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In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, A Stricken Field follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, A Stricken Field is Gellhorn’s most powerful work of fiction.

 

“[A] brave, final novel. Its writing is quick with movement and with sympathy; its people alive with death, if one can put it that way. It leaves one with aching heart and questing mind.”—New York Herald Tribune

 

“The translation of [Gellhorn’s] personal testimony into the form of a novel has . . . force and point.”—Times Literary Supplement

This epic novel presents a sweeping portrait of war and peace in northern Vietnam from the defeat of the French to the mid-1980s. The story follows the odyssey of Giang Minh Sai, the son of a Confucian scholar in the rural Red River delta, from his early childhood through his decorated service during the American War and his later efforts to adapt to the postwar world of urban Ha Noi. Through two failed marriages, Giang Minh Sai struggles to come to terms with his responsibilities, his past, and his future. The novel's ending leaves its hero and Vietnamese socialism at a problematic and painful crossroads.

In its intricate sketching of complicated alliances, personal debts, and human interactions, A Time Far Past explores the complex layering of family and village history and Party and feudal authority. It also paints a vivid picture of the vast dislocations in Vietnamese culture caused by the political and military turmoil of the Indochina wars.

A Time Far Past was enormously popular in Vietnam, where it was first published in 1986, selling more than 120,000 copies and winning that country's national prize for fiction.

Desert Mementos is a collection of loosely connected short stories set during the early stages of the Iraq War (2004 and 2005). The stories rotate from battles with insurgents and the drudgery of the war machine in Iraq to Nevada, where characters are either preparing for war, escaping it during their leave, or returning home having seen what they’ve seen.
 
Cage captures similarities in the respective desert landscapes of both Iraq and Nevada, but it is not just a study in contrasting landscapes. The inter-connected stories explore similarities and differences in human needs from the perspectives of vastly different cultures. Specifically, the stories deftly capture the overlap in the respective desert landscapes of each region, the contrasting cultures and worldviews, and the common need for hope. Taken together, the stories represent the arc of a year-long deployment by young soldiers. Cage’s stories are bound together by the soldier’s searing experiences in the desert, bookended by leaving and returning home to Nevada, which in many ways can be just as disorienting as patrolling the Iraq desert.

An adoring young woman encounters Adolph Hitler when her youth group sings for him. He demands her company in private, and she becomes pregnant, bearing his child but never being contacted by Hitler again. The plot follows her life as an outcast believed to be lying about the child’s parentage, and the life of her son told through her correspondence, diary entries, and from the point of view of a researcher who writes a generation later. Based on facts and documented history, author Ron Merten tells this tale with just enough creativity to make the story fascinating.

At the height of the Nazi extermination campaign in the Warsaw Ghetto, a young Jewish woman, Irena, seeks the protection of her former lover, a young architect, Jan Malecki. By taking her in, he puts his own life and the safety of his family at risk. Over a four-day period, Tuesday through Friday of Holy Week 1943, as Irena becomes increasingly traumatized by her situation, Malecki questions his decision to shelter Irena in the apartment where Malecki, his pregnant wife, and his younger brother reside. Added to his dilemma is the broader context of Poles’ attitudes toward the “Jewish question” and the plight of the Jews locked in the ghetto during the final moments of its existence.

Few fictional works dealing with the war have been written so close in time to the events that inspired them. No other Polish novel treats the range of Polish attitudes toward the Jews with such unflinching honesty.

Jerzy Andrzejewski’s Holy Week (Wielki Tydzien, 1945), one of the significant literary works to be published immediately following the Second World War, now appears in English for the first time.

This translation of Andrzejewski’s Holy Week began as a group project in an advanced Polish language course at the University of Pittsburgh. Class members Daniel M. Pennell, Anna M. Poukish, and Matthew J. Russin contributed to the translation; the instructor, Oscar E. Swan, was responsible for the overall accuracy and stylistic unity of the translation as well as for the biographical and critical notes and essays.

The disquieting novel How to Quiet a Vampire is a rumination on terror and intellect in the tradition of Joseph Heller and George Steiner. Published to acclaim in 1977, Pekic's novel of ideas follows Konrad Rutkowski, professor of medieval history and former Gestapo officer, as he returns to the scene of his war crimes determined to renounce, or perhaps justify, his Nazi past. In a series of letters, Rutkowski lays out his ambivalent reactions to war and violence, connecting his own swirling ideas to those of the major figures of European thought: Plato, St. Augustine, Descartes, Nietzsche, Freud, and others.

Delving far deeper than mere intellect, however, Borislav Pekic was himself a frequent political agitator and occasional prisoner, and he drew on his first hand knowledge of police methods and life under totalitarianism to paint a chilling portrait of a supposedly free-thinking intellectual acting in the service of repression. At the same time he questions whether Rutkowski's ideology puts him outside the philosophical tradition he so admires—or if the line separating European thought from totalitarianism is not as clear as we like to think.

A comic novel of war from a teenager's point-of-view

Published as the siege of Sarajevo ended, Lodgers is a hilarious, unsentimental report from the front lines of the Balkan wars of the 1990s. Detergent mixed with flour, museum relics sold to U.N. peacekeepers, the magic power of laminated accreditation-all of the folly and the horror of that time are revealed in the sarcastic report of the novel's teenage would-be authoress.

Maja lives in the basement of a Sarajevo museum, enduring with equal annoyance Serb artillery and vegetarian meals that taste like fried sponge. Her father, the museum director, zealously guards the treasures upstairs while their aged co-lodger Julio plots to trade them away. Maja's mother copes with yoga while dour stepbrother Davor endures the endless crying and cravings of his pregnant wife. Floating amidst it all is Maja's grandmother, blind and deaf, yet drawn to any conversation involving food.

Need and crisis propel Maja and her companions from one humorous situation to another. Yet her pitch-perfect gallows humor makes it clear that the brutalities of war penetrate these small moments of life-and even the self-centeredness of a teenaged girl. A best seller in the Balkans and widely translated in Europe, Lodgers is an uncompromising novel about a modern tragedy.

In the seven stories and novella of Minimal Damage, veterans search for dignity in a civilian life that has no need for men who were soldiers. Finding themselves psychically scarred, in crisis, on the fringes of society, or in battle with their memories, these men are living "like warts on America's ass." The characters range from the enigmatic Mr. K, who runs a reality television show and once led an escape from a Korean pow camp, to the doomed Billy Debecki, who regains his dignity in the last minutes of his life by remembering that he once willingly risked his life to save an enemy soldier. In one story, a man who was never a soldier finds a path toward reconciliation with his brother, a former Marine. In another, a man recalls becoming a soldier by watching the humanity of a fellow recruit disintegrate in basic training. In the novella "Snake Boy," a homeless Vietnam vet is kidnapped by a snake-handling evangelist. In proper, upstanding lives and lost, drifting ones, the depth of damage is never immediately apparent for these men. In war, chance, luck, and arbitrary timing conspire to determine a soldier's fate. As civilians, the same uncontrollable forces influence who finds a place in society and who is doomed to keep searching. With emotion, humor, and clarity, Barnes creates characters who show us what it is to live with the trauma of having experienced combat. The fractured souls and lives of these men remind us that the damage doesn't remain on the battlefield. Western Literature Series.

Josef Erdman arrives in Maribor, Slovenia, on the eve of World War II. Though he claims to be a salesman, it soon becomes apparent that Josef has no purpose in the town--and that a newcomer can expect nothing but distrust from the townspeople. Against this backdrop he witnesses the fiery shimmer of the aurora borealis and imagines the town set aflame--an omen of the coming war.

A masterwork of World War I short stories portraying the experiences of Marines in battle.
 
Points of Honor: Short Stories of the Great War by a US Combat Marine is based on author Thomas Alexander Boyd’s personal experiences as an enlisted Marine. First published in 1925 and long out of print, this edition rescues from obscurity a vivid, kaleidoscopic vision of American soldiers, US Marines mostly, serving in a global conflict a century ago. It is a true forgotten masterpiece of World War I literature.
 
The stories in Points of Honor deal almost entirely with Marines in the midst of battle—or faced with the consequences of military violence. The eleven stories in this collection offer a panoramic view of war experience and its aftermath, what Boyd described as “a mass of more human happenings.” The themes are often antiheroic: dehumanization, pettiness, betrayal by loved ones at home, and the cruelty of military justice. But Boyd’s vision also accommodates courage and loyalty. Like all great works of war literature, this collection underscores the central paradox of armed conflict—its ability to bring out both the best and worst in human beings.
 
This reissue of Points of Honor is edited, annotated, and introduced by Steven Trout. Trout provides an overview of Thomas Boyd’s war experience and writing career and situates the stories within the broader context of World War I American literature.
 
Points of Honor received strong reviews at the time of its initial publication and remains an overwhelming reading experience today. While each of the stories is a freestanding work of art, when read together they carry the force of a novel.

Captures the war's human toll and explores its social consequences

The Battle-Ground, Ellen Glasgow's fourth novel, was her first bestseller, with more than 21,000 copies sold in just two weeks. The novel committed her to a project almost unparalleled in American literary history: a novelistic meditation on the South from the decade before the Confederacy to the middle of the 20th century. The Battle-Ground speaks of a South before and during the Civil War in its struggles to become part of a nation still in the making. The overthrow of the aristocratic tradition, the transfer of hereditary power to a rural underclass, the continued disenfranchisement of African Americans, and the evolving status of women--these topics, which came to bind the more than a dozen volumes of Glasgow's self-styled "social history," initially coalesced in The Battle-Ground.

The Battle-Ground conspicuously departs from the tradition of Southern romances popularized by Thomas Nelson Page, and contemporary reviewers praised the book for its historical accuracy. Glasgow, an ardent Anglophile, bragged that military officers in Great Britain studied its descriptions of battle. With her, realism had not only crossed the Atlantic, it had "crossed the Potomac."

But Glasgow never sensationalizes the Civil War, whose bloodiest scenes she flanks with domestic officers, the sharing of rations, the warmth of camp, and reminders of home. Her vision of the war centers less on its corruption or barbarity than on its occasions for small decencies and their power of humanization. Glasgow cannot separate the war from its greater social implications--it is a place, as her title suggests, that tests the soul of a nation as well as individual men and women. The importance of The Battle-Ground in Southern literary history cannot be overemphasized, for Glasgow's reimagining of the Civil War had a profound impact on the next generation of Southern writers, including Allen Tate, Stark Young, and Margaret Mitchell.

Lucien Hirschland, travelling salesman for the flourishing Nederlandsche Cocaine Fabriek, brings in a big order from an English pharmaceutical company. Soon after this he closes a deal with a buyer for the German army. Cocaine and war, love and vengeance, The Cocaine Salesman is an unparalleled novel based on historical events.

Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature. The Conscript depicts, with irony and controlled anger, the staggering experiences of the Eritrean ascari, soldiers conscripted to fight in Libya by the Italian colonial army against the nationalist Libyan forces fighting for their freedom from Italy’s colonial rule. Anticipating midcentury thinkers Frantz Fanon and Aimé Césaire, Hailu paints a devastating portrait of Italian colonialism. Some of the most poignant passages of the novel include the awakening of the novel’s hero, Tuquabo, to his ironic predicament of being both under colonial rule and the instrument of suppressing the colonized Libyans. The novel’s remarkable descriptions of the battlefield awe the reader with mesmerizing images, both disturbing and tender, of the Libyan landscape—with its vast desert sands, oases, horsemen, foot soldiers, and the brutalities of war—uncannily recalled in the satellite images that were brought to the homes of millions of viewers around the globe in 2011, during the country’s uprising against its former leader, Colonel Gaddafi.

The Fortress is one of the most significant and fascinating novels to come out of the former Yugoslavia. Published as Tvrđava in Serbian, it is the tenth and among the best-known novels by Mesa Selimovic (1910–1982). In the novel, Ahmet Shabo returns home to seventeenth-century Sarajevo from the war in Russia, numbed by the death in battle or suicide of nearly his entire military unit. In time he overcomes the anguish of war, only to find that he has emerged a reflective and contemplative man in a society that does not value, and will not tolerate, the subversive implications of these qualities.

Set in Bosnia in the late 1700s, the novel sometimes functions as an artful metaphor for the communist Yugoslavia of Selimovic's day. At other times, the author explores the nuances of Ottoman rule in the Balkans. Muslim Ahmet's sustaining marriage to a young Christian woman provides a multicultural tension that strongly resonates with contemporary readers and sensibilities.

The novella and two short stories that make up this volume were written at three different periods in Makanin's life, yet they are united by their narrative and stylistic invention, their range of human emotion, and the profound humanity of their prose. Though banished and suppressed in the Brezhnev era, Makanin is now recognized as one of Russia's leading writers.

In his celebrated short story "The Prisoner of the Caucasus," two Russian soldiers take a Chechen prisoner during the war, and as events unfold, Makanin reveals the casual brutality of the war but also the secret truths of the character's lives. In the novella The Loss, Pekalov, a drunkard and dreamer obsessed with the idea of building a tunnel under the Ural River, disappears in a ditch while working and is made a saint by the people of his village. "Klyucharyov and Alimushkin" tells the story of what happens when one man becomes remarkably lucky while the other loses all his luck.

Geoffrey Frost, American sea captain and veteran of the China Trade, and Ming Tsun, his enigmatic mute friend, return in this latest installment of the highly literate and compelling saga of the American struggle for independence at sea. After a clash against well-armed British warships, Frost’s ship, the privateer Audacity, must be laid up for repairs. Frost, however, is not the kind of man to sit idle for long, and when a new secret weapon invented by David Bushnell comes to light, he recognizes a rare opportunity to strike hard at the complacent English. Commanding the prototype submarine Narwhal, Frost and the freed slave Darius set out to bring terror from below, all the while narrowly avoiding sinking and certain death in the cast iron tomb. J. E. Fender proves in this harrowing novel of power and suspense why he is quickly distinguishing himself as one of the eminent voices of American historical fiction.

As bombs begin to fall on Pearl Harbor, nineteen-year-old PFC Richard Mask is wearing a pistol, a .45 caliber automatic that makes him feel connected to the army of the Wild West and Custer's Cavalry. In the chaos of his first days and weeks of the war, as Mask and his company move from Schofield Barracks to the beaches of Oahu, then to a remote mountain pass, a struggle over the pistol dominates this novella's action, providing the pathos and savagery of the story.

A staggering classic of World War II that the New York Times called "the best war novel yet written by an American"

In the immediate aftermath of World War II, countless American writers attempted to use fiction to convey the complicated experience they'd just undergone. Few of the novels that emerged from that period were as ambitious and powerful as The Young Lions, a sweeping, dramatic account of war from the point of view of ordinary solders that depicts the danger, excitement, trauma, and loss of a no-holds-barred global war. 
When Irwin Shaw published The Young Lions, he was known solely as a writer of short stories, and his panoramic, detailed, unforgettable account of the war was met with nothing short of awe. Shaw tells his story from the points of view of a perceptive young Nazi, a jaded American film producer, and a shy Jewish boy just married to the love of his life. Together they enable us to see, decades lateer, as no other novelist has since, the scope, confusion, and complexity of war.

This is a landmark novel that Washington Post critic Jonathan Yardley ranked with wartime classics like From Here to Eternity, The Naked and the Dead, and The Caine Mutiny. As James Salter writes in his foreword, "The Second World War was the central event of Shaw’s generation. The writers who stand in some glory about its forgotten battlefields and whose novels came from firsthand knowledge—Mailer, heller, James Jones, Michener—include, indomitable in their midst. Irwin Shaw. He need not to have bowed to any of them then, or, if he were still alive, now."

An anthology of Thomas Wolfe’s short stories, novel excerpts, and plays illuminating the Civil War

This collection of Thomas Wolfe’s writings demonstrates the centrality of the Civil War to Wolfe’s literary concerns and identity. From Look Homeward, Angel to The Hill Beyond and The Web and the Rock, Wolfe perpetually returned to the themes of loss, dissolution, sorrow, and romance engendered in the minds of many southerners by the Civil War and its lingering aftermath. His characters reflect time and again on Civil War heroes and dwell on ghostlike memories handed down by their mothers, fathers, and grandfathers. Wolfe and his protagonists compare their contemporary southern landscape to visions they have conjured of its appearance before and during the war, thereby merging the past with the present in an intense way. Ultimately, Wolfe’s prose style—incantatory and rhapsodic—is designed to evoke the national tragedy on an emotional level.

Selections of Wolfe’s writings in this collection include short stories ("Chickamauga," "Four Lost Men," "The Plumed Knight"), excerpts from his novels (O Lost, the restored version of Look Homeward, Angel, The Hills Beyond, and Of Time and the River) and a play, Mannerhouse, edited and introduced by David Madden. Madden, who makes the provocative claim that everything a southern writer writes derives from the Civil War experience, also highlights many issues essential to understanding Wolfe’s absorption with the Civil War.
 

A gripping tale of men struggling against nature and themselves, Williwaw was Gore Vidal's first novel, written at nineteen when he was first mate of the U.S. Army freight supply ship stationed in the Aleutian Islands. Here he writes of a ship caught plying the lethal, frigid Arctic waters during storm season. Tensions run high among the edgy crew and uneasy passengers even before the cruel wind that gives the book its title suddenly sweeps down from the mountains. Vividly drawn characters and a compelling murder plot combine to make Williwaw a classic war novel.

In 1944 Italian officer Captain Francesco Verdi is captured by Allied forces in North Africa and shipped to a POW camp in Michigan’s Upper Peninsula, where the senior POW, the ruthless Kommandant Vogel, demands that all prisoners adhere to his Nazi dictates. His life threatened, Verdi escapes from the camp and meets up with an American woman, Chiara Frangiapani, who helps him elude capture as they flee to the Lower Peninsula. By 1956 they have become Frank and Claire Green, a young married couple building a new life in postwar Detroit. When INS agent James Giannopoulos tracks them down, Frank learns that Vogel is executing men like Frank for their wartime transgressions. As a series of brutal murders rivets Detroit, Frank is caught between American justice and Nazi vengeance. In Wolf ’s Mouth, the recollections of Francesco Verdi/Frank Green give voice to the hopes, fears, and hard choices of a survivor as he strives to escape the ghosts of history.