23 books match the query 'Berlin (Germany)'
Abraham Plotkin; Edited & with an introduction by Catherine Collomp & Bruno Grop
University of Illinois Press, 2007
Compared to the writings of other American observers of the Third Reich, Plotkin's diary is unique in style, scope, themes, and time span. Most accounts of Hitler's rise to power emphasize political institutions by focusing on the Nazi party's clashes with other political forces. In contrast, Plotkin is especially attentive to socioeconomic factors, providing an alternative view from the left that stems from his access to key German labor and socialist leaders. Chronologically, the diary reports on the moment when Hitler's seizure of power was not yet inevitable and when leaders on the left still believed in a different outcome of the crisis, but it also includes Plotkin's account of the complete destruction of German labor in May 1933.
Gad Beck; written with Frank Heibert, translated by Allison Brown
University of Wisconsin Press, 2000
Heather L. Dichter
University of Arkansas Press, 2024
Seth Givens; Ingo Trauschweizer
Ohio University Press, 2024
Leonard Barkan
University of Chicago Press, 2016
Peter Schneider
University of Chicago Press, 1998
Karin Finell
University of Missouri Press, 2026
Brandon Woolf
Northwestern University Press, 2021
Edited by Beate Meyer, Hermann Simon, and Chana Schütz
University of Chicago Press, 2009
Though many of the details of Jewish life under Hitler are familiar, historical accounts rarely afford us a real sense of what it was like for Jews and their families to live in the shadow of Nazi Germany’s oppressive racial laws and growing violence. With Jews in Nazi Berlin, those individual lives—and the constant struggle they required—come fully into focus, and the result is an unprecedented and deeply moving portrait of a people.
Drawing on a remarkably rich archive that includes photographs, objects, official documents, and personal papers, the editors of Jews in Nazi Berlin have assembled a multifaceted picture of Jewish daily life in the Nazi capital during the height of the regime’s power. The book’s essays and images are divided into thematic sections, each representing a different aspect of the experience of Jews in Berlin, covering such topics as emigration, the yellow star, Zionism, deportation, betrayal, survival, and more. To supplement—and, importantly, to humanize—the comprehensive documentary evidence, the editors draw on an extensive series of interviews with survivors of the Nazi persecution, who present gripping first-person accounts of the innovation, subterfuge, resilience, and luck required to negotiate the increasing brutality of the regime.
A stunning reconstruction of a storied community as it faced destruction, Jews in Nazi Berlin renders that loss with a startling immediacy that will make it an essential part of our continuing attempts to understand World War II and the Holocaust.
Annemarie Schwarzenbach
Seagull Books, 2011
Schwarzenbach’s clear, psychologically acute prose makes this novella an evocative narrative, with many intriguing parallels to her own life.
Annemarie Schwarzenbach—journalist, novelist, antifascist, archaeologist, and traveler—has become a European cult figure for bohemian free spirits since the rediscovery of her works in the late 1980s. Lyric Novella is her story of a young man’s obsession with a Berlin variété actress. Despite having his future career mapped out for him in the diplomatic service, the young man begins to question all his family values under Sibylle’s spell. His family, future, and social standing become irrelevant when set against his overriding compulsion to pick her up every night from the theater so they can go for a drive. Bringing the story back to her own life, Schwarzenbach admitted after publication that her hero was in fact a young woman, not a man, leaving little doubt that Lyric Novella is a literary tale of lesbian love during socially and politically turbulent times.
Robert A. Slayton
University of Alabama Press, 2010
Sace Elder
University of Michigan Press, 2010
Elmar Lueth
University of Iowa Press, 2002
David Ellenson
University of Alabama Press, 1990
Tradition, Modernity, and the Making of Modern Orthodoxy.
For many histories of Modern Orthodox Judaism, Rabbi Samson Raphael Hirsch stands as the primary architect of the movement's encounter with modernity. In Rabbi Esriel Hildesheimer and the Creation of a Modern Jewish Orthodoxy, distinguished scholar David Ellenson expands that narrative by recovering the life, thought, and enduring influence of one of Hirsch's most important contemporaries. Through a careful examination of Rabbi Esriel Hildesheimer's writings, leadership, educational initiatives, and responses to the social and intellectual challenges of nineteenth-century Europe, Ellenson demonstrates how Hildesheimer helped forge a model of Orthodoxy that remained firmly committed to Jewish tradition while engaging constructively with the modern world.
Set against a period of profound cultural, political, and religious transformation, this volume explores the tensions confronting European Jewry as modernization, secular education, religious pluralism, and changing political realities reshaped Jewish communal life. Ellenson shows how Hildesheimer addressed these challenges not through rigid isolation but through a pragmatic and intellectually sophisticated approach that balanced fidelity to halakhah with openness to selected aspects of modern culture and scholarship. His vision helped establish a framework for Modern Orthodoxy that continues to influence contemporary Jewish thought and practice.
Beyond its biographical focus, the study provides broader insights into the emergence of Modern Orthodoxy as a religious and intellectual movement. By illuminating Hildesheimer's efforts to integrate traditional scholarship with contemporary realities, Ellenson offers readers a deeper understanding of how Judaism has negotiated the relationship between heritage and change. The result is both a compelling portrait of an influential rabbinic figure and an important examination of the forces that shaped modern Jewish religious identity.
Rabbi Esriel Hildesheimer and the Creation of a Modern Jewish Orthodoxy is essential reading for scholars and students of Jewish studies, religious studies, theology, European history, intellectual history, and modern Judaism. It will also appeal to rabbis, educators, and general readers seeking to understand the historical roots of contemporary Orthodox Jewish life and the ongoing dialogue between tradition and modernity.
Nathaniel Flakin
Pluto Press, 2022
Salomea Genin
Northwestern University Press, 1997

Nicolas Whybrow
Intellect Books, 2004
Brian Ladd
University of Chicago Press, 2018
Rebecca Rovit
University of Iowa Press, 2012
The Kulturbund’s directors were repeatedly caught between escalating demands from their Nazi overseers and from their own Jewish constituents. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime, Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity.
Karen E. Till
University of Minnesota Press, 2005
“The New Berlin is a notable contribution to human geography and to the interdisciplinary literature on social memory and place making. Till’s methods and scholarship have provided the conceptual groundwork for the exploration and development of place making, social memory, and spatial haunting through the particular practices and politics of the new Berlin. Her readable style is marked by a narrative economy in which every word and sentence serves the larger purposes of the book. I recommend this book to anyone—student, scholar, or practitioner—who is interested in the social dynamics of memory formation and place making.” —The Professional Geographer
“This book is a well-written ‘first-hand’ account, though it also thoroughly covers academic literature, contemporary news accounts, and archival records.” —German Studies Review
“Karen E. Till's The New Berlin describes the modern metropolis and the ghosts of the past that it has to deal with.” —German World
“Well illustrated and copiously footnoted, this is a cutting-edge study of the power of identity-construction/analysis. Highly recommended.” —CHOICE
Robert L. Shuster
New Issues Poetry and Prose, 2021
Sabine Hake
University of Michigan Press, 2010
In Topographies of Class, Sabine Hake explores why Weimar Berlin has had such a powerful hold on the urban imagination. Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, Hake examines the way in which architectural projects; debates; and representations in literature, photography, and film played a key role in establishing the terms under which contemporaries made sense of the rise of white-collar society.
Focusing on the so-called stabilization period, Topographies of Class maps out complex relationships between modern architecture and mass society, from Martin Wagner's planning initiatives and Erich Mendelsohn's functionalist buildings, to the most famous Berlin texts of the period, Alfred Döblin's city novel Berlin Alexanderplatz (1929) and Walter Ruttmann's city film Berlin, Symphony of the Big City (1927). Hake draws on critical, philosophical, literary, photographic, and filmic texts to reconstruct the urban imagination at a key point in the history of German modernity, making this the first study---in English or German---to take an interdisciplinary approach to the rich architectural culture of Weimar Berlin.
Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of numerous books, including German National Cinema and Popular Cinema of the Third Reich.
Cover art: Construction of the Karstadt Department Store at Hermannplatz, Berlin-Neukölln. Courtesy Bildarchiv Preeussischer Kulturbesitz / Art Resource, NY
Herta Muller
Northwestern University Press, 2010
Winner, 2009 Nobel Prize in Literature
Irene is a fragile woman born to a German family in Romania, who has recently emigrated from her native country to West Germany. Politically and socially isolated, Irene moves within the orbit of three troubled men, while simultaneously embarking on an inner exploration of exile, homeland, and identity.