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The intellectual resistance to totalitarian regimes can take many forms. This remarkable volume portrays one such story of resistance in Romania during the reign of Ceauşescu: that of Constantin Noica, one of the country’s foremost intellectuals.

Noica was an original thinker belonging to the remarkable intellectual generation of important figures such as Mircea Eliade, E. M. Cioran and Eugene Ionescu, but he chose to stay in Romania after the communist takeover when many others fled. Harassed and jailed for six years, Noica retreated to the mountains and gathered around him some brilliant young minds and future talent to challenge and nurture them in a time when communism denied them the materials of true intellectual importance.

This group of students withdrew to Noica’s retreat for intensive philosophical sessions to debate the works of Kant, Plato, Heidegger and discuss humanistic values. The author of this volume Liiceanu, himself a brilliant philosopher, was Noica’s closest disciple and during every meeting he noted every conversation in a diary which came to be known as The Păltiniş Diary. These conversations were secretly published and quickly devoured by intellectuals in Romania who were prepared to sacrifice part of their food provisions to acquire the book. The Păltiniş Diary sold out within a matter of days and because of Secret Police censorship, was not published again in Romania until 1991 by which time Noica had died and the group had disbanded to help with the reconstruction of post-Ceauşescu Romania.

The Păltiniş Diary is a wonderful homage to an intellectual master and to the power of intellect and freedom. The book will be of interest to philosophers, non-philosophers alike, and to anyone who seeks to grasp the true meaning of survival under totalitarian conditions. 

Once the pride of interwar Czechoslovakia, and key during the forced industrialization of the Stalinist period, during the 1970s and 1980s the Czechoslovak railway sector showed the symptoms of the political tiredness and economic exhaustion of the Soviet Bloc. This book examines the failure of central economic planning through the lens of this national transport system.

Based on the presentation of its history and on the detailed scrutiny of the actors, institutions, internal mechanisms, and conditions of the railway sector, the analysis reveals the identities of the real stakeholders in the state administration. This case shows how the country was governed by Communist Party institutions and government ministries, and how developments in the transportation sector—like in every sector—reflected their priorities. Numerous tables with selected statistics underscore the economic analysis and black and white photos offer a glimpse on the technical base of the railway sector.

The book is filled with enlightening comparisons of the Czechoslovak transportation industry with its counterparts in the whole Eastern Bloc. Integration into the Council for Mutual Economic Assistance (Comecon) of the Bloc could have been an asset, yet the records have more to say about conflicts than cooperation.

The Yugoslav crisis, with its armed conflict, ethnic cleansing and the reverberating ideas and mindsets, has been going on for more than ten years. The Road to War in Serbia is the first serious assessment to explore the roots of the conflict in the former Yugoslavia. Based on years of research, the authors - all eminent scholars in the field who have lived through these social conflicts - highlight key issues which have to date remained unknown or which have been previously neglected.

The issues dealt with include the institutional frameworks of ethnicity and nationalism; the input of the church, science, literature and sports; specific catalysts of the conflict and the role of the political actors, students, the ruling party and the media.

The Road to War in Serbia will be of great interest to all readers who want to understand why and how the violent option of settling disputes and conflicts on the territory of Yugoslavia is being accepted.

The first English translation of a Romanian poet’s celebrated and devastating 2012 collection.

In 1997, when he was nineteen, Radu Vancu discovered the body of his father, who had hanged himself in the family home. In the dark years that followed, Vancu turned to literature and self-medication. By 2009, after a decade of “Schopenhauer and vodka” and the publication of seven influential volumes of poetry and essays, Vancu was married, newly sober, and expecting his first child. With these themes in mind—bereavement, love, fatherhood, and poetry—he began writing Frânghia înflorită, or The Rope in Bloom, a poem of Dantesque ambition and scope. Through twenty-four cantos interwoven with prose vignettes, Vancu revisits the scene of the suicide and speaks with the lost soul of his father, who guides and advises him. Each canto begins with the same lines: 

What your dead one, what the best-

beloved of your dead loved ones says to you

when you have the heart to dream of him: 

Vancu’s verse depicts a nightmare underworld, at once terrible and banal, containing both rivers of blood and family movie nights. Prose vignettes punctuating the book narrate tender years in the early life of a new family. Here, the poet appears in everyday moments, watching cartoons with his son and seeing his wife off to work. Together, the cantos and prose accumulate into a charged collection, where the loss of a father looms over the joy of becoming one.

This volume is the first full-length English translation of Vancu’s work, marking a long-overdue introduction of the poet to anglophone audiences.

The first sustained cultural analysis of Russia at war that reveals how art, artists, and institutions become actors in conflict.

This book was conceived in wartime, and war stands at its center. It proceeds through an analysis of cultural phenomena and processes that, in one way or another, originated in Russia and bear on the present situation—regardless of where their actors may now reside.

Through a series of case studies, The Russian Archipelago at War Against Ukraine traces how war has entered the realm of art—literature, the visual arts, theater, film, and beyond—and examines the ways in which culture itself becomes a participant in war. What emerges are narratives of resistance and protest, of persecution and prohibition, and emergent forms of underground, but also postures of indifference, resignation, and compliance, including overt loyalty to and support for the ideology and practice of war, its perpetrators, and its objectives.

Underlying this content is a more unsettling question: what aesthetic, cultural-political, moral, and intellectual challenges, consequences, and perhaps even fragile hopes does the horror of war contain?

To most observers, the 1984 Winter Olympics in Sarajevo, Yugoslavia, were an unmitigated success. That year, the unlikeliest of candidate cities in the unlikeliest of candidate countries did what many had thought impossible: it hosted an international sports competition at the highest level, housing and feeding hundreds of athletes and thousands of tourists while broadcasting a positive image of socialist Yugoslavia to the world. 

The first Winter Games held in a communist country, Sarajevo also marked the first Olympic confrontation of Soviet and American athletes since the U.S. boycott of the 1980 Moscow Summer Games. And the competitions themselves were spectacular and memorable. This was the Olympics of British ice dancers Jayne Torvill and Christopher Dean, American skiers “Wild Bill” Johnson and Debbie Armstrong, and East German skaters Katarina Witt and Karin Enke, not to mention a Soviet hockey team that rebounded from its stunning loss to the Americans at Lake Placid four years earlier to win all seven of its matches. 

Yet The Sarajevo Olympics is more than just a history of sport. Jason Vuic also retraces the history of the Olympic movement, analyzes the inner workings of the International Olympic Committee during the troubled 1970s and 1980s, and places the 1984 Winter Games in the context of Cold War geopolitics. The book begins and ends by reminding readers that less than a decade after it hosted the Olympics, the Bosnian city of Sarajevo found itself at the vortex of a bloody and brutal civil war that would end with the dissolution of the multiethnic Yugoslavian state.

The Roman Catholic Church has played a unique role in the history of Poland in the twentieth century: the people and the Church drew closer and closer together during Nazi rule, the Stalinist period and the somewhat milder, though strongly anti-religious and repressive Gomulka regime (1956-1970). The power struggle between the Church and the communist government did in fact play a role in shaping world politics, the Polish Church having been the force behind the opposition movement in Poland. Against this background, a Polish pope appeared and made a major contribution to the collapse of communism.

The Seeds of Triumph, the most comprehensive recent book on the opposition of Church and State in post-war Poland, compares the characteristics and consequences of this relationship during three different periods: the first and second periods of Gomulka's rule, and the Stalinist era between the two Gomulka periods. It examines the balance of power, studying to what degree the Church and other factors in the political environment influenced governmental policy-making. The author disproves the common stereotype, held at the time, that domestic conditions played only a marginal role. In examining the regime's policies, she covers the legal background, the general policy characteristics, the specific policies implemented during the period, and the role of the individual actors, most notably the pivotal role of the two main protagonists, Cardinal Wyszynski and Wladislaw Gomulka.

In her landmark study, Diskin makes a significant contribution to the study of authoritarian systems and greatly enhances our understanding of the centrality of the Church in recent Polish history.

The war in Ukraine, with the exposure of nuclear power stations and the danger of atomic warfare, has made the legacy of the Soviet nuclear sector of critical importance.

The two authors map the Soviet nuclear industry in a shifting historical context, making sense of a complex socio-technical and environmental history. Taking an innovative approach, this book explores the history of atomic power in the former Soviet Union using the spatial dimensions of the nuclear industry as a point of departure. The key concept is that of the archipelago – a network of nuclear facilities spread throughout the Soviet territory, but mutually reliant on each other and densely connected.

The story traces the emergence of nuclear science and technology for military and civilian purposes through to the post-Soviet Russian nuclear corporations as providers of resources and technology. The book explains how nuclear developments in the Soviet Union interacted with processes of environmental and landscape change. The spatial lens offers an analytically fruitful and pedagogically stimulating way to comprehend the nuclear histories of the Soviet Union and its successor states.

This collection of essays addresses the challenge of modern nationalism to the tsarist Russian Empire. First appearing on the empire’s western periphery this challenge, was most prevalent in twelve provinces extending from Ukrainian lands in the south to the Baltic provinces in the north, as well as to the Kingdom of Poland.
At issue is whether the late Russian Empire entered World War I as a multiethnic state with many of its age-old mechanisms run by a multiethnic elite, or as a Russian state predominantly managed by ethnic Russians. The tsarist vision of prioritizing loyalty among all subjects over privileging ethnic Russians and discriminating against non-Russians faced a fundamental problem: as soon as the opportunity presented itself, non-Russians would increase their demands and become increasingly separatist.
The authors found that although the imperial government did not really identify with popular Russian nationalism, it sometimes ended up implementing policies promoted by Russian nationalist proponents. Matters addressed include native language education, interconfessional rivalry, the “Jewish question,” the origins of mass tourism in the western provinces, as well as the emergence of Russian nationalist attitudes in the aftermath of the first Russian revolution.

    Vampires are the most fearsome and fascinating of all creatures of folklore. For the first time, detailed accounts of the vampire and how its tradition developed in different cultures are gathered in one volume by eminent folklorist Alan Dundes. Eleven leading scholars from the fields of Slavic studies, history, anthropology, and psychiatry unearth the true nature of the vampire from its birth in graveyard lore to the modern-day psychiatric patient with a penchant for drinking blood.
    The Vampire: A Casebook takes this legend out of the realm of literature and film and back to its dark beginnings in folk traditions. The essays examine the history of the word “vampire;” Romanian vampires; Greek vampires; Serbian vampires; the physical attributes of vampires; the killing of vampires; and the possible psychoanalytic underpinnings of vampires. Much more than simply a scary creature of the human imagination, the vampire has been and continues to haunt the lives of all those who encounter it—in reality or in fiction.

Since the collapse of socialism, Bulgaria’s population has been on the move—out of rural regions and into cities, or out of the country altogether. Yet today there is a countermovement of young, urban Bulgarians, born around 1989, seeking to repopulate rural villages and reclaim traditional Bulgarian folklife. Though many of these young Bulgarians have no direct experience with a rural lifestyle nor memories of thriving village life, their actions and movements are inspired by a nostalgic vision of the past. And so, beyond a spatial return, this rural revitalization movement speaks to visions of an alternate future, one sparked by dismay with the conditions of contemporary life.

Using ethnographic and folkloristic methods, Sarah Craycraft paints a complex, detailed picture of responses to Europeanization, carried out through neoliberal folklife projects as they collide with ongoing efforts to build a revitalized rural Bulgaria in the ruins of the past. Contextualized within a particular Southeast European nation, the study speaks to broader questions of rural revival, public-facing culture work, intergenerational folklore, and the imbrication of folklore with politics and culture.

This collective work analyzes the ongoing conflict in Ukraine, providing a coherent picture of Ukraine and Eastern Europe in the period 2013–2020. Giving voice to different social groups, scholarly communities and agencies relevant to Ukraine’s recent history, The War in Ukraine's Donbas goes beyond simplistic media interpretations that limit the analysis to Vladimir Putin and Russian aims to annex Ukraine. Instead, the authors identify the deeper roots linked to the autonomy and history of Donbas as a region. The contributions explore local society and traditions and the alienation from Ukraine caused by the events of Euromaidan, which saw the removal of the Donetsk-based president Viktor Yanukovych. Other chapters address the refugee crisis, the Minsk Accords in 2014 and the impact of the new president Volodymyr Zelensky and his efforts to bring the war to an end by negotiations among Russia, Ukraine, France, and Germany.

The book concludes with four proposals for a durable peace in Donbas: territorial power-sharing; the conversion of rebels into legitimate political parties; amnesty for all participants of the armed conflict; and a transitional period of several years until political institutions are fully re-established.

The Warsaw Uprising of 1944 dramatically tells the largely unknown story of the Warsaw resistance movement during World War II. Desperate to free themselves from German military oppression but also hoping to show the advancing Soviets that they could not impose easy rule upon the citizens of Warsaw, the Poles launched an almost hopeless attack against the Germans on August 1, 1944.

A close-up history of the Yugoslav artists who broke down the boundaries between public and private

 

In the decades leading up to the dissolution of socialist Yugoslavia, a collective of young artists based in Zagreb took to using the city’s public spaces as a platform for radical individual expression. This Is Not My World presents a detailed account of the Group of Six Authors and their circle in the prolific and experimental period from 1975 to 1985, highlighting the friction between public and private that underlied their innovative practices. 

Looking to circumvent the rigid bureaucracy of official art institutions, this freewheeling group of conceptual artists and their peers brought artistic activities directly to an unwitting public by staging provocative performances, exhibiting artworks, and interacting with passersby on the streets. Exploring artworks such as Vlasta Delimar’s act of tying herself to a tree in a busy pedestrian area, Željko Jerman’s production of a giant banner declaring “Intimate Inscription” in the city’s central square, and Vlado Martek’s creation of an artwork on a seaside beach using women’s underwear, Adair Rounthwaite examines the work of these artists as a site of tension between the intimacy of artistic expression and the political structure of the public sphere under state socialism. 

Whereas many histories of modern and contemporary art in formerly socialist countries tend to be dominated by discussions of ideology and resistance, This Is Not My World focuses its attention on the affective aspects of the group’s activities, using artist interviews and extensive documentation to bring the reader closer to the felt experience of their public interventions. Situating the group’s work within the context of broader developments in conceptualism and theories of the avant-garde, Rounthwaite provides a fresh consideration and newly detailed account of this marginalized episode in global art history.

This book is not about war crimes, crimes against humanity, genocide, evil, or the killing of a society. It is about a cultural heritage, something vital to a society as a society, something that was not killed in the previous war, something that is resilient. 

Through the Window brings an original perspective to folklore of Bosnians at a certain period of time and the differences and similarities of the three main ethnic groups in Bosnia and Herzegovina. It examines the transethnic character of cultural heritage, against divisions that dominate their tragic recent past. 

The monograph focuses in particular on customs shared by different ethnic groups, specifically elopement, and affinal visitation. The elopement is a transformative rite of passage where an unmarried girl becomes a married woman. The affinal visitation, which follows, is a confirmatory ceremony where ritualized customs between families establish in-lawships These customs reflect a transethnic heritage shared by people in Bosnia as a national group, including Bosniaks, Serbs and Croats.

Scholarship on screen adaptation has proliferated in recent years, but it has remained largely focused on English- and Romance-language authors. Tolstoy on Screen aims to correct this imbalance with a comprehensive examination of film and television adaptations of Tolstoy’s fiction. Spanning the silent era to the present day, these essays consider well-known as well as neglected works in light of contemporary adaptation and media theory. The book is organized to facilitate a comparative, cross-cultural understanding of the various practices employed in different eras and different countries to bring Tolstoy’s writing to the screen. International in scope and rigorous in analysis, the essays cast new light on Tolstoy’s work and media studies alike.

Half a century after the Holocaust, on European soil, Bosnian Serbs orchestrated a system of concentration camps where they subjected their Bosniak Muslim and Bosnian Croat neighbors to torture, abuse, and killing. Foreign journalists exposed the horrors of the camps in the summer of 1992, sparking worldwide outrage. This exposure, however, did not stop the mass atrocities. Hikmet Karčić shows that the use of camps and detention facilities has been a ubiquitous practice in countless wars and genocides in order to achieve the wartime objectives of perpetrators. Although camps have been used for different strategic purposes, their essential functions are always the same: to inflict torture and lasting trauma on the victims.

Torture, Humiliate, Kill develops the author’s collective traumatization theory, which contends that the concentration camps set up by the Bosnian Serb authorities had the primary purpose of inflicting collective trauma on the non-Serb population of Bosnia and Herzegovina. This collective traumatization consisted of excessive use of torture, sexual abuse, humiliation, and killing. The physical and psychological suffering imposed by these methods were seen as a quick and efficient means to establish the Serb “living space.” Karčić argues that this trauma was deliberately intended to deter non-Serbs from ever returning to their pre-war homes. The book centers on multiple examples of experiences at concentration camps in four towns operated by Bosnian Serbs during the war: Prijedor, Bijeljina, Višegrad, and Bileća. Chosen according to their political and geographical position, Karčić demonstrates that these camps were used as tools for the ethno-religious genocidal campaign against non-Serbs. Torture, Humiliate, Kill is a thorough and definitive resource for understanding the function and operation of camps during the Bosnian genocide.

Documenting the latest statistical data on current problems related to reproductive health issues in Central and Eastern Europe, this text explores the reasons for these problems and recommends action based on the scientific evidence for improving reproductive health.

The main issues covered are: declining standards of reproductive health care; rising trends in the incidence of sexually transmitted diseases; low rates of use of modern contraceptives; high rates of induced abortion; high prevalence of infertility; and the needs of adolescents with regard to reproductive health.