Christ's Subversive Body offers a fascinating exploration of six historical examples of politically or culturally subversive usages of the body of Christ. Shining a light on the enabling potential of religious rhetoric, Solovieva examines how in moments of crisis or transition throughout Western history the body of Christ has been deployed in a variety of discourses, including recent neo- and theoconservative movements in the United States.

Solovieva’s survey includes the iconoclastic polemics of Epiphanius at the moment of struggles for supremacy between the Roman state and the Christian church, the mystical theologico-political alchemy of an anonymous treatise circulated at the Council of Constance, Lavater’s counter-Enlightenment visions of the afterlife expressd through physiognomy, Dostoevsky’s refashioning of ethical communities, Pier Paolo Pasolini’s attempts to provoke the “scandal” of Jesus’s mission once more in the modern world, and the elaboration of a political theology subordinating democratic dissent to the higher unity of a corporately conceived “unitary executive” in early twenty-first-century America.

Solovieva presents her findings not as an entry into theological or Christological debates but rather as a study in comparative discourse analysis. She demonstrates how these uses of Christ’s body are triggered by moments of epistemological, political, and representational crisis in the history of Western civilization.

OLGA V. SOLOVIEVA teaches comparative literature at the University of Chicago.

 

“Anyone who was raised, as I was, in the Roman Catholic religion, will recall those weekly ritual moments when the priest intones the words, ‘the body of Christ,’ as a wafer is placed gently on one’s outstretched tongue. Olga Solovieva’s masterful study of Christ’s ‘subversive body’ reveals just how much mystery, complexity, and magic was baked into those words and that wafer. Deeply learned, beautifully written, and strikingly original, Solovieva’s book will remain an essential text for the study of Christianity in its theological, literary, and political dimensions.” —W. J. T. Mitchell, author of Seeing Through Race and What Do Pictures Want?: The Lives And Loves of Images
 

"This book is an important and original contribution to the investigation of the subversive uses of the body of Christ. Solovieva reads various textual and visual works in a brilliant new constellation, and in so doing adds fresh perspectives on texts that continue to engage scholars of diverse disciplinary and cultural backgrounds." —Soelve I. Curdts, Heinrich-Heine-Universität Düsseldorf

"This is a shockingly brilliant book. What I find especially beautiful about it is the way that the philosophical and cultural-historical intricacies of its theme emerge in tandem with a series of profoundly erudite close readings, so that over the course of the chapters, the theme itself—which does not exist prior to the book—fades in slowly and gradually increases in intensity and visibility. It is as though it were itself a kind of face on a shroud, a slow emerging of an idea and an image of culture that was not, but now incontrovertibly is, here, in front of you." —Eric Hayot, author of On Literary Worlds 
 

"This book is an important and original contribution to the investigation of the subversive uses of the body of Christ. Solovieva reads various textual and visual works in a brilliant new constellation, and in so doing adds fresh perspectives on texts that continue to engage scholars of diverse disciplinary and cultural backgrounds." —Soelve I. Curdts, Heinrich-Heine-Universität Düsseldorf

"This is a shockingly brilliant book. What I find especially beautiful about it is the way that the philosophical and cultural-historical intricacies of its theme emerge in tandem with a series of profoundly erudite close readings, so that over the course of the chapters, the theme itself—which does not exist prior to the book—fades in slowly and gradually increases in intensity and visibility. It is as though it were itself a kind of face on a shroud, a slow emerging of an idea and an image of culture that was not, but now incontrovertibly is, here, in front of you." —Eric Hayot, author of On Literary Worlds 
 

“Anyone who was raised, as I was, in the Roman Catholic religion, will recall those weekly ritual moments when the priest intones the words, ‘the body of Christ,’ as a wafer is placed gently on one’s outstretched tongue. Olga Solovieva’s masterful study of Christ’s ‘subversive body’ reveals just how much mystery, complexity, and magic was baked into those words and that wafer. Deeply learned, beautifully written, and strikingly original, Solovieva’s book will remain an essential text for the study of Christianity in its theological, literary, and political dimensions.” —W. J. T. Mitchell, author of Seeing Through Race and What Do Pictures Want?: The Lives And Loves of Images