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Whitt explores the lives of women reporters who achieved significant historical recognition, such as Ida Tarbell and Ida Wells-Barnett. Investigating the often blurry boundary between journalism and literature, she explains how this fluid distinction has actually limited how many scholars perceive the contributions of authors such as Joan Didion and Susan Orlean. Whitt also highlights the work of important novelists, including Willa Cather, Katherine Anne Porter, and Eudora Welty, to shed light on how their work as journalists informed their highly successful fiction.

This study also offers a survey of contributions women have made to the alternative presses, including the environmental press and civil rights activism. Whitt examines important figures in the early feminist press such as Caroline Churchill, editor and reporter for Denver’s Queen Bee, and Betty Wilkins of Kansas City’s Call. Finally, through newsletters, newspapers, magazines, and journals, she traces the history of the lesbian press and points out the ways in which it indicates that the alternative press is thriving.

Our sources of knowledge about women in the ancient Roman Republic are flawed. Roman historians were uniformly male, as were most historians of ancient Rome until quite recently. In the historiography handed down by Enlightenment-era scholars, women generally played marginal and often sexualized roles, relegated to the footnotes by historians who assumed the Roman Republic to be fully androcentric. The evidence, however, suggests otherwise. In this detailed and insightful volume, Jessica H. Clark returns to the source material to gain insight into how Roman men understood the lives, roles, and contributions of the women they wrote about.

Reexamining the puzzle pieces of ancient literature, Clark proposes that the earliest Roman historians represented women in complex ways, revealing their appreciation of women’s communities and women’s engagement in the project of the Republic, in contrast to the attitudes assumed by scholars in the eighteenth and nineteenth centuries. She attributes those scholars’ assumptions to the social and political circumstances of their own times and demonstrates how these assumptions have continued to inform our own perceptions of Roman women and therefore Roman society more generally. This study ultimately uncovers not only the women of the Roman Republic but also how modern preconceptions have distorted their image and the stories we tell about ancient Rome.

This thoughtful, engaging collection examines resilience, identity, and inequality in the modern workplace produced by one of the nation's most observant and incisive writers. 

This collection of warm, heartfelt essays from award-winning novelist Vicki Covington chronicles the multitude of "in between" moments in the writer's life. These are her stolen moments in between the writing of four novels-Gathering Home, Bird of Paradise, Night Ride Home, and The Last Hotel for Women; in between coauthoring the edgy memoir Cleaving: The Story of a Marriage with her husband Dennis Covington; in between raising two daughters; in between her husband's struggle with cancer and the author's own heart attack; in between a life full of trials and triumphs, disappointments and celebrations - moments that, as Covington demonstrates here, are always rich and revealing. 

In the title essay, the author questions why all seven middle-class women who live on her street confess at a neighborhood cookout that in the past 48 hours each of them has cried. In "A Southern Thanksgiving," Covington reflects on the "family dance" that is Thanksgiving in the South: "In the North they put their crazy family members in institutions, but in the South we put them in the living room for everyone to enjoy." In "My Mother's Brain," the author recounts the onset of Alzheimer's in her mother and how, with the spread of the disease, an untapped vein of love is revealed. 

Some of these essays were written as weekly newspaper columns for the Birmingham News. Others were written for specific literary occasions, such as the First Annual Eudora Welty Symposium. They are divided into six thematic sections: "Girls and Women," "Neighborhood," "Death," "The South," "Spiritual Matters," and “Writing.”

Throughout, as Covington casts her candid, attentive eye on a situation, confusion yields to comprehension, fear flourishes into faith, and anger flows into understanding. In memorializing the small moments of her life, she finds that they are far from peripheral; indeed, they are central to a life full of value and meaning.

In the run-up to the 2012 presidential election, Democrats and Republicans were locked in a fierce battle for the female vote. Democrats charged Republicans with waging a “war on women,” while Republicans countered that Democratic policies actually undermined women’s rights. The women of the Senate wielded particular power, planning press conferences, appearing on political programs, and taking to the Senate floor over gender-related issues such as workplace equality and reproductive rights.

The first book to examine the impact of gender differences in the Senate, Women in the Club is an eye-opening exploration of how women are influencing policy and politics in this erstwhile male bastion of power. Gender, Michele L. Swers shows, is a fundamental factor for women in the Senate, interacting with both party affiliation and individual ideology to shape priorities on policy. Women, for example, are more active proponents of social welfare and women’s rights. But the effects of gender extend beyond mere policy preferences. Senators also develop their priorities with an eye to managing voter expectations about their expertise and advancing their party’s position on a given issue. The election of women in increasing numbers has also coincided with the evolution of the Senate as a highly partisan institution. The stark differences between the parties on issues pertaining to gender have meant that Democratic and Republican senators often assume very different roles as they reconcile their policy views on gender issues with the desire to act as members of partisan teams championing or defending their party’s record in an effort to reach various groups of voters.

These essays reflect the complexity and richness of current scholarship in women's history. Informed by a variety of source materials and methodologies, the ten chapters break down a generalized construct of “womanhood” to explore the dynamics between gender, race, ethnicity, and class.

The first section of the book focuses on women's work, paid and unpaid, and the effects of class, ethnicity, and gender on the structure of the job market and on power relations within the family. The second section revisits the concept of “sisterhood” by looking at women in relation to their families, social and cultural networks, and civic and private institutions. The editor's introduction sets the essays in the current historiographical context of women's studies and provides a bibliographical essay for the nonspecialist reader.

Women of the Washington Press argues that for nearly two centuries women journalists have persisted in their efforts to cover politics in the nation’s capital in spite of blatant prejudice and restrictive societal attitudes. They have been held back by the difficulties of combining two competing roles – those of women and journalists. As a group they have not agreed among themselves on feminist goals, while declaring that they aspire to be seen as professional journalists, not as advocates of a particular ideology. Still, they have brought a different perspective to the news, as they have fought hard to prove that they are capable of covering political issues just like male journalists. Over the years women have networked with each other and carved out areas of expertise – such as reporting of politically-oriented social events and coverage of first ladies – that men disdained, while they pressed to gain entrance to sex-segregated institutions like the National Press Club. Attempting to merge the personal and the political, they have raised issues like sexual harassment that men journalists left untouched. At a point today where they represent about half of accredited correspondents, women still face shifting barriers that make it difficult to combine the roles of both women and journalists in Washington, but they are continuing to broaden the definition of political journalism.

Exiled, displaced, tortured, and grieving—each of the five Iraqi women whose lives and losses come to us through Haifa Zangana's skillfully wrought novel is searching in her own way for peace with a past that continually threatens to swallow up the present.

Majda, the widow of a former Ba'ath party official who was killed by the government he served. Adiba, a political dissident tortured under Saddam Hussein's regime. Um Mohammed, a Kurdish refugee who fled her home for political asylum. Iqbal, a divorced mother whose family in Iraq is suffering the effects of Western economic sanctions. And Sahira, the wife of a Communist politician, struggling with his disillusionment and her own isolation. Bound to one another by a common Iraqi identity and a common location in 1990s London, these women come together across differences in politics, ethnic and class background, age, and even language. In narrating the friendship that develops among them, Zangana captures their warmth and humor as well as their sadness, their feelings of despair along with their search for hope, their sense of uprootedness, and their yearnings for home.

Weaving between the women's memories of Iraq—nostalgic and nightmarish—and their lives as exiles in London, Zangana's novel gives voice to the richness and complexity of Iraqi women's experiences. Through their stories, the novel represents a powerful critique of the violence done to ordinary people by those who hold power both in Iraq and in the West.

Insightful and provocative, Women’s Activist Organizing in US History draws on both classic texts and recent bestsellers to reveal the breadth of activism by women in the United States in the nineteenth and twentieth centuries.

Contributors: Daina Ramey Berry, Melinda Chateauvert, Tiffany M. Gill, Nancy A. Hewitt, Treva B. Lindsey, Anne Firor Scott, Charissa J. Threat, Anne M. Valk, Lara Vapnek, and Deborah Gray White

In 2010, Dilma Rousseff was the first woman to be elected President in Brazil. She was re-elected in 2014 before being impeached in 2016 for breaking budget laws. Her popularity and controversy both energized and polarized the country. In Women’s Empowerment and Disempowerment in Brazil, dos Santos and Jalalzai examine Rousseff’s presidency and what it means for a woman to hold (and lose) the country’s highest power. 

The authors examine the ways Rousseff exercised dominant authority and enhanced women’s political empowerment. They also investigate the extent her gender played a role in the events of her presidency, including the political and economic crises and her ensuing impeachment. Emphasizing women’s political empowerment rather than representation, the authors assess the effects of women executives to more directly impact female constituencies—how they can empower women by appointing them to government positions; make policies that advance women’s equality; and, through visibility, create greater support for female politicians despite rampant sexism. 

Women’s Empowerment and Disempowerment in Brazil uses Rousseff’s presidency as a case study to focus on the ways she succeeded and failed in using her authority to empower women. The authors’ findings have implications throughout the world.