Cover
Title Page
Copyright
Contents
Foreword: ANTHONY SEEGER
Introduction: Histories, Narratives, Sources
I: Central Issues in a Grand History
1. The Seminal Eighties: Historical Musicology and Ethnomusicology
2. Look at It Another Way: Alternative Views of the History
3. Speaking of World Music: Then and Now
4. A Tradition of Self-Critique: For Beverly Diamond
5. Revisiting Comparison, Comparative Study, and Comparative Musicology
II: In the Academy
6. Ethno among the Ologies
7. On the Concept of Evolution in the History of Ethnomusicology
8. The Music of Anthropology
III. Celebrating Our Principal Organizations
9. The IFMC/ICTM and the Development of Ethnomusicology in the United States
10. Arrows and Circles: Fifty Years of the ICTM and the Study of Traditional Music
11. We're on teh Map: Reflections on the Society for Ethnomusicology in 1955 and 2005
IV: A Collage of Commentary
12. Recalling Some Neglected Classics in Musical Geography: For Tullia Magrini
13. Minorities in Ethnomusicology: A Meditation on Experience in Three Cultures
14. Riding the Warhorses: On the Ethnomusicology of Canons
15. A Stranger Here?: Free Associations around Kurt Weil
16. Music—What's That? Commenting on a Book by Carl Dahlhaus and Hans Heinrich Eggebrecht
References
Index