Landscape Body Dwelling documents and offers reflections on Charles Simond’s inaugural installation for Dumbarton Oaks’ contemporary art series, which launched in spring 2009. This volume demonstrates how contemporary culture connects us with the past, reinvigorating historical tropes while enlivening the institutions that continue to speak them.

“They Never Want to Tell You” transcends the negative metaphors and clichés of life-threatening disease to give voice to the culture of cancer and to the behavior and attitudes of those who function within that culture—as patients, medical professionals, family, and friends.

In these extraordinary narratives, children coping with cancer reveal their most personal experiences, and they speak with a candor that breaks through the cultural taboos ostensibly designed to protect us from the disease. The rich, compassionate, and honest words of these children give expression to concerns that adults who are struggling with cancer find nearly impossible to articulate. Free of social conventions and cognitive distortions, each story presents a powerful variation on the theme of survival in the face of the continuing uncertainties of life-threatening disease.

David Bearison, a developmental psychologist and psychotherapist, is keenly aware of the psychological impact of cancer on children, particularly as survival times for childhood cancers lengthen and complex treatments intensify concern about the emotional—not merely physical—well-being of children. Bearison has culled from scores of interviews the most salient moments that represent these individual children in their shared struggle with disease. In these pages the children express their wildest hopes and worst fears about cancer. They speak of the absolute necessity of full disclosure, the problems of relating to friends and family, the difficult adjustment to hair loss, their feelings of punishment, grief, and spirituality, and many other issues. In the course of these stories the children reveal not only their will to survive and their extraordinary capacity to understand themselves and their condition, but their altruistic desire to share that understanding with other children as well as with adults who have cancer. “They Never Want to Tell You” is rich and rewarding reading for cancer patients, their families, and health-care professionals alike.

The Islamic school of law, or madhhab, is a concept on which a substantial amount has been written but of which there is still little understanding, and even less consensus. This collection of selected papers from the III International Conference on Islamic Legal Studies, held in May 2000 at the Harvard Law School, offers building blocks toward the entire edifice of understanding the complex development of the madhhab, a development that even in the contemporary dissolution of madhhab lines and grouping continues to fascinate. As scholars look to the construction of a new Islamic legal history, these essays inform on the background to madhhab formation, on inter-madhhab polemics and the drive toward legal authority, on madhhab perpetuation and anti-madhhab tendencies, on the constitutional role of the madhhab, on the madhhab's legislative and adjudicative mechanisms, and on the significance of the madhhab in comparative terms. This volume is of value to anyone interested in the nature of Islamic law.

Artist Irene Rice Pereira was a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking "archetypal" imagery. Yet her artistic philosophy and innovative imagery elude easy classification with her artistic contemporaries. In consequence, her work is rarely included in studies of the period and is almost unknown to the general public. This first intellectual history of the artist and her work seeks to change that.

Karen A. Bearor thoroughly re-creates the artistic and philosophical milieu that nourished Pereira’s work. She examines the options available to Pereira as a woman artist in the first half of the twentieth century and explores how she used those options to contribute to the development of modernism in the United States. Bearor traces Pereira’s interest in the ideas of major thinkers of the period—among them, Spengler, Jung, Einstein, Cassirer, and Dewey—and shows how Pereira incorporated their ideas into her art. And she demonstrates how Pereira’s quest to understand something of the nature of ultimate reality led her from an early utopianism to a later interest in spiritualism and the occult.

This lively intellectual history amplifies our knowledge of a time of creative ferment in American art and society. It will appeal to a wide range of readers interested in the modernist period.

America’s first Black bishop and his struggle to rebuild the African American presence inside the Episcopal Church

In 1918, the Right Reverend Edward T. Demby took up the reins as Suffragan (assistant) Bishop for Colored Work in Arkansas and the Province of the Southwest, an area encompassing Arkansas, Texas, Kansas, Oklahoma, Missouri, and New Mexico. Set within the context of a series of experiments in black leadership conducted by the Episcopal Diocese of Arkansas in the early decades of the twentieth century, Demby's tenure in a segregated ministry illuminates the larger American experience of segregation disguised as a social good.

Intent on demonstrating the industry and self-reliance of black Episcopalians to the church at large, Demby set about securing black priests for the diocese, baptizing and confirming communicants, and building schools and other institutions of community service. A gifted leader and a committed Episcopalian, Demby recognized that black service institutions, such as schools, hospitals, and orphanages, would be the means to draw African Americans back to the Episcopal Church, which they had abandoned in droves after emancipation as the church of their former masters.

For more than twenty years, hamstrung by white apathy, lack of funds, jurisdictional ambiguity, and the Great Depression, Demby doggedly tried to establish the credibility of a ministry that was as ill-conceived as it was well intended. Michael J. Beary skillfully narrates the shifting alliances within the Episcopal Church and shows how race was but one aspect of a more elemental struggle for power. He demonstrates how Demby's steadiness of purpose and non-confrontational manner gathered allies on both sides of the color line and how, ultimately, his judgment and the weight of his experience carried the church past its segregationist experiment.

Apes and dolphins: primates and cetaceans. Could any creatures appear to be more different? Yet both are large-brained intelligent mammals with complex communication and social interaction. In the first book to study apes and dolphins side by side, Maddalena Bearzi and Craig B. Stanford, a dolphin biologist and a primatologist who have spent their careers studying these animals in the wild, combine their insights with compelling results. Beautiful Minds explains how and why apes and dolphins are so distantly related yet so cognitively alike and what this teaches us about another large-brained mammal: Homo sapiens.

Noting that apes and dolphins have had no common ancestor in nearly 100 million years, Bearzi and Stanford describe the parallel evolution that gave rise to their intelligence. And they closely observe that intelligence in action, in the territorial grassland and rainforest communities of chimpanzees and other apes, and in groups of dolphins moving freely through open coastal waters. The authors detail their subjects’ ability to develop family bonds, form alliances, and care for their young. They offer an understanding of their culture, politics, social structure, personality, and capacity for emotion. The resulting dual portrait—with striking overlaps in behavior—is key to understanding the nature of “beautiful minds.”

As environmental awareness grows around the world, people are learning that a diversity of species and the habitat to support them is necessary to maintain the ecological health of the earth. At the same time, however, the pressure to develop wildlife habitat for human settlement and economic gain also grows, causing frequent clashes between the forces of development and of conservation.

This pioneering study focuses on a new tool for resolving the land-use conflict—the creation of habitat conservation plans (HCPs). Timothy Beatley explores the development and early results of this provision of the United States' federal Endangered Species Act, which allows development of some habitat and a certain "take" of a protected species in return for the conservation of sufficient habitat to ensure its survival and long-term recovery.

Beatley looks specifically at nine HCPs in California, Nevada, Texas, and Florida, states where biological diversity and increasing populations have triggered many conflicts. Some of the HCPs include the San Bruno Mountain HCP near San Francisco, the North Key Largo HCP in the Florida Keys, the Clark County HCP near Las Vegas, Nevada, and the Balcones Canyonlands HCP near Austin, Texas. This first comprehensive overview of habitat conservation planning in the United States will be important reading for everyone involved in land-use debates.

Four months before the attack on Pearl Harbor on December 7, 1941, Mildred McClellan Melville, a member of the Denver Woman’s Press Club, predicted that war would come for the United States and that its long arm would reach into the lives of all Americans. And reach it did. Colorado women from every corner of the state enlisted in the military, joined the workforce, and volunteered on the home front. As military women, they served as nurses and in hundreds of noncombat positions. In defense plants they riveted steel, made bullets, inspected bombs, operated cranes, and stored projectiles. They hosted USO canteens, nursed in civilian hospitals, donated blood, drove Red Cross vehicles, and led scrap drives; and they processed hundreds of thousands of forms and reports. Whether or not they worked outside the home, they wholeheartedly participated in a kaleidoscope of activities to support the war effort.

In Colorado Women in World War II Gail M. Beaton interweaves nearly eighty oral histories—including interviews, historical studies, newspaper accounts, and organizational records—and historical photographs (many from the interviewees themselves) to shed light on women’s participation in the war, exploring the dangers and triumphs they felt, the nature of their work, and the lasting ways in which the war influenced their lives. Beaton offers a new perspective on World War II—views from field hospitals, small steel companies, ammunition plants, college classrooms, and sugar beet fields—giving a rare look at how the war profoundly transformed the women of this state and will be a compelling new resource for readers, scholars, and students interested in Colorado history and women’s roles in World War II.

What would it take to be home in one’s body, to walk around the world as oneself, knowing the pain within and without us? Jan Beatty boldly answers that question by making a fire map of the body. These roiling poems smack into walls of meditation, only to slide down the smooth concrete into the flatline of joy. These are vital poems of dimension, of both psychic and literal travel, of the elasticity of truth and struggle, of the daily nature of desire that brings us to our knees—then shotguns us back to the heart’s center.
 
Yellow Sky                                                                                                                 

The summer that I had nowhere to live:
 
the sky was yellow everywhere.
The cars of other people had their own private shine.
 
I walked slowly.
Several birds re-visited the backyards of strangers,
 
I was free
singing the song of the last thing I didn’t say to you.

"Language that's often raw but honest, fresh and real (not to mention quite beautiful at times). . . . Buy it." --Pittsburgh Magazine "[Beatty's] writing style . . . reflects a down-to-earth woman concerned with humanity." --City Paper "'Wild girl fire' is what Jan Beatty calls it, 'that white-hot tearing' that ignites into art or self-destruction. Poetry against all odds. Poetry as the death-defying act. Poetry as the wild choice for a girl running reckless from the working class. Between odd jobs and odd loves, Beatty writes from the tender heart without flinching." --Sandra Cisneros "What is the body? In Jan Beatty's courageous, beautiful, and harsh new book, Boneshaker, the body is as horrifyingly without boundaries as the cosmos, as constricted as a prison cell. Language, too, is a body. At times it is stitched up tight in the strictures of narrative. . . . At other times, chopped and opened up, not even a sentence survives intact. Restless with complacency and restriction, this book riccochets among a multitude of forms, tones, subjects. Boneshaker is a fierce, intelligent, terrifying interrogation of categories, among them the category of the book itself. Nothing is beyond the reach of this splendid new work." --Lynn Emanuel "This is slap in the face, wake the fuck up and smell the roses poetry. This is pay attention Bub, or you'll be in a jam poetry; poetry written in defiance of gravity and in the face of all the forces of our own desire that want to drag us down. And underneath all of this wildness is a true love and care for craft, and the anxious, bluesy rhythm of good talk, like a river." --Bruce Weigl "There is a school of poetry where the poems have content, where they communicate, where beauty is not forgotten. It is about work, family, and the lost towns. Grief. Jan is a central figure in this school." ---Gerald Stern In hard-hitting, sophisticated, often lyrical language, Jan Beatty investigates the idea of the body as cultural machine, shelter, mirage, or home. She rescripts the birth scene with girders and industrial pulleys; the womb as inhabited by a young girl architect. Structurally adventurous, the poems in Boneshaker question icons and invoke taboos, connect desire with place and class, walk the tightrope between sex and love. Jan Beatty's first book, Mad River, won the 1994 Agnes Lynch Starrett Poetry Prize. Her collection Ravenous won the 1995 State Street Chapbook Prize. She has been published in Indiana Review, Witness, The Journal, Crab Orchard Review, and various anthologies. A resident of Pittsburgh, she is the host and producer of "Prosody," a weekly radio program featuring the work of national writers.

Dragstripping, Jan Beatty’s seventh collection of poems, takes readers to the literal dragstrip, the metaphorical dragstrip of the body, and the strip club, where the ecstatic is rescripted and where women disappear and reappear in the crosscut of gender. Transgressing into and out of poetic form, Beatty writes the fractured landscape of the unknown woman, breaking rules of grammar and subverting expected speech, mixing the real and unreal, and finding elation in a strange and shifting land. 

"In every poem, she keeps her fury contained, but omnipresent, so that it resembles a cornered dog's warning growl, yet she hints of happier possibilities." --Booklist "Beatty does offer deeply visceral and sensory work, especially in the second and third sections of this three-part book. . . . She risks relative boldness and deep emotional commitment, disregarding political correctness in respect for this less readily sanitized realm of experience." --Publishers Weekly "Her poems speak to us head-on, with courage and a contemporaneous eloquence." --Yusef Komunyakaa "Raw, energetic, gritty, risky, sexy, and real. . . . The power of these short narratives is often cumulative, building a vision of the world seen through the eyes of a wanderer, a woman, a waitress." --Dorianne Laux Jan Beatty, winner of the 2000 Creative Achievement Award from the Pittsburgh Cultural Trust, has also won two fellowships from the Pennsylvania Council on the Arts. She has held jobs as a welfare caseworker, a rape counselor, and a nurse's aide. She has worked in maximum security prisons, hoagie huts, burger joints, jazz clubs, and diners. Her chapbook, Ravenous, won the 1995 State Street Press Chapbook Prize. Her latest collection, Boneshaker, was published in 2002 by the University of Pittsburgh Press.

“Red Sugar is tantalizing and forbidden, but it is no peepshow. The poems are raw, brash, and full of pluck, yet there is tenderness and honest emotion at the core. Jan Beatty reminds us that there is 'nothing / between us and death but one inch.' She takes us to the edge of being and shows us our own quick mortal souls. Yes, there's rock music and prison sex-but do not think for a moment that this book is merely licentious. Beatty casts a broad canopy over human desire, and within the scope of experience, she finds, too, that we are innocent and sublime beings. A rich, rare treat, this Red Sugar.” —D. A. Powell

"Tthe boldly sexual first person narratives in Red Sugar are absolutely riveting, artfully fleshed-out poems which generate fear for the character's safety." —ForeWord Magazine

"This electric, nerve-jangling collection revels in and sometimes rails against the glorious mess of inhabiting a body. The poems, in this, her third collection, are often raw, and full of sex, drugs and rock n' roll, but they're also shockingly soft and tender." --Pittsburgh Magazine

Alexander Graham Bell’s invention of the telephone in 1876 stands as one of the great touchstones of American technological achievement. Bringing a new perspective to this history, Invented by Law examines the legal battles that raged over Bell’s telephone patent, likely the most consequential patent right ever granted. To a surprising extent, Christopher Beauchamp shows, the telephone was as much a creation of American law as of scientific innovation.

Beauchamp reconstructs the world of nineteenth-century patent law, replete with inventors, capitalists, and charlatans, where rival claimants and political maneuvering loomed large in the contests that erupted over new technologies. He challenges the popular myth of Bell as the telephone’s sole inventor, exposing that story’s origins in the arguments advanced by Bell’s lawyers. More than anyone else, it was the courts that anointed Bell father of the telephone, granting him a patent monopoly that decisively shaped the American telecommunications industry for a century to come. Beauchamp investigates the sources of Bell’s legal primacy in the United States, and looks across the Atlantic, to Britain, to consider how another legal system handled the same technology in very different ways.

Exploring complex questions of ownership and legal power raised by the invention of important new technologies, Invented by Law recovers a forgotten history with wide relevance for today’s patent crisis.

"Dan Beauchamp's important book melds a personal odyssey, an abiding, passionate commitment to one version of comprehensive health reform, and highly disciplined political analysis. His years in the Cuomo Administration provide him with rich insight into how that scion of liberalism inched toward, but ultimately shied away from, major health reform in the Empire State. His provocative assessment of the missed opportunities represented by the Clinton health plan also deserves the attention of any serious student of health politics and policy." --Frank J. Thompson, Professor of Dean, Graduate School of Public Affairs, State University of New York at Albany While most studies of health care reform have focused on solving the market's failure, controlling costs, or providing universal access, Dan E. Beauchamp adeptly discusses health care reform as a strategy for dealing with the failures of politics--not just the failures of the health care market. As the former Deputy Commissioner for Policy and Planning for the New York State Department of Health, Beauchamp presents a revelatory first-person narrative about his work to develop a universal health care and insurance plan for New York State. His enlightening personal account includes discussions of his efforts to develop a national model of the New York plan for Mario Cuomo (during the period when the governor considered running for the Democratic nomination for president), and his perceptive critique of the failed Clinton plan for reform. Beauchamp gets beyond topics like global budgets, rate-setting, and managed competition to outline the idea of health plans as a means for the public to come together in a way that will change forever the way we think about health care, which he calls "the battle for the body politic." A large part of engaging in the "battle," he argues, involves addressing and resolving racial and class divisions that have always underscored America's political reality. Ultimately, Beauchamp argues for a reform that would promote health and social equality, one that would change and strengthen our social awareness of health care as a common good. "Dan Beauchamp is a singular and important voice in the ongoing health care debate. Instead of focusing on the technical details of health reform, he spins a compelling personal narrative, entices the reader into the truly important questions: How do health plans work politically? How can they change the way we think about health, health care and ourselves as a country? While economists focus on financing schemes, and bioethicists search for underlying values, Beauchamp probes how a health care system shapes our politics and affects our experience of who we are as Americans. His book is exceedingly valuable; it reveals just how much is at stake in health care reform." --Larry R. Churchill, Professor and Chair, Department of Social Medicine, University of North Carolina at Chapel Hill

Throughout the 19th and 20th centuries technical exhibitions, held for the benefit of both cognoscente and the general public alike, have presented a mirror to the progress of science, engineering and, towards the second half of the 19th century and throughout the 20th century, to electrical technology.

A dominating theme of the 21st Century will be the transmission and processing of information as the global network of communication channels continues to develop. The emergence of today's digital communications technology owes much to the growth of telegraphy in the 19th and 20th Centuries. The realisation of cheap long-distance communication using telegraphy stimulated the initial design and development of coded transmissions that proved vital in both World Wars for use on land, sea, and in the air. Methods of data compaction, coding and encryption in modern communication systems all have their origins in the techniques used by the telegraph pioneers. In fact the two main phases of telegraph development - cable-based techniques that began in the early 19th Century and wireless transmission in the 20th Century - parallel the changes in voice and information communications seen recently.

There is growing interest in heritage language learners—individuals who have a personal or familial connection to a nonmajority language. Spanish learners represent the largest segment of this population in the United States.

In this comprehensive volume, experts offer an interdisciplinary overview of research on Spanish as a heritage language in the United States. They also address the central role of education within the field. Contributors offer a wealth of resources for teachers while proposing future directions for scholarship.

The Spanish Empire was a complex web of places and peoples. Through an expansive range of essays that look at Africa, the Americas, Asia, the Caribbean, and the Pacific, this volume brings a broad range of regions into conversation. The contributors focus on nuanced, comparative exploration of the processes and practices of creating, maintaining, and transforming cultural place making within pluralistic Spanish colonial communities.

The Global Spanish Empire argues that patterned variability is necessary in reconstructing Indigenous cultural persistence in colonial settings. The volume’s eleven case studies include regions often neglected in the archaeology of Spanish colonialism. The time span under investigation is extensive as well, transcending the entirety of the Spanish Empire, from early impacts in West Africa to Texas during the 1800s. The contributors examine the making of a social place within a social or physical landscape. They discuss the appearance of hybrid material culture, the incorporation of foreign goods into local material traditions, the continuation of local traditions, and archaeological evidence of opportunistic social climbing. In some cases, these changes in material culture are ways to maintain aspects of traditional culture rather than signifiers of new cultural practices.

The Global Spanish Empire tackles broad questions about Indigenous cultural persistence, pluralism, and place making using a global comparative perspective grounded in the shared experience of Spanish colonialism.

Contributors

Stephen Acabado
Grace Barretto-Tesoro
James M. Bayman
Christine D. Beaule
Christopher R. DeCorse
Boyd M. Dixon
John G. Douglass
William R. Fowler
Martin Gibbs
Corinne L. Hofman
Hannah G. Hoover
Stacie M. King
Kevin Lane
Laura Matthew
Sandra Montón-Subías
Natalia Moragas Segura
Michelle M. Pigott
Christopher B. Rodning
David Roe
Roberto Valcárcel Rojas
Steve A. Tomka
Jorge Ulloa Hung
Juliet Wiersema

"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy.

The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?"

Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Bâtarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars.

Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

Simone de Beauvoir, still a teen, began a diary while a philosophy student at the Sorbonne. Written in 1926-27—before Beauvoir met Jean-Paul Sartre—the diaries reveal previously unknown details about her life and times and offer critical insights into her early intellectual interests, philosophy, and literary works.

Presented for the first time in translation, this fully annotated first volume of the Diary includes essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. It remains an invaluable resource for tracing the development of Beauvoir’s independent thinking and her influence on philosophy, feminism, and the world.

Written between the age of eighteen and twenty-one, the entries in the third volume of Diary of a Philosophy Student take readers into Simone de Beauvoir’s thoughts while illuminating the people and ideas swirling around her. The pages offer rare insights into Beauvoir’s intellectual development; her early experiences with love, desire, and freedom; and relationships with friends like Élisabeth “Zaza” Lacoin, and Maurice Merleau-Ponty. It also presents Beauvoir’s shocking account of Jean-Paul Sartre’s sexual assault of her during their first sexual encounter--a revelation certain to transform views of her life and philosophy.

In addition, the editors include a wealth of important supplementary material. Barbara Klaw provides a detailed consideration of the Diary’s role in the development of Beauvoir’s writing style by exploring her use of metanarrative and other literary techniques, part of a process of literary creation that saw Beauvoir use the notebooks to cultivate her talent. Margaret A. Simons’s essay places the assault by Sartre within an appraisal of Beauvoir’s complicated legacy for #MeToo while suggesting readers engage with the diary through the lens of trauma.

The philosopher's writings on, and engagement with, twentieth century feminism

By turns surprising and revelatory, this sixth volume in the Beauvoir Series presents newly discovered writings and lectures while providing new translations and contexts for Simone de Beauvoir's more familiar writings. Spanning Beauvoir's career from the 1940s through 1986, the pieces explain the paradoxes in her political and feminist stances, including her famous 1972 announcement of a "conversion to feminism" after decades of activism on behalf of women.

Feminist Writings documents and contextualizes Beauvoir's thinking, writing, public statements, and activities in the services of causes like French divorce law reform and the rights of women in the Iranian Revolution. In addition, the volume provides new insights into Beauvoir's complex thinking and illuminates her historic role in linking the movements for sexual freedom, sexual equality, homosexual rights, and women's rights in France.  

Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy.

The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political engagement, from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel.

Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization.

Despite growing interest in her philosophy, Simone de Beauvoir remains widely misunderstood. She is typically portrayed as a mere intellectual follower of her companion, Jean-Paul Sartre. In Philosophical Writings, Beauvoir herself shows that nothing could be further from the truth.

Beauvoir's philosophical work suffers from a lack of English-language translation or, worse, mistranslation into heavily condensed popular versions. Philosophical Writings provides an unprecedented collection of complete, scholarly editions of philosophical texts that cover the first twenty-three years of Beauvoir's career, including a number of recently discovered works. Ranging from metaphysical literature to existentialist ethics, Philosophical Writings brings together diverse elements of Beauvoir's work while highlighting continuities in the development of her thought. Each of the translations features detailed notes and a scholarly introduction explaining its larger significance.

Revelatory and long overdue, Philosophical Writings adds to the ongoing resurgence of interest in Beauvoir's thought and to her growing influence on today's philosophical curriculum.

Simone de Beauvoir, still a teen, began a diary while a philosophy student at the Sorbonne. Written in 1926-27—before Beauvoir met Jean-Paul Sartre—the diaries reveal previously unknown details about her life and times and offer critical insights into her early intellectual interests, philosophy, and literary works.

Presented for the first time in translation, this fully annotated first volume of the Diary includes essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. It remains an invaluable resource for tracing the development of Beauvoir’s independent thinking and her influence on philosophy, feminism, and the world.

Many historians have attempted to understand the violent religious conflicts of the seventeenth century from viewpoints dominated by concepts of class, gender, and demography. But few studies have explored the cultural process whereby religious symbolism created social cohesion and political allegiance. This book examines religious conflict in the parish communities of early modern England using an interdisciplinary approach that includes all these perspectives.

Daniel Beaver studies the urban parish of Tewkesbury and six rural parishes in its hinterland over a period of one hundred years, drawing on local ecclesiastical court records, sermons, parish records, corporate minutes and charity books, and probate documents. He discusses the centrality of religious symbols and ceremonies in the ordering of local societies, particularly in local conceptions of place, personal identity, and the life cycle. Four phases in the transformation of parish communities emerge and are examined in this book.

This exploration of the interrelationship of religion, politics, and society, and the transformation of local communities in civil war, has a value beyond the particular history of early modern England, contributing to a broader understanding of religious revivals, fundamentalisms, and the persistent link between religion, nationalism, and ethnic identity in the modern world.

Russell and Strawson sparked a well known debate on the subject of Linguistic Presupposition inspiring many linguists and philosophers to follow suit, including Frege, whose work initiated the modern study in this area. Beaver begins with the most comprehensive overview and critical discussion of this burgeoning field published to date. He then goes on to motivate and develop his own account based on a Dynamic Semantics. This account is a recent line of theoretical work in which the Tarskian emphasis on truth conditions is questioned. The central plank of the theory of meaning is a formal account of the change in information effected by use of language on hearers or readers. The proposal thus consolidates ideas of Stalnaker, Karttunen and Heim, all of whom had suggested that such an account was needed. At the same time it provides a new impulse and motivation to Dynamic Semantics itself.

The company is under-performing, its share price is trailing, and the CEO gets...a multi-million-dollar raise. This story is familiar, for good reason: as this book clearly demonstrates, structural flaws in corporate governance have produced widespread distortions in executive pay. Pay without Performance presents a disconcerting portrait of managers' influence over their own pay--and of a governance system that must fundamentally change if firms are to be managed in the interest of shareholders.

Lucian Bebchuk and Jesse Fried demonstrate that corporate boards have persistently failed to negotiate at arm's length with the executives they are meant to oversee. They give a richly detailed account of how pay practices--from option plans to retirement benefits--have decoupled compensation from performance and have camouflaged both the amount and performance-insensitivity of pay. Executives' unwonted influence over their compensation has hurt shareholders by increasing pay levels and, even more importantly, by leading to practices that dilute and distort managers' incentives.

This book identifies basic problems with our current reliance on boards as guardians of shareholder interests. And the solution, the authors argue, is not merely to make these boards more independent of executives as recent reforms attempt to do. Rather, boards should also be made more dependent on shareholders by eliminating the arrangements that entrench directors and insulate them from their shareholders. A powerful critique of executive compensation and corporate governance, Pay without Performance points the way to restoring corporate integrity and improving corporate performance.

Antonio Beccadelli (1394–1471), known as Panormita from his native town of Palermo, was appointed court poet to Duke Filippo Maria Visconti (1429), crowned poet laureate by Emperor Sigismund (1432), and ended his days as panegyrist to King Alfonso V of Aragon and Naples, where he founded the first of the Renaissance Academies. The Hermaphrodite, his first work (1425–26), dedicated to Cosimo de' Medici, won him praise and condemnation. Beccadelli was a pioneer in revitalizing the Latin epigram for its powers of abuse and louche eroticism. Its open celebration of vice, particularly sodomy, earned it public burnings, threats of excommunication, banishment to the closed sections of libraries, and a devoted following. Likened to a "precious jewel in a dunghill," The Hermaphrodite combined the comic realism of Italian popular verse with the language of Martial to explore the underside of the early Renaissance.

Homeric Conversation is the first full-length study of conversation in the Homeric poems. Deborah Beck argues that conversation should be considered a traditional Homeric type scene, alongside recognized types such as arrival, sacrifice, battle, and hospitality. Drawing on both linguistics and previous work on type scenes and oral aesthetics, the book describes the typical conversational patterns that characterize a range of situations, including one-on-one conversation, formal assemblies, battlefield encounters, and laments. Departures from these typical patterns for conversation provide the basis for a wide-ranging, closely argued aesthetic analysis of repetition and variation in the Homeric epics.

The Iliad and the Odyssey are emotional powerhouses largely because of their extensive use of direct speech. Yet this characteristic of the Homeric epics has led scholars to underplay the poems’ use of non-direct speech, the importance of speech represented by characters, and the overall sophistication of Homeric narrative as measured by its approach to speech representation. In this pathfinding study by contrast, Deborah Beck undertakes the first systematic examination of all the speeches presented in the Homeric poems to show that Homeric speech presentation is a unified system that includes both direct quotation and non-direct modes of speech presentation.

Drawing on the fields of narratology and linguistics, Beck demonstrates that the Iliad and the Odyssey represent speech in a broader and more nuanced manner than has been perceived before, enabling us to reevaluate our understanding of supposedly “modern” techniques of speech representation and to refine our idea of where Homeric poetry belongs in the history of Western literature. She also broadens ideas of narratology by connecting them more strongly with relevant areas of linguistics, as she uses both to examine the full range of speech representational strategies in the Homeric poems. Through this in-depth analysis of how speech is represented in the Homeric poems, Beck seeks to make both the process of their composition and the resulting poems themselves seem more accessible, despite pervasive uncertainties about how and when the poems were put together.

Privacy Matters examines how communications and writing educators, administrators, technological resource coordinators, and scholars can address the ways surveillance and privacy affect student and faculty composing, configure identity formation, and subvert the surveillance state.
 
This collection offers practical analyses of surveillance and privacy as they occur within classrooms and communities. Organized by themes—surveillance and classrooms, surveillance and bodies, surveillance and culture—Privacy Matters provides writing, rhetoric, and communication scholars and teachers with specific approaches, methods, inquiries, and examinations into the impact tracking and monitoring has upon people’s habits, bodies, and lived experiences.
 
While each chapter contributes a new perspective in the discipline and beyond, Privacy Matters affirms that these analyses remain inconclusive. This collection is a call for scholars, researchers, activists, and educators within rhetoric and composition to continue the scholarly conversation because privacy matters to all of us.
 
Contributors: Christina Cedillo, Jenae Cohn, Dànielle Nicole DeVoss, Dustin Edwards, Norah Fahim, Ann Hill Duin, Gavin P. Johnson, John Peterson, Santos Ramos, Colleen A. Reilly, Jennifer Roth Miller, Jason Tham, Stephanie Vie