University of Wisconsin Press, 2005 Cloth: 978-0-299-20320-7 | Paper: 978-0-299-20324-5 Library of Congress Classification PS3557.R214Z67 2005 Dewey Decimal Classification 811.54
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Jorie Graham is one of the most important American poets now writing. This first book-length study brings together thirteen previously published essays and review essays by many of the major critics currently interested in her work and five new essays commissioned for this volume. Commenting on each of Graham's eight poetry collections, these essays encompass the range of critical thought that her work has attracted, both surveying it broadly and engaging closely with individual poems. These essays identify three broad concerns that run through each of her strikingly different volumes of poems: the movement of the mind in action, the role of the body in experiencing the world, and the pressures of material conditions on mind and body alike. Gardner both shows how Graham is being read at the moment and charts new areas of investigation likely to dominate thinking about her over the next decade. This collection is sure to become the crucial first step for all future work on Graham and on American poetry of the last two decades.
AUTHOR BIOGRAPHY
Thomas Gardner is professor of English at Virginia Tech and author of Discovering Ourselves in Whitman: The Contemporary American Long Poem and Regions of Unlikeness: Explaining Contemporary Poetry. He has edited three special issues of Contemporary Literature on American poetry of the 1970s, 1980s, and 1990s.
REVIEWS
“This book is a significant contribution not only to Graham scholarship, but to our understanding of American poetry at the end of the twentieth century—Eric Murphy Selinger, author of What Is It Then Between Us?: Traditions of Love in American Poetry
“An excellent collection of essays on Pulitzer Prize winning poet Jorie Graham that really opens the field, presenting extraordinarily fine initial mappings of her writing.”—Eileen Gregory, author of H. D. and Hellenism
TABLE OF CONTENTS
<table of contents, p. v>
Contents
Acknowledgments 000
Introduction
Thomas Gardner 000
1. Jorie Graham: Art and Erosion
Bonnie Costello 000
2. From Countering Culture
Elisabeth Frost 000
3. From Postlyrically Yours
Calvin Bedient 000
4. Jorie Graham: The Moment of Excess
Helen Vendler 000
5. Iconoclasm in the Poetry of Jorie Graham
Anne Shifrer 000
6. Listening for a Divine Word
Forrest Gander 000
7. Jorie Graham's Big Hunger
James Longenbach 000
8. From Exquisite Disjunctions, Exquisite Arrangements: Jorie Graham's Strangeness of Strategy
Brian Henry 000
9. From Jorie Graham's Incandescence
Thomas Gardner 000
10. From Breaking and Making
Stephen Yenser 000
11. To Feel an Idea
Joanna Klink 000
12. Indigo, Cyanine, Beryl
Helen Vendler 000
13. Jorie Graham's _______s
Thomas Otten 000
14. The Place of Jorie Graham
James Longenbach 000
15. Jorie Graham Listening
Willard Spiegelman 000
16. The Speaking Subject in/ Me: Gender and Ethical Subjectivity in the Poetry of Jorie Graham
Cynthia Hogue 000
17. "Tell Them No": Jorie Graham's Poems of Adolescence
Stephen Burt 000
18. Toward a Jorie Graham Lexicon
Calvin Bedient 000
Contributors 000
Index 000
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