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The venture of this inviting collection is to look, from the many vantages that the 35 poets in this eclectic anthology chose to look, at what it was—knowing that a poem can’t be conceived in advance of its creation—that helped their poems to emerge or connected them over time. The Rag-Picker's Guide to Poetry permits an inside view of how poets outwit internal censors and habits of thought, showing how the meticulous and the spontaneous come together in the process of discovery. Within are contained the work and thoughts of:

• Betty Adcock
• Joan Aleshire
• Debra Allbery
• Elizabeth Arnold
• David Baker
• Rick Barot
• Marianne Boruch
• Karen Brennan
• Gabrielle Calvocoressi
• Michael Collier
• Carl Dennis
• Stuart Dischell
• Roger Fanning
• Chris Forhan
• Reginald Gibbons
• Linda Gregerson
• Jennifer Grotz
• Brooks Haxton
• Tony Hoagland
• Mark Jarman
• A. Van Jordan
• Laura Kasischke
• Mary Leader
• Dana Levin
• James Longenbach
• Thomas Lux
• Maurice Manning
• Heather McHugh
• Martha Rhodes
• Alan Shapiro
• Daniel Tobin
• Ellen Bryant Voigt
• Alan Williamson
• Eleanor Wilner
• C. Dale Young

The collection of poems in The Reckoning of Jeanne d’Antietam circles the U.S. Civil War and the failed revolution of Reconstruction, and Matthew Moore makes incursions into the histories and beliefs of the era through architectures of sound, but also via ancillary histories and histories stacked upon histories—densely and visibly scrawled—like Anselm Kiefer's sculptures of lead books, melted and dripping with the texts of illegible songs. His poems include the figure of Joan of Arc (Jeanne d'Arc) and her voices; the explosion of the U.S. prison system and racial legal fictions amid the groundswell of mass terror in the wake of the U.S. Civil War; the politically poisoned poetic lineage that moves from Modernism, to New Criticism, and dead-ends in Southern Agrarianism; and the destructive colonial histories of the sugar and cotton industries.  

The Reckoning of Jeanne d’Antietam stands imbricated with the spell of language-the-testament; language as hard rhyme and difficult music, evanescence and violence; and the invocation of names and events at their meeting places in history. Moore’s poems stand against sentiment and pity, and against the consolation of that which cannot be consoled. 

The Right to Remain Violets is an electrifying poetry collection that reimagines the language of policing, public education, and state surveillance to illuminate the lived realities of Black and Brown youth in East Palo Alto—a city shaped by redlining, freeway expansion, and decades of over-policing. Blending documentary poetics with hip-hop cadence and Catholic liturgy, Antonio De Jesús López transforms transcripts, municipal documents, and legal language into a powerful form of witness. These poems trace how children are drafted into systems of surveillance and criminalization, even as they search for joy and solidarity amid Silicon Valley’s contrasts of wealth and dispossession.

Inventive and emotionally resonant, the collection spans sonnets, sestinas, hip-hop, and prayer, insisting that language can both indict and heal. López brings his experiences as an award-winning poet, scholar, and former mayor of East Palo Alto to each poem. At once elegy and refusal, The Right to Remain Violets speaks to readers of documentary poetics, social justice literature, and those who believe in the radical importance of protecting childhood in an America reckoning with itself.

The first English translation of a Romanian poet’s celebrated and devastating 2012 collection.

In 1997, when he was nineteen, Radu Vancu discovered the body of his father, who had hanged himself in the family home. In the dark years that followed, Vancu turned to literature and self-medication. By 2009, after a decade of “Schopenhauer and vodka” and the publication of seven influential volumes of poetry and essays, Vancu was married, newly sober, and expecting his first child. With these themes in mind—bereavement, love, fatherhood, and poetry—he began writing Frânghia înflorită, or The Rope in Bloom, a poem of Dantesque ambition and scope. Through twenty-four cantos interwoven with prose vignettes, Vancu revisits the scene of the suicide and speaks with the lost soul of his father, who guides and advises him. Each canto begins with the same lines: 

What your dead one, what the best-

beloved of your dead loved ones says to you

when you have the heart to dream of him: 

Vancu’s verse depicts a nightmare underworld, at once terrible and banal, containing both rivers of blood and family movie nights. Prose vignettes punctuating the book narrate tender years in the early life of a new family. Here, the poet appears in everyday moments, watching cartoons with his son and seeing his wife off to work. Together, the cantos and prose accumulate into a charged collection, where the loss of a father looms over the joy of becoming one.

This volume is the first full-length English translation of Vancu’s work, marking a long-overdue introduction of the poet to anglophone audiences.

John Trumbull, the colonial American satiric poet, is one of the most readable, and certainly one of the most amusing, of our early men of letters. His poems, with all their wit and bite, bring back to life again the days of the Revolutionary War—powdered wigs, flirting belles, political quarrels, town meetings, brawling mobs, inept generals, flaming national purpose, and all. And if the colonial period seems a long way back in time, his satiric poem on the Progress of Dulness in education will show that time—or at least time in the colleges—has not moved so fast after all.

Trumbull's two long poems, so important to the beginnings of America's national poetry and to an understanding of America's literary heritage, were out of print for a number of years and had, in fact, never before been accurately reprinted from the original versions. Here they are available, complete with the original biting prefaces, in a dependable text for the scholar, annotated for the general reader interested in the literature and history of the American eighteenth century. The annotation is inclusive but kept to a minimum.

Along with his childhood friend Sir Philip Sidney, Fulke Greville (1554–1628) was an important member of the court of Queen Elizabeth I. Although his poems, long out of print, are today less well known than those of Sidney, Spenser, or Shakespeare, Greville left an indelible mark on the world of Renaissance poetry, both in his love poems, which ably work within the English Petrarchan tradition, and in his religious meditations, which, along with the work of Donne and Herbert, stand as a highpoint of early Protestant poetics.

Back in print for a new generation of scholars and readers, Thom Gunn’s selection of Greville’s short poems includes the whole of Greville’s lyric sequence, Caelica, along with choruses from some of Greville’s verse dramas. Gunn’s introduction places Greville’s thought in historical context and in relation to the existential anxieties that came to preoccupy writers in the twentieth century. It is as revealing about Gunn himself, and the reading of earlier English verse in the 1960s, as it is about Greville’s own poetic achievement. This reissue of Selected Poems of Fulke Greville is an event of the first order both for students of early British literature and for readers of Thom Gunn and English poetry generally.

Unearthing the overlooked poet behind Poetry magazine

Harriet Monroe, whose work as the visionary founding editor of Poetry magazine profoundly shaped the development of American poetry in the 20th century, was a vital and prolific poet in her own right. This volume showcases the sweeping breadth of Monroe’s poetic talents.

Monroe lived through a period of immense change and global conflict, from the American Civil War, through World War I and the Great Depression, up to the first stirrings of the second Great War. Through her poetry, Monroe confronted major issues, critiquing war, the impact of industrialization on the arts, and inequality, while championing women’s rights and environmental conservation—issues that remain pressingly relevant today. Monroe’s three collections of poetry, as well as her own “selected poems” volume, have all long been out of print. This book, then, represents the first appearance of many of these poems in more than 100 years. This selection includes meditations on modern technology and globalization in the early 20th century, love lyrics, hymns to the deserts of the American West, feminist reflections on gender and motherhood, and more. The volume also includes a number of poems that have never before been published, drawing on manuscripts found in Monroe’s papers at the University of Chicago Library.

Students at the University of Nebraska–Lincoln, under the guidance of Kevin McMullen, project manager of the Walt Whitman Archive, selected these poems to capture the range and breadth of Monroe’s styles and poetic interest. The poems, along with an extensive critical introduction and explanatory notes, establish Monroe’s place as an important and overlooked Modernist poet from the Midwest.