In her never-finished My Life’s Travels and Adventures, the eighteenth-century Polish doctor Regina Salomea Pilsztynowa plays a myriad of roles, including child bride, wife, mother, lover, adventuress, slave trader, writer, and home-taught physician. She successfully carved out a viable niche for herself, navigating the multicultural, multiethnic, and varied religious environment of Europe’s eastern periphery. Despite limited expectations for female professionals, she became a highly sought after and well-respected practitioner of the medical arts and rose to the position of court physician to Turkish pashas and Hungarian princes, and even to Sultan Mustafa III. My Life’s Travels and Adventures—part memoir, part autobiography, and part travelogue—provides a view into eighteenth-century social, professional, and gender interactions and weaves a rich narrative replete with vignettes of love, travel, and popular superstitions important to our historical, ethnographic, and religious understanding of the era.

This edition brings the entirety of this personal and idiosyncratic memoir to English for the first time.
 

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My Lord, What a Morning is a gentle and engrossing memoir, abounding with the tender and inspiring stories of Marian Anderson's life in her own modest words. From her humble but proud beginnings in south Philadelphia to international vocal renown, the legendary contralto writes of triumph and adversity, of being grounded in faith and surrounded by family, and of the music that shaped her career. 

Anderson published My Lord, What a Morning in 1956 on the heels of her groundbreaking role as the first African American to perform at the Metropolitan Opera. In it are bittersweet reminiscences of a working-class childhood, from her first job scrubbing the neighbors' steps to the sorrow and upheaval of her father's untimely death. Here are the stories of a young girl with prodigious talent and her warm remembrances of the teachers, managers, friends, accompanists, and fans who worked to foster it. In addition, she provides a veritable travelogue of her concerts across the globe and rare glimpses at the personal life of a woman more concerned with family than celebrity. 

With eleven photographs and a touching new foreword by Anderson's nephew, famed conductor and poet James DePreist, this edition of My Lord, What a Morning revives the classic portrait of a musical legend who was resilient in the bullying face of bigotry and gracious in the unfaltering glow of fame.

By universal acclaim, Diana Kennedy is the world’s authority on the authentic cuisines of Mexico. For decades, she has traveled the length and breadth of the country, seeking out the home cooks, local ingredients, and traditional recipes that make Mexican cuisines some of the most varied and flavorful in the world. Kennedy has published eight classic Mexican cookbooks, including the James Beard Award-winning Oaxaca al Gusto. But her most personal book is My Mexico, a labor of love filled with more than three hundred recipes and stories that capture the essence of Mexican food culture as Kennedy has discovered and lived it. First published in 1998, My Mexico is now back in print with a fresh design and photographs—ready to lead a new generation of gastronomes on an unforgettable journey through the foods of this fascinating and complex country.

It’s Switzerland in the 1920s when the two lovers first meet. She is young, beautiful, and rich. In contrast, he can barely support himself and is interested only in music. By the end of their lives, he is a famous conductor and the richest man in the country, but she is penniless. And most important of all, no one knows of her love for him; it is a secret he took to his grave. Here begins Urs Widmer’s novel My Mother’s Lover.

Based on a real-life affair, My Mother’s Lover is the story of a lifelong and unspoken love for a man—recorded by the woman’s son, who begins this novel on the day his mother’s lover dies.  Set against the backdrop of the Depression and World War II, it is a story of sacrifice and betrayal, passionate devotion, and inevitable suffering. Yet in Widmer’s hands, it is always entertaining and surprisingly comic—a unique kind of fairy tale.

My Name is LaMoosh is the life story of Warm Springs Tribal elder Linda Meanus. She grew up with her grandma Flora Thompson and grandpa Chief Tommy Thompson near Celilo Falls, a mighty fishery on the Columbia that was flooded in 1957 by the construction of The Dalles Dam. Linda persevered through this historic trauma and life’s challenges to teach young people about the Indigenous ways of the Columbia River.  

Intended for early readers to learn more about Native American history through a first-hand account, the book is also a reminder that Indigenous people continue to maintain a cultural connection to the land and river that gave them their identity.  

My Name is LaMoosh includes fact boxes that provide historical, cultural, and environmental context for Linda’s personal story. Hundreds of books exist about Lewis and Clark and their journey of “discovery.” This book balances our understanding of American history with the long-neglected voices of Indigenous people. Linda’s story is not just about historic trauma but also about resilience, perseverance, and reciprocity.

This book challenges every common presumption that exists about the trafficking of women for the sex trade. It is a detailed account of an entire population of trafficked Albanian women whose varied experiences, including selling sex on the streets of France, clearly demonstrate how much the present discourse about trafficked women is misplaced and inadequate. The heterogeneity of the women involved and their relationships with various men is clearly presented as is the way women actively created a panoptical surveillance of themselves as a means of self-policing. There is no artificial divide between women who were deceived and abused and those who “choose” sex work; in fact the book clearly shows how peripheral involvement in sex work was to the real agenda of the women involved. Most of the women described in this book were not making economic decisions to escape desperate poverty nor were they the uneducated naïve entrapped into sexual slavery. The women’s success in transiting trafficking to achieve their own goals without the assistance of any outside agency is a testimony to their resilience and resolve.

Experience a lifetime of adventure

This autobiography of prominent American archaeologist William G. Dever is unabashedly his story, in which he offers candid, often brutally honest, reflections on his life and sixty-five-year career. Dever places himself in the midst of a remarkable generation of giants in archaeology in Israel during a period when the fields of biblical and Israeli archaeology were evolving. With technical expertise developed over a lifetime of working alongside four generations of Israeli and foreign excavators, he recalls their exploits and shares numerous personal stories that few others would know. His memoir concludes with a postscript on the likely future of biblical archaeology and an annotated bibliography for serious readers who wish to explore some of the scholarly literature to flesh out Dever’s narrative.

A memoir that combines political and economic commentary with personal and national history.

Mohammad Tarbush was born in British Mandate Palestine. As an infant, he and his family were forced to evacuate their village together with its entire population, after the Zionist victory that led to the establishment of the State of Israel. Then as landless refugees in the West Bank, the family sank into poverty. When, as a teenager, Tarbush left home one day under the pretext of visiting relatives in Jordan, he in fact set off on a year-long hitchhiking journey to Europe, where he would eventually become a highly successful international banker and a key behind-the-scenes promoter of the Palestinian cause. In My Palestine, Mohammad Tarbush combines poignant personal memoir with incisive political and economic commentary on the tumultuous events that shaped the history of Israel, Palestine, and the modern Middle East.
 

My Parents: Memoirs of New World Icelanders is a collection of essays written by second-generation Icelandic immigrants in North America, describing the lives of their parents. Originally collected in 1956 by Dr. Finnbogi Gumundsson, the first Chair of Icelandic at the University of Manitoba, seven of the fourteen memoirs are translated here from Icelandic to English. They offer a rare first-hand look into the lives of New World immigrants of the late nineteenth and early twentieth centuries. Readers are invited straight into the heart of these people’s lives, from social evenings spent reading poetry and the sagas, to the daily struggles to prepare the land and build homes. A prevailing sense of community emerges from the writers’ stories, showing how Icelandic culture and tradition sustained the immigrants through hardship, illness, and isolation. My Parents also details some of the genealogy of the New World Icelanders who settled in Manitoba, Saskatchewan, Alberta, Wisconsin, North Dakota, and Minnesota.

Acclaimed poet and critic Maureen N. McLane offers an experimental work of criticism ranging across Romantic and contemporary poetry.

In My Poetics, Maureen N. McLane writes as a poet, critic, theorist, and scholar—but above all as an impassioned reader. Written in an innovative, conversable style, McLane’s essays illuminate her own poetics and suggest more generally all that poetics can encompass. Ranging widely from romantic-era odes and hymns to anonymous ballads to haikus and haibuns to modernist and contemporary poetries in English, My Poetics explores poems as speculative instruments and as ways of registering our very sense of being alive. McLane pursues a number of open questions: How do poems generate modes for thinking? How does rhyme help us measure out thought? What is the relation of poetry to its surroundings, and how do specific poems activate that relation?

If, as Wallace Stevens wrote, “poetry is the scholar’s art,” My Poetics flies under a slightly different banner: study and criticism are also the poet’s art. Punctuated with McLane’s poems and drawing variously on Hannah Arendt, Percy Bysshe Shelley, Roland Barthes, Bruno Latour, and other writers and poets, My Poetics is a formally as well as intellectually adventurous work. Its artful arrangement of readings and divagations shows us a way to be with poems and poetics.

My Private Lennon: Explorations from a Fan Who Never Screamed offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fifteen-year-old hysterical female Beatles fan and replaces it with an introspective and often humorous tale about how the band shaped her intellectual and artistic development.
 
My Private Lennon charts the author’s realization that the Beatles, especially John Lennon, were a crucial force in her development. A radical departure from other books written by Beatles fans, My Private Lennon invites its readers to consider subjects not usually found in works about Lennon and the band, such as the constraints of memory, the male body, grief, the female breast, race, cultural issues, and the importance of privacy in our over-mediated world. In pieces that engage cultural issues and historical contexts, My Private Lennon creates a witty and provocative intimacy with readers who value the power of art to change one’s life and who love John Lennon and the Beatles.
 

My Pulse Is an Earthquake will be performed on stage by The New Short Fiction Series in Hollywood, an event sponsored by Barnes & Noble.

Francesco Petrarca (1304–1374), one of the greatest of Italian poets, was also the leading spirit in the Renaissance movement to revive literary Latin, the language of the Roman Empire, and Greco-Roman culture in general. My Secret Book (Secretum) records “the private conflict of my thoughts,” in the form of a dialogue between Franciscus and Augustinus in the presence of a beautiful woman, Truth personified. The discussion reveals remarkable self-awareness as Petrarca probes and evaluates the springs of his own morally dubious addictions to Fame and Love.

Selected as an "Editors Choice" by the Chicago Tribune

Lennard J. Davis grew up as the hearing child of deaf parents. In this candid, affecting, and often funny memoir, he recalls the joys and confusions of this special world, especially his complex and sometimes difficult relationships with his working-class Jewish immigrant parents. Gracefully slipping through memory, regret, longing, and redemption, My Sense of Silence is an eloquent remembrance of human ties and human failings.

The Iranian revolution of 1979 launched a vast, global diaspora, with many Iranians establishing new lives in the United States. In the four decades since, the diaspora has expanded to include not only those who emigrated immediately after the revolution but also their American-born children, more recent immigrants, and people who married into Iranian families, all of whom carry their own stories of trauma, triumph, adversity, and belonging that reflect varied and nuanced perspectives on what it means to be Iranian or Iranian American. The essays in My Shadow Is My Skin are these stories.

This collection brings together thirty-two authors, both established and emerging, whose writing captures the diversity of Iranian diasporic experiences. Reflecting on the Iranian American experience over the past forty years and shedding new light on themes of identity, duality, and alienation in twenty-first-century America, the authors present personal narratives of immigration, sexuality, marginalization, marriage, and religion that offer an antidote to the news media’s often superficial portrayals of Iran and the people who have a connection to it. My Shadow Is My Skin illuminates a community that rarely gets to tell its own story.

It is 1942. Shanghai after Pearl Harbor. Newly-arrived Eiko Kishimoto, a twenty-year-old, London-educated Japanese housewife, settles into a privileged existence in the French Concession as a member of the community of the Occupying Power. Initially, her days are filled with high society lunches and dinners, race course and night club visits and open-air summer concerts, amidst an ebullient and remarkably cosmopolitan society that makes up Shanghai. But all is by no means what it seems. As war progresses, and Japan tightens its control within China, tensions mount, relationships unravel, and allegiances are questioned. It is not long before Eiko awakens to the meaning and implications of occupation for both her international friends and for Japanese civilians. Even her settled domestic life, with a growing family and close proximity to her beloved older sister, is threatened as Japan’s war efforts become more desperate and degenerate. Partly biographical – the author taking inspiration from her mother’s own war experiences in China – My Shanghai, 1942-1946 provides a fascinating insight into the Asia Pacific War as never told before, that is through the eyes of a young Japanese woman caught between her Christian values and loyalty to her country.

A revealing exploration of the origins and development of People's Songs, Inc., "My Song Is My Weapon won the ASCAP-Deems Taylor Award. Robbie Lieberman brings to life the hootenannies, concerts, and rallies of the time, paying special attention to the politics of culture of the Old Left. Her analysis of the communist movement culture, coupled with interviews with former members of People's Songs, sheds new light on Cold War America, the American Communist movement, and the experience of left-wing cultural workers.

There are 27 million slaves living in the world today—more than at any time in history. Three hundred thousand of them are impoverished children in Haiti, who "stay with" families as unpaid and uneducated domestic workers, subject to physical, emotional, and sexual abuse. This practice, known locally as restavek ("staying with"), is so widespread that one in ten Haitian children is caught up in this form of slavery.

Jean-Robert Cadet was a restavek in Haiti from the late 1950s until the early 1970s. He told the harrowing story of his youth in Restavec: From Haitian Slave Child to Middle-Class American—a landmark book that exposed ongoing child slavery in Haiti. Now in My Stone of Hope, Cadet continues his story from his early attempts to adjust to freedom in American society to his current life mission of eliminating child slavery through advocacy and education. As he recounts his own struggles to surmount the psychological wounds of slavery, Cadet puts a human face on the suffering that hundreds of thousands of Haitians still endure daily. He also builds a convincing case that child slavery is not just one among many problems that Haiti faces as the Western Hemisphere's poorest nation. Rather, he argues that the systematic abuse of so many of its children is Haiti's fundamental problem, because it creates damaged adults who seem incapable of governing the country justly or managing its economy productively.

For everyone concerned about the fate of Haiti, the welfare of children, and the freedom of people around the globe, My Stone of Hope sounds an irresistible call to action.

Sharp and thought-provoking, this memoir-meets-cultural criticism upends the romanticism of the Great Plains and the patriarchy at the core of its ideals.
 
For many Americans, Kansas represents a vision of Midwestern life that is good and wholesome and evokes the American ideals of god, home, and country. But for those like Jessa Crispin who have grown up in Kansas,  the realities are much harsher. She argues that the Midwestern values we cling to cover up a long history of oppression and control over Native Americans, women, and the economically disadvantaged.

Blending personal narrative with social commentary, Crispin meditates on why the American Midwest still enjoys an esteemed position in our country's mythic self-image. Ranging from The Wizard of Oz to race, from chastity to rape, from radical militias and recent terrorist plots to Utopian communities, My Three Dads opens on a comic scene in a Kansas rent house the author shares with a (masculine) ghost. This prompts Crispin to think about her intellectual fathers, her spiritual fathers, and her literal fathers. She is curious to understand what she has learned from them and what she needs to unlearn about how a person should be in a family, as a citizen, and as a child of god—ideals, Crispin argues, that have been established and reproduced in service to hierarchy, oppression, and wealth.
 
Written in Crispin’s well-honed voice—smart, assured, comfortable with darkness—My Three Dads offers a kind of bleak redemption, the insight that no matter where you go, no matter how far from home you roam, the place you came from is always with you, “like it or not.”
 

The previously unpublished essays collected here are by literary scholars who have dedicated their lives to reading and studying nineteenth-century British fiction and the Victorian world. Each writes about a novel that has acquired personal relevance to them––a work that has become entwined with their own story, or that remains elusive or compelling for reasons hard to explain.
 
These are essays in the original sense of the word, attempts: individual and experiential approaches to literary works that have subjective meanings beyond social facts. By reflecting on their own histories with novels taught, studied, researched, and re-experienced in different contexts over many years, the contributors reveal how an aesthetic object comes to inhabit our critical, pedagogical, and personal lives.
 
By inviting scholars to share their experiences with a favorite novel without the pressure of an analytical agenda, the sociable essays in My Victorian Novel seek to restore some vitality to the act of literary criticism, and encourage other scholars to talk about the importance of reading in their lives and the stories that have enchanted and transformed them.

The novels in this collection include:
Jane Eyre by Charlotte Brontë
The Duke’s Children  by Anthony Trollope
The Adventures of Sherlock Holmes by Arthur Conan Doyle
The Newcomes by William Makepeace Thackeray
Middlemarch  by George Eliot
Daniel Deronda by George Eliot
The Return of the Native by Thomas Hardy
Vanity Fair by William Makepeace Thackeray
North and South by Elizabeth Gaskell
Bleak House by Charles Dickens
David Copperfield by Charles Dickens
New Grub Street by George Gissing
The Pickwick Papers by Charles Dickens
Dracula by Bram Stoker
Wuthering Heights by Emily Brontë

The poems of My Wilderness often take place on the wooded hillside in Oregon where Maxine Scates has lived since the mid-1970s. They chronicle how the woods, which were once a refuge, have turned into a landscape of change where trees once numerous are now threatened by storm and the presence of the humans who live among them.  These poems also engage her partner’s threatening illness, the death of her closest friend, and the death, at age one hundred, of her mother, an indomitable figure who led Scates through a working-class childhood in Los Angeles fraught with domestic violence. Grounded in the shifting borders of migrations and extinctions plant, animal, and human, of memory and grief, My Wilderness inevitably asks us to consider not only our own mortality but also our impact on the world around us.

Myanmar’s Education Reforms reviews the changing state of education in Myanmar as the country has dealt with a profound transformation over the past decade and a half. Education has served as a litmus test for judging the level of openness of any Myanmar government, especially those in place for the past seven decades. Marie Lall situates education within the context of the wider reforms and the process of making peace that began in 2012, using it as a case study on how these reforms have progressed and continue to progress. Drawing on data collected over fifteen years in the field, Lall argues that despite controlling the majority of the civilian government, the National League for Democracy is not delivering on its promise of social justice.

Here is a vividly written and fully illustrated assessment of the figured decoration on Late Bronze Age vessels from the Greek mainland, Cyprus, and the Aegean islands. It will become a standard source on the Mycenaean imagination.

Emily Vermeuele and Vassos Karageorghis describe the hunting scenes, chariots, sphinxes and griffins, bulls and birds, people dancing or fighting, and cult scenes on Mycenaean pottery. They analyze forms and styles, sources and influences, and the development of conventions. They relate what is known about the painters and their workshops, and the overseas trade. A catalogue of the 700 remaining whole and broken examples, now in museums around the world, is appended. Over 950 illustrations provide a comprehensive view of the art.

This study tells us much about Bronze Age civilization, and it opens the way to an understanding of the relationship of Greek art to figure drawing in pre-Classical times.

In Myriad Intimacies postcolonial theorist, spiritual practitioner, and filmmaker Lata Mani oscillates between text and video, poetry and prose, genre and form, register and voice, and secular and sacred to offer a transmedia exploration of the interrelatedness of lives, concepts, frameworks, and aspects of self. She draws on concepts from tantra—a philosophy that celebrates matter as alive, embodiment as sacred, and the senses as a form of intelligence—alongside feminist, critical race, and cultural theory to meditate on the ways in which everyone and everything exists in mutually constitutive interrelations. Addressing issues ranging from desire, the body, nature, and love, to otherness, identity politics, social justice, #MeToo, and the COVID-19 pandemic, Mani foregrounds the power and necessity of recognizing relationality as foundational. Throughout, she offers a way of reframing what we think we know and how we come to know it, demonstrating that it is only by acknowledging and embracing the indivisible and interdependent nature of existence that we restore our true intimacy with each other and the world.

Kurt Schwitters was a major protagonist in the histories of modern art and literature, whose response to the contradictions of modern life rivals that of Marcel Duchamp in its importance for artists working today. His celebrated Merz pictures—collaged and assembled from the scrap materials of popular culture and the debris of the studio, such as newspaper clippings, wood, cardboard, fabric, and paint—reflect a lifelong interest in collection, fragmentation, and abstraction, techniques he also applied to language and graphic design.

As the first anthology in English of the critical and theoretical writings of this influential artist, Myself and My Aims makes the case for Schwitters as one of the most creative thinkers of his generation. Including material that has never before been published, this volume presents the full range of his prolific writing on the art and attitudes of his time, joining existing translations of his children’s stories, poetry, and fiction to give new readers unprecedented access to his literary imagination. With an accessible introduction by Megan R. Luke and elegant English translations by Timothy Grundy, this book will prove an exceptional resource for artists, scholars, and enthusiasts of his art.
 

In Myself and Strangers, John Graves, the highly regarded author of Goodbye to a River and other classic works, recalls the decade-long apprenticeship in which he found his voice as a writer. He recounts his wanderings from Texas to Mexico, New York, and Spain, where, like Hemingway, he hoped to find the material with which to write books that mattered. With characteristic honesty, Graves admits the false starts and dead ends that dogged much of his writing, along with the exhilaration he felt when the words finally flowed. He frankly describes both the pleasures and the restlessness of expatriate life in Europe after World War II—as well as his surprising discovery, when family obligations eventually called him home to Texas, that the years away had prepared him to embrace his native land as the fit subject matter for his writing. For anyone seeking the springs that fed John Graves' best-loved books, this memoir of apprenticeship will be genuinely rewarding.

The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers indepth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.

The Mysteries of the Great City examines the physical, cultural, and political transformations of the American city between the Gilded Age and the New Deal. Focusing on New York, Chicago, and Cincinnati, John Fairfield demonstrates that these transformations before and after the advent of city planning were the result of political decisions influenced by corporate and private wealth.

The expansion and reorganization of the great city stood out as the most visible symbol of the transformation. The new metropolitan form, with its skyscraping business center, industrial satellites, crowded working-class neighborhoods, and exclusive suburbs, embodied an emerging corporate order. But the metropolis also disguised the new order and gave it an apparent physical implacability and inevitability that obscured the role of choice in its creation and therefore placed it beyond criticism. Fairfield unravels the mysteries of the new form to reveal the centrality of power and politics in urban design.

While acknowledging that a great many factors shaped urban development, Fairfield underscores the decisive role of human design. He argues that American cities, both before and after the advent of professional planning, have always been in some measure “planned.” Discussing such figures as Frederick Law Olmsted, Henry George, Daniel Burnham, Frederic Howe, Edward Bassett, Robert E. Park, and Louis Wirth, Fairfield illuminates the political and intellectual conflicts among advocates of alternative paths of urban development.

The Mysteries of the Great City will enlighten all readers interested in the development of cities, particularly urban historians and planners. In pointing to the Gilded Age as a period of great possibilities of progressive reform, this study will also reward readers interested in the historical foundations of our modern society.

The Lord’s Prayer contains mysteries generally overlooked by most Christians. For the Fathers of the Church, such mysteries or “difficulties”—many of which continue to puzzle modern scholars—marked divinely inspired points for prayer and reflection. Saints Cyprian of Carthage, Augustine of Hippo, Peter Chrysologus, Maximus the Confessor and others grappled with the hidden meanings behind these questions and the fruits of their efforts can inspire contemporary readers. In this volume John Gavin, SJ explores eight mysteries of the Lord’s prayer in light of the early Church’s wisdom: How can human beings call God “Father”? Where is God the Father? How can God grow in holiness? Was there ever a time when God did not rule? Are there limitations to God’s will? Why should we seek bread? Can we make a deal with God? Does God tempt us? Without ignoring the insights of contemporary exegesis, this volume demonstrates that the responses of the Fathers to these questions have continuing relevance. Not only did they understand the issues surrounding linguistic, textual, and theological difficulties, but they also grasped the nuances of Christ’s words as illuminated by the scriptures as a whole. They provide an interpretation that challenges the mind and transforms the heart. Mysteries of the Lord's Prayer offers the general reader, as well as scholars, a chance to rediscover a prayer that unites Christians throughout the world. It also includes appendices to aid those who wish to explore the Fathers’ writings on their own for a deeper encounter with the wisdom of the early Church.

When translator Claire Methuen travels back to her hometown of Dinard for a family wedding, she runs into her old piano teacher Madame Ladon. After befriending the ageing woman, Methuen begins to toy with the idea of a permanent return to live in Brittany. She becomes increasingly obsessed by her childhood sweetheart, Simon Quelen, who, now married and a father, still lives in a village further down the coast where he is the local pharmacist and mayor. Having moved into a farmhouse, she soon spends her days walking the heathland above the cliffs and spying on him as he sails in the bay. As she walks, she is at one with the land of her childhood and youth, “her skull emptying into the landscape.” And when her younger brother Paul comes to join her there, the web of solidarities is further enriched.
 
This is a tale of dramatic episodes, told through intermingling voices and the atmospherics of the austere Breton landscape. Ultimately, it is a story of obsessional love and of a parallel sibling bond that is equally strong.
 

Philosophy is born in its history as pursuit of the wisdom we are never able fully to know. Mystery and Intelligibility: History of Philosophy as Pursuit of Wisdom both argues for that method and presents the results it can achieve. Editor Jeffrey Dirk Wilson has gathered essays from six philosophical luminaries. In “History, Philosophy, and the History of Philosophy,” Timothy B. Noone provides the volume’s discourse on method in which he distinguishes three tiers of history. History of philosophy as method occupies the third and highest tier. John Rist reckons with contemporary corruption of the method in “A Guide for the Perplexed or How to Present or Pervert the History of Philosophy.” Wilson’s own essay, “Wonder and the Discovery of Being: From Homeric Myth to the Natural Genera of Early Greek Philosophy,” shows the loss of wonder, so evident in mythology, by early Greek thinkers and its recovery by Plato and Aristotle. In “Metaphysics and the Origin of Culture,” Donald Phillip Verene demonstrates the wide cultural implications of philosophical discoveries even when the discovery is the boundary of what humans can know. William Desmond offers an essay, “Flux-Gibberish: For and Against Heraclitus,” that owes as much to the humor of James Joyce as to the philosophical insights of philosophers, ancient, medieval, and modern. Eric D. Perl’s essay turns to the apophatic character of pursuing wisdom, perhaps especially when asking what may be the most fundamental metaphysical question: “Into the Dark: How (Not) to Ask, ‘Why is There Anything at All.’” Philipp W. Rosemann concludes the volume with the question best asked at the end of this literary seminar, “What is Philosophy?” Although there are philosophers within the analytic and continental schools who are committed to the history of philosophy, Mystery and Intelligibility demonstrates that history of philosophy as a third and distinct philosophical method is revelatory of the nature and structure of reality.

The Mystery of Being contains the most systematic exposition of the philosophical thought of Gabriel Marcel, a convert to Catholicism and the most distinguished twentieth-century exponent of Christian existentialism. Its two volumes are the Gifford lectures which Marcel delivered in Aberdeen, Scotland, in 1949 and 1950. Marcel's work fundamentally challenges most of the major positions of the atheistic existentialists (Sartre, Beauvoir, Camus), especially their belief in an absurd, meaningless, godless universe.
These volumes deal with almost all of the major themes of Marcel's thought: the nature of philosophy, our broken world, man's deep ontological need for being, i.e., for permanent eternal values, our incarnate bodily existence, primary and secondary reflection, participation, being in situation, the identity of the human self, intersubjectivity, mystery and problem, faith, hope, and the reality of God, and immortality.

Dr. Giulio Maspero is a priest, theologian and physicist who in this work embarks on a study of the Trinity––the Christian triune God––and in a single narrative pieces together the classical metaphysics, revealed truths and Patristic apologetic theology that directed the development of Trinitarian dogma. Maspero views the importance of this project from several perspectives. It connects us both exegetically and in fellowship to Christianity’s Jewish roots and the living God of shared Scripture. It introduces the reader to a deeper understanding of the historical development of the Trinity, which is especially engaging given the formidable minds and arguments involved in this history, particularly on the part of the Cappadocian Fathers: Gregory of Nyssa, Gregory of Nanzianzus and Basil the Great. Maspero also notes that knowing the Trinity better will offer greater insight into papal descriptions of the human family as necessarily rooted in a Trinitarian foundation, a “communion of persons in the image of the union of the Father, the Son and the Holy Spirit.” 

An approach to Trinitarian theology often favors overly technical language, or undue triteness. Maspero succeeds in leading both scholar and student to see how the unfolding of the mystery of the Trinity and its dogmatic development is a discovery of the “mystery from which all true love flows” in history. This discovery is only possible because of God’s self-revelation and immanence––that is, his heart and his “within.” The revelation of his being wholly and eternally Father and Son and the Love between them has made a more complete unity know to humanity through the perfect unity of divine communion. The foundation of all being and reality is this communion of love, personal unity that is given in relation and not in spite of relation. After a career of studying theology and theoretical physics, Maspero is especially keen on emphasizing the radical nature of this concept. It is an extension of Greek philosophy but ripped open and assigned immeasurable new value in communion and relation. 

The brevity of this work limits the amount of citations and textual references given, and Maspero instead urges the reader to study the book alongside Scripture. His manner of writing respects the impossibility of speaking of God in his immanence, but he nonetheless carves out a place for the Trinity in the human intellect, a place where the Jewish and Christian God might be encountered. As Maspero observes, truth is found in the personal dimension, but “just as in the use of a map for a journey, the cognitive grasp of the Trinity is to prevent us from getting lost, to keep us from reducing and simplifying the Trinity into something we understand merely on a natural level.” A highlight of this work is Maspero’s reliance on Mary, Theotokos, in his presentation of Trinitarian theology, the person who first opened herself to this manner of thinking.

Few of us spend much time thinking about courage, but we know it when we see it--or do we? Is it best displayed by marching into danger, making the charge, or by resisting, enduring without complaint? Is it physical or moral, or both? Is it fearless, or does it involve subduing fear? Abner Small, a Civil War soldier, was puzzled by what he called the "mystery of bravery"; to him, courage and cowardice seemed strangely divorced from character and will. It is this mystery, just as puzzling in our day, that William Ian Miller unravels in this engrossing meditation.

Miller culls sources as varied as soldiers' memoirs, heroic and romantic literature, and philosophical discussions to get to the heart of courage--and to expose its role in generating the central anxieties of masculinity and manhood. He probes the link between courage and fear, and explores the connection between bravery and seemingly related states: rashness, stubbornness, madness, cruelty, fury; pride and fear of disgrace; and the authority and experience that minimize fear. By turns witty and moving, inquisitive and critical, his inquiry takes us from ancient Greece to medieval Europe, to the American Civil War, to the Great War and Vietnam, with sidetrips to the schoolyard, the bedroom, and the restaurant. Whether consulting Aristotle or private soldiers, Miller elicits consistently compelling insights into a condition as endlessly interesting as it is elusive.

Renowned linguist Kenneth L. Pike and his coauthors offer three previously unpublished essays that apply theoretical linguistic research to the areas of historical linguistics, cross-cultural communications, and text analysis.

"Toward the Historical Reconstruction of Matrix Patterns in Morphology" establishes a comprehensive theory of morphological structure based on a number of languages. "Understanding Misunderstanding as Cross-Cultural Emic Clash" examines the crucial role that language plays in the numerous problems encountered in contacts between people from divergent cultural backgrounds. "The Importance of Purposive Behavior in Text Analysis" explores the centrality of establishing the relationship of reality to what is actually expressed in a text.

Far more than an intellectual puzzle for pundits, economists, and policymakers, economic growth--its makings and workings--is a subject that affects the well-being of billions of people around the globe. In The Mystery of Economic Growth, Elhanan Helpman discusses the vast research that has revolutionized understanding of this subject in recent years, and summarizes and explains its critical messages in clear, concise, and accessible terms.

The tale of growth economics, as Helpman tells it, is organized around a number of themes: the importance of the accumulation of physical and human capital; the effect of technological factors on the rate of this accumulation; the process of knowledge creation and its influence on productivity; the interdependence of the growth rates of different countries; and, finally, the role of economic and political institutions in encouraging accumulation, innovation, and change.

One of the leading researchers of economic growth, Helpman succinctly reviews, critiques, and integrates current research--on capital accumulation, education, productivity, trade, inequality, geography, and institutions--and clarifies its relevance for global economic inequities. In particular, he points to institutions--including property rights protection, legal systems, customs, and political systems--as the key to the mystery of economic growth. Solving this mystery could lead to policies capable of setting the poorest countries on the path toward sustained growth of per capita income and all that that implies--and Helpman's work is a welcome and necessary step in this direction.

With the recent Sokal hoax--the publication of a prominent physicist's pseudo-article in a leading journal of cultural studies--the status of science moved sharply from debate to dispute. Is science objective, a disinterested reflection of reality, as Karl Popper and his followers believed? Or is it subjective, a social construction, as Thomas Kuhn and his students maintained? Into the fray comes Mystery of Mysteries, an enlightening inquiry into the nature of science, using evolutionary theory as a case study.

Michael Ruse begins with such colorful luminaries as Erasmus Darwin (grandfather of Charles) and Julian Huxley (brother of novelist Aldous and grandson of T. H. Huxley, "Darwin's bulldog" ) and ends with the work of the English game theorist Geoffrey Parker--a microevolutionist who made his mark studying the mating strategies of dung flies--and the American paleontologist Jack Sepkoski, whose computer-generated models reconstruct mass extinctions and other macro events in life's history. Along the way Ruse considers two great popularizers of evolution, Richard Dawkins and Stephen Jay Gould, as well as two leaders in the field of evolutionary studies, Richard Lewontin and Edward O. Wilson, paying close attention to these figures' cultural commitments: Gould's transplanted Germanic idealism, Dawkins's male-dominated Oxbridge circle, Lewontin's Jewish background, and Wilson's southern childhood. Ruse explicates the role of metaphor and metavalues in evolutionary thought and draws significant conclusions about the cultural impregnation of science. Identifying strengths and weaknesses on both sides of the "science wars," he demonstrates that a resolution of the objective and subjective debate is nonetheless possible.

Congar coined the term "total ecclesiology" in his ground-breaking outline for a theology of the laity, A Way towards a Theology of the Laity. In Mystery of the Church, People of God, Rose M. Beal argues that "total ecclesiology" is the necessary and appropriate lens for a comprehensive interpretation of Congar's ecclesiological project prior to the Second Vatican Council (1962-1965). Beal works from Congar's published works from 1931 to 1954, as well as from unpublished texts from the same time period, to integrate and propose a comprehensive interpretation of his ecclesiological purposes and methods.

The Depression-era vogue for horror and the supernatural produced some of Hollywoood's most memorable chillers, among them Dr. Jekyll and Mr. Hyde (Paramount), Frankenstein, (Universal), and King Kong (RKO). At Warner Brothers, the main entry was Mystery of the Wax Museum, directed by Michael Curtiz, a grand thriller of 1933 in which Fay Wray (Who would appear opposite Kong later that same year) was threatened with waxy immortality by the maniacal Lionel Atwill.

The Mystery of Union with God offers the most extensive, systematic analysis to date of how Albert and Thomas interpreted and transformed the Dionysian Moses "who knows God by unknowing." It shows Albert's and Thomas's philosophical and theological motives to place limits on Dionysian apophatism and to reintegrate mediated knowledge into mystical knowing. The author surfaces many similarities in the two Dominicans' mystical doctrines and exegesis of Dionysius. This work prepares the way for a new consideration of Albert the Great as the father of Rhineland Mysticism. The original presentation of Aquinas's theology of the Spirit's seven gifts breaks new ground in theological scholarship. Finally, the entire book lays out a model for the study of mystical theology from a historical, philosophical and doctrinal perspective.