Geneva has become literary legend. In this compelling and innovative book, Daisy Hay stitches together the objects and manuscripts of the novel’s turbulent genesis in order to bring its story back to life.
 
Frankenstein was inspired by the extraordinary people surrounding the eighteen-year-old author and by the places and historical dramas that formed the backdrop of her youth. Featuring manuscripts, portraits, illustrations, and artifacts, The Making of Mary Shelley’s “Frankenstein” explores the novel’s time and place, the people who inspired its characters, the relics of its long afterlife, and the notebooks in which it was created. Hay strips Frankenstein back to its constituent parts to reveal an uneven novel written by a young woman deeply engaged in the process of working out what she thought about the pressing issues of her time: from science, politics, religion, and slavery to maternity, the imagination, creativity, and community. Richly illustrated throughout, this is an astute and intricate biography of the novel for all those fascinated by its essential, brilliant chaos.

An interdisciplinary history of standardized measurements.

Measurement is all around us—from the circumference of a pizza to the square footage of an apartment, from the length of a newborn baby to the number of miles between neighboring towns. Whether inches or miles, centimeters or kilometers, measures of distance stand at the very foundation of everything we do, so much so that we take them for granted. Yet, this has not always been the case.

This book reaches back to medieval Italy to speak of a time when measurements were displayed in the open, showing how such a deceptively simple innovation triggered a chain of cultural transformations whose consequences are visible today on a global scale. Drawing from literary works and frescoes, architectural surveys, and legal compilations, Emanuele Lugli offers a history of material practices widely overlooked by historians. He argues that the public display of measurements in Italy’s newly formed city republics not only laid the foundation for now centuries-old practices of making, but also helped to legitimize local governments and shore up church power, buttressing fantasies of exactitude and certainty that linger to this day.

This ambitious, truly interdisciplinary book explains how measurements, rather than being mere descriptors of the real, themselves work as powerful molds of ideas, affecting our notions of what we consider similar, accurate, and truthful.

Nevada has always been different from other states. Almost from its beginning, Nevada sanctioned behaviors considered immoral elsewhere—gambling, prize-fighting, brothels, easy divorce—and embraced a culture of individualism and disdain for the constraints of more conventional society. In The Making of Modern Nevada, author Hal Rothman focuses on the factors that shaped the state’s original maverick, colonial status and those that later allowed it to emerge as the new standard of American consumer- ism and postmodern liberalism. Rothman introduces the masters who sought to own Nevada, from bonanza kings to Mafia mobsters, as well as the politicians, miners, gamblers, civic and civil-rights leaders, union organ- izers, and casino corporate moguls who guided the state into prosperity and national importance. He also analyzes the role of mob and labor union money in the development of Las Vegas; the Sagebrush Rebellion; the rise of megaresorts and of Las Vegas as a world icon of leisure and pleasure; and the political and social impact of the proposed Yucca Mountain nuclear waste repository. The Making of Modern Nevada is essential reading for anyone who wonders how the Silver State got this way, and where it may be going in the twenty-first century.

The book Our Bodies, Ourselves is a feminist success story. Selling more than four million copies since its debut in 1970, it has challenged medical dogmas about women’s bodies and sexuality, shaped health care policies, energized the reproductive rights movement, and stimulated medical research on women’s health. The book has influenced how generations of U.S. women feel about their bodies and health. Our Bodies, Ourselves has also had a whole life outside the United States. It has been taken up, translated, and adapted by women across the globe, inspiring more than thirty foreign language editions.

Kathy Davis tells the story of this remarkable book’s global circulation. Based on interviews with members of the Boston Women’s Health Book Collective, the group of women who created Our Bodies, Ourselves, as well as responses to the book from readers, and discussions with translators from Latin America, Egypt, Thailand, China, Eastern Europe, Francophone Africa, and many other countries and regions, Davis shows why Our Bodies, Ourselves could never have been so influential if it had been just a popular manual on women’s health. It was precisely the book’s distinctive epistemology, inviting women to use their own experiences as resources for producing situated, critical knowledge about their bodies and health, that allowed the book to speak to so many women within and outside the United States. Davis provides a grounded analysis of how feminist knowledge and political practice actually travel, and she shows how the process of transforming Our Bodies, Ourselves offers a glimpse of a truly transnational feminism, one that joins the acknowledgment of difference and diversity among women in different locations with critical reflexivity and political empowerment.

Paul Klee—one of the preeminent artists of the twentieth century—was associated with all of the major movements of the first half of the century: expressionism, cubism, surrealism, and abstraction. In this economic and political history, O. K. Werckmeister traces Klee's career as a professional artist, concentrating on the years 1914-20 in which Klee rose from obscurity to recognition in the visual culture of the incipient Weimar Republic. Werckmeister reveals the degree to which Klee, who has been traditionally portrayed as aloof from politics and the vicissitudes of the art market, was subject to and interacted with material conditions.

Drawing on rich documentary evidence—records of Klee's sales, reviews of his exhibitions, the artist's published writings about his art, unpublished correspondence, as well as contemporary criticism—Werckmeister follows Klee's transformation from an idiosyncratic abstract individualist to a metaphysical storyteller to mystical sage. Werckmeister argues that this latter image was promoted by a number of influential art critics and dealers acting in cooperation with the artist himself. This posture prompted Klee's success first in the war-weary modernist art world of 1916-18 and then in the pseudo-revolutionary art world of 1919-20.

This work is a critical challenge to the myth of Klee's art and to the hagiography of his artistic personality. Werckmeister's historical account is sure to be a controversial yet significant contribution to Klee studies—one that will change the nature of Klee scholarship for some time to come.

From the mid-1830s through the 1850s, more than a half million people settled in Wisconsin. While traveling in ships and wagons, establishing homes, and forming new communities, these men, women, and children recorded their experiences in letters, diaries, and newspaper articles. In their own words, they revealed their fears, joys, frustrations, and hopes for life in this new place. 

The Making of Pioneer Wisconsin provides a unique and intimate glimpse into the lives of these early settlers, as they describe what it felt like to be a teenager in a wagon heading west or an isolated young wife living far from her friends and family. Woven together with context provided by historian Michael E. Stevens, these first-person accounts form a fascinating narrative that deepens our ability to understand and empathize with Wisconsin’s early pioneers. 

In the twelfth century, the Catholic Church attempted a thoroughgoing reform of marriage and sexual behavior aimed at eradicating sexual desire from Christian lives. Seeking a refuge from the very serious condemnations of the Church and relying on a courtly culture that was already preoccupied with honor and secrecy, European poets, romance writers, and lovers devised a vision of love as something quite different from desire.  Romantic love was thus born as a movement of covert resistance.

 

In The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, William M. Reddy illuminates the birth of a cultural movement that managed to regulate selfish desire and render it innocent—or innocent enough. Reddy strikes out from this historical moment on an international exploration of love, contrasting the medieval development of romantic love in Europe with contemporaneous eastern traditions in Bengal and Orissa, and in Heian Japan from 900-1200 CE, where one finds no trace of an opposition between love and desire. In this comparative framework, Reddy tells an appealing tale about the rise and fall of various practices of longing, underscoring the uniqueness of the European concept of sexual desire.

Kessler supplies both the biography of a legend and an explanation of why that legend has endured.

Sacagawea is one of the most renowned figures of the American West. A member of the Shoshone tribe, she was captured by the Hidatsas as a child and eventually became one of the wives of a French fur trader, Toussaint Charbonneau. In 1805 Charbonneau joined Lewis and Clark as the expedition's interpreter. Sacagawea was the only woman to participate in this important mission, and some claim that she served as a guide when the expedition reached the upper Missouri River and the mountainous region.

Although much has been written about the historical importance of Sacagawea in connection with the expedition, no one has explored why her story has endured so successfully in Euro-American culture. In an examination of representative texts (including histories, works of fiction, plays, films, and the visual arts) from 1805 to the present, Kessler charts the evolution and transformation of the legend over two centuries and demonstrates that Sacagawea has persisted as a Euro-American legend because her story exemplified critical elements of America's foundation myths-especially the concept of manifest destiny. Kessler also shows how the Sacagawea legend was flexible within its mythic framework and was used to address cultural issues specific to different time periods, including suffrage for women, taboos against miscegenation, and modern feminism.

Celebrities and popular icons are increasingly ubiquitous figures of a 21st century postmodern world. Some, in death, blur age-old distinctions of sanctification and trespass on sacred ground long held exclusively by religious saints. An emerging continuum is transforming that sacred arena and raising a number of important issues, including the nature of the relationships between the worshipped and the worshipful and the types of institutions that sustain them.

The Making of Saints: Contesting Sacred Ground investigates a number of religious leaders, healers, folk saints, and popular icons in seeking to identify their commonalities and discover how they speak to the same inner yearnings of human beings for gods and heroes. Issues of social relations, love, emotion, charisma, power, and sanctification are addressed by the contributors. Analyses of hagiographies, biographies, media, control of space, pilgrimage, and acts of devotion provide the bases for the authors' explorations of these issues. Among the sanctified included for analysis are the folk saints El Nino Fidencio and Teresa Urrea; the charismatic rabbis Baba Sali, Baba Baruch, and Ifargan; King Chulalongkorn of Thailand; two political figures, Evita Peron and Che Guevara; and three celebrities: James Dean, Elvis Presley, and Japanese rock star HIDE.

The contributors challenge notions of what is sacred and who may be sanctified, and argue that a broadening of views is needed to accommodate and appreciate emerging contemporary realities.

Shakespeare is synonymous with English literature. Well-loved the world over, his work endures for its ability to speak powerfully to the follies and foibles of human nature. We endlessly debate not only the finer points of each of his plays and sonnets but also the identity of the Bard himself. Yet no fanfare surrounded the initial publication of Shakespeare’s First Folio—no queue of eager readers, no launch to the top of the best seller list. It wasn’t until four hundred years after Shakespeare’s death that the book would be the subject of a national book tour.
           
The Making of Shakespeare’s First Folio offers the first comprehensive biography of the earliest collected edition of Shakespeare’s plays. In November 1623, the book arrived in the bookshop of the London publisher Edward Blount at the Black Bear. Long in the making, Master William Shakespeare’s Comedies, Histories, and Tragedies—as the First Folio was then known—appeared seven years after Shakespeare’s death. Nearly one thousand pages in length, the collection comprised thirty-six plays, half of which had never been previously published. Emma Smith tells the story of the First Folio’s origins, locating it within the social and political context of Jacobean London and bringing in the latest scholarship on the seventeenth-century book trade.
           
Extensively illustrated, The Making of Shakespeare’s First Folio is a landmark addition to the copious literature on Shakespeare. It will shed much-needed light on the birth of the First Folio—of which fewer than 250 copies remain—and the birth of Shakespeare’s towering reputation.

In this innovative study, Michel Wieviorka applies interventionist sociology to a comparative analysis of Italian, Peruvian, Basque, and Middle Eastern terrorist groups. Through staged confrontations between terrorists and their targets, and extensive interviews with both parties, he throws new light on the terrorists and their relationships both to the movements they represent and the social institutions they attempt to destroy.

Wieviorka demonstrates that the truly terrorist actor has become alienated both from the collective movement and society. The actor turns to the blind violence when he finds himself cut off from the very ideology which legitimates his actions. Pure terrorism, Wieviorka concludes, is more than simply a break between those who use it and those it targets; it is also a relationship—between the individual and the collective he represents—which has been rendered unrealistic or artificial. Thus, terrorist violence should be understood not as the desperate act of a faltering movement but as a substitute for a movement which has fallen away from the ideology in which it was forged.

For the revelations it offers on the roots and motivations of terrorism, for its innovative methods, and for its useful comparative analysis of terrorist groups in recent history, The Making of Terrorism will be an important resource across many disciplines for anyone interested in terrorism or political violence.

Revised and reissued in light of recent events, this classic and now increasingly important book is an exception in the literature on terrorism. Based on complex observations of actual movement participants, Wieviorka's book addresses a broad spectrum of terrorist activity—from Italian left-wing terrorists to Basque nationalist groups to the international terrorism of Palestine and the Middle East. The result is an incisive analysis of what terrorists believe and what they hope to achieve through their actions. For this new edition, Wieviorka adds new material that remaps the state of terrorism after the events of 2001.

Within three decades of its refounding in Ann Arbor in 1837, the University of Michigan became the largest and arguably most progressive university in the United States. By century's end, its influence in higher education stretched from coast to coast- from Cornell to Stanford- and touched professional, graduate, and undergraduate education. At the end of the twentieth century, the University of Michigan continues to rank among the nation's leading universities, setting the standard for higher education in the twenty-first century.

Howard Peckham's history of the University of Michigan was published in 1967 to help celebrate the University's 150th anniversary. This new edition by Margaret and Nicholas Steneck continues Peckham's broad coverage of the University of Michigan through its 175th anniversary, covering the administrations of Robben Fleming, Harold Shapiro, and the beginning of the presidency of James Duderstadt.

The Stenecks have also reformatted and edited the earlier Peckham chapters to turn The Making of the University of Michigan into an accessible and engaging book to read or to browse, covering all aspects of campus life, from sports and students to the coming and going of faculty, administrators, and regents, with over seventy-five photos carefully integrated into the text.

Margaret and Nicholas Steneck are historians at the University of Michigan who currently teach a large and popular undergraduate lecture course on the history of the University of Michigan.

The adventures of Mole, Ratty, Mr. Toad, and Mr. Badger—and their tangles with the Weasels—have been adored by children for more than a century. Yet, with its oddly bureaucratic town dramas and the esoteric hobbies of its protagonists, The Wind in the Willows was originally intended almost entirely for adults. Though first inspired by bedtime stories Kenneth Grahame told to his son Alastair, as he wrote them down, the tales of these woodland creatures developed into something much more sophisticated.
            Peter Hunt explores the unusual trajectory of The Wind in the Willows through previously unpublished archival materials, original drawings, and fan letters (including one from Theodore Roosevelt). He identifies the colleagues and friends on whom Grahame is thought to have based the characters of Mole, Rat, Badger, and Toad, and explores the literary genres of boating, caravanning, and motoring on which the author drew. He also recounts the extraordinary correspondence surrounding the book’s first publication and the influence of two determined women—publisher’s agent Constance Smedley and the author’s wife, Elspeth Grahame—who helped turn the book into the classic for children we know and love today. Generously illustrated throughout, this book celebrates one of the most beloved works of children’s literature ever published.

Today's successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright's or a theatre company's career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various media agents as well as artistic directors, producers, and directors also pursue separate agendas in shaping the reputations of theatrical works. In The Making of Theatrical Reputations Yael Zarhy-Levo demonstrates the processes through which these mediatory practices by key authority figures situate theatrical companies and playwrights within cultural and historical memory.

 To reveal how these authorizing powers-that-be promote theatrical events, companies, and playwrights, Zarhy-Levo presents four detailed case studies that reflect various angles of the modern London theatre. In the case of the English Stage Company's production of John Osborne's Look Back in Anger, she centers on a specific event. She then focuses on the trajectory of a single company, the Theatre Workshop, particularly through its first decade at the Theatre Royal, Stratford East, London. Next, she explores the career of the dramatist John Arden, especially its first ten years, in part drawing upon an interview with Arden and his wife, actress and playwright Margaretta D'Arcy, before turning to her fourth study: the playwright Harold Pinter's shifting reputation throughout the different phases of his career.

Zarhy-Levo's accounts of these theatrical events, companies, and playwrights through the prism of mediation bring fresh insights to these landmark productions and their creators.

Alexis de Tocqueville was among the first to draw attention to Americans’ propensity to form voluntary associations—and to join them with a fervor and frequency unmatched anywhere in the world. For nearly two centuries, we have sought to understand how and why early nineteenth-century Americans were, in Tocqueville’s words, “forever forming associations.” In The Making of Tocqueville’s America, Kevin Butterfield argues that to understand this, we need to first ask: what did membership really mean to the growing number of affiliated Americans?

Butterfield explains that the first generations of American citizens found in the concept of membership—in churches, fraternities, reform societies, labor unions, and private business corporations—a mechanism to balance the tension between collective action and personal autonomy, something they accomplished by emphasizing law and procedural fairness. As this post-Revolutionary procedural culture developed, so too did the legal substructure of American civil society. Tocqueville, then, was wrong to see associations as the training ground for democracy, where people learned to honor one another’s voices and perspectives. Rather, they were the training ground for something no less valuable to the success of the American democratic experiment: increasingly formal and legalistic relations among people.