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45 books match the query 'Air'

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"Air of Solitude" Followed by "Requiem"

Gustave Roud

Seagull Books, 2019

Gustave Roud, perhaps the most beloved poet of Swiss Romandy, is widely considered the founder of modern francophone Swiss literature, along with Charles-Ferdinand Ramuz. Roud lived at his grandfather’s farm in Carrouge, Canton Vaud, for his entire life. In Air of Solitude, the first section of this two-part book, he stalks the structures and fields of his youth, composing memories out of his landscape. The narrator appears homegrown, expressing nostalgia for what is already in front of him. Yet, like an outsider, he remains distinctly elsewhere, unable to participate in the workday rituals of the men around him—a stalking shadow of unfulfilled yearning for affection and belonging. Air of Solitude explores the rural bodies and lives of the Vaudois, returning again and again to the desired male laborer Aimé.

Between each section of Air of Solitude, Roud inserts short vignettes that provide fleeting and lyrical images that resemble allusions to half-forgotten memories. However, Roud leaves the relationship between the titled sections and the interludes ambiguous. As the book concludes with Requiem, the remnants of narrative shatter, leaving behind only the spectral tatters of memory as Roud confronts the enigma of loss in peerless, jewel-studded elegiac prose. With these two tales, Roud revives the pastoral tradition and injects it with distinctly modernist anxiety and disillusionment.

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A Bit of Air

By Walid Taher

University of Texas Press, 2012

Award-winning Egyptian children’s author and illustrator Walid Taher targets a wider audience with A Bit of Air. Inspired by the long tradition of Egyptian colloquial poetry and its relation to social and political movements in Egypt, Taher creates a unique blend of visual art, poetry, and architecture. These darkly humorous poems and their accompanying images are snapshots of a state of mind and a space of fantasy that convey the absurd, the comical, the profound, and the idiosyncratic.

This illustrated, bilingual edition comes at a time of political and literary upheaval. An unprecedented number of Arab authors are producing new and noteworthy works by appropriating the language of blogs, poetry, comic strips, and film, to name a few. This mixing of media gives shape to new experiences emerging from and redefining a rapidly changing social and political reality. A new generation is ushering in a new language, a new literature, and a new Arab world.

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Blood of the Air

Poems

Ama Codjoe

Northwestern University Press, 2020

Blood of the Air creates a new mythology, repurposing spectacle, stereotype, and song. Inspired by the fictions and frictions of the past, each poem in this collection complicates the next. Lush lyrical moments give way to fracture, vulnerability, and reinvention. The title poem—one of several found poems—calls attention to stories told in the wake of sexual violence. In “She Said,” the collection’s longest piece, language culled from the transcript of a seventeenth-century rape trial feels eerily familiar. Formally dexterous and refreshingly bold, the poems in Blood of the Air are urgent, moving, and fiercely imagined. Though blood can flow from the site of a wound, Codjoe seems to say, blood is also a sign of life.

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Breaks in the Air

The Birth of Rap Radio in New York City

John Klaess

Duke University Press, 2022

In Breaks in the Air John Klaess tells the story of rap’s emergence on New York City’s airwaves by examining how artists and broadcasters adapted hip hop’s performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York’s African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.

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Choked

Life and Breath in the Age of Air Pollution

Beth Gardiner

University of Chicago Press, 2019

Nothing is as elemental, as essential to human life, as the air we breathe. Yet around the world, in rich countries and poor ones, it is quietly poisoning us.

Air pollution prematurely kills seven million people every year, including more than one hundred thousand Americans. It is strongly linked to strokes, heart attacks, many kinds of cancer, dementia, and premature birth, among other ailments. In Choked, Beth Gardiner travels the world to tell the story of this modern-day plague, taking readers from the halls of power in Washington and the diesel-fogged London streets she walks with her daughter to Poland’s coal heartland and India’s gasping capital. In a gripping narrative that’s alive with powerful voices and personalities, she exposes the political decisions and economic forces that have kept so many of us breathing dirty air. This is a moving, up-close look at the human toll, where we meet the scientists who have transformed our understanding of pollution’s effects on the body and the ordinary people fighting for a cleaner future.

In the United States, air is far cleaner than it once was. But progress has failed to keep up with the science, which tells us that even today’s lower pollution levels are doing real damage. And as the Trump administration rips up the regulations that have brought us where we are, decades of gains are now at risk. Elsewhere, the problem is far worse, and choking nations like China are scrambling to replicate the achievements of an American agency—the EPA—that until recently was the envy of the world.

Clean air feels like a birthright. But it can disappear in a puff of smoke if the rules that protect it are unraveled. At home and around the world, it’s never been more important to understand how progress happened and what dangers might still be in store. Choked shows us that we hold the power to build a cleaner, healthier future: one in which breathing, life’s most basic function, no longer carries a hidden danger.

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Coastal Landscapes

South Jersey from the Air

Kenneth W. Able

Rutgers University Press, 2023

New Jersey has roughly one hundred and thirty miles of coastline, including a wide array of habitats from marshes to ocean beaches, each hosting a unique ecosystem. Yet these coastal landscapes are quite dynamic, changing rapidly as a result of commercial development, environmental protection movements, and of course climate change. Now more than ever, it is vital to document these landscapes before they disappear.

Based on numerous aerial images from helicopter and drone flights between 2015 and 2021, this book provides extensive photographs and maps of the New Jersey coast, from the Pine Barrens to the ocean beaches. The text associated with each exceptional image describes it in detail, including its location, ecological setting, and relative position within the larger landscape. Author Kenneth Able, director of the Rutgers University Marine Field Station for over thirty years, has thoroughly ground-truthed each image by observations made through kayaks, boats, and wading through marshes. Calling upon his decades of expertise, Able paints a compelling portrait of coastal New Jersey’s stunning natural features, resources, history, and possible futures in an era of rising sea levels.

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Communities of the Air

Radio Century, Radio Culture

Susan Merrill Squier, ed.

Duke University Press, 2003

A pioneering analysis of radio as both a cultural and material production, Communities of the Air explores radio’s powerful role in shaping Anglo-American culture and society since the early twentieth century. Scholars and radio writers, producers, and critics look at the many ways radio generates multiple communities over the air—from elite to popular, dominant to resistant, canonical to transgressive. The contributors approach radio not only in its own right, but also as a set of practices—both technological and social—illuminating broader issues such as race relations, gender politics, and the construction of regional and national identities.

Drawing on the perspectives of literary and cultural studies, science studies and feminist theory, radio history, and the new field of radio studies, these essays consider the development of radio as technology: how it was modeled on the telephone, early conflicts between for-profit and public uses of radio, and amateur radio (HAMS), local programming, and low-power radio. Some pieces discuss how radio gives voice to different cultural groups, focusing on the BBC and poetry programming in the West Indies, black radio, the history of alternative radio since the 1970s, and science and contemporary arts programming. Others look at radio’s influence on gender (and gender’s influence on radio) through examinations of Queen Elizabeth’s broadcasts, Gracie Allen’s comedy, and programming geared toward women. Together the contributors demonstrate how attention to the variety of ways radio is used and understood reveals the dynamic emergence and transformation of communities within the larger society.

Contributors. Laurence A. Breiner, Bruce B. Campbell, Mary Desjardins, Lauren M. E. Goodlad, Nina Hunteman, Leah Lowe, Adrienne Munich, Kathleen Newman, Martin Spinelli, Susan Merrill Squier, Donald Ulin, Mark Williams, Steve Wurzler

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Creatures of the Air

Music, Atlantic Spirits, Breath, 1817–1913

J. Q. Davies

University of Chicago Press, 2023

An account of nineteenth-century music in Atlantic worlds told through the history of the art’s elemental medium, the air.

Often experienced as universal and incorporeal, music seems an innocent art form. The air, the very medium by which music constitutes itself, shares with music a claim to invisibility. In Creatures of the Air, J. Q. Davies interrogates these claims, tracing the history of music’s elemental media system in nineteenth-century Atlantic worlds. He posits that air is a poetic domain, and music is an art of that domain.

From West Central African ngombi harps to the European J. S. Bach revival, music expressed elemental truths in the nineteenth century. Creatures of the Air tells these truths through stories about suffocation and breathing, architecture and environmental design, climate strife, and racial turmoil. Contributing to elemental media studies, the energy humanities, and colonial histories, Davies shows how music, no longer just an innocent luxury, is implicated in the struggle for control over air as a precious natural resource. What emerges is a complex political ecology of the global nineteenth century and beyond.

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Freedom of the Air and the Public Interest

First Amendment Rights in Broadcasting to 1935

Louise M. Benjamin

Southern Illinois University Press, 2006

A unique and definitive study of freedom of expression rights in electronic media from the 1920s through the mid-1930s, Louise M. Benjamin’s Freedom of the Air and the Public Interest: First Amendment Rights in Broadcasting to 1935 examines the evolution of free speech rights in early radio.

Drawing on primary resources from sixteen archives plus contemporary secondary sources, Benjamin analyzes interactions among the players involved and argues that First Amendment rights in radio evolved in the 1920s and 1930s through the interaction of many entities having social, political, or economic interests in radio. She shows how free speech and First Amendment rights were defined and perceived up to 1935.

Focusing on the evolution of various electronic media rights, Benjamin looks at censorship, speakers’ rights of access to the medium, broadcasters’ rights to use radio as they desired, and listeners’ rights to receive information via the airwaves. With many interested parties involved, conflict was inevitable, resulting in the establishment of industry policies and government legislation—particularly the Radio Act of 1927. Further debate led to the Communications Act of 1934, which has provided the regulatory framework for broadcasting for over sixty years. Controversies caused by new technology today continue to rage over virtually the same rights and issues that Benjamin deals with.

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Futures after Progress

Hope and Doubt in Late Industrial Baltimore

Chloe Ahmann

University of Chicago Press, 2024

A powerful ethnographic study of South Baltimore, a place haunted by toxic pasts in its pursuit of better futures.

Factory fires, chemical explosions, and aerial pollutants have inexorably shaped South Baltimore into one of the most polluted places in the country. In Futures after Progress, anthropologist Chloe Ahmann explores the rise and fall of industrial lifeways on this edge of the city and the uncertainties that linger in their wake. Writing from the community of Curtis Bay, where two hundred years of technocratic hubris have carried lethal costs, Ahmann also follows local efforts to realize a good future after industry and the rifts competing visions opened between neighbors.

Examining tensions between White and Black residents, environmental activists and industrial enthusiasts, local elders and younger generations, Ahmann shows how this community has become a battleground for competing political futures whose stakes reverberate beyond its six square miles in a present after progress has lost steam. And yet—as one young resident explains—“that’s not how the story ends.” Rigorous and moving, Futures after Progress probes the deep roots of our ecological predicament, offering insight into what lies ahead for a country beset by dreams deferred and a planet on the precipice of change.

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Gold Dust on the Air

Television Anthology Drama and Midcentury American Culture

Molly A. Schneider

University of Texas Press, 2024

2025 Broadcast Historian Award, Library of American Broadcasting Foundation

How mid-century television anthologies reflected and shaped US values and identities.

From the late 1940s to the early 1960s, anthology dramas presented “quality” television programming in weekly stand-alone television plays meant to entertain and provide cultural uplift to American society. Programs such as Playhouse 90, Studio One, and The Twilight Zone became important emblems of American creative potential on television. But their propensity for addressing matters of major social concern also meant that they often courted controversy. Although the anthology’s tenure would be brief, its importance in the television landscape would be great, and the ways the format negotiated ideas about “Americanness” at midcentury would be a crucial facet of its significance.

In Gold Dust on the Air, Molly Schneider traces a cultural history of the “Golden Age” anthology, addressing topics such as the format’s association with Method acting and debates about “authentic” American experience, its engagement with ideas about “conformity” in the context of Cold War pressures, and its depictions of war in a medium sponsored by defense contractors. Drawing on archival research, deep textual examination, and scholarship on both television history and broader American culture, Schneider posits the anthology series as a site of struggle over national meaning.

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Historic Illinois from the Air

David Buisseret

University of Chicago Press, 1990

"A distinctive and skillful effort to bring facets of Illinois history to a popular as well as an academic audience."—John Hoffman, Illinois Historical Survey, University of Illinois Library

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Historic Texas from the Air

By David Buisseret, Richard Francaviglia, Gerald Saxon, and Jack Graves

University of Texas Press, 2009

The extremely varied geography of Texas, ranging from lush piney woods to arid, mountainous deserts, has played a major role in the settlement and development of the state. To gain full perspective on the influence of the land on the people of Texas, you really have to take to the air—and the authors of Historic Texas from the Air have done just that. In this beautiful book, dramatic aerial photography provides a complete panorama of seventy-three historic sites from around the state, showing them in extensive geographic context and revealing details unavailable to a ground-based observer.

Each site in Historic Texas from the Air appears in a full-page color photograph, accompanied by a concise description of the site's history and importance. Contemporary and historical photographs, vintage postcard images, and maps offer further visual information about the sites. The book opens with images of significant natural landforms, such as the Chisos Mountains and the Big Thicket, then shows the development of Texas history through Indian spiritual sites (including Caddo Mounds and Enchanted Rock), relics from the French and Spanish occupation (such as the wreck of the Belle and the Alamo), Anglo forts and methods of communication (including Fort Davis and Salado's Stagecoach Inn), nineteenth-century settlements and industries (such as Granbury's courthouse square and Kreische Brewery in La Grange), and significant twentieth-century locales, (including Spindletop, the LBJ Ranch, and the Dallas–Fort Worth International Airport).

For anyone seeking a visual, vital overview of Texas history, Historic Texas from the Air is the perfect place to begin.

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Inventing Pollution

Coal, Smoke, and Culture in Britain since 1800

Peter Thorsheim

Ohio University Press, 2006

Britain's supremacy in the nineteenth century depended in large part on its vast deposits of coal. This coal not only powered steam engines in factories, ships, and railway locomotives but also warmed homes and cooked food. As coal consumption skyrocketed, the air in Britain's cities and towns became filled with ever-greater and denser clouds of smoke.

In this far-reaching study, Peter Thorsheim explains that, for much of the nineteenth century, few people in Britain even considered coal smoke to be pollution. To them, pollution meant miasma: invisible gases generated by decomposing plant and animal matter. Far from viewing coal smoke as pollution, most people considered smoke to be a valuable disinfectant, for its carbon and sulfur were thought capable of rendering miasma harmless.

Inventing Pollution examines the radically new understanding of pollution that emerged in the late nineteenth century, one that centered not on organic decay but on coal combustion. This change, as Peter Thorsheim argues, gave birth to the smoke-abatement movement and to new ways of thinking about the relationships among humanity, technology, and the environment.

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Master of the Air

William Tunner and the Success of Military Airlift

Robert A. Slayton

University of Alabama Press, 2010

In 1948, just as the Cold War was settling into the form it would maintain for nearly half a century, major antagonists the US and the USSR began maneuvering into a series of dangerously hostile encounters. Trouble had broken out in Poland and Czechoslovakia, but it was in Germany, which had been at the heart of World Wars One and Two, that the first potentially explosive confrontation developed. The USSR, which had suffered more at Germany’s hands than the rest of the Allies combined, may have viewed developments there with heightened fear and irritability. When the western Allies moved to consolidate their areas of control in occupied Germany, the USSR responded by cutting off land access to West Berlin, holding over two million residents of that city hostage in an aggressive act of brinkmanship.

Into this difficult situation the US placed General William Henry Tunner. He was given a task that seemed doomed to failure—to supply a major city by air with everything it needed to survive from food to a winter’s supply of coal—and made it a brilliant success, astonishing the world in a major public relations defeat for the Soviets, and demonstrating the unexpected capacity of air fleets in a postwar world.

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Money in the Air

Art Dealers and the Making of a Transatlantic Market, 1880–1930

Gail Feigenbaum

J. Paul Getty Trust, The, 2024

This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries.

“There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic?

Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.

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Movements of Air

The Photographs from Étienne-Jules Marey’s Wind Tunnels

Georges Didi-Huberman and Laurent Mannoni

Diaphanes, 2022

Two important essays on Étienne-Jules Marey published for the first time in English alongside his breathtaking images of moving air and smoke.

Featuring more than one hundred and fifty photographs and images, Movements of Air reprints the breathtaking pictures of Étienne-Jules Marey—images captured between 1899 and 1901 during his scientific experiments with moving air and smoke—and complements them with essays by Georges Didi-Huberman and Laurent Mannoni.

Mannoni begins by reflecting on Marey’s experimental approach. As the founder of the “graphic method,” Marey was also the developer of an aerodynamic wind tunnel. His experiments’ photographs of fluid motion introduced a whole world of movements and turbulences, and fluids, and influenced generations of scientists and artists alike. Didi-Huberman expands on the philosophical debates surrounding these aesthetically and technically instructive images. Even though Marey’s main interest was graphic information, Didi-Huberman shows us how the flow of all things drew this ingenious experimenter to a photographic practice that creates drags, streaks, expansions, and visual dances. Marey’s wind tunnel photographs were also themselves causes of turbulence in the history of images. The artists Dombois and Oeschger explore these “graphical” vortices of the last 120 years, providing at the end of the book a collage from historical and contemporary material interlaced with their own image-making in Dombois’s wind tunnel at the Zurich University of the Arts.

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Neighboring on the Air

Cooking KMA Radio Homemakers

Evelyn Birkby

University of Iowa Press, 1991

In 1925 Earl May began broadcasting KMA Radio-960 from Shenandoah, Iowa, to boost his fledgling seed business. The station aired practical information designed to help with the day-to-day activity in midwestern farmhouse kitchens. Before long KMA was a trusted friend throughout the wide listening area, offering inspiration, companionship, and all manners of domestic counsel. Hosting the daily radio programs—Home Hour, the Stitch and Chat Club, and the KMA Party Line—and the live cooking demonstrations that drew thousands to the KMA auditorium was a changing roster of personable, lively women who quickly became known as the KMA Radio Homemakers.

Now, in Neighboring on the Air, we can hear the voices of the KMA homemakers and sample their philosophy and—best of all—cooking. Through recipes, biographies, and household advice we get to know such enduring women as "The Little Minister," the Reverend Edythe Stirlen, and Leanna Driftmier and the whole Kitchen-Klatter family, part of the longest-running homemaker program in the history of radio. Learn how to make Sour Cream Apple Pie from "The Farmer's Wife," Florence Falk; Varnished Chicken from the first long-term KMA Radio Homemaker, Jessie Young; and E.E.E. Missouri Dessert (nobody can remember what the "E.E.E." stands for) from the indomitable host of the Edith Hansen Kitchen Club. This endearing scrapbook of people, places, and foods charts the continuing adventure of the KMA homemakers as they broadcast into the 1990s. Neighboring on the Air is an enchanting piece of Americana. Anyone interested in cooking, cultural history, or the Midwest will want to own and use this book.

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Objects in Air

Artworks and Their Outside around 1900

Margareta Ingrid Christian

University of Chicago Press, 2021

Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its “milieu,” “atmosphere,” or “environment.” Christian explores how the artwork’s external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke’s observation that Rodin’s sculpture “exhales an atmosphere” and that Cezanne’s colors create “a calm, silken air” that pervades the empty rooms where the paintings are exhibited.

Writers created an early theory of unbounded form that described what Christian calls an artwork’s ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and “environments” that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives.

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On the Wing

American Poems of Air and Space Flight

Olsen, Karen Yelena

University of Iowa Press, 2005

From Kitty Hawk to the jumbo jet and from the lunar landing to interstellar probes, American poets in On the Wing explore the phenomena of aviation and space flight. Edited by Karen Yelena Olsen, this balanced yet buoyant anthology collects 116 poems. The six thematic sections celebrate past achievements and the sensuous joys of flying (“Impulse of Delight”), revel in the vistas opening to the airborne traveler (“Worlds Above, Below, Within”), ponder the impact of air travel on everyday life (“Airplane Visions, Airport Truths”), outline the sinister role of the airplane in war (“Angle of Attack”), lament the shadow of airborne tragedy (“Icarus Falling”), and explore the mythic dimensions of space flight (“Space Odysseys”).

Olsen’s introduction traces the prehistory of flight literature from the Bible to the 19th century and sketches the evolution of 20th-century response, from initial exuberance to a more nuanced and probing examination of aviation and aerospace as they affect our lives. The book includes a short history of flight in the U.S. The product of a lifetime’s passion for both flight and poetry, this collection will deeply interest those who have never been on a plane—and delight those who have.

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Organised Militarism in Interwar Britain

The Navy League and the Air League of the British Empire

Rowan Thompson

University of London Press, 2026

The first full-length study of militarism and militaristic associational culture in interwar Britain.

While militaristic and patriotic organizations formed an important part of political culture in Edwardian Britain, 1918 often marks a terminus for histories of organized militarism. Taking the end of the First World War as its starting point, this book argues that militarism was able to survive World War I, despite the competing rise of liberal internationalism, pacifism, and anti-war sentiment. Focusing on the ideas, aims, and activities of the Navy League and the Air League of the British Empire—two extra-parliamentary organizations established to promote naval and aerial supremacy—the book examines how the Leagues negotiated the trauma of the First World War and how they contributed to the societal and military preparation for a second global conflict as the clouds of war gathered in the late 1930s.

Drawing on extensive archival research, Organised Militarism in Interwar Britain explains how these Leagues mobilized broad public and political support and what the story of each organization tells us about the impact of war on British society and culture, civil-military relations, political and private activism, military theater and commemoration, youth, and the politics of disarmament, collective security, internationalism, and national defense. In doing so, it demonstrates that martial and militaristic sentiment remained an important part of mainstream British political culture, despite the ravages of war.

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Palestine on the Air

Karma R. Chavez

University of Illinois Press, 2019

Few doubt the pro-Israel bias of the Western media. It takes the form of overtly supporting Israel's government policies, or of maintaining neutrality or silence on issues of Israeli violence, occupation, and settlement expansion. Scholar and activist Karma R. Chávez collects eleven interviews that allow dissenting voices a forum to provide rarely heard perspectives on the Palestinian struggle for justice, land, and self-determination.This volume in the Common Threads series is a supplement to the Journal of Civil and Human Rights. The conversations within took place on a radio program Chávez hosted from 2013-16. There, journalists, activists, academic figures, authors, and Palestinian citizens of Israel shared a wide range of thoughts and experiences. Participants covered topics that include: everyday life for Palestinians in the West Bank and in Israel; the Boycott, Divestment, Sanctions (BDS) movement that arose in response to Israel's ongoing actions; the Steven Salaita controversy at the University of Illinois; the pro-Palestine social movement on college campuses; Israel's pinkwashing of human rights abuses; the aftermath of the 2014 attack on Gaza; and Chávez's 2015 visit to the West Bank.

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Pictures in the Air

The Story of the National Theatre of the Deaf

Stephen C. Baldwin

Gallaudet University Press, 1994

Now available in paperback; ISBN 1-56368-140-4

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Poisonous Skies

Acid Rain and the Globalization of Pollution

Rachel Emma Rothschild

University of Chicago Press, 2019

The climate change reckoning looms. As scientists try to discern what the Earth’s changing weather patterns mean for our future, Rachel Rothschild seeks to understand the current scientific and political debates surrounding the environment through the history of another global environmental threat: acid rain.

The identification of acid rain in the 1960s changed scientific and popular understanding of fossil fuel pollution’s potential to cause regional—and even global—environmental harms. It showed scientists that the problem of fossil fuel pollution was one that crossed borders—it could travel across vast stretches of the earth’s atmosphere to impact ecosystems around the world. This unprecedented transnational reach prompted governments, for the first time, to confront the need to cooperate on pollution policies, transforming environmental science and diplomacy. Studies of acid rain and other pollutants brought about a reimagining of how to investigate the natural world as a complete entity, and the responses of policy makers, scientists, and the public set the stage for how societies have approached other prominent environmental dangers on a global scale, most notably climate change.

Grounded in archival research spanning eight countries and five languages, as well as interviews with leading scientists from both government and industry, Poisonous Skies is the first book to examine the history of acid rain in an international context. By delving deep into our environmental past, Rothschild hopes to inform its future, showing us how much is at stake for the natural world as well as what we risk—and have already risked—by not acting.

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Risking a Somersault in the Air

Conversations with Nicaraguan Writers

Margaret Randall

Northwestern University Press, 1995

On July 19, 1979 the Nicaraguan people, under the banner of the Sandinista National Liberation Front, overthrew the 40-year-long Somoza family tyranny. Amongst those playing major roles in this popular revolution were many of the nation's leading poets and writers. Today, these men and women are focusing their creativity on the tasks of constructing a new nation and a new Nicaraguan culture. Through these interviews with 14 of Nicaragua's most important writers/revolutionaries we come to learn that Nicaragua's revolution, like its poetry, is an expression of great love, imagination and liberation.

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Sailor Of The Air

The 1917-1919 Letters and Diary of USN CMM/A Irving Edward Sheely

Lawrence D. Sheely

University of Alabama Press, 1993

In the winter of 1917, with most of the world at war, twenty-three-year-old Irving Edward Sheely of Albany, New York, enlisted in Naval Aviation and began his training at Pensacola Naval Air Station. When Congress declared ware on Germany on April 6, 1917, the combined strength of aviation within the Navy and Marine Corps was 48 officers, 239 enlisted men, 54 airplanes, one airship, and one air station.

Lieutenant Kenneth Whiting immediately recruited seven volunteer officers and 122 volunteer enlisted men with orders to go directly to France as the First Aeronautical Detachment. By June, the first organized contingent of American forces arrived in the combat zone at St. Nazaire, France—woefully unprepared to take on the mighty submarine force of Imperial Germany. Among this small detachment was Landsman Machinist Mate Second Class Irving E. Sheely.

Trained by American and foreign officers, using both American and foreign aircraft, Sheely learned aviation and aviation combat at the heart of the action. He served as Observer/Gunlayer with Navy Lieutenant Kenneth MacLeish as pilot, and the two participated in some of the first antisubmarine air patrols in history, including a sea landing to rescue a downed crew. While at Clermont-Ferrand, Sheely developed an improved bombsight, for which he was praised by MacLeish. Following the Armistice, Sheely participated in the closing of the Navy base at Eastleigh, England, and returned to the United States in November 1918.

Utilizing Sheely’s correspondence and meticulous diary spanning 19 months of training and service—mostly on foreign soil and in foreign aircraft—this book presents an unusual first person account of the wartime experience of naval aviation in World War I. Sheely’s letters and diary describe the many deprivations and inadequacies of the aviation program and show clearly the sacrifices made by the officers and enlisted men. He supplied for himself items, such as helmet and goggles, that later servicemen would expect the military to issue. In addition to wartime description, the letters reveal the young man’s concern for his family and his interest in home, so a very human story emerges.

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Science on the Air

Marcel Chotkowski LaFollette

University of Chicago Press, 2008

Mr. Wizard’s World. Bill Nye the Science Guy. NPR’s Science Friday. These popular television and radio programs broadcast science into the homes of millions of viewers and listeners. But these modern series owe much of their success to the pioneering efforts of early-twentieth-century science shows like Adventures in Science and “Our Friend the Atom.” Science on the Air is the fascinating history of the evolution of popular science in the first decades of the broadcasting era.

Marcel Chotkowski LaFollette transports readers to the early days of radio, when the new medium allowed innovative and optimistic scientists the opportunity to broadcast serious and dignified presentations over the airwaves. But the exponential growth of listenership in the 1920s, from thousands to millions, and the networks’ recognition that each listener represented a potential consumer, turned science on the radio into an opportunity to entertain, not just educate.

Science on the Air chronicles the efforts of science popularizers, from 1923 until the mid-1950s, as they negotiated topic, content, and tone in order to gain precious time on the air. Offering a new perspective on the collision between science’s idealistic and elitist view of public communication and the unbending economics of broadcasting, LaFollette rewrites the history of the public reception of science in the twentieth century and the role that scientists and their institutions have played in both encouraging and inhibiting popularization. By looking at the broadcasting of the past, Science on the Air raises issues of concern to all those who seek to cultivate a scientifically literate society today.

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Selling the Air

A Critique of the Policy of Commercial Broadcasting in the United States

Thomas Streeter

University of Chicago Press, 1996

In this interdisciplinary study of the laws and policies associated with commercial radio and television, Thomas Streeter reverses the usual take on broadcasting and markets by showing that government regulation creates rather than intervenes in the market. Analyzing the processes by which commercial media are organized, Streeter asks how it is possible to take the practice of broadcasting—the reproduction of disembodied sounds and pictures for dissemination to vast unseen audiences—and constitute it as something that can be bought, owned, and sold.

With an impressive command of broadcast history, as well as critical and cultural studies of the media, Streeter shows that liberal marketplace principles—ideas of individuality, property, public interest, and markets—have come into contradiction with themselves. Commercial broadcasting is dependent on government privileges, and Streeter provides a searching critique of the political choices of corporate liberalism that shape our landscape of cultural property and electronic intangibles.

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Smoke and Tailings

An Environmental History of Butte and Anaconda, Montana, 1880–1930

Fredric L. Quivik

University of Nevada Press, 2026

Smoke and Tailings explores the environmental history of copper-smelting industry in Butte and Anaconda, Montana. Situating within the emerging “Envirotech” field, Smoke and Tailings blends environmental history and the history of technology. Author and historian Fredric L. Quivik integrates these disciplines with political, legal, and business history to provide a comprehensive analysis of the industry’s environmental legacy.

Butte’s history, a long-standing subject of historical inquiry, gains new depth as Quivik examines the technological developments pioneered by local mining companies. He challenges the simplistic narrative of a powerful corporation imposing its will on helpless agricultural communities. Local communities mounted strong opposition to the industry’s polluting methods; Quivik acknowledges this dynamic while also revealing efforts by the Anaconda Copper Mining Company to address environmental issues. The company developed and implemented technical solutions to minimize resource waste and mitigate damage, driven by both economic interests and litigation pressures. While these advancements lessened some of the environmental harm, they were insufficient to prevent long-term consequences. The operations in Butte and Anaconda ultimately created the largest Superfund complex in the United States, requiring billions of dollars in remediation.

Quivik’s nuanced approach opens the “black box” of technology, showing how innovations both alleviated and exacerbated the environmental challenges of mining, milling, and smelting. In addition to contributing to the rich literature on smelter smoke, this book breaks new ground by examining the underexplored environmental impacts of tailings, offering a fresh perspective on the intersection of industry, technology, and environmental change. The cultural landscapes of Butte and Anaconda retain many features of the region’s history of both environmental degradation and remediation. Smoke and Tailings is an essential addition to the study of Butte’s industrial and ecological history.

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Sparks Flew

WOSU's Century on the Air

Thomas M. Rieland

The Ohio State University Press, 2019

Wireless Morse code began a new age of communications, magically sending invisible waves through the ether received at some distant place. Among the first universities to experiment in this unknown world was The Ohio State University, which became one of the first educational broadcast stations and a think tank for the future of public service radio—pioneering radio audience research and serving as an innovative school of the air.
Sparks Flew is a rich story of creative, tenacious men and women working in a new medium that commercial enterprises soon dominated. At any moment in time, educational broadcasting could have failed if not for a few land-grant institutions like The Ohio State University and prominent stations like WOSU that supported the medium. Sparks Flew is the untold story, a century in the making, of one institution and one educational station that represent the roots of today’s public broadcasting system.

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Speaking into the Air

A History of the Idea of Communication

John Durham Peters

University of Chicago Press, 1999

Communication plays a vital and unique role in society-often blamed for problems when it breaks down and at the same time heralded as a panacea for human relations. A sweeping history of communication, Speaking Into the Air illuminates our expectations of communication as both historically specific and a fundamental knot in Western thought.

"This is a most interesting and thought-provoking book. . . . Peters maintains that communication is ultimately unthinkable apart from the task of establishing a kingdom in which people can live together peacefully. Given our condition as mortals, communication remains not primarily a problem of technology, but of power, ethics and art." —Antony Anderson, New Scientist

"Guaranteed to alter your thinking about communication. . . . Original, erudite, and beautifully written, this book is a gem." —Kirkus Reviews

"Peters writes to reclaim the notion of authenticity in a media-saturated world. It's this ultimate concern that renders his book a brave, colorful exploration of the hydra-headed problems presented by a rapid-fire popular culture." —Publishers Weekly

What we have here is a failure-to-communicate book. Funny thing is, it communicates beautifully. . . . Speaking Into the Air delivers what superb serious books always do-hours of intellectual challenge as one absorbs the gradually unfolding vision of an erudite, creative author." —Carlin Romano, Philadelphia Inquirer

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Tail of the Storm

Flying Missions in the First Gulf War

Alan Cockrell

University of Alabama Press, 1995

A Gulf War memoir that captures the poetry and peril of flight.

Within days of Saddam Hussein’s invasion of Kuwait, the far reaching arm of American airpower sprang into action. The skyscapes of the North Atlantic, Europe, and the Mediterranean became laced with the contrails of great jets flowing day and night toward the Persian Gulf. From the skies, manpower and material poured onto the bleak sands under the ominous clouds of the gathering storm, and in only a few weeks the size of the effort eclipsed that of the Berlin Airlift.

The thousands of crewmembers flying the jets, as well as those servicing and managing them, became the backbone of history’s largest air logistical operation. Many of these men and women were Air Force reservists, and the author participated as a pilot of a C-141B Starlifter with the Mississippi Air National Guard.

Cockrell writes lyrically about flying and about the emotional and intellectual satisfaction enjoyed by those who fly. His focus is on the people recalled to active duty, who flew thousands of hours, coping with fatigue, cracked wings, missile attacks, and, in some cases, deteriorating businesses and families at home. Tail of the Storm gives expression to their love of flight, as well as their dedication to the endangered values of duty, honor, country. This story is good reading—not only for those who share the author’s enthusiasm for flying but also for those who read for pleasure and have a curiosity about a pilot’s world.

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The Air in the Air Behind It

Brandon Rushton

Tupelo Press, 2022

‘With an eye roving like a documentary camera, Brandon Rushton delivers a post-wonder diorama of the contemporary non-urban United States in which the vaunted American lawn is artificial; the food is full of chemicals; and “what haven’t we / homogenized.” The freedoms of childhood and adolescence are figured here as a kind of lost, damaged paradise before everyone erases themselves into their adult roles: the contractor, the customer, the detective, the pilot, the bank teller, the embezzler, the broker, the milkshake maker. Rushton’s often interweaving lines serve as a formal objective correlative for our interwoven state in this world, which is composed of both the given and the made; the question of why on earth we have chosen what we have made is quietly fuming in every poem. “Honestly, the people / had hoped for more space / to feel spectacular.” The news about that spectacular feeling isn’t good, but knowing Rushton is out there watching, giving a damn, and writing his beautiful poems is reason for hope.’
—Donna Stonecipher

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The Command of the Air

Giulio Douhet, translated by Dino Ferrari

University of Alabama Press, 2009

The theory that put victory in the skies.

The Command of the Air presents Giulio Douhet’s groundbreaking argument that air power is the decisive force in modern war. In this classic work of military theory, Douhet defines the revolutionary concept of the “command of the air”—the idea that victory belongs to the nation able to prevent its enemy from flying while striking vital centers deep behind the lines. Through bold logic and vivid examples, the book shows how aviation transformed warfare by bypassing armies and navies entirely, projecting power directly against a nation’s industrial, communications, and civilian infrastructure.

This edition brings together Douhet’s original 1921 text, his expanded 1927 revision, and subsequent essays, all framed by a rich editors’ introduction. Readers gain insight into his vision of the Independent Air Force, the strategic use of mass bombing, and the technological evolution of modern aircraft. Douhet’s credentials—an Italian general, early aviation commander, and one of history’s most influential air‑power theorists—underscore the authority and ambition behind his ideas.

Scholars and students of military history, air‑power strategy, national security, and the evolution of modern warfare will find this volume indispensable. It is equally valuable for contemporary defense professionals seeking to understand how concepts such as strategic bombing, total war, and air superiority first took shape.

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The Cruel Sky

A Heavy Bomber Group in World War II

Robert Thompson

Westholme Publishing, 2025

The men who flew American heavy bombers over Europe in World War II were very young—most were either in their late teens or early twenties. Before they deployed overseas, they were military amateurs who knew nothing of the violent, dangerous world of air warfare. Heavy bombers flew over Europe in steady formations at high altitudes. There they faced a gauntlet of razor sharp antiaircraft artillery bursts and fighter aircraft firing cannons that shattered Plexiglas, metal, engines, and bone. It is no wonder that bomber crews suffered some of the highest casualty rates of any service during the war. Yet, their courage and sacrifice would help the Allies secure an overwhelming victory over Hitler’s Germany. That bravery and the extreme dangers these young men faced in combat over Europe are vividly portrayed in The Cruel Sky: A Heavy Bomber Group in World War II. Using the 451st Bombardment Group (Heavy) of the Fifteenth Air Force as the focus for this compelling narrative, author Robert Thompson describes how the bomber group was established and trained, what is took to fly its aircraft—the Consolidated B-24 Liberator—the opposition they faced, and the harrowing stories of the missions for which the group received three Distinguished Unit Citations, one of only two units so honored during World War II. Relying on official reports and firsthand accounts of those who flew with the 451st, the book provides a fresh and personal perspective of the deadly air war over Europe that was critical in defeating the Nazis and liberating millions.

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The Forgetting of Air in Martin Heidegger

By Luce Irigaray

University of Texas Press, 1999

French philosopher Luce Irigaray has become one of the twentieth century's most influential feminist thinkers. Among her many writings are three books (with a projected fourth) in which she challenges the Western tradition's construals of human beings' relations to the four elements—earth, air, fire, and water—and to nature. In answer to Heidegger's undoing of Western metaphysics as a "forgetting of Being," Irigaray seeks in this work to begin to think out the Being of sexedness and the sexedness of Being.

This volume is the first English translation of L'oubli de l'air chez Martin Heidegger (1983). In this complex, lyrical, meditative engagement with the later work of the eminent German philosopher, Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air.

With the other volumes (Elemental Passions and Marine Lover of Friedrich Nietzsche, published elsewhere) in Irigaray's "elemental" series, The Forgetting of Air offers a fundamental rereading of basic tenets in Western metaphysics. And with its emphasis on dwelling and human habitation, it will be important reading not only in the humanities but also in architecture and the environmental sciences.

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The Great War in the Air

Military Aviation from 1909 to 1921

John H. Morrow, Jr.

University of Alabama Press, 2009

"For the general reader as well as the specialist, Morrow's history of the development and significance of airpower during WWI will be considered definitive. He compares the military, technological, and industrial aspects of the air services of the major powers--France, Germany, England, Italy, Austria-Hungary, and the United States--and reveals how, by means of superior production (particularly French engine manufacture), the Allies prevailed in the air war."--Publishers Weekly

"Morrow's encyclopedic examination of aviation's part in World War I concentrates on aircraft engine and airframe production, but the emotional content of contemporary accounts rises to the surface to put a human face on the brutal use of an infant technology. . . . a serious yet readable history of this vital part of the conflict, meant for any reader."--Library Journal

"A comprehensive study of the totality of the air war in its military, political, industrial, and cultural aspects distinguish this book from other treatments of military aviation during this period. . . . Morrow's efforts have yielded new insights into the evolution of military aviation and corrected previous oversights. The author's attention to developments in production and logistics, as well as events at the front, provide the most complete understanding of the development of air power and its role in the Great War."--American Historical Review

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The Light Crust Doughboys Are on the Air

Celebrating Seventy Years of Texas Music

John Mark Dempsey

University of North Texas Press, 2002

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Up in the Air?

The Future of Public Service Media in the Western Balkans

Tarik Jusic

Central European University Press, 2021

The agenda for transition after the demise of communism in the Western Balkans made the conversion of state radio and television into public service broadcasters a priority, converting mouthpieces of the regime into public forums in which various interests and standpoints could be shared and deliberated. There is general agreement that this endeavor has not been a success. Formally, the countries adopted the legal and institutional requirements of public service media according to European standards. The ruling political elites, however, retained their control over the public media by various means.

Can this trend be reversed? Instead of being marginalized or totally manipulated, can public service media become vehicles of genuine democratization?

A comparison of public service media in seven countries (Albania, Bosnia & Herzegovina, Croatia, Kosovo, Montenegro, North Macedonia, and Serbia) addresses these important questions.

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Utah's Air Quality Issues

Problems and Solutions

Edited by Hal Crimmel

University of Utah Press, 2019

Although Utah is a land of outdoor wonders, the state has a distressing air pollution problem. In some areas like Salt Lake City, geography exacerbates the issue; air quality in the Wasatch Front metropolitan region often ranks among the worst in the nation.

Utah’s Air Quality Issues: Problems and Solutions is the first book to tackle the subject. Written by scholars in a variety of fields, including chemical engineering, economics, atmospheric science, health care, law, parks and recreation and public policy, the book provides a one-stop resource on the causes, impacts, and possible solutions to the state’s air quality dilemma. This volume is a must read for anyone wanting to understand Utah’s air pollution problem and what can be done about it.

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Weather on the Air

A History of Broadcast Meteorology

Robert Henson

American Meteorological Society, 2010

From low humor to high drama, TV weather reporting has encompassed an enormous range of styles and approaches, triggering chuckles, infuriating the masses, and at times even saving lives. In Weather on the Air,meteorologist and science journalist Robert Henson covers it all—the people, technology, science, and show business that combine to deliver the weather to the public each day.

The first comprehensive history of its kind, Weather on the Air explores the many forces that have shaped weather broadcasts over the years, including the long-term drive to professionalize weathercasting, the complex relations between government and private forecasters, and the effects of climate-change science and the Internet on today’s broadcasts. Dozens of photos and anecdotes accompany Henson’s more than two decades of research to document the evolution of weathercasts, from their primitive beginnings on the radio to the high-gloss, graphics-laden segments we watch on television every morning.

This engaging study will be an invaluable tool for students of broadcast meteorology and mass communication and an entertaining read for anyone fascinated by the public face of weather.

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What's Fair on the Air?

Cold War Right-Wing Broadcasting and the Public Interest

Heather Hendershot

University of Chicago Press, 2011

The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and ’60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC’s public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster.

A lively look back at this formative era, What’s Fair on the Air? charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC’s Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.

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Wisconsin on the Air

100 Years of Public Broadcasting in the State That Invented It

Jack Mitchell

Wisconsin Historical Society Press, 2016

On a wintry evening in 1917, university professor Earle Terry listened with guests as the popular music of the day filtered from a physics laboratory in Science Hall into a receiving set in his living room. Little did they know that one hundred years of public service broadcasting had just begun. Terry’s radio experiment blossomed into a pioneering endeavor to carry out the "Wisconsin Idea," a promise to make the university’s knowledge accessible to all Wisconsinites, in their homes, statewide, a Progressive-era principle that still guides public broadcasting in Wisconsin and throughout the nation. In 1947, television was added to this public service model with Channel 21 in Madison, produced, like radio, from the University of Wisconsin campus. By 1967, when the Public Broadcasting Act created the Public Broadcasting System (PBS) and National Public Radio (NPR), the Wisconsin stations had been broadcasting for fifty years. A history one hundred years in the making, Wisconsin on the Air introduces readers to the personalities and philosophies, the funding challenges and legislation, the original Wisconsin programming and pioneering technology that gave us public radio and television. Author Jack Mitchell, who developed All Things Considered for NPR before becoming the head of Wisconsin Public Radio, deftly maps public broadcasting’s hundred-year journey by charting Wisconsin’s transition from the early days of radio and television to educational broadcasting to the news, information, and music of Wisconsin Public Radio and Wisconsin Public Television.

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