University of Chicago Press, 2015 Paper: 978-0-226-31412-9 | eISBN: 978-0-226-31426-6 Library of Congress Classification PR6031.O74V46 2015 Dewey Decimal Classification 823.912
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time.
Powell’s sophomore novel, Venusberg, follows journalist Lushington as he leaves behind his unrequited love in England and travels by boat to an unnamed Baltic state. Awash in a marvelously odd assortment of counts and ladies navigating a multicultural, elegant, and politically precarious social scene, Lushington becomes infatuated with his very own, very foreign Venus. An action-packed literary precursor to Wes Anderson’s The Grand Budapest Hotel, Venusberg is replete with assassins and Nazis, loose countesses and misunderstandings, fatal accidents and social comedy. But beyond its humor, this early installment in Powell’s literary canon will offer readers a welcome window onto the mind of a great artist learning his craft.
AUTHOR BIOGRAPHY
Anthony Powell (1905−2000) was an English novelist best known for A Dance to the Music of Time, which was published in twelve volumes between 1951 and 1975. He also wrote seven other novels, a biography of John Aubrey, two plays, and three volumes of collected reviews and essays, as well as a four-volume autobiography, an abridged version of which, To Keep the Ball Rolling, is available from the University of Chicago Press.
REVIEWS
“Elegantly casual and scandalously funny. . . . Venusberg, I once read somewhere, is a satire on totalitarian government. That’s as good a handle for it as any. Yet it concentrates much more on men and women than upon the laws that govern them. . . . In some of the best light dialogue of our time, Powell makes clear the difference between feverish sophistication and true worldliness.”
— Charles Poore, New York Times
“A brilliant picture of diplomatic and less exalted society in a little Baltic State. Mr. Powell’s dialogue and comments are crisp, shrewd, and satirical, and his second novel is a worthy successor to Afternoon Men.”
— Spectator (UK)
“Looking back at Powell’s earlier novels, it is possible to see him discovering there how to use his razor-sharp satirical sense until it is purged of bitterness and extravagance.”
— Elizabeth Janeway, New York Times
“Powell’s novels bite deep, but only to reveal that even at our most foolish we are all in it together.”
— Leo Lerman, New York Times
“In this era of YouTube, cell phones, and Snapchat, the possibility of real strangeness or feelings of isolation in foreign travel are almost impossible to recover, in addition to the sometimes unpleasant colonial overtones some such novels evoke. In Venusberg, however, the charm and humor of such a setting comes through, even as Powell searches after deeper themes. . . . Venusberg is valuable because we see Powell working out perspectives that would later form the basis of Dance.”
— Gerald J. Russello, The Millions
TABLE OF CONTENTS
Venusberg
Foreword
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
REQUEST ACCESSIBLE FILE
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Please have the accessibility coordinator at your school fill out this form.
University of Chicago Press, 2015 Paper: 978-0-226-31412-9 eISBN: 978-0-226-31426-6
Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time.
Powell’s sophomore novel, Venusberg, follows journalist Lushington as he leaves behind his unrequited love in England and travels by boat to an unnamed Baltic state. Awash in a marvelously odd assortment of counts and ladies navigating a multicultural, elegant, and politically precarious social scene, Lushington becomes infatuated with his very own, very foreign Venus. An action-packed literary precursor to Wes Anderson’s The Grand Budapest Hotel, Venusberg is replete with assassins and Nazis, loose countesses and misunderstandings, fatal accidents and social comedy. But beyond its humor, this early installment in Powell’s literary canon will offer readers a welcome window onto the mind of a great artist learning his craft.
AUTHOR BIOGRAPHY
Anthony Powell (1905−2000) was an English novelist best known for A Dance to the Music of Time, which was published in twelve volumes between 1951 and 1975. He also wrote seven other novels, a biography of John Aubrey, two plays, and three volumes of collected reviews and essays, as well as a four-volume autobiography, an abridged version of which, To Keep the Ball Rolling, is available from the University of Chicago Press.
REVIEWS
“Elegantly casual and scandalously funny. . . . Venusberg, I once read somewhere, is a satire on totalitarian government. That’s as good a handle for it as any. Yet it concentrates much more on men and women than upon the laws that govern them. . . . In some of the best light dialogue of our time, Powell makes clear the difference between feverish sophistication and true worldliness.”
— Charles Poore, New York Times
“A brilliant picture of diplomatic and less exalted society in a little Baltic State. Mr. Powell’s dialogue and comments are crisp, shrewd, and satirical, and his second novel is a worthy successor to Afternoon Men.”
— Spectator (UK)
“Looking back at Powell’s earlier novels, it is possible to see him discovering there how to use his razor-sharp satirical sense until it is purged of bitterness and extravagance.”
— Elizabeth Janeway, New York Times
“Powell’s novels bite deep, but only to reveal that even at our most foolish we are all in it together.”
— Leo Lerman, New York Times
“In this era of YouTube, cell phones, and Snapchat, the possibility of real strangeness or feelings of isolation in foreign travel are almost impossible to recover, in addition to the sometimes unpleasant colonial overtones some such novels evoke. In Venusberg, however, the charm and humor of such a setting comes through, even as Powell searches after deeper themes. . . . Venusberg is valuable because we see Powell working out perspectives that would later form the basis of Dance.”
— Gerald J. Russello, The Millions
TABLE OF CONTENTS
Venusberg
Foreword
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE