Drawing on the ordinary language philosophy of Toril Moi and Stanley Cavell, Dan Dixon argues that the act of reading shares emotional ground with our social lives. It prompts us to attend to the kinds of affective attachments that frequently resist description, as well as the attachments that encourage debate among scholars of literature.
Dixon posits that the interpretation of a text is significantly shaped by our impression of the writer. Through the lens of persona, this book examines the work of influential and iconic post-1945 American essayists, such as Joan Didion, Maggie Nelson, James Baldwin, Janet Malcolm, Teju Cole, David Foster Wallace, and Ben Lerner. The attachments we form might facilitate insight, consolation, distrust, or vanity. But whatever their effects, they can’t be ignored.