A SCHOLARLY BOOK REPOSITORY
Using archival research into Golden Age comics and extended analyses of comics from the 1940s to today, Corpse Crusaders explores the profound influence early action/adventure and superheroic generic conventions had on shaping comic book zombies. It takes the reader from the 1940s superhero, the Purple Zombie, through 1950s revenge-from-the-grave zombies, to the 1970s anti-hero, Simon Garth (“The Zombie”) and the gruesome heroes-turned-zombies of Marvel Zombies. In becoming immersed in superheroic logics early on, the zombie in comics became a figure that, unlike the traditional narrative uses of other monsters, actually served to defend the status quo. This continuing trend not only provides insight into the overwhelming influence superheroes have had on the comic book medium, but it also provides a unique opportunity to explore the ways in which zombiism and superheroism parallel each other. Corpse Crusaders explores the ways that truth, justice, and the American way have influenced the undead in comics and turned what is often a rebellious figure into one that works to save the day.
A self-proclaimed “vessel in which stories are told from time immemorial,” poet dg nanouk okpik seamlessly melds both traditional and contemporary narrative, setting her apart from her peers. The result is a collection of poems that are steeped in the perspective of an Inuit of the twenty-first century—a perspective that is fresh, vibrant, and rarely seen in contemporary poetics.
Fearless in her craft, okpik brings an experimental, yet poignant, hybrid aesthetic to her first book, making it truly one of a kind. “It takes all of us seeing, hearing, touching, tasting, and smelling to be one,” she says, embodying these words in her work. Every sense is amplified as the poems, carefully arranged, pull the reader into their worlds. While each poem stands on its own, they flow together throughout the collection into a single cohesive body.
The book quickly sets up its own rhythms, moving the reader through interior and exterior landscapes, dark and light, and other spaces both ecological and spiritual. These narrative, and often visionary, poems let the lives of animal species and the power of natural processes weave into the human psyche, and vice versa.
Okpik’s descriptive rhythms ground the reader in movement and music that transcend everyday logic and open up our hearts to the richness of meaning available in the interior and exterior worlds.
An intellectual tour de force from one of today’s leading critics of Latin American literature and culture, The Corpus Delicti (The Body of Crime) is a manual of crime, a compendium of crime tales, and an extended meditation on the central role of crime in literature, in life, and in the life of the nation.
Drawing her examples from canonical texts, popular novels, newspaper serials, and more, Josefina Ludmer captures the wide range of Argentine crime stories and detective fiction from the late nineteenth and early twentieth centuries. She offers more than a mere genre study, examining the relationship of crime and punishment to the formation of law, the body, and the modern state, exposing the ways in which literature—both high art and mass culture—can help construct, not just represent, social reality.
Covering a dazzling array of primary sources, social history, and cultural theory, this provocative work is also a structural masterpiece, challenging readers as it charts new roles for text and notes. In this redefined dialogue, the notes variously offer alternate views, additional insights, and, often, parallel commentaries. Glen Close’s stylish translation captures the energy of Ludmer’s prose—simultaneously subtle and daring—for English-language readers.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
Volume 1 includes a Spanish translation of the Introduction text and six appendices: sources of sculpture and their codes; list of abbreviations and symbols used in the Corpus series; table of tun-endings between 8.1.15.0.0 and 10.9.3.0.0; a complete Calendar Round in tabular form, giving the position of tun-endings between 8.1.15.0.0 and 10.9.3.0.0; a method for the quick computation of Calendar Round position, by John S. Justeson; and Moon Age tables, by Lawrence Roys.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. As monuments continue to be discovered, the CMHI series is ongoing and far from complete. It has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, in addition to assisting studies among Maya communities and scholars.
This folio-sized volume documents thirty stelae at Yaxchilan, a Classic Maya city located on the Usumacinta River in the state of Chiapas, Mexico. Precisely rendered line drawings and three-dimensional scans bring out details of the monuments that would otherwise be invisible to the naked eye. These illustrations are accompanied by descriptions of the stelae in English and Spanish.
This new fascicule of the CVA—the tenth issued by the J. Paul Getty Museum and the first ever to be published open access—presents a selection of Attic red-figure column and volute kraters ranging from 520 to 510 BCE through the early fourth century BCE. Among the works included are a significant dinoid volute krater and a volute krater with the Labors of Herakles that is attributed to the Kleophrades Painter.
The free online edition of this open-access catalogue is available at www.getty.edu/publications/cva10/. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, CSV and JSON downloads of the object data, and JPG downloads of the catalogue images.
Correction Lines is a new collection of essays from one of our most thoughtful and eloquent writers on conservation, putting these recent changes into perspective and exploring the questions they raise about the past, present, and future of the conservation movement. The essays explore interrelated themes: the relationship between biological and social dimensions; the historic tension between utilitarian and preservationist approaches; the integration of varied cultural perspectives; the enduring legacy of Aldo Leopold; the contrasts and continuities between conservation and environmentalism; the importance of political reform; and the need to "retool" conservation to address twentyfirst-century realities.
Collectively the essays assert that we have reached a critical juncture in conservation—a "correction line" of sorts. Correction Lines argues that we need a more coherent and comprehensive account of the past if we are to understand our present circumstances and move forward under unprecedented conditions.
Meine brings together a deep sense of history with powerful language and compelling imagery, yielding new insights into the origins and development of contemporary conservation. Correction Lines will help us think more clearly about the forces that have changed, and are changing, conservation, and inspire us to address current realities and future needs.
Shankar’s bold and complex self-portrait—and portrait of America—challenges us to rethink our complicity in the criminal justice system and mental health policies that perpetuate inequity and harm. Correctional dives into the inner workings of his mind and heart, framing his unexpected encounters with law and order through the lenses of race, class, privilege, and his bicultural upbringing as the first and only son of South Indian immigrants. Vignettes from his early life set the scene for his spectacular fall and subsequent struggle to come to terms with his own demons. Many of them, it turns out, are also our own.
Collected here for the first time in English are their letters written between 1948 and 1961. Their correspondence forms a moving testimony of the discourse of love in the age after Auschwitz, with all the symptomatic disturbances and crises caused by their conflicting backgrounds and their hard-to-reconcile designs for living—as a woman, as a man, as writers. In addition to the almost 200 letters, the volume includes an important exchange between Bachmann and Gisèle Celan-Lestrange, who married Celan in 1951, as well as the letters between Paul Celan and Swiss writer Max Frisch.
“Scarcely more breathlessly and desperately can two lovers ever have struggled for words. Little known among German literary historians, the relationship between these two poets amounts to one of the most dramatic and momentous occurrences in German literature.”—FAZ, on the German edition
Day-long conversations having drawn them away from their literary tasks, the two then decided to converse in writing. Correspondence, the result, examines the condition and future of Western culture-whose values, according to the historian Gershenzon, have deteriorated into a deadly burden upon mankind, into mankind's ultimate prison. For the poet Ivanov, it is not the disavowal of a cultural heritage but the struggle to recover man's own unity with God that alone guarantees his true, his spiritual freedom.
Between the years 1643 and 1649, Princess Elisabeth of Bohemia (1618–80) and René Descartes (1596–1650) exchanged fifty-eight letters—thirty-two from Descartes and twenty-six from Elisabeth. Their correspondence contains the only known extant philosophical writings by Elisabeth, revealing her mastery of metaphysics, analytic geometry, and moral philosophy, as well as her keen interest in natural philosophy. The letters are essential reading for anyone interested in Descartes’s philosophy, in particular his account of the human being as a union of mind and body, as well as his ethics. They also provide a unique insight into the character of their authors and the way ideas develop through intellectual collaboration.
Philosophers have long been familiar with Descartes’s side of the correspondence. Now Elisabeth’s letters—never before available in translation in their entirety—emerge this volume, adding much-needed context and depth both to Descartes’s ideas and the legacy of the princess. Lisa Shapiro’s annotated edition—which also includes Elisabeth’s correspondence with the Quakers William Penn and Robert Barclay—will be heralded by students of philosophy, feminist theorists, and historians of the early modern period.
Kristine Stiles selected, edited, annotated, and wrote the introduction to the letters, assembling them so that readers can follow the development of Schneemann’s art, thought, and private and public relationships. The correspondence chronicles a history of energy and invention, joy and sorrow, and charged personal and artistic struggles. It sheds light on the internecine aesthetic politics and mundane activities that constitute the exasperating vicissitudes of making art, building an artistic reputation, and negotiating an industry as unpredictable and demanding as the art world in the mid- to late twentieth century.
Arendt and Scholem met in 1932 in Berlin and quickly bonded over their mutual admiration for and friendship with Walter Benjamin. They began exchanging letters in 1939, and their lively correspondence continued until 1963, when Scholem’s vehement disagreement with Arendt’s Eichmann in Jerusalem led to a rupture that would last until Arendt’s death a dozen years later. The years of their friendship, however, yielded a remarkably rich bounty of letters: together, they try to come to terms with being both German and Jewish, the place and legacy of Germany before and after the Holocaust, the question of what it means to be Jewish in a post-Holocaust world, and more. Walter Benjamin is a constant presence, as his life and tragic death are emblematic of the very questions that preoccupied the pair. Like any collection of letters, however, the book also has its share of lighter moments: accounts of travels, gossipy dinner parties, and the quotidian details that make up life even in the shadow of war and loss.
In a world that continues to struggle with questions of nationalism, identity, and difference, Arendt and Scholem remain crucial thinkers. This volume offers us a way to see them, and the development of their thought, anew.
Ignatios the Deacon was a key figure in the revival of literary culture that took place at Constantinople in the first half of the ninth century. He is best known for his hagiographical works, but he also wrote poems, compiled an anthology of ancient proverbs, and edited textbooks. For some time he served as bishop of Nicaea under an Iconoclastic regime, but later repented of his errors and moved into the “orthodox” camp.
Preserved in a single manuscript, Ignatios’s correspondence has remained practically unknown to scholars. Some of the letters deal with literary trifles, while others contain valuable information on the social and economic history of the period. Taken together, they afford a unique glimpse into the activity of a Byzantine intellectual, struggling to survive in a time of bitter doctrinal strife.
Between 1478 and 1513 Amerbach published more than a hundred substantial works. He is best known for his monumental editions of the works of early church fathers. Crucial to his success was the information network he kept through correspondence with scholars, teachers, printers, booksellers, library curators, and other members of the literate community. The letters reveal how books were made, by whom, and for whom. The Correspondence of Johann Amerbach allows us to see the tensions in the new alliance between commerce and the republic of letters. Filling out the scene more fully, letters between the Amerbach children and their parents tell of the daily life, expectations, and aspirations of an intellectual bourgeois family at the end of the fifteenth century.
Barbara C. Halporn is Head of the Collection Development Department, Widener Library, Harvard University.
The 308 letters in this volume cover a critical period in Tyndall’s personal and scientific lives. The volume begins with the difficult ending of his relationship with the Drummond family, disputes about his work in glaciology, and his early seminal work on the absorption of radiant heat by gases. It ends with the start of his championship of Julius Robert Mayer’s work on the mechanical equivalent of heat. In between, Tyndall carefully establishes his own priority for his work on radiant heat, and he accepts the position of professor of physics at the Government School of Mines. The lure of the Alps also becomes ever stronger. In this period comes perhaps Tyndall’s greatest mountaineering achievement, the first ascent of the Weisshorn, and a remarkable winter visit to Chamonix and the Mer de Glace. As his reputation grows, Tyndall continues to make his way in society. He is elected to the elite Athenaeum Club on January 31, 1860.
Emory Upton (1839–1881) was thrust into the Civil War immediately upon graduation from the United States Military Academy at West Point in May of 1861. He was wounded three times during the war. He participated in nearly every major battle in the Eastern Theater including Fredericksburg, Gettysburg, and Spotsylvania, where he led a prominent attack on entrenched Confederate positions—a signal of Upton’s brilliance as an officer and of his military creativity that foreshadowed his later work in revising the Army’s tactics. Upton was mustered out of service in 1866 and later named commandant of cadets at West Point, a position that carved a path for Upton to focus more on Army tactics and reforms.
Until now, the only lenses through which scholars could study Upton were two biographies published nearly a century apart but practically identical in scope and treatment. The two-volume Correspondence of Major General Emory Upton follows Upton through his enrollment at West Point to his extensive Army activities following the Civil War and contains the bulk of his wartime correspondence. Volume one, with Upton’s Civil War correspondence encompasses both larger battle details and day-to-day activities in the life of a soldier. His letters reveal a mercurial individual: a humorous person used to suffering and rejoicing, who could be flawed and brilliant, vain and humble.
These selected letters and reports, expertly annotated and gathered from repositories across the country, present a more complex, human Emory Upton. He is both the “clean, pure, and spotless” individual of biographies and the ambitious, yet flawed Army officer obsessed with his career. These volumes explore his trials and frustrations as well as his triumphs.
Salvatore G. Cilella Jr., now retired, was president of the Atlanta Historical Society. He is the author of Upton’s Regulars: The 121st New York Infantry in the American Civil War and Fund Raising for Small Museums in Good Times and Bad.
Emory Upton (1839–1881) was thrust into the Civil War immediately upon graduation from the United States Military Academy at West Point in May of 1861. He was wounded three times during the war. He participated in nearly ever major battle in the Eastern Theater including Fredericksburg, Gettysburg, and Spotsylvania, where he led a prominent attack on entrenched Confederate positions—a signal of Upton’s brilliance as an officer and of his military creativity that foreshadowed his later work in revising the Army’s tactics. Upton was mustered out of service in 1866 and later named commandant of cadets at West Point, a position that carved a path for Upton to focus more on Army tactics and reforms.
Until now, the only lenses through which scholars could study Upton were two biographies published nearly a century apart but practically identical in scope and treatment of Upton. The two-volume Correspondence of Major General Emory Upton follows Upton through his enrollment at West Point to his extensive Army activities following the Civil War and contains the bulk of Emory Upton’s wartime correspondence. Volume two collects Upton’s foreign correspondence and observations on military tactics and Army reform. At the behest of U.S. Army Commanding General William T. Sherman, Upton was sent on a tour to study the armies of Asia and Europe, and more specifically the German army after conclusion of the Franco-Prussian War. This tour resulted in the publication of his monumental The Armies of Europe and Asia, which warned that the U.S. Army was woefully below the standards of European nations, and between Upton’s death in 1881 and the turn of the twentieth century, military policy was fiercely debated in both the military and popular press. Upton’s ideas on reform were often central to the arguments, and his letters and writings provoked a wide range of discussion over military and, inevitably, civilian issues.
These selected letters and reports, expertly annotated and gathered from repositories across the country, present a more complex, human Emory Upton. He is both the “clean, pure, and spotless” individual of Michie’s biographies and the ambitious, yet flawed Army officer obsessed with his career. These volumes explore his trials and frustrations as well as his triumphs.
Salvatore G. Cilella, now retired, was president of the Atlanta Historical Society. He is the author of Upton’s Regulars: The 121st New York Infantry in the American Civil War and Fund Raising for Small Museums in Good Times and Bad.
Price's correspondence with Adams, Franklin, Jefferson, Rush, and other Americans concern the issues of slavery, the rebellion in Massachusetts, use of paper money, opposition to the establishment of religion, and the status of the federal government. Letters to Priestly, Lansdowne, and others in Britain are about science and technology, the crisis in the United Provinces, armed neutrality, the national debt, revolution, religious sects, and foreign relations. In his correspondence with French leaders following the fall of the Bastille, particularly with le Duc del la Rochefoucauld, Price expresses his high hopes for the growth of civil and religious freedom in France.
Indispensable for an understanding of the work of one of the best known and most distinguished Welshmen of the eighteenth century, this book—and the series—will also be of interest to those who study the history of ideas.
This third and final volume of the correspondence between the founder of psychoanalysis and one of his most colorful disciples brings to a close Sándor Ferenczi's life and the story of one of the most important friendships in the history of psychoanalysis.
This volume spans a turbulent period, beginning with the controversy over Otto Rank's The Trauma of Birth and continuing through Ferenczi's lectures in New York and his involvement in a bitter controversy with American analysts over the practice of lay analysis. On his return from America, Ferenczi's relationship with Freud deteriorated, as Freud became increasingly critical of his theoretical and clinical innovations. Their troubled friendship was further complicated by ill health--Freud's cancer of the jaw and the pernicious anemia that finally killed Ferenczi in 1933.The controversies between Freud and Ferenczi continue to this day, as psychoanalysts reassess Ferenczi's innovations, and increasingly challenge the allegations of mental illness leveled against him after his death by Freud and Ernest Jones. The correspondence, now published in its entirety, will deepen understanding of these issues and of the history of psychoanalysis as a whole.
Volume I of the three-volume Freud-Ferenczi correspondence closes with Freud's letter from Vienna, dated June 28, 1914, to his younger colleague in Budapest: "I am writing under the impression of the surprising murder in Sarajevo, the consequences of which cannot be foreseen!' "Now," he continues in a more familiar vein, "to our affairs!" The nation-shattering events of World War I form a somber canvas for "our affairs" and the exchanges of the two correspondents in volume 2 (July 1914 through December 1919). Uncertainty pervades these letters: Will Ferenczi be called up? Will food and fuel-and cigar-shortages continue? Will Freud's three enlisted sons and son-in-law come through the war intact? And will Freud's "problem-child," psychoanalysis, survive?At the same time, a more intimate drama is unfolding: Freud's three-part analysis of Ferenczi in 1914 and 1916 ("finished but not terminated"); Ferenczi's concomitant turmoil over whether to marry his mistress, Gizella Pálos, or her daughter, Elma; and the refraction of all these relationships in constantly shifting triads and dyads. In these, as in other matters, both men display characteristic contradictions and inconsistencies, Freud restrained, Ferenczi more effusive and revealing. Freud, for example, unswervingly favors Ferenczi's marriage to Gizella and views his indecision as "resistance"; yet several years later, commenting on Otto Rank's wife, Freud remarks, "One certainly can't judge in these matters...on behalf of another." Ferenczi, for his part, reacts to the paternal authority of the "father of psychoanalysis" as an alternately obedient and rebellious son.
The letters vividly record the use--and misuse--of analysis and self-analysis and the close interweaving of personal and professional matters in the early history of psychoanalysis. Ferenczi's eventual disagreement with Freud about "head and heart," objective detachment versus subjective involvement and engagement in the analytic relationship--an issue that would emerge more clearly in the ensuing years--is hinted at here. As the decade and the volume end, the correspondents continue their literary conversation, unaware of the painful and heartrending events ahead.
The young psychiatrist from Budapest had studied medicine in Vienna, he had read The Interpretation of Dreams, and now he was about to meet its author. Seventeen years Sigmund Freud's junior, Sándor Ferenczi (1873-1933) sent off a note anticipating the pleasure of the older man's acquaintance--thus beginning a correspondence that would flourish over the next twenty-five years, and that today provides a living record of some of the most important insights and developments of psychoanalysis, worked out through the course of a deep and profoundly complicated friendship.
This volume opens in January of 1908 and closes on the eve of World War I. Letter by letter, a "fellowship of life, thoughts, and interests" as Freud came to describe it, unfolds here as a passionate exchange of ideas and theories. Ferenczi's contribution to psychoanalysis was, Freud said, "pure gold," and many of the younger man's notions and concepts, proposed in these letters, later made their way into Freud's works on homosexuality, paranoia, trauma, transference, and other topics. To the two men's mutual scientific interests others were soon added, and their correspondence expanded in richness and complexity as Ferenczi attempted to work out his personal and professional conflicts under the direction of his devoted and sometimes critical elder colleague.
Here is Ferenczi's love for Elma, his analysand and the daughter of his mistress, his anguish over his matrimonial intentions, his soliciting of Freud's help in sorting out this emotional tangle--a situation that would eventually lead to Ferenczi's own analysis with Freud. Here is Freud's unraveling relationship with Jung, documented through a heated discussion of the events leading up to the final break. Amid these weighty matters of heart and mind, among the psychoanalytic theorizing and playful speculation, we also find the lighter stuff of life, the talk of travel plans and antiquities, gossip about friends and family. Unparalleled in their wealth of personal and scientific detail, these letters give us an intimate picture of psychoanalytic theory being made in the midst of an extraordinary friendship.
The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.
Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.
The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.
Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.
The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.
Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.
This scholarly edition presents a text as close to the author's intention as his difficult handwriting or other surviving evidence permits. Fifty-two newly discovered letters by Melville, more than half of which are presented here for the first time, are added to those printed in the 1960 edition. This text is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
Letters of an imperial tutor.
The literary remains of the rhetorician Marcus Cornelius Fronto (ca. AD 100–176) first came to light in 1815, when Cardinal Mai, then prefect of the Ambrosian Library in Milan, discovered that beneath an account of the Acts of the first Council of Chalcedon in 451 had originally been written a copy of the correspondence between Fronto and members of the imperial family, including no less than three who were to wear the purple. The letters possess an extraordinary fascination as giving an authentic record of the relationship between the foremost teacher of his time and his illustrious student Marcus Aurelius, his chief correspondent. Apart from small-talk (but even that is replete with interest) the principal subject is Latin prose style. Fronto practices to excess the cultivation of trendy mannerisms, but sees clearly enough the sterility of a slavish imitation of classical models.
The Loeb Classical Library edition of Fronto is in two volumes.
Letters of an imperial tutor.
The literary remains of the rhetorician Marcus Cornelius Fronto (ca. AD 100–176) first came to light in 1815, when Cardinal Mai, then prefect of the Ambrosian Library in Milan, discovered that beneath an account of the Acts of the first Council of Chalcedon in 451 had originally been written a copy of the correspondence between Fronto and members of the imperial family, including no less than three who were to wear the purple. The letters possess an extraordinary fascination as giving an authentic record of the relationship between the foremost teacher of his time and his illustrious student Marcus Aurelius, his chief correspondent. Apart from small-talk (but even that is replete with interest) the principal subject is Latin prose style. Fronto practices to excess the cultivation of trendy mannerisms, but sees clearly enough the sterility of a slavish imitation of classical models.
The Loeb Classical Library edition of Fronto is in two volumes.
Within the literal language of the Bible is a deeper spiritual meaning that points the way toward a greater understanding of faith and of our own role in the world. Eighteenth-century scientist and theologian Emanuel Swedenborg described that inner language of the Bible as “correspondences.” More than a century later, John Worcester used Swedenborg’s teachings as the foundation for a three-volume road map to the correspondences of the natural world. Correspondences of the Bible remains one of the most highly regarded references on the subject today.
Correspondences of the Bible: The Animals covers both the familiar and the exotic, from farmyards to remote jungles. Animals are grouped by function and by similarities in their correspondences, and Worcester discusses how certain character traits can overlap by species, sometimes manifesting in a positive way in one animal and negatively in another. He draws from Bible verse, Swedenborg’s writings, and the science of his time to shed a fascinating new light on the living world around us.
Within the literal language of the Bible is a deeper spiritual meaning that points the way toward a greater understanding of faith and of our own role in the world. Eighteenth-century scientist and theologian Emanuel Swedenborg described that inner language of the Bible as "correspondences." More than a century later, John Worcester used Swedenborg's teachings as the foundation for a three-volume road map to the correspondences of the natural world. Correspondences of the Bible remains one of the most highly regarded references on the subject today.
In Swedenborg's writings, the structure of heaven is described in terms of a human being, the Divine Human, with the various communities in heaven corresponding to part of the human body. The Human Body describes that relationship in detail, giving us a deep, personal view of how every person relates to heaven. However, just as in The Animals and The Plants, Worcester also provides in-depth discussion of all the aspects of each body part, relating function to spiritual principle for a multifaceted understanding of our own anatomy.
Interwoven with the text is a description of death and our rebirth in heaven, concluding with a long chapter on regeneration, a process of spiritual rebirth that can begin while we are still alive and continue in heaven. The Human Body provides the capstone for our understanding of the deep spiritual meaning that lies within our everyday world.
Within the literal language of the Bible is a deeper spiritual meaning that points the way toward a greater understanding of faith and of our own role in the world. Eighteenth-century scientist and theologian Emanuel Swedenborg described that inner language of the Bible as "correspondences." More than a century later, John Worcester used Swedenborg's teachings as the foundation for a three-volume road map to the correspondences of the natural world. Correspondences of the Bible remains one of the most highly regarded references on the subject today.
Plants represent the more passive characteristics of our personalities, living examples of how knowledge takes root in our mind and how that knowledge inspires us to act. Every part of a plant has its own special meaning, from its seeds and the shape of its leaves to the sweetness of flowers and fruit. The Plants shows us how we can draw spiritual inspiration from the plants we use every day for food, clothing, shelter, and decoration.
This new and expanded second edition of Corridor Ecology: Linking Landscapes for Biodiversity Conservation and Climate Adaptation captures the many advances in the field over the past ten years. It builds on concepts presented in the first edition on the importance and practical details of maintaining and restoring land connectivity. New to this edition is a guest-edited chapter on ecological connectivity in oceans, including a detailed discussion on pelagic marine corridors and how coastal corridors can provide critical connectivity between marine protected areas. Another new chapter considers the effects of climate change on habitat and offers recommendations on designing effective corridors as landscapes change with shifting climate conditions. The book also includes a discussion of corridors in the air for migrating flying species, from birds to bats, butterflies, and even plant propagules—a concept so new that a term to describe it has yet to be coined. All chapters are thoroughly revised and updated.
Practitioners as well as serious scholars of landscape ecology and the science of protecting biodiversity will find this new edition of corridor ecology science an indispensable resource.
Peter Wolfe has produced an informative study of le Carré’s works, showing how le Carré’s five years in the Service (British Intelligence) helped him become a keen observer, social historian, and expert in bureaucratic politics. He has supplanted the technological flair marking much of today's spy fiction with moral complexity and psychological depth. He shows us what spies are like, how they feel about spying, and how spying affects their minds and hearts.
In the San Joaquin Valley Cotton Strike of 1933, frenzied cotton farmers murdered three strikers, intentionally starved at least nine infants, wounded dozens of people, and arrested more. While the story of this incident has been recounted from the perspective of both the farmers and, more recently, the Mexican workers, this is the first book to trace the origins of the Mexican workers’ activism through their common experience of migrating to the United States.
Rodolfo F. Acuña documents the history of Mexican workers and their families from seventeenth-century Chihuahua to twentieth-century California, following their patterns of migration and describing the establishment of communities in mining and agricultural regions. He shows the combined influences of racism, transborder dynamics, and events such as the industrialization of the Southwest, the Mexican Revolution, and World War I in shaping the collective experience of these people as they helped to form the economic, political, and social landscapes of the American Southwest in their interactions with agribusiness and absentee copper barons.
Acuña follows the steps of one of the murdered strikers, Pedro Subia, reconstructing the times and places in which his wave of migrants lived. By balancing the social and geographic trends in the Mexican population with the story of individual protest participants, Acuña shows how the strikes were in fact driven by choices beyond the Mexican workers’ control. Their struggle to form communities graphically retells how these workers were continuously uprooted and their organizations destroyed by capital. Corridors of Migration thus documents twentieth-century Mexican American labor activism from its earliest roots through the mines of Arizona and the Great San Joaquin Valley cotton strike.
From a founding scholar of Chicano studies and the author of fifteen books comes the culmination of three decades of dedicated research into the causes and effects of migration and labor activism. The narrative documents how Mexican workers formed communities against all odds.
This book is the first definitive history of the corridor, from its origins in country houses and utopian communities in the seventeenth and eighteenth centuries, through reformist Victorian prisons, hospitals, and asylums, to the “corridors of power,” bureaucratic labyrinths, and housing estates of the twentieth century. Taking in a wide range of sources, from architectural history to fiction, film, and TV, Corridors explores how the corridor went from a utopian ideal to a place of unease: the archetypal stuff of nightmares.
In Corrupt Illinois, veteran political observers Thomas J. Gradel and Dick Simpson take aim at business-as-usual. Naming names, the authors lead readers through a gallery of rogues and rotten apples to illustrate how generations of chicanery have undermined faith in, and hope for, honest government. From there, they lay out how to implement institutional reforms that provide accountability and eradicate the favoritism, sweetheart deals, and conflicts of interest corroding our civic life.
Corrupt Illinois lays out a blueprint to transform our politics from a pay-to-play–driven marketplace into what it should be: an instrument of public good.
Corruption has blurred, and in some cases blinded, the vision of democracy in many Latin American nations. Weakened institutions and policies have facilitated the rise of corrupt leadership, election fraud, bribery, and clientelism. Corruption and Democracy in Latin America presents a groundbreaking national and regional study that provides policy analysis and prescription through a wide-ranging methodological, empirical, and theoretical survey.
The contributors offer analysis of key topics, including: factors that differentiate Latin American corruption from that of other regions; the relationship of public policy to corruption in regional perspective; patterns and types of corruption; public opinion and its impact; and corruption's critical links to democracy and governance.
Additional chapters present case studies on specific instances of corruption: diverted funds from a social program in Peru; Chilean citizens' attitudes toward corruption; the effects of interparty competition on vote buying in local Brazilian elections; and the determinants of state-level corruption in Mexico under Vicente Fox.
The volume concludes with a comparison of the lessons drawn from these essays to the evolution of anticorruption policy in Latin America over the past two decades. It also applies these lessons to the broader study of corruption globally to provide a framework for future research in this crucial area.
Almost since its creation, recurring problems with corruption bedeviled the Teamsters Union. David Witwer provides the first in-depth historical study of the forces that contributed to the Teamsters' troubled past and the mechanisms the union employed--from top-down directives to grassroots measures--to combat corruption.
Witwer draws on the perspectives of rank-and-file members, union leaders, and the criminal element to explain the processes that allowed organized crime to seize power inside the union. His account includes the infamous links between the Mafia and union head Jimmy Hoffa, but he also tells the little-known story of the McClellan Committee investigation that first brought those links to light. Witwer also examines how anti-labor forces used the Teamsters' unsavory reputation to influence popular and legislative opinion in a broad attack on workers' rights.
Contributors to this volume address the measurement and consequences of fraud and corruption and the forces that ultimately led to their decline within the United States. They show that various approaches to reducing corruption have met with success, such as deregulation, particularly “free banking,” in the 1830s. In the 1930s, corruption was kept in check when new federal bureaucracies replaced local administrations in doling out relief. Another deterrent to corruption was the independent press, which kept a watchful eye over government and business. These and other facets of American history analyzed in this volume make it indispensable as background for anyone interested in corruption today.
Taking a more grounded, empirical and holistic perspective, this text reveals how corruption operates through informal rules, personal connections and the wider social contexts that govern everyday practices. It looks at corruption in transitional societies such as post-Soviet Russia, and also explores efforts to reform or regulate institutions that are perceived to have a potential for corruption, such as the European Commission. The book also covers the Enron and WorldCom scandals.
This book contrasts experiences of mainland China and Hong Kong to explore the pressing question of how governments can transform a culture of widespread corruption to one of clean government. Melanie Manion examines Hong Kong as the best example of the possibility of reform. Within a few years it achieved a spectacularly successful conversion to clean government. Mainland China illustrates the difficulty of reform. Despite more than two decades of anticorruption reform, corruption in China continues to spread essentially unabated.
The book argues that where corruption is already commonplace, the context in which officials and ordinary citizens make choices to transact corruptly (or not) is crucially different from that in which corrupt practices are uncommon. A central feature of this difference is the role of beliefs about the prevalence of corruption and the reliability of government as an enforcer of rules ostensibly constraining official venality. Anticorruption reform in a setting of widespread corruption is a problem not only of reducing corrupt payoffs, but also of changing broadly shared expectations of venality. The book explores differences in institutional design choices about anticorruption agencies, appropriate incentive structures, and underlying constitutional designs that contribute to the disparate outcomes in Hong Kong and mainland China.
When Louis XVI presented Benjamin Franklin with a snuff box encrusted with diamonds and inset with the King’s portrait, the gift troubled Americans: it threatened to “corrupt” Franklin by clouding his judgment or altering his attitude toward the French in subtle psychological ways. This broad understanding of political corruption—rooted in ideals of civic virtue—was a driving force at the Constitutional Convention.
For two centuries the framers’ ideas about corruption flourished in the courts, even in the absence of clear rules governing voters, civil officers, and elected officials. Should a law that was passed by a state legislature be overturned because half of its members were bribed? What kinds of lobbying activity were corrupt, and what kinds were legal? When does an implicit promise count as bribery? In the 1970s the U.S. Supreme Court began to narrow the definition of corruption, and the meaning has since changed dramatically. No case makes that clearer than Citizens United.
In 2010, one of the most consequential Court decisions in American political history gave wealthy corporations the right to spend unlimited money to influence elections. Justice Anthony Kennedy's majority opinion treated corruption as nothing more than explicit bribery, a narrow conception later echoed by Chief Justice Roberts in deciding McCutcheon v. FEC in 2014. With unlimited spending transforming American politics for the worse, warns Zephyr Teachout, Citizens United and McCutcheon were not just bad law but bad history. If the American experiment in self-government is to have a future, then we must revive the traditional meaning of corruption and embrace an old ideal.
Addressing several recent high-profile scandals, contributors examine both the short- and the long-term ramifications of corporate corruption: the means by which Martha Stewart has been used as an icon and a scapegoat in the ImClone case while broader critical issues have failed to receive the attention they demand; the divisive ways in which the antifeminist Independent Women’s Forum—along with other neocon organizations and pundits—has moved the debate regarding the deregulation of the financial services sector far to the right of the far right; the collapse of Enron and what it means for corporate governance; the global implications of U.S. corporate corruption; the confusion over public and private business transactions in Argentina; the moral panic ensuing from the random violence caused by the Washington, D.C. area snipers precisely as the U.S. was launching a war on Iraq because of its supposed weapons of mass destruction; and the emergence of a new business model and icon, the hiphop mogul.
Contributors. Peter Bratsis, David M. Brennan, Jane Marcus-Delgado, Randy Martin, Nancy Shaw, Ella Shohat, Christopher Holmes Smith, Barbara Spindel, Susan Willis
While Fidel Castro maintained his longtime grip on Cuba, revolutionary scholars and policy analysts turned their attention from how Castro succeeded (and failed), to how Castro himself would be succeeded—by a new government. Among the many questions to be answered was how the new government would deal with the corruption that has become endemic in Cuba. Even though combating corruption cannot be the central aim of post-Castro policy, Sergio Díaz-Briquets and Jorge Pérez-López suggest that, without a strong plan to thwart it, corruption will undermine the new economy, erode support for the new government, and encourage organized crime. In short, unless measures are taken to stem corruption, the new Cuba could be as messy as the old Cuba.
Fidel Castro did not bring corruption to Cuba; he merely institutionalized it. Official corruption has crippled Cuba since the colonial period, but Castro's state-run monopolies, cronyism, and lack of accountability have made Cuba one of the world's most corrupt states. The former communist countries in Eastern Europe were also extremely corrupt, and analyses of their transitional periods suggest that those who have taken measures to control corruption have had more successful transitions, regardless of whether the leadership tilted toward socialism or democracy. To that end, Díaz-Briquets and Pérez-López, both Cuban Americans, do not advocate any particular system for Cuba's next government, but instead prescribe uniquely Cuban policies to minimize corruption whatever direction the country takes after Castro. As their work makes clear, averting corruption may be the most critical obstacle in creating a healthy new Cuba.
Winding through the streets of working-class San Juan with Cortijo’s funeral procession, Rodríguez Juliá’s autobiographical chronicle provides a rare portrait of the impoverished society from which Cortijo’s music emerged. Along with detailed renderings of grief-stricken mourners—including Cortijo’s childhood friend and fellow musician, the celebrated singer Ismael ("Maelo") Rivera—Rodríguez Juliá records his feelings as he, a light-skinned, middle-class writer, confronts the world of poor black Puerto Ricans. The author’s masterful shifting of linguistic registers, his acute sensitivity to Puerto Rican social codes, his broad knowledge of popular music, and his sardonic ruminations on death and immortality make this one of the most widely read books of modern Puerto Rican literature. Well-known critic and cultural historian Juan Flores has provided a scrupulous translation of Rodríguez Juliá’s text and an introduction situating the book in relation to Puerto Rican music and culture and the careers of Cortijo and Rodríguez Juliá.
This important new volume examines archaeological evidence of Roman colonization of the Middle Republican period. Themes of land use, ethnic accommodation and displacement, colonial identity, and administrative schemes are also highlighted. In delving deeply into the uniqueness of select colonial contexts, these essays invite a novel discussion on the phenomenon of colonialism in the political landscape of Rome’s early expansion. Roman urbanism of the Middle Republican period brought to the Italian peninsula fundamental changes, an important example of which, highlighted by a wealth of studies, is the ebullience of a dense network of colonies, as well as a mix of senatorial tactics and individual initiatives that underpinned their foundation. Whether Latin, Roman, or Maritimae, colonies created a new mesh of communities and imposed a new topography; more subtly, they signified the mechanisms of the rising hegemony. This book brings to the fore the diversity, agendas, and overall impact of a “settlement device” that changed the Italian landscape and introduced a new idea of Roman town.
At the time of Will’s death, her manuscript consisted of a typed catalogue of the amphora stamps from Cosa and an equal number of unstamped vessels, but was missing important elements. On the basis of extensive notes and photographs, Kathleen Warner Slane has reviewed and updated the manuscript, adding type descriptions and footnotes to materials that have appeared since Will’s death as well as a framing introduction and conclusions. Appendices highlight an Augustan amphora dump on the Arx and add a catalogue of the Greek amphora stamps found at Cosa.
Cosa: The Roman and Greek Amphoras will be of interest to scholars and students of Rome and its system of colonies, and also to those interested in Greek and Roman archaeology and trade in the ancient world.
Published serially in the spiritualist journal Banner of Light in 1860, Cosella Wayne: Or, Will and Destiny is the first coming-of-age novel, written and published in English by an American Jewish woman, to depict Jews in the United States and transforms what we know about the history of early American Jewish literature. The novel never appeared in book form, went unmentioned in Jewish newspapers of the day, and studies of nineteenth-century American Jewish literature ignore it completely. Yet the novel anticipates many central themes of American Jewish writing: intermarriage, generational tension, family dysfunction, Jewish-Christian relations, immigration, poverty, the place of women in Jewish life, the nature of romantic love, and the tension between destiny and free will.
The narrative recounts a relationship between an abusive Jewish father and the rebellious daughter he molested as well as that daughter’s struggle to find a place in the complex social fabric of nineteenth-century America. It is also unique in portraying such themes as an unmarried Jewish woman’s descent into poverty, her forlorn years as a starving orphaned seamstress, her apostasy and return to Judaism, and her quest to be both Jewish and a spiritualist at one and the same time.
Jonathan Sarna, who introduces the volume, discovered Cosella Wayne while pursuing research at the Israel Institute for Advanced Studies in Jerusalem. This edition is supplemented with selections from Cora Wilburn’s recently rediscovered diary, which are reprinted in the appendix. Together, these materials help to situate Cosella Wayne within the life and times of one of nineteenth-century American Jewry’s least known and yet most prolific female authors.
In this critically acclaimed book, first published in 1988 and now reprinted in paperback, scientist and author Paul Davies explains how recent scientific advances are transforming our understanding of the emergence of complexity and organization in the universe.
Melding a variety of ideas and disciplines from biology, fundamental physics, computer science, mathematics, genetics, and neurology, Davies presents his provocative theory on the source of the universe's creative potency. He explores the new paradigm (replacing the centuries-old Newtonian view of the universe) that recognizes the collective and holistic properties of physical systems and the power of self-organization. He casts the laws in physics in the role of a "blueprint," embodying a grand cosmic scheme that progressively unfolds as the universe develops.
Challenging the viewpoint that the physical universe is a meaningless collection of particles, he finds overwhelming evidence for an underlying purpose: "Science may explain all the processes whereby the universe evolves its own destiny, but that still leaves room for there to be a meaning behind existence."
This book focuses on a new worldview emerging from the science of the last decades of the second millennium. Its metaphor is the cosmic dance, or the harmony between systems so strongly interdependent that they behave as a single entity. This dance image hints at a general, evolving pattern in which all objects in the universe participate—like the ordered chaos of an African open-air market.
We are connected to distant space and time not only by our imaginations but also through a common cosmic heritage. Emerging now from modern science is a unified scenario of the cosmos, including ourselves as sentient beings, based on the time-honored concept of change. From galaxies to snowflakes, from stars and planets to life itself, we are beginning to identify an underlying ubiquitous pattern penetrating the fabric of all the natural sciences--a sweepingly encompassing view of the order and structure of every known class of object in our richly endowed universe.
This is the subject of Eric Chaisson's new book. In Cosmic Evolution Chaisson addresses some of the most basic issues we can contemplate: the origin of matter and the origin of life, and the ways matter, life, and radiation interact and change with time. Guided by notions of beauty and symmetry, by the search for simplicity and elegance, by the ambition to explain the widest range of phenomena with the fewest possible principles, Chaisson designs for us an expansive yet intricate model depicting the origin and evolution of all material structures. He shows us that neither new science nor appeals to nonscience are needed to understand the impressive hierarchy of the cosmic evolutionary story, from quark to quasar, from microbe to mind.
Day in and day out, cosmic rays from the far reaches of space pass through our bodies, yet modern astrophysics has still to unlock all their secrets. Though many details about cosmic rays remain enigmatic, next to electromagnetic radiation they convey more information about the universe beyond the solar system than any other source. They provide us with information about energetic explosions elsewhere in our galaxy and perhaps beyond, and they tell us a great deal about the contents of our own galaxy, through which they pass in reaching us. Illustrating the beautiful symmetry of nature, they shed light on the tiny dimensions of atomic nuclei as well as the immense scale of galaxies.
Friedlander's engaging tale of this peculiar rain of charged particles begins with their discovery early in this century and goes on to describe impressive attempts by a special breed of scientists--sometimes engaging in swashbuckling science at its most adventurous--to fill in the gaps in our knowledge. The central question is: Where do cosmic rays come from? Some scientists maintain that supernovas, much more massive than our sun, are largely responsible for generating them. Most of them probably originate within our Milky Way galaxy, but a few (the most energetic ones) appear to come from a much greater distance. But we still have much to learn about their origin.
The book describes scientists studying cosmic rays by all sorts of methods: satellites, space probes, high-altitude balloons and airplanes-even giant detectors two miles beneath the earth's surface. Their ingenious investigations have yielded startling insights about nature--as well as an inordinately large number of Nobel Prizes. Michael Friedlander, for many years a principal researcher of cosmic radiation, masterfully portrays how a perfect marriage between pure and applied science has forged new understandings of our physical world. This uncommonly lucid history, richly illustrated with more than 50 drawings and photographs, touches the astronomer within each of us who yearns to explore one of the great mysteries of the universe.
Cosmic Winds and the Heliosphere is a comprehensive sourcebook on conceptually correlated topics in astrophysical winds and heliospheric physics. The contributors review the various kinds of winds, such as solar wind, winds of cataclysmic variables, and winds from pulsating stars. They then examine the physics of wind origin and physical phenomena in winds. including heliospheric shocks, magnetohydrodynamic turbulence, and kinetic phenomena. A final section considers interactions with surrounding media, with contributions ranging from studies of the interstellar cloud surrounding the solar system to considerations of solar wind interaction with comets.
Prepared to the scrupulous standards of the University of Arizona Space Science Series, Cosmic Winds and the Heliosphere is an essential volume for astronomers and space physicists.
Horton uses the cosmic zoom as a starting point to develop a cross-disciplinary theory of scale as mediated difference. He considers the origins of our notions of scale, how scalar mediation functions differently in analog and digital modes, and how cosmic zoom media has influenced scientific and popular views of the world. Analyzing literature, film, digital media, and database history, Horton establishes a much-needed framework for thinking about scale across multiple domains and disciplines.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press