5550 books match the query 'Biography & Autobiography' and 1006 start with t

cover of The Composer Embalmed: Relic Culture from Piety to Kitsch

The Composer Embalmed

Relic Culture from Piety to Kitsch

Abigail Fine

University of Chicago Press, 2025

The first granular study of nineteenth-century composer devotion—a network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming.
 
During the nineteenth century, music institutions promoted artworks they deemed timeless and made composers into figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered.

Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven’s mask as a relic of the “beautiful death,” and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culture—a culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors’ books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration.
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cover of The Cone Sisters of Baltimore: Collecting at Full Tilt

The Cone Sisters of Baltimore

Collecting at Full Tilt

Ellen B. Hirschland

Northwestern University Press, 2008

Over a period of fifty years, sisters Claribel and Etta Cone amassed one of the most acclaimed collections of late-nineteenth and twentieth-century art in America. Dr. Claribel and Miss Etta were two halves of an idiosyncratic team—Claribel bold and assertive and Etta reflective and sensitive—who used the fortunes of their German Jewish immigrant family to seek out works that inspired and pleased them, regardless of public opinion and with only self-taught expertise.

This richly illustrated biography documents their lives from a unique perspective: that of their great-niece, who wrote this book with her daughter. Ellen B. Hirschland and Nancy Hirschland Ramage delve into Claribel’s and Etta’s world, following the sisters through letters and personal stories as they travel to meet some of the artists whose works would turn their adjoining apartments into a gallery. They bought art by Manet, Gauguin, and Cézanne, as well as of Picasso and Matisse, whom they came to know well. The sisters’ experiences in Paris from 1901 through the 1920s provide an exceptional view of the bright artistic ferment in the city at that time. They were two Victorian women from Baltimore buying avant-garde masterpieces, attending salons with friends Gertrude and Leo Stein, and building a collection that would initially enrage the conservative people around them. Only with time would their keen eyes and unwavering taste prove them right.

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cover of The Confederacy's Fighting Chaplain: Father John B. Bannon

The Confederacy's Fighting Chaplain

Father John B. Bannon

Phillip Thomas Tucker

University of Alabama Press, 1992

1993 Douglas Southall Freeman History Award, sponsored by Military Order of the Stars and Bars

The Confederacy’s Fighting Chaplain is the remarkable story of the Irishman who brought the Bible and his own resourcefulness and daring to both the battlefield and the diplomatic field—a story that has been largely ignored for more than 130 years. The biography of John B. Bannon also chronicles the forgotten Southerners—the Irish immigrants of the Confederacy—whose colorful and crucial role in the Civil War has been seriously neglected.
 
John B. Bannon was born in Ireland in 1829 and raised in peat-bog country. Educated at the Royal College of St. Patrick at Maynooth, he was ordained a priest in May 1853. Ireland was still suffering from the effects of the Potato Famine, which caused thousands of Irish to emigrate to the United States. In response to the need for Roman Catholic priests to minister to America’s immigrant population, Father Bannon was sent to the Archidiocese of St. Louis, Missouri, shortly after his ordination. Many of the Irish parishioners of St. Louis lived in a crowded corner of the city without money, assistance or land.
 
Father Bannon soon became a leading civic and religious figure in St. Louis. An impressive character, he was described as a “handsome man, over six feet in height, with splendid form and intellectual face, courteous manners, and of great personal magnetism, conversing entertainingly and with originality and great wit, in a manner all his own.”
 
By 1860, Missouri contained the second largest Irish population and the largest German population in the Southern and border states, and when the war reached Missouri, Father Bannon volunteered to serve on the battlefield by tending to the wounded and dying. During the war he served as chaplain-soldier in perhaps the finest combat unit on either side—the First Missouri Confederate Brigade. He impressed his fellow Confederates by attending the wounded at the front lines during battle, while most chaplains stayed to the rear. This tall, athletic man was a striking figure with his slouch had and butternut-colored uniform with a red cloth cross on the left shoulder. Various accounts praised the chaplain: A veteran wrote that the chaplain “was everywhere in the midst of battle when the fire was heaviest and the bullets thickest.” General Sterling Price wrote: “The greatest soldier I ever saw was Father Bannon. In the midst of the fray he would step in and take up a fallen soldier.”
 
After the fall of Vicksburg, where Bannon had worked under dangerous fire, he journeyed to Richmond and received recognition and special diplomatic duties from President Jefferson Davis. Bannon conceived a brilliant strategy to gain recognition for the Confederacy from Pope Pius IX and thus open the door for recognition from Britain and France. On a mission for Davis he acted as a secret agent in Ireland during an all-important clandestine effort to stop the flood of Irish immigrants pouring into the Union armies at a critical time—before the decisive campaigns of 1864. After the war he joined the Jesuit order in Ireland, where he served until his death in 1913.
 
The story of Father Bannon is indeed the story of the Missouri Irish Confederates, whose role in the conflict likewise has been neglected. Without doubt, Father Bannon stands out as an important religious-diplomatic personality of the Confederacy. Few men played such a distinguished and diverse role during the Civil War.

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cover of The Confessions and Correspondence, Including the Letters to Malesherbes

The Confessions and Correspondence, Including the Letters to Malesherbes

Jean-Jacques Rousseau

Dartmouth College Press, 1998

When Rousseau first read his Confessions to a 1770 gathering in Paris, reactions varied from admiration of his candor to doubts about his sanity to outrage. Indeed, Rousseau's intent and approach were revolutionary. As one of the first attempts at autobiography, the Confessions' novelty lay not in just its retelling the facts of Rousseau's life, but in its revelation of his innermost feelings and its frank description of the strengths and failings of his character. Based on his doctrine of natural goodness, Rousseau intended the Confessions as a testing ground to explore his belief that, as Christopher Kelly writes, "people are to be measured by the depth and nature of their feelings." Re-created here in a meticulously documented new translation based on the definitive Pléiade edition, the work represents Rousseau's attempt to forge connections among his beliefs, his feelings, and his life. More than a "behind-the-scenes look at the private life of a public man," Kelly writes, "the Confessions is at the center of Rousseau's philosophical enterprise."
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cover of The Conquest of The Illinois

The Conquest of The Illinois

George Rogers Clark. Foreword by Rand Burnette

Southern Illinois University Press, 2001

Written only a decade after George Rogers Clark’s conquest of Illinois, this firsthand account shows the region as it existed in the 1770s, explains how British occupation affected Kentucky settlers, and exhibits Clark’s enormous diplomatic skills in convincing the French settlers and Indians along the rivers of Illinois that they were better off under the jurisdiction of the Americans rather than the British. In his new foreword to this book, Rand Burnette refers to Clark as a psychologist and an expert in human relations.

Believing the British responsible for Indian raids on the people of Kentucky, Clark determined to capture that area, which was claimed by his home state of Virginia. “His plan, which he presented to Governor Patrick Henry,” Burnette notes, “was to take possession of the Illinois country by defeating the British at Kaskaskia, win the support of the French in that area, and thus control both the Mississippi and the Ohio Rivers. The British support of the Indians, who raided the Kentucky settlements from the Illinois country, would be at an end.”

Clark’s stirring narrative—written between 1789 and 1791 and covering 1773–1779—chronicles the events in the Old Northwest in the second half of the eighteenth century. Life on the frontier was dangerous and uncertain at this time. As Clark points out and Milo Milton Quaife underlines in his footnotes, death came to many at the hands of Indians or in military battles and skirmishes.

First published in 1920 and long out of print, the Quaife edition of Clark’s The Conquest of The Illinois reprinted here is for the modern reader superior to the original. First, Quaife provided an index. Equally important for modern readers, he standardized Clark’s spelling. (Clark had little formal education, and his spelling was even more eccentric than that found in a typical eighteenth-century account.) Finally, Quaife’s footnotes often include biographical sketches of the people in the book.

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cover of The Conscience of a Lawyer: Clifford J. Durr and American Civil Liberties, 1899–1975

The Conscience of a Lawyer

Clifford J. Durr and American Civil Liberties, 1899–1975

John A. Salmond

University of Alabama Press, 1990

A powerful portrait of principle and protest in the life of a Southern lawyer who stood for civil liberties.

Clifford Judkins Durr was an Alabama lawyer who played an important role in defending activists and other accused of disloyalty during the New Deal and McCarthy eras. His uncompromising commitment to civil liberties and civic decency caused him to often take unpopular positions.

In 1933, Durr moved to Washington to work as a lawyer for the Reconstruction Finance Corporation, a creation of Roosevelt’s new Democratic administration, becoming a dedicated New Dealer in the process. He was then appointed by President Franklin D. Roosevelt to the Federal Communications Commission (FCC), a politically sensitive position as FDR sought to counter the increasing power and concentration of broadcasters, many of whom were opponents of the New Deal. Durr resigned from the FCC in 1948 and after brief employment with the National Farmers Union in Colorado, the Durrs eventually returned to Montgomery, Alabama in the hope of returning to a more prosperous, less controversial life.

Durr continued to practice in Montgomery as counsel for black citizens whose rights had been violated and ultimately, in December, 1955, when police arrested Rosa Parks for refusing to give her bus seat to a white man he stepped in and lent his extensive legal prowess to her case and the continuing quest for civil rights. Closing his firm in 1964 Durr began to lecture in the United States and abroad. He died at his grandfather's farm in 1975.
 

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cover of The Correspondence of Edmund Burke, Volume X: Index

The Correspondence of Edmund Burke, Volume X

Index

Edmund Burke

University of Chicago Press, 1978

This, the last volume in the series, provides the keys to all the others. All letters to and from Burke are listed, and the material in the letters themselves analysed in a comprehensive general index.
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cover of The Correspondence of Hannah Arendt and Gershom Scholem

The Correspondence of Hannah Arendt and Gershom Scholem

Hannah Arendt and Gershom Scholem

University of Chicago Press, 2017

Few people thought as deeply or incisively about Germany, Jewish identity, and the Holocaust as Hannah Arendt and Gershom Scholem. And, as this landmark volume reveals, much of that thinking was developed in dialogue, through more than two decades of correspondence.
            Arendt and Scholem met in 1932 in Berlin and quickly bonded over their mutual admiration for and friendship with Walter Benjamin. They began exchanging letters in 1939, and their lively correspondence continued until 1963, when Scholem’s vehement disagreement with Arendt’s Eichmann in Jerusalem led to a rupture that would last until Arendt’s death a dozen years later. The years of their friendship, however, yielded a remarkably rich bounty of letters: together, they try to come to terms with being both German and Jewish, the place and legacy of Germany before and after the Holocaust, the question of what it means to be Jewish in a post-Holocaust world, and more. Walter Benjamin is a constant presence, as his life and tragic death are emblematic of the very questions that preoccupied the pair. Like any collection of letters, however, the book also has its share of lighter moments: accounts of travels, gossipy dinner parties, and the quotidian details that make up life even in the shadow of war and loss.
            In a world that continues to struggle with questions of nationalism, identity, and difference, Arendt and Scholem remain crucial thinkers. This volume offers us a way to see them, and the development of their thought, anew.
 
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cover of The Correspondence of Walter Benjamin, 1910-1940

The Correspondence of Walter Benjamin, 1910-1940

Walter Benjamin

University of Chicago Press, 1994

A powerful, mesmerizing collection of letters from one of the most important intellectuals and writers of the twentieth century

Called “the most important critic of his time” by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A “natural and extraordinary talent for letter writing was one of the most captivating facets of his nature,” writes Gershom Scholem in his Foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful ideas, while also offering an intimate picture of Benjamin himself and the times in which he lived.
 
Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamin’s work, The Correspondence of Walter Benjamin is a revelatory look at the man behind much of the twentieth century’s most significant criticism.
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cover of The Cost of Courage: The Journey of an American Congressman

The Cost of Courage

The Journey of an American Congressman

Carl Elliott

University of Alabama Press, 2001

This deeply moving story chronicles the tenacity and vision that carried Carl Elliott from the hills of northwest Alabama to eight distinguished terms in the United States House of Representatives.

Born in a log cabin on a tenant farm in 1913, Carl Elliott worked his way through The University of Alabama during the Great Depression and was elected to Congress in 1948. With a no-nonsense philosophy of fairness and equal opportunity, he established himself as one of the most effective members of the House of Representatives during the 1950s. He was a progressive Democrat and he fought hard for the dirt farmers and coal miners he grew up with and who sent him to Congress.

In an era when racial segregationists dominated southern politics, Elliott worked with many of the important political leaders of the 20th century, including Presidents Truman, Eisenhower, and Kennedy and powerful House Speaker Sam Rayburn. He was instrumental in passing the National Defense Education Act of 1958, which continues to provide college loans to more than 20 million Americans. But his brave stand against racism and George Wallace in the 1966 Alabama gubernatorial race ruined him professionally (he never returned to elected office) and financially (he cashed in his congressional pension to help fund the campaign). Even as a destitute invalid in his old age, however, Elliott kept his dignity and integrity intact.

The life story of Carl Elliott is full of humor and wry wisdom and explains how he made his way across a stage as big as America, influencing its politics and future, and then emerged, belatedly, as an unsung hero of the fight for civil rights and equality.

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cover of The Cradle of Erewhon: Samuel Butler in New Zealand

The Cradle of Erewhon

Samuel Butler in New Zealand

By Joseph Jones

University of Texas Press, 1959

In 1859, Samuel Butler, a young Cantabrigian out of joint with his family, with the church, and with the times, left England to hew out his own path in New Zealand. At the end of just five years he returned, with a modest fortune in money and an immense fortune in ideas. For out of this self-imposed exile came Erewhon, one of the world's masterpieces of satire, which contained the germ of Butler's intellectual output for the next twenty years.

The Cradle of Erewhon is an examination and interpretation of the special ways in which these few crucial years affected Butler's life and work, particularly Erewhon and Erewhon Revisited. It shows us Butler the sheep farmer, explorer, and mountain climber, as well as Butler the newcomer to "The Colonies," accepting—and accepted by—his intellectual peers in the unpioneerlike little city of Christchurch, sharpening and disciplining his mind through his controversial contributions to the Christchurch Press. But more importantly, the book suggests the depth to which New Zealand penetrated the man and reveals new facets of influence hitherto unnoticed in Erewhon and Erewhon Revisited. The Southern Alps ("Oh, Wonderful! Wonderful! so lonely and so solemn"), the perilous rivers and passes, the character and customs of the Maoris—all these blend to afford new insights into a complex book. Butler was not the first to create an imaginary world as asylum from the harsh realities of this one (Vergil did the same in the Eclogues), nor was he the first, even in his own time, to protest against the machine as the enslaver of man, but his became the clearest and the freshest voice.

On the biographical side, The Cradle of Erewhon offers new evidence for reappraising the man who for so long has been a psychological and literary puzzle. Why, for instance, did he repudiate his first-born book, A First Year in Canterbury Settlement? And why, once safely away from the entanglements of London, did he voluntarily return to them? Answers to these and other Butlerian riddles are suggested in the engrossing account of the satirist's sojourn in the Antipodes.

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cover of The Cramoisy Queen: A Life of Caresse Crosby

The Cramoisy Queen

A Life of Caresse Crosby

Linda Hamalian

Southern Illinois University Press, 2009

Caresse Crosby rejected the culturally prescribed roles for women of her era and background in search of an independent, creative, and socially responsible life. Poet, memoirist, advocate of women’s rights and the peace movement, Crosby published and promoted modern writers and artists such as Hart Crane, Dorothy Parker, Salvador Dalí, and Romare Bearden. She also earned a place in the world of fashion by patenting one of the earliest versions of the brassiere.

Behind her public success was a chaotic life: three marriages, two divorces, the suicide of her husband Harry Crosby, strained relationships with her children, and legal confrontations over efforts to establish a center for world peace. As the first biographer to consider both the literary and social contexts of Crosby’s life, Linda Hamalian details Crosby’s professional accomplishments and her personal struggles. The Cramoisy Queen: A Life of Caresse Crosby also measures the impact of small presses on modernist literature and draws connections between key writers and artists of the era.

In addition to securing a place for Crosby in modern literary and cultural history, The Cramoisy Queen: A Life of Caresse Crosby contributes to the field of textual studies, specifically the complexities of integrating autobiography and correspondence into biography. Enhanced by thirty-two illustrations, the volume appeals to a wide range of readers, including literary critics, cultural historians, biographers, and gender studies specialists.

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cover of The Crime of Galileo

The Crime of Galileo

Giorgio de Santillana

University of Chicago Press, 1955

"In the gallery of what might be called the martyrs of thought, the image of Galileo recanting before the Italian Inquisition stirs the minds of educated modern men second only to the picture of Socrates drinking the Hemlock. That image of Galileo is out of focus . . . because it has been distorted by three centuries of rationalist prejudice and clerical polemics. To refocus it clearly, within the logic of its own time . . . de Santillana has written The Crime of Galileo, a masterly intellectual whodunit which traces not the life but the mental footsteps of Galileo on his road to personal tragedy."—Time
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cover of The Cross Timbers: Memories of a North Texas Boyhood

The Cross Timbers

Memories of a North Texas Boyhood

By Edward Everett Dale

University of Texas Press, 1966

The activities of a young boy on a small farm in the Texas Cross Timbers during the 1880s seem especially distant today. No one can remember the adventure of a sixteen-and-a-half-mile journey, which consumed the greater part of a day; or hurried predawn dressing in a frosty cold loft while the fragrance of a hearty breakfast wafted upward through the floor cracks; or a two-room schoolhouse, where the last half of Friday afternoon was given over to “speaking pieces” or to spelling and ciphering matches.

Through the recollections of Edward Everett Dale we are able to view a pattern of life in rural America now gone forever. For The Cross Timbers is a story which, with but a few minor variations, could have been told about a vast number of small boys on farms cleared from the virgin forests in the timbered regions of many states.

After presenting a brief introduction to the members of the Dale family and the plant, animal, and bird life of the Lower Cross Timbers countryside, the author describes his boyhood of a past century. He tells of his home, its furnishings, and the food served there, as well as the neighbors and relatives who come to visit. We learn of the superstitions, the humorous homespun expressions, the mores of early rural Texans. We hunt and fish with young Master Dale in the thick woods and along the clear creeks. Pioneer life demanded much hard work, but not to the exclusion of a diverting social life—both of which included the youngsters, as the author so graphically relates. Dale tells us also of the religious and secular education of the era, showing the significance of the home in supplementing these two influences.

Anyone reading this volume must be impressed by the great differences in the lifeways of rural children today and of those of the end of the nineteenth century.

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cover of The Cruel Way: Switzerland to Afghanistan in a Ford, 1939

The Cruel Way

Switzerland to Afghanistan in a Ford, 1939

Ella K. Maillart

University of Chicago Press, 2013

In 1939 Swiss travel writer and journalist Ella K. Maillart set off on an epic journey from Geneva to Kabul with fellow writer Annemarie Schwarzenbach in a brand new Ford. As the first European women to travel alone on Afghanistan’s Northern Road, Maillart and Schwarzenbach had a rare glimpse of life in Iran and Afghanistan at a time when their borders were rarely crossed by Westerners. As the two flash across Europe and the Near East in a streak of élan and daring, Maillart writes of comical mishaps, breathtaking landscapes, vitriolic religious clashes, and the ingenuity with which the women navigated what was often a dangerous journey. In beautiful, clear-eyed prose, The Cruel Way shows Maillart’s great ability to explore and experience other cultures in writing both lyrical and deeply empathetic.

While the core of the book is the journey itself and their interactions with people oppressed by political conflict and poverty, towards the end of the trip the women’s increasingly troubled relationship takes center stage. By then the glamorous, androgynous Schwarzenbach, whose own account of the trip can be found in All the Roads Are Open, is fighting a losing battle with her own drug addiction, and Maillart’s frustrated attempts to cure her show the profound depth of their relationship.

Complete with thirteen of Maillart’s own photographs from the journey, The Cruel Way is a classic of travel writing, and its protagonists are as gripping and fearless as any in literature.
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cover of The Culinarians: Lives and Careers from the First Age of American Fine Dining

The Culinarians

Lives and Careers from the First Age of American Fine Dining

David S. Shields

University of Chicago Press, 2017

He presided over Virginia’s great political barbeques for the last half of the nineteenth century, taught the young Prince of Wales to crave mint juleps in 1859, catered to Virginia’s mountain spas, and fed two generations of Richmond epicures with terrapin and turkey.
 
This fascinating culinarian is John Dabney (1821–1900), who was born a slave, but later built an enterprising catering business. Dabney is just one of 175 influential cooks and restaurateurs profiled by David S. Shields in The Culinarians, a beautifully produced encyclopedic history of the rise of professional cooking in America from the early republic to Prohibition.
 
Shields’s concise biographies include the legendary Julien, founder in 1793 of America’s first restaurant, Boston’s Restorator; and Louis Diat and Oscar of the Waldorf, the men most responsible for keeping the ideal of fine dining alive between the World Wars. Though many of the gastronomic pioneers gathered here are less well known, their diverse influence on American dining should not be overlooked—plus, their stories are truly entertaining. We meet an African American oyster dealer who became the Congressional caterer, and, thus, a powerful broker of political patronage; a French chef who was a culinary savant of vegetables and drove the rise of California cuisine in the 1870s; and a rotund Philadelphia confectioner who prevailed in a culinary contest with a rival in New York by staging what many believed to be the greatest American meal of the nineteenth century. He later grew wealthy selling ice cream to the masses. Shields also introduces us to a French chef who brought haute cuisine to wealthy prospectors and a black restaurateur who hosted a reconciliation dinner for black and white citizens at the close of the Civil War in Charleston.
 
Altogether, Culinarians is a delightful compendium of charcuterie-makers, pastry-pipers, caterers, railroad chefs, and cooking school matrons—not to mention drunks, temperance converts, and gangsters—who all had a hand in creating the first age of American fine dining and its legacy of conviviality and innovation that continues today.
 
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cover of The Curt Flood Story: The Man behind the Myth

The Curt Flood Story

The Man behind the Myth

Stuart L. Weiss

University of Missouri Press, 2018

Curt Flood, former star center fielder for the St. Louis Cardinals, is a hero to many for selflessly sacrificing his career to challenge the legality of baseball’s reserve system. Although he lost his case before the Supreme Court, he has become for many a martyr in the eventually successful battle for free agency. Sportswriters and fans alike have helped to paint a picture of Flood as a larger-than-life figure, a portrait that, unhappily, cannot stand closer inspection. This book reveals the real Curt Flood—more man than myth.

Flood stirred up a hornet’s nest by refusing to be traded from the Cardinals to the Philadelphia Phillies after the 1969 season, arguing that Major League Baseball’s reserve system reduced him to the status of bondage. Flood decided to resist a system in which his contract could be traded without his consent and in which he was not at liberty to negotiate his services in an open market. Stuart Weiss examines the man behind the decision, exploring the span of Flood’s life and shedding light on his relationships with those who helped shape his determination to sue baseball and providing a new perspective on the lawsuit that found its way to the U.S. Supreme Court.

Although a superb player, Flood was known to be temperamental and sensitive; in suing Major League Baseball he transformed his grievances against the Cardinals front office into an attack on how the business of big-league ball was conducted. Weiss shows that Flood was far from the stereotypical “dumb jock” but was rather a proud, multifaceted black man in a business run by white moguls. By illuminating Flood’s private side, rarely seen by the public, he reveals how Flood misled a gullible press on a regular basis and how his 1971 memoir, The Way It Is, didn’t tell it the way it really was.

Drawing on previously untapped sources, Weiss examines more fully and deeply than other writers the complexities of Flood’s decision to pursue his lawsuit—and demonstrates that the picture of Flood as a martyr for free agency is a myth. He suggests why, of all the players traded or sold through the years, it was Flood who brought this challenge. Weiss also explains how Flood’s battle against the reserve system cannot be understood in isolation from the personal experiences that precipitated it, such as his youth in a dysfunctional home, his troubled first marriage, his financial problems, and his unwavering commitment to the Cardinals.

The Curt Flood Story is a realistic account of an eloquent man who presented a warm, even vulnerable, face to the public as well as to friends, while hiding his inner furies. It shows that Flood was neither a hero nor a martyr but a victim of unique circumstances and his own life.

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cover of The Curve of Life: Correspondence of Heinz Kohut, 1923-1981

The Curve of Life

Correspondence of Heinz Kohut, 1923-1981

Heinz Kohut

University of Chicago Press, 1994

Psychoanalyst, teacher, and scholar, Heinz Kohut was one of this century's most important intellectuals. A rebel, according to many mainstream psychoanalysts, Kohut challenged Freudian orthodoxy and the medical control of psychoanalysis in America. His success in treating narcissistic disorders and his highly influential book How Does Analysis Cure? established Kohut's Self Psychology as the strongest rival to traditional psychoanalysis today.

The Curve of Life reveals Kohut's private and public life through a unique collection of lively and thoughtful correspondence with colleagues, public figures, family, and close friends. Over 300 never-before-published letters, drawn from Kohut's private files and from colleagues, cover Kohut's life from his native Austria in the 1930s until his death in 1981. Because many of his letters were so substantive, this rich collection clarifies Kohut's landmark published works. In letters to such diverse personalities as Anna Freud and Bruno Walter, Kohut meditated on some of the most intriguing psychoanalytic questions of the day—the nature of psychological cure, the relationship between doctor and patient, and the role of the Oedipus complex in psychoanalysis. The correspondence also reveals Kohut's lively interest in literature, music, history, and culture, as well as his deep and often contentious involvement in the politics of the psychoanalytic movement.

Kohut discussed his theories in letters to August Aichhorn, Heinz Hartmann, the Surgeon General, and even Jacqueline Kennedy, and the responses, some published here for the first time, prompted him to explore his ideas from a variety of perspectives. A letter from Anna Freud provoked Kohut to respond this way:

"What you had to say gave me great pleasure, and your approval was a welcome support amidst the inescapable insecurities under pressure to which we are all exposed. Strangely enough, it was not the discussion of scientific contributions and other statements that I had sent to you but the very last, parting sentence of your letter which gave me the most food for thought. You sent me your best wishes for the presidency of the American Psychoanalytic Association, and expressed the hope that '...this office permits opportunity for some revolutionary moves.'"

The Curve of Life illuminates the evolution of Kohut's theory of the psychology of the self, and provides a rare glimpse into the institutional and intellectual history of psychoanalysis in the last half of this century. These letters will fascinate not only scholars in psychoanalysis, but also those in the humanities, social sciences, and even theology, as well as general readers curious about the private thoughts of a towering figure in intellectual life.
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cover of The Cybernetic Brain: Sketches of Another Future

The Cybernetic Brain

Sketches of Another Future

Andrew Pickering

University of Chicago Press, 2010

Cybernetics is often thought of as a grim military or industrial science of control. But as Andrew Pickering reveals in this beguiling book, a much more lively and experimental strain of cybernetics can be traced from the 1940s to the present.

The Cybernetic Brain explores a largely forgotten group of British thinkers, including Grey Walter, Ross Ashby, Gregory Bateson, R. D. Laing, Stafford Beer, and Gordon Pask, and their singular work in a dazzling array of fields. Psychiatry, engineering, management, politics, music, architecture, education, tantric yoga, the Beats, and the sixties counterculture all come into play as Pickering follows the history of cybernetics’ impact on the world, from contemporary robotics and complexity theory to the Chilean economy under Salvador Allende. What underpins this fascinating history, Pickering contends, is a shared but unconventional vision of the world as ultimately unknowable, a place where genuine novelty is always emerging. And thus, Pickering avers, the history of cybernetics provides us with an imaginative model of open-ended experimentation in stark opposition to the modern urge to achieve domination over nature and each other.
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cover of The Daley Show: Inside the Transformative Reign of Chicago's Richard M. Daley

The Daley Show

Inside the Transformative Reign of Chicago's Richard M. Daley

Forrest Claypool; Foreword by David Axelrod

University of Illinois Press, 2024

American cities once had mayors who actually governed.

For twenty-two years, Richard M. Daley ran Chicago with the type of authority that is unthinkable today. He reshaped downtown, triggered a jobs boom, delivered the iconic Millennium Park, turned around troubled public schools, and slashed violent crime to 40-year lows.  He outfoxed Republican legislators to retain control of O’Hare Airport and expand it into the nation’s premier international aviation hub. Leveraging carefully built national political ties, he sidelined a powerful nemesis to tear down Chicago’s infamous public housing projects. 

Rebuilding parts of his father’s legendary political machine through brazen (and illegal) patronage deals, he centralized power to a remarkable degree, cut deals behind closed doors, racked up piles of debt, and made long-term bets whose consequences are still unfolding.

This is not simply a biography. It is a challenge to contemporary urban orthodoxy:

Do cities thrive because of strong, decisive leaders—or despite them?

Through vivid storytelling, this book exposes how Daley consolidated power, aligned business and labor, navigated crises, survived damaging scandals, and imposed discipline on a sprawling city. It dares readers to reconsider what kind of leadership modern American cities truly need.

[more]
cover of The Dancing Bees: Karl von Frisch and the Discovery of the Honeybee Language

The Dancing Bees

Karl von Frisch and the Discovery of the Honeybee Language

Tania Munz

University of Chicago Press, 2016

We think of bees as being among the busiest workers in the garden, admiring them for their productivity. But amid their buzzing, they are also great communicators—and unusual dancers. As Karl von Frisch (1886–1982) discovered during World War II, bees communicate the location of food sources to each other through complex circle and waggle dances. For centuries, beekeepers had observed these curious movements in hives, and others had speculated about the possibility of a bee language used to manage the work of the hive. But it took von Frisch to determine that the bees’ dances communicated precise information about the distance and direction of food sources. As Tania Munz shows in this exploration of von Frisch’s life and research, this important discovery came amid the tense circumstances of the Third Reich.

The Dancing Bees draws on previously unexplored archival sources in order to reveal von Frisch’s full story, including how the Nazi government in 1940 determined that he was one-quarter Jewish, revoked his teaching privileges, and sought to prevent him from working altogether until circumstances intervened. In the 1940s, bee populations throughout Europe were facing the devastating effects of a plague (just as they are today), and because the bees were essential to the pollination of crops, von Frisch’s research was deemed critical to maintaining the food supply of a nation at war. The bees, as von Frisch put it years later, saved his life. Munz not only explores von Frisch’s complicated career in the Third Reich, she looks closely at the legacy of his work and the later debates about the significance of the bee language and the science of animal communication.

This first in-depth biography of von Frisch paints a complex and nuanced portrait of a scientist at work under Nazi rule. The Dancing Bees will be welcomed by anyone seeking to better understand not only this chapter of the history of science but also the peculiar waggles of our garden visitors.
 
[more]
cover of The Dark Days of Abraham Lincoln's Widow, as Revealed by Her Own Letters

The Dark Days of Abraham Lincoln's Widow, as Revealed by Her Own Letters

Myra Helmer Pritchard, edited and annotated by Jason Emerson

Southern Illinois University Press, 2011


Written in 1927 but barred from timely publication by the Lincoln family, The Dark Days of Abraham Lincoln's Widow, as Revealed by Her Own Letters is based on nearly two dozen intimate letters written between Mary Lincoln and her close friend Myra Bradwell mainly during the former's 1875 incarceration in an insane asylum. By the 1920s most accounts of Mrs. Lincoln focused on her negative qualities and dismissed her as "crazy." Bradwell's granddaughter Myra Helmer Pritchard wrote this distinctly sympathetic manuscript at the behest of her mother, who wished to vindicate Mary Lincoln in the public eye by printing the private correspondence. Pritchard fervently defends Mrs. Lincoln's conduct and sanity, arguing that she was not insane but rather the victim of an overzealous son who had his mother committed.

The manuscript and letters were thought to have been destroyed, but fortunately the Lincolns' family lawyer stored copies in a trunk, where historian Jason Emerson discovered them in 2005. While leaving the manuscript intact, Emerson has enhanced it with an introduction and detailed annotations. He fills in factual gaps; provides background on names, places, and dates; and analyzes Pritchard's interpretations, making clear where she was right and where her passion to protect Mrs. Lincoln led to less than meticulous research and incorrect conclusions. This volume features an easy-to-follow format that showcases Pritchard's text on the left-hand pages and Emerson's insightful annotations on the right-hand pages. 

Following one of the most revered and reviled, famous and infamous of the First Ladies, this book provides a unique perspective of Mrs. Lincoln's post-White House years, with an emphasis on her commitment to a sanitarium. Emerson's contributions make this volume a valuable addition to the study of the Lincoln family. This fascinating work gives today's Lincoln enthusiasts the chance to read this intriguing interpretation of the former First Lady that predates nearly every other book written about her.
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cover of The Dark Eclipse: Reflections on Suicide and Absence

The Dark Eclipse

Reflections on Suicide and Absence

A.W. Barnes

Bucknell University Press, 2019

The Dark Eclipse is a book of personal essays in which author A.W. Barnes seeks to come to terms with the suicide of his older brother, Mike. Using source documentation—police report, autopsy, suicide note, and death certificate—the essays explore Barnes’ relationship with Mike and their status as gay brothers raised in a large conservative family in the Midwest. In addition, the narrative traces the brothers’ difficult relationship with their father, a man who once studied to be a Trappist monk before marrying and fathering eight children. Because of their shared sexual orientation, Andrew hoped he and Mike would be close, but their relationship was as fraught as the author’s relationship with his other brothers and father. While the rest of the family seems to have forgotten about Mike, who died in 1993, Barnes has not been able to let him go. This book is his attempt to do so.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
[more]
cover of The Darker Side of Genius: Richard Wagner’s Anti-Semitism

The Darker Side of Genius

Richard Wagner’s Anti-Semitism

Jacob. Katz

University Press of New England, 2002

For some, Richard Wagner is infamous as the favorite composer of Hitler, who seems to have admired Wagner as an early exponent of his own racist ideology and worldview. Impressed by this assumption victims of Hitler have also associated Wagner and his music with Nazism to such an extent that in Israel a ban on public performance of that music is upheld to this day. Jacob Katz, a scholar of international repute, approaches the highly charged issue of Richard Wagner’s anti-Semitism with the tools of a critical historian, asking two central questions: What role did anti-Semitism play in the life and work of Richard Wagner? And how did his anti-Jewish thoughts and sentiments contribute to the development of political anti-Semitism and Nazism? In this first comprehensive and judicious treatment of Wagner’s anti-Semitism, Katz analyzes the composer’s attitudes in their own time and place and in the context of Wagner’s life and aspirations. He traces Wagner’s feelings toward Jews chronologically, showing that the composer was ultimately obsessed by a deep-seated Judeophobia generated by conflict with his Jewish mentors and competitors. But he argues against reading the later emergence of Nazism back into Wagner’s life and work. While not absolving Wagner from responsibility for his views, Katz contends that contemporary Jews have paradoxically and uncritically adopted the Nazis’ assumptions about Wagner. Katz argues that Wagner’s music is untainted by his anti-Semitism, that there is, in fact, very little in Wagner’s art that, without forced speculation, can be related to his racist views.
[more]
cover of The Darkrooms of Edith Tudor-Hart: Stories of a Life

The Darkrooms of Edith Tudor-Hart

Stories of a Life

Peter Stephan Jungk

Haus Publishing, 2026

A portrait of one of Britain's foremost documentary photographers—and her long career as a Soviet agent. 

Why did you get yourself into this, Edith? Was it all worth it? 

Born and raised in a liberal Jewish family in Vienna, Edith Tudor-Hart’s legacy is defined by her pioneering social photography and her pivotal role in the recruitment of Kim Philby as a Soviet agent. Arrested for her involvement with socialist groups, Edith immigrated to England in 1933 to escape political and religious persecution. There, her photography came to reflect her socialist ideals, and her clandestine work for the Soviet Union meant she would spend the rest of her life under the suspicion and close surveillance of MI5. 

The Darkrooms of Edith Tudor-Hart is the culmination of Peter Stephan Jungk’s enduring fascination with his cousin’s life. His vivid portrait reveals a woman whose life was shrouded in secrecy and whom—in his confession to MI5 a decade before Edith’s death—the Soviet spy Anthony Blunt called ‘the grandmother of us all.’ 

[more]
cover of The Day I Fired Alan Ladd and Other World War II Adventures

The Day I Fired Alan Ladd and Other World War II Adventures

A. E. Hotchner

University of Missouri Press, 2002

"To perform heroically in a perilous situation is one thing, but I found that, in my case, the real difficulty was in getting myself into a spot where heroism was possible. Nobody on latrine duty ever got the Medal of Honor."

This delightful memoir of A. E. Hotchner’s World War II experiences explores a different side of the troubled war years. Hotchner, who grew up in St. Louis, was a rookie lawyer fresh out of Washington University Law School when the United States declared war. Like many others of his generation, he aspired to serve his country. He tried to enlist in the navy, first as a pilot and then as a deck officer, but he was rejected for faulty depth perception and flat feet, respectively. Drafted as a lowly GI into the air force branch of the army, he was accepted to bombardier school. But on the eve of his departure, he was ordered to write and perform in an air force musical comedy instead. He eventually went to Officer Candidate School and was assigned to the Anti-Submarine Command as a lieutenant adjutant, but just before his squadron’s departure for North Africa he was detached and, despite knowing nothing about moviemaking, ordered to make a film that glorified the Anti-Submarine Command’s role in combating U-boats.
All through his four-year military career, despite his efforts to get into combat, fate and the military bureaucracy thwarted him. The author skillfully recounts the events of those years, describing the encounters he had with many unforgettable characters, including a footsore and sentimental Clark Gable and an inept Alan Ladd—best known as the star of Shane. Ladd, then a GI, did such a poor job reading the narration for Hotchner’s film Atlantic Mission that Hotchner had to fire him. The author also describes his encounters with other well-known people, notably Tennessee Williams, with whom he attended a playwriting class at Washington University, and a wistful, vulnerable Dorothy Parker.
Although much of Hotchner’s memoir is lighthearted, it also provides a unique look at the impact of the war on everyday life in the United States. Hotchner’s fast-paced prose makes this memoir an insightful pleasure to read.
[more]
cover of The Day I Wasn't There

The Day I Wasn't There

Helene Cixous

Northwestern University Press, 2006

In this memoir-novel, a narrator who resembles Hélène Cixous obsessively recounts an incident--the premature death of her first-born child, a Down Syndrome baby left in the care of the clinic in Algeria where her midwife mother works. She uses this event to probe her family history and her relationship with her mother, a refugee from Nazi Germany; her dead father, after whom the baby is named; and her medical-student brother, who takes on some of the duties of a father figure.

Cixous's elusive writing bears all the trademarks of her poetic, provocative style, vivid with word play, intense feeling and a stream-of-consciousness that moves freely over time and place. The narrator's mother claims not to remember what happened, and the brother tries to fill in some gaps in the story. By the end of the book we understand the significance of the title: one day Cixous's mother returned to the clinic to find the baby on the brink of death. Rather than attempt to save him she chose to end his suffering.

By closing the door to the imaginary clinic at the end, the narrator at last resolves the feelings of guilt and realizes that each human being has a fate they must endure. Informed by psychoanalytical theory, and always brutally honest, The Day I Wasn't There is above all an intimate study of a woman's inner landscape.
[more]
cover of The Day of Shelly's Death: The Poetry and Ethnography of Grief

The Day of Shelly's Death

The Poetry and Ethnography of Grief

Renato Rosaldo

Duke University Press, 2014

This deeply moving collection of poetry by Renato Rosaldo focuses on the shock of his wife Michelle (Shelly) Rosaldo's sudden death on October 11, 1981. Just the day before, Shelly and her family had arrived in the northern Philippine village of Mungayang, where she and her husband Renato, both accomplished anthropologists, planned to conduct fieldwork. On October 11, Shelly died after losing her footing and falling some sixty feet from a cliff into a swollen river. Renato Rosaldo explored the relationship between bereavement and rage in his canonical essay, "Grief and a Headhunter's Rage," which first appeared in 1984 and is reprinted here. In the poems at the heart of this book, he returns to the trauma of Shelly's death through the medium of free verse, maintaining a tight focus on the events of October 11, 1981. He explores not only his own experience of Shelly's death but also the imagined perspectives of many others whose lives intersected with that tragic event and its immediate aftermath, from Shelly herself to the cliff from which she fell, from the two young boys who lost their mother to the strangers who carried and cared for them, from a tricycle taxi driver, to a soldier, to priests and nuns. Photographs taken years earlier, when Renato and Shelly were conducting research across the river valley from Mungayang, add a stark beauty. In a new essay, "Notes on Poetry and Ethnography," Rosaldo explains how and why he came to write the harrowing yet beautiful poems in The Day of Shelly's Death. More than anything else though, the essay is a manifesto in support of what he calls antropoesía, verse with an ethnographic sensibility. The essay clarifies how this book of rare humanity and insight challenges the limits of ethnography as it is usually practiced.
[more]
cover of The Dead Ladies Project: Exiles, Expats, and Ex-Countries

The Dead Ladies Project

Exiles, Expats, and Ex-Countries

Jessa Crispin

University of Chicago Press, 2015

When Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she’s still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender.
          
The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition.
         
Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?
[more]
cover of The Deaf Mute Howls

The Deaf Mute Howls

Albert Ballin

Gallaudet University Press, 1998

Originally published in 1930, The Deaf Mute Howls flew in the face of the accepted practice of teaching deaf children to speak and read lips while prohibiting the use of sign language. The sharp observations in Albert Ballin’s remarkable book detail his experiences (and those of others) at a late 19th-century residential school for deaf students and his frustrations as an adult seeking acceptance in the majority hearing society.

       The Deaf Mute Howls charts the ambiguous attitudes of deaf people toward themselves at this time. Ballin himself makes matter-of-fact use of terms now considered disparaging, such as “deaf-mute,” and he frequently rues the “atrophying” of the parts of his brain necessary for language acquisition. At the same time, he rails against the loss of opportunity for deaf people, and he commandingly shifts the burden of blame to hearing people unwilling to learn the “Universal Sign Language,” his solution to the communication problems of society. From his lively encounters with Alexander Graham Bell (whose desire to close residential schools he surprisingly supports) to his enthrallment with the film industry, Ballin’s highly readable book offers an appealing look at the deaf world during his richly colored lifetime.

[more]
cover of The Death and Life of Malcolm X

The Death and Life of Malcolm X

Peter Goldman

University of Illinois Press, 2013

The Death and Life of Malcolm X provides a dramatic portrait of one of the most important black leaders of the twentieth century. Focusing on Malcolm X's rise to prominence and the final year of his life, the book details his rift with the Nation of Islam and its leader, Elijah Muhammad, leading to death threats and eventually assassination at the hands of a death squad. In a new preface for this edition, Peter Goldman reflects on the forty years since the book's first publication and considers new information based on FBI surveillance that has since come to light.
[more]
cover of The Death of the Child Valerio Marcello

The Death of the Child Valerio Marcello

Margaret L. King

University of Chicago Press, 1994

Margaret King shows what the death of a little boy named Valerio Marcello over five hundred years ago can tell us about his time.

This child, scion of a family of power and privilege at Venice's time of greatness, left his father in a state of despair so profound and so public that it occasioned an outpouring of consoling letters, orations, treatises, and poems. In these documents, we find a firsthand account, richly colored by humanist conventions and expectations, of the life of the fifteenth-century boy, the passionate devotion of his father, the feelings of his brothers and sisters, the striking absence of his mother. The father's story is here as well: the career of a Venetian nobleman and scholar, patron and soldier, a participant in Venice's struggle for dominion in the north of Italy.

Through these sources also King traces the cultural trends that made Marcello's century famous. Her work enlarges our view of the literature of consolation, which had a distinctive tradition in Venice, and shifting attitudes toward death from the late Middle Ages onward.

For the depth and acuity of its insights into political, cultural, and private life in fifteenth-century Venice, this book will be essential reading for students of the Renaissance. For the grace and drama of its storytelling, it will be savored by anyone who wishes to look into life and death in a palace, and a city, long ago.
[more]
cover of The Deeds of Count Roger of Calabria and Sicily and of His Brother Duke Robert Guisc

The Deeds of Count Roger of Calabria and Sicily and of His Brother Duke Robert Guisc

Kenneth Baxter Wolf

University of Michigan Press, 2005

Geoffrey Malaterra's Deeds of Count Roger is the most important extant account of the Norman conquest of Muslim Silicy (1061-91). This volume includes a translation of the Latin original as well as an introduction, notes, and maps.

The Deeds of Count Roger fills a gap in the primary literature pertaining to the earliest phase of Latin Christian expansion at the expense of Islam, since the Norman conquests in Sicily were more or less contemporary with the First Crusade and the beginnings of the Spanish Reconquista. The account also illustrates the complexity of medieval historical writing, with Malaterra on the one hand praising the Normans for their military achievements and on the other subtly criticising the "lust for domination" that inspired them.

Kenneth Baxter Wolf is Professor of History at Pomona College.

[more]
cover of The Demise of Yugoslavia: A Political Memoir

The Demise of Yugoslavia

A Political Memoir

Stipe Mesic

Central European University Press, 2004

Formed in the aftermath of WWI, Yugoslavia was founded as the Kingdom of Serbs, Croats and Slovenes ("three tribes of the same people"). But in the early 1990s, following a series of violent conflicts on Slovenian and Croatian soil, the two republics successfully succeeded from Yugoslavia, which would later be followed by Bosnia-Herzegovina and Macedonia. Mesic was member, later head of the Presidency of the Yugoslav Federation from August 1990. His memoir details an intricately woven storyline, which analyzes events, personalities and motivations inside Yugoslavia and its former nations, as well as in the international arena. The narrative is rich with excerpts from Mesic's personal diaries during times of heated conflict and bloodshed. Extensive notes and a short chronology assist the interested reader and scholar in disentangling the complicated plot. After years of relative political passivity, Mesic was elected independent Croatia's second president in 2000, following the death of former President Franjo Tudman.
[more]
cover of The Dervish Bowl: The Many Lives of Arminius Vambéry

The Dervish Bowl

The Many Lives of Arminius Vambéry

Anabel Loyd

Haus Publishing, 2025

A narrative of the life of Arminius Vámbéry.

Who was Arminius Vámbéry? A poverty-stricken, Jewish autodidact; a linguist, traveler, and writer—or a sometime Zionist, inspiration for Dracula’s nemesis, and British secret agent? Vámbéry wrote his own story many times over, and it was these often highly embroidered accounts of journeys through Persia and Central Asia that saw him acclaimed in Victorian England as an intrepid explorer and daring adventurer. Against the backdrop of the “Great Game,” in which Russia and Britain jostled for territory, influence, and control of the borders and gateways to India and its wealth, Vámbéry played the roles of hero and double-dealer, of fascinated witness and imperialist charlatan.

The Dervish Bowl is the story of these competing narratives and a compelling investigation of both the ever-changing persona Vámbéry created for himself and the man who emerges from his private correspondence and the accounts of both his friends and his enemies, many of whom were themselves major players in the geopolitical adventures of the volatile nineteenth century—a time when Britain’s ambitions for her empire were at their height, yet nothing and no one was quite as they seemed.
 
[more]
cover of The Desert Year

The Desert Year

Joseph Wood Krutch

University of Iowa Press, 1952

Now back in print, Joseph Wood Krutch’s Burroughs Award–winning The Desert Year is as beautiful as it is philosophically profound. Although Krutch—often called the Cactus Walden—came to the desert relatively late in his life, his curiosity and delight in his surroundings abound throughout The Desert Year, whether he is marveling at the majesty of the endless dry sea, at flowers carpeting the desert floor, or at the unexpected appearance of an army of frogs after a heavy rain.

Krutch’s trenchant observations about life prospering in the hostile environment of Arizona’s Sonoran Desert turn to weighty questions about humanity and the precariousness of our existence, putting lie to Western denials of mind in the “lower” forms of life: “Let us not say that this animal or even this plant has ‘become adapted’ to desert conditions. Let us say rather that they have all shown courage and ingenuity in making the best of the world as they found it. And let us remember that if to use such terms in connection with them is a fallacy then it can only be somewhat less a fallacy to use the same terms in connection with ourselves.”

This edition contains 33 exacting drawings by noted illustrator Rudolf Freund. Closely tied to Krutch’s uncluttered text, the drawings tell a story of ineffable beauty.

[more]
cover of The Desperate Diplomat: Saburo Kurusu's Memoir of the Weeks before Pearl Harbor

The Desperate Diplomat

Saburo Kurusu's Memoir of the Weeks before Pearl Harbor

Edited by J. Garry Clifford and Masako R. Okura

University of Missouri Press, 2014

On December 7, 1941, the course of U.S. history changed forever with the bombing of Pearl Harbor. Three weeks prior, Japanese Special Envoy to the United States Saburo Kurusu visited Washington in an attempt to further peace talks between Japan and America and spare his country the loss he knew would occur if a war began. But as he reported, “Working for peace is not as simple as starting a war.” For more than seventy years, many have unfairly viewed Kurusu and his visit as part of the Pearl Harbor plot. Editors J. Garry Clifford and Masako R. Okura seek to dispel this myth with their edition of Kurusu’s memoir, The Desperate Diplomat.
Kurusu published his personal memoir in 1952, in Japanese, describing his efforts to prevent war between the two nations, his total lack of knowledge regarding the Pearl Harbor attack, and what “might have been” had he been successful in his endeavor for peace, while offering an exclusive perspective on the Japanese reaction to the attack. However, the information contained in his memoir was unavailable to most of the world, save those fluent in Japanese, because it had never been published in another language. With the discovery of Kurusu’s own English memoir, his story can finally be told to a wider audience.
Clifford and Okura have used both the Japanese and English memoirs and added an introduction and annotations to Kurusu’s story, making The Desperate Diplomat an essential look at an event that remains controversial in the history of both nations. Anyone who takes interest in the history of Pearl Harbor cannot afford to omit this previously unavailable information from their library.
[more]
cover of The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist: Volume 1: 1956–1990

The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist

Volume 1: 1956–1990

Pearson, Carol Lynn

Signature Books, 2025

“I feel somehow that of all the writing I am doing, my diary is the most important.” So wrote the beloved and bestselling author, poet, and playwright Carol Lynn Pearson in her 1979 diary. Several years before, she recorded, “I feel the imperative of history. . . . Add that to my being a household word to many and I cannot escape the feeling that in many years there might be a number of people interested in these pages.” That time has now come.  

 Unbeknownst to almost everyone but herself, Pearson kept a near-daily diary since she was a teenager, recording her remarkable story in the context of twentieth- and twenty-first-century Mormon America. In this first of a four-volume series, Pearson chronicles her love for her church but also her troubling experiences and concerns with its patriarchy, historic doctrine of polygamy, omission of a feminine divine, and homophobia. Readers will rejoice with her as her first book of poetry, Beginnings, sells an astonishing 150,000+ copies and puts her on the map in the 1960s, empathize with her as she watches her church help kill the Equal Rights Amendment in the 1970s, and mourn with her as her mixed-orientation marriage ends and she cares for her former husband in her home as he dies of AIDS in the 1980s. The sensitive-girl-turned-strong-woman who emerges in these diaries insists that we move from patriarchy into partnership, change our destructive policies towards Queer people, and invite God the Mother back into our heavenly family.

[more]
cover of The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist: Volume 2: 1990–2002

The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist

Volume 2: 1990–2002

Pearson, Carol Lynn

Signature Books, 2026

Of these years of her life, poet, writer, and feminist Carol Lynn Pearson says, “The plot thickens, as all good plots do. My life and your life—if we are brave enough—move into areas that we had not anticipated. We feel sometimes that we want to run back to safer ground, but life has decided otherwise and so we take those next steps. Volume two of my diaries gives us a closeup of the years 1990 to 2002, bringing us an abundance of both joy and distress.”

Throughout the 1990s, Pearson records and laments her church’s efforts to punish scholars and activists while celebrating the success of her books and one-woman play, Mother Wove the Morning. Along the way, she comforts the suffering, endures terrible personal loss, and witnesses the fall of the Twin Towers on 9/11. “Bless everyone who fights for what is right,” she writes.  Few have fought harder than Carol Lynn Pearson.

[more]
cover of The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist: Volume 3: 2003–2014

The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist

Volume 3: 2003–2014

Pearson, Carol Lynn

Signature Books, 2026

Proposition 8, the 2008 California ballot initiative that overturned the state’s legalization of same-sex marriage, looms large in volume 3 of Carol Lynn Pearson’s diaries. The intense lobbying in favor of the measure by the Church of Jesus Christ of Latter-day Saints caused widespread protests against the church and rifts within congregations, families, and friendships that felt like they might never heal. Pearson documented it all. 

When she learned through friends close to church leaders that members of the First Presidency and Quorum of Twelve Apostles were shocked by the backlash, she wondered, “How do 15 prophets, seers, and revelators not see this coming when the rest of us did?”

A lifelong feminist, Pearson’s diaries also reveal her concerns for gender equality. She chronicles her observations of Ordain Women, a movement by a group of Latter-day Saint feminists who lobbied to change the church’s all-male priesthood. At the end of this volume, Pearson takes on yet another issue: the ongoing Mormon doctrine that polygamy is practiced in the eternities. Pearson heard from thousands of women who feared that they would be forced to share their husbands in the afterlife. The pain of these women propelled her forward into her next book project, challenging the doctrine of “eternal polygamy.”

Even as she faced her own struggles, Pearson buoyed up those around her. She took phone calls, answered letters, and comforted visitors who were hurting because of the church’s policies. She was, for many, a symbol of hope. 

[more]
cover of The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist: Volume 4: 2014–2024

The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist

Volume 4: 2014–2024

Pearson, Carol Lynn

Signature Books, 2026

This fourth and final volume of The Diaries of Carol Lynn Pearson is full of contradictions as it covers turbulent world events and intimate details in her life. Pearson remains a beacon of light and hope for many, even as she struggles with her own sorrows. 

She embarks on a new project that consumes her: the Latter-day Saint doctrine that polygamy will exist in the afterlife. Pearson also continues to document contemporaneous events in the modern history of the Church of Jesus Christ of Latter-day Saints, including the church’s November 2015 policy that discriminated against LGBTQ+ members and their children. She has both a grassroots perspective as a member of a California congregation and special insight into the decisions of LDS leadership, thanks to friends who keep her informed of what’s happening at the highest levels of the church.

Through it all, Pearson mourns when she says goodbye to longtime friends who die. In July 2026, after she completed her diary project, death finally came for Carol Lynn Pearson after 86 years. Her unique voice cannot be replicated.

[more]
cover of The Diaries of Judith Malina: 1947-1957

The Diaries of Judith Malina

1947-1957

Judith Malina, Kate Bredeson

Northwestern University Press, 2026

Judith Malina’s newly restored diaries from a critical early decade in her personal, artistic, and political development

Judith Malina’s diaries from 1947 to 1957 are brought back into print in this volume, which charts her cofounding of The Living Theatre with husband and lifelong artistic partner Julian Beck. In these diaries, she narrates her developing political commitments and her expansive collaborations and personal relationships, as well as a moving account of her time in prison with activist Dorothy Day. This new edition features Kate Bredeson’s comprehensive introduction, which offers a detailed examination of Malina’s life and work in this period, along with additional historical context of these years and never-before-published photographs from Malina’s personal archives.

The Diaries of Judith Malina is a four-volume set that publishes for the first time together the edited diaries of radical theater director, actor, and activist Judith Malina from 1947 to 1971, the most influential period of her remarkable and storied career. A committed anarchist and pacifist, Malina made theater as a way to stoke revolutionary action. Her diaries showcase her political and social observations, cultural commentary, self-reflection, and wit. This expertly prepared set invites us to recognize Malina for her accomplishments not only as an artist and an activist but as one of the great literary diarists.
 

[more]
cover of The Diaries of Judith Malina: 1958-1968

The Diaries of Judith Malina

1958-1968

Judith Malina, Kate Bredeson, Tom Walker

Northwestern University Press, 2026

A previously unpublished volume of diaries recording Judith Malina’s extraordinary life and career in a moment of cultural revolution

Judith Malina’s diaries from the pivotal years of 1958 to 1968 are presented here in print for the first time. Meticulously edited and with an essential introduction by Kate Bredeson that offers a detailed discussion of Malina’s life and works during this period, the volume includes additional historical context and never-before-published photographs from Malina’s personal archives, as well as an illuminating foreword by Living Theatre archivist and longtime company member Tom Walker. This decade covers some of the most important years of Malina’s life and in the history of The Living Theatre, from career-defining productions of The Connection and The Brig to the company’s self-imposed European exile, when they created their signature works, including Paradise Now, Antigone, and Frankenstein.

The Diaries of Judith Malina is a four-volume set that publishes for the first time together the edited diaries of radical theater director, actor, and activist Judith Malina from 1947 to 1971, the most influential period of her remarkable and storied career. A committed anarchist and pacifist, Malina made theater as a way to engage in revolutionary action. Her diaries showcase her political and social observations, cultural commentary, self-reflection, and wit. This expertly prepared set invites us to recognize Malina for her accomplishments not only as an artist and an activist but as one of the great literary diarists.
 

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cover of The Diaries of Judith Malina: 1968-1969

The Diaries of Judith Malina

1968-1969

Judith Malina, Kate Bredeson

Northwestern University Press, 2026

A newly restored edition of Judith Malina’s legendary diaries narrating a key moment of social, political, and cultural upheaval

Originally published by Judith Malina as The Enormous Despair, this slim, gripping collection of diaries from a pivotal period between 1968 and 1969 follows The Living Theatre’s return to the United States after their years of self-exile in Europe, their increasing notoriety and frequent arrests, and their cross-country touring. In these pages, Malina wrestles with the company’s artistic and political efforts during a moment of societal crisis and grapples with their future. Kate Bredeson’s introduction contextualizes Malina’s life and work in this period, while additional historical context and never-before-published photographs add new detail and depth to a stirring account of American social and political history. 

The Diaries of Judith Malina is a four-volume set that publishes for the first time together the edited diaries of radical theater director, actor, and activist Judith Malina from 1947 to 1971, the most influential period of her remarkable and storied career. A committed anarchist and pacifist, Malina made theater as a way to engage in revolutionary action. Her diaries showcase her political and social observations, her cultural commentary, her self-reflection, and her wit. This expertly prepared set invites us to recognize Malina for her accomplishments not only as an artist and an activist but as one of the great literary diarists.
 

[more]
cover of The Diaries of Judith Malina: 1969-1971

The Diaries of Judith Malina

1969-1971

Judith Malina, Kate Bredeson, Ilion Troya

Northwestern University Press, 2026

Judith Malina’s never-before-published diaries describing a period of profound personal and professional transformation

The years 1969 to 1971 saw The Living Theatre’s greatest rupture, reckoning with its desire to leave its defining productions from the 1960s behind and move forward with new artistic works and practices. In these previously unpublished diaries, Judith Malina recounts these pivotal years, describing her transformative time in Brazil, including her experiences of daily life in jail while awaiting trial with her company members. This meticulously edited volume includes Kate Bredeson’s introduction, examining Malina’s life and work in this period, as well as additional historical context and never-before-published photographs. Living Theatre member Ilion Troya offers a foreword that provides new context for understanding the volume’s historical significance.

The Diaries of Judith Malina is a four-volume set that publishes for the first time together the edited diaries of radical theater director, actor, and activist Judith Malina from 1947 to 1971, the most influential period of her remarkable and storied career. A committed anarchist and pacifist, Malina made theater as a way to engage in revolutionary action. Her diaries showcase her political and social observations, cultural commentary, self-reflection, and wit. This expertly prepared set invites us to recognize Malina for her accomplishments not only as an artist and an activist but as one of the great literary diarists.
 

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cover of The Diary of Olga Romanov: Royal Witness to the Russian Revolution

The Diary of Olga Romanov

Royal Witness to the Russian Revolution

Helen Azar

Westholme Publishing, 2014

The First English Translation of the Wartime Diaries of the Eldest Daughter of Nicholas II, the Last Tsar of Russia, with Additional Documents of the Period
In August 1914, Russia entered World War I, and with it, the imperial family of Tsar Nicholas II was thrust into a conflict they would not survive. His eldest child, Olga Nikolaevna, great-granddaughter of Queen Victoria, had begun a diary in 1905 when she was ten years old and kept writing her thoughts and impressions of day-to-day life as a grand duchess until abruptly ending her entries when her father abdicated his throne in March 1917. Held at the State Archives of the Russian Federation in Moscow, Olga’s diaries during the wartime period have never been translated into English until this volume. At the outset of the war, Olga and her sister Tatiana worked as nurses in a military hospital along with their mother, Tsarina Alexandra. Olga’s younger sisters, Maria and Anastasia, visited the infirmaries to help raise the morale of the wounded and sick soldiers. The strain was indeed great, as Olga records her impressions of tending to the officers who had been injured and maimed in the fighting on the Russian front. Concerns about her sickly brother, Aleksei, abound, as well those for her father, who is seen attempting to manage the ongoing war. Gregori Rasputin appears in entries, too, in an affectionate manner as one would expect of a family friend. While the diaries reflect the interests of a young woman, her tone grows increasingly serious as the Russian army suffers setbacks, Rasputin is ultimately murdered, and a popular movement against her family begins to grow. At the point Olga ends her writing in 1917, the author continues the story by translating letters and impressions from family intimates, such as Anna Vyrubova, as well as the diary kept by Nicholas II himself. Finally, once the imperial family has been put under house arrest by the revolutionaries, we follow events through observations by Alexander Kerensky, head of the initial Provisional Government, these too in English translation for the first time. Olga would offer no further personal writings, as she and the rest of her family were crowded into the basement of a house in the Urals and shot to death in July 1918.
The Diary of Olga Romanov: Royal Witness to the Russian Revolution, translated and introduced by scientist and librarian Helen Azar, and supplemented with additional primary source material, is a remarkable document of a young woman who did not choose to be part of a royal family and never exploited her own position, but lost her life simply because of what her family represented.
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cover of The Diary of Vaslav Nijinsky

The Diary of Vaslav Nijinsky

Vaslav Nijinsky

University of Illinois Press, 2006

A uniquely personal record of a great artist’s experience of mental illness

In his prime, Vaslav Nijinsky (1889-1950) was the most celebrated man in Western ballet--a virtuoso and a dramatic dancer such as European and American audiences had never seen before. After his triumphs in such works as The Specter of the Rose and Petrouchka, he set out to make ballets of his own, and with his Afternoon of a Faun and The Rite of Spring, created within a year of each other, he became ballet’s first modernist choreographer. 

For six weeks in early 1919, as his tie to reality was giving way, Nijinsky kept a diary--the only sustained daily record we have, by a major artist, of the experience of entering psychosis. In some entries he is filled with hope. He is God; he will save the world. In other entries, he falls into a black despair. He is dogged by sexual obsessions and grief over World War I. Furthermore, he is afraid that he is going insane.

The diary was first published in 1936, in a version heavily bowdlerized by Nijinsky’s wife. The new edition, translated by Kyril FitzLyon, is the first complete and accurate English rendering of this searing document. In her introduction, noted dance critic Joan Acocella tells Nijinsky’s story and places it in the context of early European modernism.

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cover of The Diffident Naturalist: Robert Boyle and the Philosophy of Experiment

The Diffident Naturalist

Robert Boyle and the Philosophy of Experiment

Rose-Mary Sargent

University of Chicago Press, 1995

In a provocative reassessment of one of the quintessential figures of early modern science, Rose-Mary Sargent explores Robert Boyle's philosophy of experiment, a central aspect of his life and work that became a model for mid- to late seventeenth-century natural philosophers and for many who followed them.

Sargent examines the philosophical, legal, experimental, and religious traditions—among them English common law, alchemy, medicine, and Christianity—that played a part in shaping Boyle's experimental thought and practice. The roots of his philosophy in his early life and education, in his religious ideals, and in the work of his predecessors—particularly Bacon, Descartes, and Galileo—are fully explored, as are the possible influences of his social and intellectual circle. Drawing on the full range of Boyle's published works, as well as on his unpublished notebooks and manuscripts, Sargent shows how these diverse influences were transformed and incorporated into Boyle's views on and practice of experiment.
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cover of The Diné Reader: An Anthology of Navajo Literature

The Diné Reader

An Anthology of Navajo Literature

Edited by Esther G. Belin, Jeff Berglund, Connie A. Jacobs, and Anthony K. Webster; Foreword by Sherwin Bitsui

University of Arizona Press, 2021

2022 Before Columbus Foundation American Book Award Winner

The Diné Reader: An Anthology of Navajo Literature is unprecedented. It showcases the breadth, depth, and diversity of Diné creative artists and their poetry, fiction, and nonfiction prose.This wide-ranging anthology brings together writers who offer perspectives that span generations and perspectives on life and Diné history. The collected works display a rich variety of and creativity in themes: home and history; contemporary concerns about identity, historical trauma, and loss of language; and economic and environmental inequalities.

The Diné Reader developed as a way to demonstrate both the power of Diné literary artistry and the persistence of the Navajo people. The volume opens with a foreword by poet Sherwin Bitsui, who offers insight into the importance of writing to the Navajo people. The editors then introduce the volume by detailing the literary history of the Diné people, establishing the context for the tremendous diversity of the works that follow, which includes free verse, sestinas, limericks, haiku, prose poems, creative nonfiction, mixed genres, and oral traditions reshaped into the written word.

This volume combines an array of literature with illuminating interviews, biographies, and photographs of the featured Diné writers and artists. A valuable resource to educators, literature enthusiasts, and beyond, this anthology is a much-needed showcase of Diné writers and their compelling work. The volume also includes a chronology of important dates in Diné history by Jennifer Nez Denetdale, as well as resources for teachers, students, and general readers by Michael Thompson. The Diné Reader is an exciting convergence of Navajo writers and artists with scholars and educators.

 
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cover of The Direct Cinema of David and Albert Maysles

The Direct Cinema of David and Albert Maysles

Jonathan B. Vogels

Southern Illinois University Press, 2005

Boldly signifying the cultural issues of the 1960s and 1970s in groundbreaking pieces such as Grey Gardens, Gimme Shelter, and Showman, filmmakers and brothers David and Albert Maysles used an approach to documentary film that involved spontaneous observation of naturally occurring events. With no rehearsed footage and no preconceived plots, their revolutionary work eschewed the authoritative voice-over narrator, didactic scripts, and the traditional problem-and-solution format used by the majority of their predecessors in the genre and duly influenced subsequent directors in both fiction and nonfiction film. Their collaboration from 1962 until David’s death in 1987 wrought thirteen major works in which the brothers critiqued the concept of celebrity with unglamorous footage of iconic figures, explored how commercialism hinders communication, and questioned the possibility of seeing anything clearly in a world abounding with both real and constructed images.

            Jonathan B. Vogels outlines how the Maysles brothers blended a unique amalgam of direct cinema characteristics, a modern humanist aesthetic, and a collaborative working process that included other directors and editors. Looking at the films as both shapers and reflections of American culture, he points out that the works offer insights into a wide range of contemporary topics including materialism, celebrity, modern art, and the American family. In addition to describing the changes in technology that made direct cinema possible, Vogels provides careful, scene-by-scene analyses that allow for a consideration of the Maysles brothers’ films as films, a tactic not frequently employed in nonfiction film studies.

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