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27 books match the query 'Du Bois, W. E. B. (William Edward Burghardt)'

cover of "Beyond This Narrow Now": Or, Delimitations, of W. E. B. Du Bois

"Beyond This Narrow Now"

Or, Delimitations, of W. E. B. Du Bois

Nadhum Dimitri Chandler

Duke University Press, 2022

In “Beyond This Narrow Now” Nahum Dimitri Chandler shows that the premises of W. E. B. Du Bois's thinking at the turn of the twentieth century stand as fundamental references for the whole itinerary of his thought. Opening with a distinct approach to the legacy of Du Bois, Chandler proceeds through a series of close readings of Du Bois's early essays, previously unpublished or seldom studied, with discrete annotations of The Souls of Black Folk: Essays and Sketches of 1903, elucidating and elaborating basic epistemological terms of his thought. With theoretical attention to how the African American stands as an example of possibility for Du Bois and renders problematic traditional ontological thought, Chandler also proposes that Du Bois's most well-known phrase—“the problem of the color line”—sustains more conceptual depth than has yet been understood, with pertinence for our accounts of modern systems of enslavement and imperial colonialism and the incipient moments of modern capitalization. Chandler's work exemplifies a more profound engagement with Du Bois, demonstrating that he must be re-read, appreciated, and studied anew as a philosophical writer and thinker contemporary to our time.
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cover of "The Most Dangerous Communist in the United States": A Biography of Herbert Aptheker

"The Most Dangerous Communist in the United States"

A Biography of Herbert Aptheker

Murrell Gary

University of Massachusetts Press, 2015

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cover of American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois

American Socialist Triptych

The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois

Mark W. Van Wienen

University of Michigan Press, 2014

"A meticulously researched, highly informed, carefully argued, and very accessible account of American socialism, socialists, and socialistic thinking, from the late nineteenth century through the 1960s . . . challenges the intellectual and political legacy of Werner Sombart's Why Is There No Socialism in the United States?, whose spirit still hovers over animated discussions about the 'failures' of socialism in the United States."
---James A. Miller, George Washington University

"A valuable rethinking and reframing of the traditions of leftist literary scholarship in the U.S."
---Sylvia Cook, University of Missouri, St. Louis

American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois explores the contributions of three writers to the development of American socialism over a fifty--year period and asserts the vitality of socialism in modern American literature and culture.

Drawing upon a wide range of texts including archival sources, Mark W. Van Wienen demonstrates the influence of reform-oriented, democratic socialism both in the careers of these writers and in U.S. politics between 1890 and 1940. While offering unprecedented in-depth analysis of modern American socialist literature, this book charts the path by which the supposedly impossible, dangerous ideals of a cooperative commonwealth were realized, in part, by the New Deal.

American Socialist Triptych provides in-depth, innovative readings of the featured writers and their engagement with socialist thought and action. Upton Sinclair represents the movement's most visible manifestation, the Socialist Party of America, founded in 1901; Charlotte Perkins Gilman reflects the socialist elements in both feminism and 1890s reform movements, and W. E. B. Du Bois illuminates social democratic aspirations within the NAACP. Van Wienen's book seeks to re-energize studies of Sinclair by treating him as a serious cultural figure whose career peaked not in the early success of The Jungle but in his nearly successful 1934 run for the California governorship. It also demonstrates as never before the centrality of socialism throughout Gilman's and Du Bois's literary and political careers.

More broadly, American Socialist Triptych challenges previous scholarship on American radical literature, which has focused almost exclusively on the 1930s and Communist writers. Van Wienen argues that radical democracy was not the phenomenon of a decade or of a single group but a sustained tradition dispersed within the culture, providing a useful genealogical explanation for how socialist ideas were actually implemented through the New Deal.

American Socialist Triptych also revises modern American literary history, arguing for the endurance of realist and utopian literary modes at the height of modernist literary experimentation and showing the importance of socialism not only to the three featured writers but also to their peers, including Edward Bellamy, Hamlin Garland, Jack London, Edna St. Vincent Millay, and Claude McKay. Further, by demonstrating the importance of social democratic thought to feminist and African American campaigns for equality, the book dialogues with recent theories of radical egalitarianism. Readers interested in American literature, U.S. history, political theory, and race, gender, and class studies will all find in American Socialist Triptych a valuable and provocative resource.

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cover of Amid the Fall, Dreaming of Eden: Du Bois, King, Malcolm X, and Emancipatory Composition

Amid the Fall, Dreaming of Eden

Du Bois, King, Malcolm X, and Emancipatory Composition

Bradford T. Stull

Southern Illinois University Press, 1999

Whom, or what, does composition—defined here as an intentional process of study, either oral or written—serve? Bradford T. Stull contends that composition would do well to articulate, in theory and practice, what could be called "emancipatory composition." He argues that emancipatory composition is radically theopolitical: it roots itself in the foundational theological and political language of the American experience while it subverts this language in order to emancipate the oppressed and, thereby, the oppressors.

To articulate this vision, Stull looks to those who compose from an oppressed place, finding in the works of W. E. B. Du Bois, Martin Luther King Jr., and Malcolm X radical theopolitical practices that can serve as a model for emancipatory composition. While Stull acknowledges that there are many sites of oppression, he focuses on what Du Bois has called the problem of the twentieth century: the color line, positing that the unique and foundational nature of the color line provides a fecund place in which, from which, a theory and practice of emancipatory composition might be elucidated.

By focusing on four key theopolitical tropes—The Fall, The Orient, Africa, and Eden—that inform the work of Du Bois, King, and Malcolm X, Stull discovers the ways in which these civil rights leaders root themselves in the vocabulary of the American experience in order to subvert it so that they might promote emancipation for African Americans, and thus all Americans.

In drawing on the work of Paulo Freire, Kenneth Burke, Edward Said, Christopher Miller, Ernst Bloch, and others, Stull also locates this study within the larger cultural context. By reading Du Bois, King, and Malcolm X together in a way that they have never before been read, Stull presents a new vision of composition practice to the African American studies community and a reading of African American emancipatory composition to the rhetoric and composition community, thus extending the question of emancipatory composition into new territory.

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cover of Annotations: On the Early Thought of W. E. B. Du Bois

Annotations

On the Early Thought of W. E. B. Du Bois

Nahum Dimitri Chandler

Duke University Press, 2022

In Annotations Nahum Dimitri Chandler offers a philosophical interpretation of W. E. B. Du Bois’s 1897 American Negro Academy address, “The Conservation of Races.” Chandler approaches Du Bois as a generative and original philosophical thinker-writer on the status and historical implication of matters of human difference, both the fact of and the very idea thereof. Chandler proposes both a close reading of Du Bois’s engagement of the concept of so-called race and a deep meditation on Du Bois’s conceptualization of historicity in general. He elaborates on the way Du Bois’s thought in this address can give an account of the organization of the historicity that yields the emergence of something like the African American, at once with its own internal dimensions and yet also as an originary articulation of forces and possibilities that have world historical implications. Chandler refigures Du Bois’s thought as a vital theoretical resource for rethinking our concepts of differences among humans and, so too, our understanding of modern historicity itself.
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cover of Blood Talk: American Race Melodrama and the Culture of the Occult

Blood Talk

American Race Melodrama and the Culture of the Occult

Susan Gillman

University of Chicago Press, 2003

The United States has seldom known a period of greater social and cultural volatility, especially in terms of race relations, than the years from the end of Reconstruction to the First World War. In this highly original study, Susan Gillman explores the rise during this period of a remarkable genre—the race melodrama—and the way in which it converged with literary trends, popular history, fringe movements, and mainstream interest in supernatural phenomena.

Blood Talk shows how race melodrama emerged from abolitionist works such as Uncle Tom's Cabin and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels, the travel literature of Mark Twain, the regional fiction of Kate Chopin and George Washington Cable, and the work of W. E. B. Du Bois. Gillman then uses the race melodrama to show how racial discourses in the United States have been entangled with occultist phenomena, from the rituals of the Ku Klux Klan and the concept of messianic second-sight to the production of conspiracy theories and studies of dreams and trances.

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cover of Citizen of the World: The Late Career and Legacy of W. E. B. Du Bois

Citizen of the World

The Late Career and Legacy of W. E. B. Du Bois

Edited by Phillip Luke Sinitiere

Northwestern University Press, 2019

In his 1952 book In Battle for Peace, published when W. E. B. Du Bois was eighty-three years old, the brilliant black scholar announced that he was a “citizen of the world.” Citizen of the World chronicles selected chapters of Du Bois’s final three decades between the 1930s and 1960s. It maps his extraordinarily active and productive latter years to social, cultural, and political transformations across the globe.

From his birth in 1868 until his death in 1963, Du Bois sought the liberation of black people in the United States and across the world through intellectual and political labor. His tireless efforts documented and demonstrated connections between freedom for African-descended people abroad and black freedom at home.

In concert with growing scholarship on his twilight years, the essays in this volume assert the fundamental importance of considering Du Bois’s later decades not as a life in decline that descended into blind ideological allegiance to socialism and communism but as the life of a productive, generative intellectual who responded rationally, imaginatively, and radically to massive mid-century changes around the world, and who remained committed to freedom’s realization until his final hour.
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cover of Dark Victorians

Dark Victorians

Vanessa D. Dickerson

University of Illinois Press, 2007

Dark Victorians illuminates the cross-cultural influences between white Britons and black Americans during the Victorian age. In carefully analyzing literature and travel narratives by Ida B. Wells, Harriet Martineau, Charles Dickens, Frederick Douglass, Thomas Carlyle, W.E.B. Du Bois, and others, Vanessa D. Dickerson reveals the profound political, racial, and rhetorical exchanges between the groups. From the nineteenth-century black nationalist David Walker, who urged emigrating African Americans to turn to England, to the twentieth-century writer Maya Angelou, who recalls how those she knew in her childhood aspired to Victorian ideas of conduct, black Americans have consistently embraced Victorian England. At a time when scholars of black studies are exploring the relations between diasporic blacks, and postcolonialists are taking imperialism to task, Dickerson considers how Britons negotiated their support of African Americans with the controlling policies they used to govern a growing empire of often dark-skinned peoples, and how philanthropic and abolitionist Victorian discourses influenced black identity, prejudice, and racism in America.
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cover of Dark Voices: W. E. B. Du Bois and American Thought, 1888-1903

Dark Voices

W. E. B. Du Bois and American Thought, 1888-1903

Shamoon Zamir

University of Chicago Press, 1995

Dark Voices is the first sustained examination of the intellectual formation of W. E. B. Du Bois, tracing the scholar and civil rights leader's thought from his undergraduate days in the 1880s to the 1903 publication of his masterpiece, The Souls of Black Folk, and offering a new reading of his work from this period.

Bringing to light materials from the Du Bois archives that have not been discussed before, Shamoon Zamir explores Du Bois's deep engagement with American and European philosophy and social science. He examines the impact on Du Bois of his studies at Harvard with William James and George Santayana, and shows how the experience of post-Reconstruction racism moved Du Bois from metaphysical speculation to the more instrumentalist knowledge of history and the new discipline of sociology, as well as toward the very different kind of understanding embodied in the literary imagination. Providing a new and detailed reading of The Souls of Black Folk in comparison with Hegel's Phenomenology of Mind, Zamir challenges accounts that place Du Bois alongside Emerson and James, or characterize him as a Hegelian idealist. This reading also explores Du Bois's relationship to African American folk culture, and shows how Du Bois was able to dramatize the collapse of many of his hopes for racial justice and liberation.

The first book to place The Souls of Black Folk in its intellectual context, Dark Voices is a case study of African American literary development in relation to the broader currents of European and American thought.
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cover of Du Bois and His Rivals

Du Bois and His Rivals

Raymond Wolters

University of Missouri Press, 2002

W. E. B. Du Bois was the preeminent black scholar of his era. He was also a principal founder and for twenty-eight years an executive officer of the nation’s most effective civil rights organization, the National Association for the Advancement of Colored People (NAACP). Even though Du Bois was best known for his lifelong stance against racial oppression, he represented much more. He condemned the racism of the white world but also criticized African Americans for mistakes of their own. He opposed segregation but had reservations about integration. Today he would be known as a pluralist.

In Du Bois and His Rivals, Raymond Wolters provides a distinctive biography of this great pioneer of the American civil rights movement. Readers are able to follow the outline of Du Bois’s life, but the book’s main emphasis is on discrete scenes in his life, especially the controversies that pitted Du Bois against his principal black rivals. He challenged Booker T. Washington because he could not abide Washington’s conciliatory approach toward powerful whites. At the same time, Du Bois’s pluralism led him to oppose the leading separatists and integrationists of his day. He berated Marcus Garvey for giving up on America and urging blacks to pursue a separate destiny. He also rejected Walter White’s insistence that integration was the best way to promote the advancement of black people.

Du Bois felt that American blacks should be full-fledged Americans, with all the rights of other American citizens. However, he believed that they should also preserve and develop enough racial distinctiveness to enable them to maintain and foster a sense of racial identity, community, and pride. Du Bois and His Rivals shows that Du Bois stood for much more than protest against racial oppression. He was also committed to pluralism, and his pluralism emphasized the importance of traditional standards and of internal cooperation within the black community. Anyone interested in the civil rights movement, black history, or the history of the United States during the early twentieth century will find this book valuable.
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cover of Imperfect Solidarities: Tagore, Gandhi, Du Bois, and the Global Anglophone

Imperfect Solidarities

Tagore, Gandhi, Du Bois, and the Global Anglophone

Madhumita Lahiri

Northwestern University Press, 2021

A century ago, activists confronting racism and colonialism—in India, South Africa, and Black America—used print media to connect with one another. Then, as now, the most effective medium for their undertakings was the English language. Imperfect Solidarities: Tagore, Gandhi, Du Bois, and the Global Anglophone tells the story of this interconnected Anglophone world. Through Rabindranath Tagore’s writings on China, Mahatma Gandhi’s recollections of South Africa, and W. E. B. Du Bois’s invocations of India, Madhumita Lahiri theorizes print internationalism. This methodology requires new terms within the worldwide hegemony of the English language (“the global Anglophone”) in order to encourage alternate geographies (such as the Global South) and new collectivities (such as people of color).

The women of print internationalism feature prominently in this account. Sonja Schlesin, born in Moscow, worked with Indians in South Africa. Sister Nivedita, an Irish woman in India, collaborated with a Japanese historian. Jessie Redmon Fauset, an African American, brought the world home to young readers through her work as an author and editor.

Reading across races and regions, genres and genders, Imperfect Solidarities demonstrates the utility of the neologism for postcolonial literary studies.

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cover of Next to the Color Line: Gender, Sexuality, and W. E. B. Du Bois

Next to the Color Line

Gender, Sexuality, and W. E. B. Du Bois

Susan Gillman

University of Minnesota Press, 2007

Although W. E. B. Du Bois did not often pursue the connections between the “Negro question” that defined so much of his intellectual life and the “woman question” that engaged writers and feminist activists around him, Next to the Color Line argues that within Du Bois’s work is a politics of juxtaposition that connects race, gender, sexuality, and justice.This provocative collection investigates a set of political formulations and rhetorical strategies by which Du Bois approached, used, and repressed issues of gender and sexuality. The essays in Next to the Color Line propose a return to Du Bois, not only to reassess his politics but also to demonstrate his relevance for today’s scholarly and political concerns.Contributors: Hazel V. Carby, Yale U; Vilashini Cooppan, U of California, Santa Cruz; Brent Hayes Edwards, Rutgers U; Michele Elam, Stanford U; Roderick A. Ferguson, U of Minnesota; Joy James, Williams College; Fred Moten, U of Southern California; Shawn Michelle Smith, St. Louis U; Mason Stokes, Skidmore College; Claudia Tate, Princeton U; Paul C. Taylor, Temple U.Susan Gillman is professor of literature at the University of California, Santa Cruz. Alys Eve Weinbaum is associate professor of English at the University of Washington, Seattle.
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cover of Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture

Photography on the Color Line

W. E. B. Du Bois, Race, and Visual Culture

Shawn Michelle Smith

Duke University Press, 2004

Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called “the problem of the twentieth century.” Du Bois’s prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed—including double consciousness, the color line, the Veil, and second sight—available to visual culture and African American studies scholars in powerful new ways.

Smith reads Du Bois’s photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois’s exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.

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cover of Protest and Propaganda: W. E. B. Du Bois, the CRISIS, and American History

Protest and Propaganda

W. E. B. Du Bois, the CRISIS, and American History

Edited by Amy Helene Kirschke and Phillip Luke Sinitiere

University of Missouri Press, 2013

In looking back on his editorship of Crisis magazine, W. E. B. Du Bois said, “We condensed more news about Negroes and their problems in a month than most colored papers before this had published in a year.” Since its founding by Du Bois in 1910, Crisis has been the primary published voice of the NAACP. Born in an age of Jim Crow racism, often strapped for funds, the magazine struggled and endured, all the while providing a forum for people of color to document their inherent dignity and proclaim their definitive worth as human beings.

As the magazine’s editor from 1910 until 1934, Du Bois guided the content and the aim of Crisis with a decisive hand. He ensured that each issue argued for civil rights, economic justice, and social equality, always framing America’s intractable color line in an international perspective. Du Bois benefited from a deep pool of black literary and artistic genius, whether by commissioning the visual creativity of Harlem Renaissance artists for Crisis covers or by publishing poems and short stories from New Negro writers. From North to South, from East to West, and even reaching across the globe, Crisis circulated its ideas and marshaled its impact far and wide.

Building on the solid foundation Du Bois laid, subsequent editors and contributors covered issues vital to communities of color, such as access to resources during the New Deal era, educational opportunities related to the historic Brown decision, the realization of basic civil rights at midcentury, American aid to Africa and Caribbean nations, and the persistent economic inequalities of today’s global era.

Despite its importance, little has been written about the historical and cultural significance of this seminal magazine. By exploring how Crisis responded to critical issues, the essays in Protest and Propaganda provide the first well-rounded, in-depth look at the magazine's role and influence. The authors show how the essays, columns, and visuals published in Crisis changed conversations, perceptions, and even laws in the United States, thereby calling a fractured nation to more fully live up to its democratic creed. They explain how the magazine survived tremendous odds, document how the voices of justice rose above the clamor of injustice, and demonstrate how relevant such literary, journalistic, and artistic postures remain in a twenty-first-century world still in crisis.

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cover of The Correspondence of W.E.B. Du Bois, Volume I: Selections, 1877–1934

The Correspondence of W.E.B. Du Bois, Volume I

Selections, 1877–1934

W.E.B. Du Bois

University of Massachusetts Press, 1997

Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868–1963) was a major figure in American life and one of the earliest proponents of equality for Black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world. 

The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.

Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.

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cover of The Correspondence of W.E.B. Du Bois, Volume II: Selections, 1934–1944

The Correspondence of W.E.B. Du Bois, Volume II

Selections, 1934–1944

W.E.B. Du Bois

University of Massachusetts Press, 1997

Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868–1963) was a major figure in American life and one of the earliest proponents of equality for black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world. 

The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review. 

Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.

[more]
cover of The Correspondence of W.E.B. Du Bois, Volume III: Selections, 1944–1963

The Correspondence of W.E.B. Du Bois, Volume III

Selections, 1944–1963

W.E.B. Du Bois

University of Massachusetts Press, 1997

Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868–1963) was a major figure in American life and one of the earliest proponents of equality for black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world. 

The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review. 

Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.

[more]
cover of The Possible Form of an Interlocution: W. E. B. Du Bois and Max Weber in Correspondence

The Possible Form of an Interlocution

W. E. B. Du Bois and Max Weber in Correspondence

Nahum Dimitri Chandler

Duke University Press, 2025

In The Possible Form of an Interlocution, Nahum Dimitri Chandler provides an epistemological and theoretical elaboration of the correspondence between W. E. B. Du Bois and Max Weber in 1904 and 1905. Their interlocution took place under the heading of Du Bois’s famous formulation “the problem of the color line.” This study takes as its incipient reference Weber’s statement to Du Bois that “I am absolutely convinced that the ‘color-line’ problem will be the paramount problem of the time to come, here and everywhere in the world.” Chandler provides a concise statement of Du Bois’s thought of “the problem of the color line” as a general formulation for understanding African American matters within modern historicity on a worldwide scale. He then examines Weber’s earliest writings to understand in just what way “the ‘color-line’ problem", served as a problematization for Weber in both his thought and itinerary, across the 1890s and through the time of their interlocution.
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cover of The Problem of the Future World: W. E. B. Du Bois and the Race Concept at Midcentury

The Problem of the Future World

W. E. B. Du Bois and the Race Concept at Midcentury

Eric Porter

Duke University Press, 2010

The Problem of the Future World is a compelling reassessment of the later writings of the iconic African American activist and intellectual W. E. B. Du Bois. As Eric Porter points out, despite the outpouring of scholarship devoted to Du Bois, the broad range of writing he produced during the 1940s and early 1950s has not been thoroughly examined in its historical context, nor has sufficient attention been paid to the theoretical interventions he made during those years. Porter locates Du Bois’s later work in relation to what he calls “the first postracial moment.” He suggests that Du Bois’s midcentury writings are so distinctive and so relevant for contemporary scholarship because they were attuned to the shape-shifting character of modern racism, and in particular to the ways that discredited racial taxonomies remained embedded and in force in existing political-economic arrangements at both the local and global levels. Porter moves the conversation about Du Bois and race forward by building on existing work about the theorist, systematically examining his later writings, and looking at them from new perspectives, partly by drawing on recent scholarship on race, neoliberalism, and empire. The Problem of the Future World shows how Du Bois’s later writings help to address race and racism as protean, global phenomena in the present.
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cover of The Search for World Democracy: W. E. B. Du Bois and the Politics of Space

The Search for World Democracy

W. E. B. Du Bois and the Politics of Space

Adam Dahl

University of Chicago Press, 2026

An incisive conceptual history of global democracy in the transnational political thought of W.E.B. Du Bois.

The Search for World Democracy traces the language of “world democracy” in W. E. B. Du Bois’s oeuvre, stretching from his early sociological writings to his later work on world peace and anticolonialism with and against the United Nations. Drawing on original archival research, several lesser-known writings, and most centrally Du Bois’s unpublished 1937 manuscript A World Search for Democracy, Adam Dahl places his unique approach to democratic theory within the transatlantic debates about the transformation of European imperial order in the twentieth century. Dahl shows how Du Bois’s vision of the spatial scale of democracy situated struggles for popular control, decolonization, industrial democracy, and racial enfranchisement in their shifting, multidimensional geographic contexts. Less a specific model of global governance than a radical politics of space and scale, Du Bois’s idea of world democracy challenges the boundaries between domestic and international politics by linking local sites of democratic struggle within and against the global color line. The Search for World Democracy shows how, for Du Bois, the radical transformation of the United States into a multiracial democracy would require an equally dramatic transformation of the imperial lineages of world politics.

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cover of The Souls of Black Folk: One Hundred Years Later

The Souls of Black Folk

One Hundred Years Later

Edited & Intro by Dolan Hubbard

University of Missouri Press, 2003

Published in 1903, The Souls of Black Folk by W. E. B. Du Bois was a landmark achievement, moving American philosophy beyond the structures of pragmatism and positivism as it addressed new questions about American social and political history. One hundred years later, Du Bois's classic has clearly resonated through twentieth-century thought, offering a critical perspective on the political, social, and economic barriers imposed upon blacks in America.

This important new book is the first collection of essays to examine sustainedly The Souls of Black Folk from a variety of disciplines: aesthetics, art history, classics, communications, history, literature, music, political science, and psychology. The authors establish a call-and-response rhythm as they examine the critical depth of a text that has had a profound influence on African American intellectual history. Implicitly, the essays show how The Souls of Black Folk has influenced teaching practices and suggested alternative ways of teaching that create a pedagogy of inclusion.

The Souls of Black Folk remains a text pivotal in the American understanding of the black experience, and this important collection investigates this masterpiece from fresh directions. Scholars, teachers, and students of American studies and African American studies will find this remarkable work an essential overview of a book that changed the course of American intellectual history.

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cover of The World of W.E.B. Du Bois: A Quotation Sourcebook

The World of W.E.B. Du Bois

A Quotation Sourcebook

Meyer Weinberg

University of Massachusetts Press, 2012

W.E.B. Du Bois (1868–1963) was one of the leading public figures of his time—an African American sociologist, historian, civil rights activist, author, and editor. He organized, protested, laid out programs, petitioned, and raised questions of long-term strategy and short-term tactics. He also wrote numerous books and articles and was a commanding speaker and a prodigious correspondent.

Meyer Weinberg created The World of W.E.B. Du Bois to provide a short journey through Du Bois's views on virtually all aspects of twentieth-century life. More than one thousand quotations from his published writings and correspondence are included, arranged into twenty topical chapters. Each quotation begins with a heading designed to summarize its main theme. A subject index provides additional access to the ideas of this complex figure.
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cover of Those About Him Remained Silent: The Battle over W. E. B. Du Bois

Those About Him Remained Silent

The Battle over W. E. B. Du Bois

Amy Bass

University of Minnesota Press, 2012

On the eve of Martin Luther King Jr.’s 1963 March on Washington, W. E. B. Du Bois died in exile in Ghana at the age of 95, more than a half century after cofounding the NAACP. Five years after his death, residents of Great Barrington, the small Massachusetts town where Du Bois was born in 1868, proposed recognizing his legacy through the creation of a memorial park on the site of his childhood home. Supported by the local newspaper and prominent national figures including Harry Belafonte and Sydney Poitier, the effort to honor Du Bois set off an acrimonious debate that bitterly divided the town. Led by the local chapter of the Veterans of Foreign Wars, opponents compared Du Bois to Hitler, vilifying him as an anti-American traitor for his communist sympathies, his critique of American race relations, and his pan-Africanist worldview.

In Those About Him Remained Silent, Amy Bass provides the first detailed account of the battle over Du Bois and his legacy, as well as a history of Du Bois’s early life in Massachusetts. Bass locates the roots of the hostility to memorialize Du Bois in a cold war worldview that reduced complicated politics to a vehement hatred of both communism and, more broadly, anti-Americanism. The town’s reaction was intensified, she argues, by the racism encoded within cold war patriotism.

Showing the potency of prevailing, often hidden, biases, Those About Him Remained Silent is an unexpected history of how racism, patriotism, and global politics played out in a New England community divided on how—or even if—to honor the memory of its greatest citizen.

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cover of Un-American: W.E.B. Du Bois and the Century of World Revolution

Un-American

W.E.B. Du Bois and the Century of World Revolution

Bill V Mullen

Temple University Press, 2015

Un-American is Bill Mullen’s revisionist account of renowned author and activist W.E.B. Du Bois’s political thought toward the end of his life, a period largely dismissed and neglected by scholars. He describes Du Bois’s support for what the Communist International called “world revolution” as the primary objective of this aged radical’s activism. Du Bois was a champion of the world’s laboring millions and critic of the Cold War, a man dedicated to animating global political revolution.

Mullen argues that Du Bois believed that the Cold War stalemate could create the conditions in which the world powers could achieve not only peace but workers’ democracy. Un-American shows Du Bois to be deeply engaged in international networks and personal relationships with revolutionaries in India, China, and Africa. Mullen explores how thinkers like Karl Marx, Jawaharlal Nehru, Mohandas Gandhi, and C.L.R. James helped him develop a theory of world revolution at a stage in his life when most commentators regard him as marginalized. This original political biography also challenges assessments of Du Bois as an American “race man.”

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cover of Unveiling the Color Line: W. E. B. Du Bois on the Problem of Whiteness

Unveiling the Color Line

W. E. B. Du Bois on the Problem of Whiteness

Lisa J. McLeod

University of Massachusetts Press, 2024

In The Souls of Black Folk, W. E. B. Du Bois brilliantly details the African American experience. Yet the renowned sociologist was also an astute chronicler of white people, particularly their racism. As Unveiling the Color Line demonstrates, Du Bois’s trenchant analysis of whiteness and white supremacy began in his earliest work—his 1890 speech on Jefferson Davis—and continued in every major book he published in his more than sixty-year career, up to The Black Flame Trilogy.

Lisa J. McLeod traces the development of Du Bois’s conception of whiteness, and the racism inherent to it, as an all-encompassing problem, whether predicated on ignorance, moral failure, or the inability to recognize the humanity in other people. In clear, elegant prose, McLeod investigates Du Bois’s complex and nuanced thinking, putting his insights into dialogue with contemporary racial theorists to demonstrate his continuing value to present-day critical thought and activism.

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cover of W. E. B. Du Bois: Revolutionary Across the Color Line

W. E. B. Du Bois

Revolutionary Across the Color Line

Bill V. Mullen

Pluto Press, 2016

On the 27th August, 1963, the day before Martin Luther King electrified the world from the steps of the Lincoln Memorial with the immortal words, 'I Have a Dream', the life of another giant of the Civil Rights movement quietly drew to a close in Accra, Ghana: W.E.B. DuBois. In this new biography, Bill V. Mullen interprets the seismic political developments of the Twentieth Century through Du Bois’s revolutionary life. 

Du Bois was born in Massachusetts in 1868, just three years after formal emancipation of America’s slaves. In his extraordinarily long and active political life, he would emerge as the first black man to earn a PhD from Harvard; surpass Booker T. Washington as the leading advocate for African American rights; co-found the NAACP, and involve himself in anti-imperialist and anti-colonial struggles across Asia and Africa. Beyond his Civil Rights work, Mullen also examines Du Bois's attitudes towards socialism, the USSR, China’s Communist Revolution, and the intersectional relationship between capitalism, poverty and racism. 

An accessible introduction to a towering figure of American Civil Rights, perfect for anyone wanting to engage with Du Bois’s life and work.
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cover of “The Most Dangerous Communist in the United States”: A Biography of Herbert Aptheker

“The Most Dangerous Communist in the United States”

A Biography of Herbert Aptheker

Gary Murrell

University of Massachusetts Press, 2015

When J. Edgar Hoover declared Herbert Aptheker “the most dangerous Communist in the United States,” the notorious FBI director misconstrued his true significance. In this first book-length biography of Aptheker (1915–2003), Gary Murrell provides a balanced yet unflinching assessment of the controversial figure who was at once a leading historian of African America, radical political activist, literary executor of W. E. B. Du Bois, and lifelong member of the American Communist Party. Although blacklisted at U.S. universities, Aptheker published dozens of books, including the groundbreaking American Negro Slave Revolts (1943) and the monumental seven-volume Documentary History of the Negro People (1951–1994). He also edited four volumes of the correspondence and unpublished writings of Du Bois, an achievement that Eric Foner, writing in the New York Times Book Review, called “a milestone in the coming of age of Afro-American history.”

As Murrell shows, Aptheker the historian was inseparable from Aptheker the leading Communist Party intellectual, polemicist, and agitator. During the 1960s, his ability to rouse and inspire both black and white student radicals made him one of the few Old Leftists accepted by the New Left. Aptheker had joined the CPUSA during its heyday in the 1930s, convinced that only through the party's leadership could fascism be defeated and true liberation be achieved: he ended his affiliation five decades later in 1991 after the collapse of socialism in the Soviet Union and Eastern Europe.

In an afterword, Bettina Aptheker adds to Murrell's narrative by illuminating her mother Fay's vital contributions to her father's work and by affirming the particularly devastating challenges of life in a family dedicated to radical political and social change.

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