Edited by the acclaimed scholar Jacob Neusner, this thirty-five volume English translation of the Talmud Yerushalmi has been hailed by the Jewish Spectator as a "project...of immense benefit to students of rabbinic Judaism."

An appreciative examination of the New England clambake, Neustadt divides her study into three parts: historical (social, economic, political, regional, and cultural) influences on the clambake; a close focus on the Allen's Neck clambake as a cultural phenomena in its own right; and a critical examination of the central elements of the clambaking tradition--food, ritual, and festival.

The author views the clambake as a unique American folk tradition with interesting connections and rich resonances with other aspects of American culture and history.

Cy Endfield (1914–1995) was a filmmaker who was also fascinated by the worlds of close-up magic, science, and invention. After directing several distinctive low-budget films in Hollywood, he was blacklisted in 1951 and fled to Britain rather than “name names” before HUAC, the U.S. House of Representatives’ Un-American Activities Committee. The Pennsylvania-born Endfield made films that exhibit an outsider’s eye for his adopted country, including the working-class “trucking” drama Hell Drivers and the cult film Zulu—a war epic as politically nuanced as it is spectacular. Along the way he encountered Orson Welles, collaborated with pioneering animator Ray Harryhausen, published a book of his card magic, and co-invented an early word processor that anticipated today’s technology.
            The Many Lives of Cy Endfield is the first book on this fascinating figure. The fruit of years of archival research and personal interviews by Brian Neve, it documents Endfield’s many identities: among them second-generation immigrant, Jew, Communist, and exile. Neve paints detailed scenes not only of the political and personal dramas of the blacklist era, but also of the attempts by Hollywood directors in the postwar 1940s and early 1950s to address social and political controversies of the day. Out of these efforts came two crime melodramas (what would become known as film noir) on inequalities of class and race: The Underworld Story and The Sound of Fury (also known as Try and Get Me!). Neve reveals the complex production and reception histories of Endfield’s films, which the critic Jonathan Rosenbaum saw as reflective of “an uncommon intelligence so radically critical of the world we live in that it’s dangerous.”
            The Many Lives of Cy Endfield is at once a revealing biography of an independent, protean figure, an insight into film industry struggles, and a sensitive and informed study of an underappreciated body of work.

Best Five Books of the Year list, Iranian 24 Monthly, London UK

“Make[s] a case for [Endfield’s] distinctive voice while tracing the way struggle, opposition, and thwarted ambition both defined his life and became the powerful themes of his best work.”—Cineaste

Exploring networked technologies and bioeconomy and their links to biotechnologies, pharmacology, and pharmaceuticals

Being on social media, having pornography or an internet addiction, consciousness hacking, and mundane smartness initiatives are practices embodied in a similar manner to the swallowing of a pill. Such close relations of media technologies to pharmaceuticals and pharmacology is the focus of this book. Technopharmacology is a modest call to expand media theoretical inquiry by attending to the biological, neurological, and pharmacological dimensions of media and centers on emergent affinities between big data and big pharma. 

The contributors to this volume theorize Asian video cultures in the context of social movements, market economies, and local popular cultures to complicate notions of the Asian experience of global media. Whether discussing video platforms in Japan and Indonesia, K-pop reception videos, amateur music videos circulated via microSD cards in India, or the censorship of Bollywood films in Nigeria, the essays trace the myriad ways Asian video reshapes media politics and aesthetic practices. While many influential commentators overlook, denounce, and trivialize Asian video, the contributors here show how it belongs to the shifting core of contemporary global media, thereby moving conversations about Asian media beyond static East-West imaginaries, residual Cold War mentalities, triumphalist declarations about resurgent Asias, and budding jingoisms. In so doing, they write Asia's vibrant media practices into the mainstream of global media and cultural theories while challenging and complicating hegemonic ideas about the global as well as digital media.

Contributors. Conerly Casey, Jenny Chio, Michelle Cho, Kay Dickinson, Bishnupriya Ghosh, Feng-Mei Heberer, Tzu-hui Celina Hung, Rahul Mukherjee, Joshua Neves, Bhaskar Sarkar, Nishant Shah, Abhigyan Singh, SV Srinivas, Marc Steinberg, Chia-chi Wu, Patricia Zimmerman

Of even greater importance for Hungary's future were the activities of the champions of an independent state of Czechs and Slovaks. Tomáš Masaryk, a Czech professor of philosophy and a future leader of his people, was hard at work within a month of the outbreak of war lobbying in Paris and London for an independent Bohemia, still a major component of the Austrian Empire within the Austro-Hungarian Monarchy, which would incorporate the predominantly Slovak regions of northern Hungary. Masaryk, who was assisted in his efforts by Eduard Beneš, a bitter enemy of the Habsburgs. Thus the new state was effectively shaped before the Paris Peace Conference. But the Conference laid down the seeds of Czechoslovakia's later destruction. Only nine million Czechoslovaks lived in the state out of a population of fourteen million. A large discontented Hungarian minority lived in Slovakia, and the Polish majority area of Teschen poisoned Czech-Polish relations. Yet the greatest challenge came from the rise of the Nazis in Germany in 1930s: Masaryk always claimed that he did not want three and half million ethnic Germans, but he and Beneš accepted them nonetheless. Masaryk died in 1937, and Britain and France would not support the Czechs over the Sudetenland, the infamous deal struck in Munich by Neville Chamberlain and Adolf Hitler.

WINNER OF FC2’S CATHERINE DOCTOROW INNOVATIVE FICTION PRIZE
 
Stories haunted by the remains of the industrial Midwest, the opioid epidemic, and the technology of war
 
Located somewhere in the rust belt in the early twenty-first century, residents of the town of Whispering Dolls dream of a fabled and illusory past, even as new technologies reshape their world into something different and deeply strange. Dolls walk down the streets, cradling their empty heads and letting the wind turn them into flutes. A politician heads to Washington, DC, and leaves a toxic underground plume in his wake. A woman eats car parts instead of confronting the children who have forgotten her. A young woman falls in love with the robot who took her job at the candy factory.
 
In The Town of Whispering Dolls, it is usually the grandmothers and the children who grieve. Feeling invisible, in the story “Here,” a woman who has buried her children looks up at the sky where commercial and military jets fly overhead and tries to express her rage to the rich and powerful: “Keep flying above us in your planes. From one coast to the other, keep right on flying over us! We test your bombs and your beloved warriors. Here. Right here. Look down.”

 

For most of his life, Ernst Jünger, one of Europe's leading twentieth-century writers, has been controversial. Renowned as a soldier who wrote of his experience in the First World War, he has maintained a remarkable writing career that has spanned five periods of modern German history. In this first comprehensive study of Jünger in English, Thomas R. Nevin focuses on the writer’s first fifty years, from the late Wilhelmine era of the Kaiser to the end of Hitler’s Third Reich. By addressing the controversies and contradictions of Jünger, a man who has been extolled, despised, denounced, and admired throughout his lifetime, Ernst Jünger and Germany also opens an uncommon view on the nation that is, if uncomfortably, represented by him.
Ernst Jünger is in many ways Germany’s conscience, and much of the controversy surrounding him is at its source measured by his relation to the Nazis and Nazi culture. But as Nevin suggests, Jünger can more specifically and properly be regarded as the still living conscience of a Germany that existed before Hitler. Although his memoir of service as a highly decorated lieutenant in World War I made him a hero to the Nazis, he refused to join the party. A severe critic of the Weimar Republic, he has often been denounced as a fascist who prepared the way for the Reich, but in 1939 he published a parable attacking despotism. Close to the men who plotted Hitler’s assassination in 1944, he narrowly escaped prosecution and death. Drawing largely on Jünger’s untranslated work, much of which has never been reprinted in Germany, Nevin reveals Jünger’s profound ambiguities and examines both his participation in and resistance to authoritarianism and the cult of technology in the contexts of his Wilhelmine upbringing, the chaos of Weimar, and the sinister culture of Nazism.
Winner of Germany’s highest literary awards, Ernst Jünger is regularly disparaged in the German press. His writings, as this book indicates, put him at an unimpeachable remove from the Nazis, but neo-Nazi rightists in Germany have rushed to embrace him. Neither apology, whitewash, nor vilification, Ernst Jünger and Germany is an assessment of the complex evolution of a man whose work and nature has been viewed as both inspiration and threat.

What are people who read opinion-page articles looking for? How can you reach people who read general-interest magazines? Hint: It's not the same as your colleagues or science journals.

This compact book offers the reasons and information that can help scientific writers adopt new habits to be successful and happy writing for a non-science audience. Go ahead and write journal-style for science journals and colleagues, says longtime science editor Jane Nevins, but you'll need to try different styles to reach a different audience.

The book is divided into three parts: The Meet-up, Simple Fixes, and Science and Style. In The Meet-up, Nevins describes the different venues for lay writing, from opinion pages to popular magazines, and what readers of each expect and respond to best.  In Simple Fixes, she shows how jargon, "cross-over words," and hackneyed expressions can be remedied, clearing away confusion for your readers. In Science and Style, she discusses what to put first, how to quote and paraphrase in lay copy, and what to leave out.

Throughout You've Got Some Explaining to Do, Nevins gives concrete, specific examples tied to neuroscience.  The author, who served as the first editor in chief of the Dana Press, brings more than 20 years of experience in translating neuroscience to lay readers. 

"No one is better at helping one learn to write for the non-professional public, as I can personally testify, than Jane Nevins."-Nobel laureate Eric R. Kandel, M.D., Director, Kavli Institute for Brain Science, Columbia University College of Physicians and Scientists.

In her new poetry collection, Lethal Theater, Susannah Nevison reckons with the rituals of violence that underpin the American prison system, both domestically and abroad. Exploring the multiple roles of medicine in incarceration, Nevison’s poems expose the psychological and physical pain felt by the prison system’s inhabitants. Nevison asks readers to consider the act and complications of looking—at the spectacle of punishment, isolation, and interrogation, as mapped onto incarcerated bodies—by those who participate in and enforce dangerous prison practices, those who benefit from the exploitation of incarcerated bodies, and those who bear witness to suffering. Unfolding in three sections, Nevison’s poems fluidly move among themes of isolation and violence in prisons during period of war, the history of medical experimentation on domestic prisoners, and the intersection between anesthesia used in hospital settings and anesthesia used in cases of lethal injection. Lethal Theater is an attempt to articulate and make visible a grotesque and overlooked part of American pain.

Communications policy as been a fertile area for testing theories of regulation, subsidy and incentives, free speech, political participation, and the public interest. The capacities of new communications technology have changed markedly since much of the governing legislation in the communications field was written. Such a change is likely to continue and have considerable impact on specific communications sectors and in communications policy. This two volume set of analyses undertakes a review of telecommunications policy in transition—of actions taken and not taken, of goals pursued or ignored, of the adequacy of policy vehicles and their strengths and weaknesses. The authors evaluate three categories of policy problems: those of concept, scope, and judgment in communications policy; those specific to media industries and forces affecting them; and those concerning wider public policy concerns intersecting with communication.

By reconstructing the history of kings and clans in the Kivu Rift Valley (on the border of today's Rwanda and Zaire) at a time of critical social change, David Newbury enlarges our understanding of social process and the growth of state power in Africa. In the early nineteenth century, many factors contributed to the creation of new social relations  in the Lake Kivu region—ecological change, population movement, the expansion of the Rwandan state from the east, the rise of new political units to the west, and the movement of many population groups and their ritual forms through the area.  Newbury looks in particular at the role of clans in the establishment of a new kingdom on Ijwi Island in Lake Kivu.
     Drawing on detailed ethnographic observations of the social and ritual organizations of Ijwi society, an extensive  body of oral data, and evidence from written sources, Newbury shows that the clans of Ijwi were not static formations, nor did the establishment of a royal family on the island emerge from military conquest and internal social breakdown.  Instead, clan identities changed over time, and these changes actually facilitated the creation of kingship on Ijwi.  Through a detailed examination of succession struggles, of local factors influencing the outcome of such struggles, and of specific clan participation in public rituals that legitimize royalty, Newbury’s study illustrates the importance of clan identities in both the creation of state power and its reproduction over time.

The horrific tragedies of Central Africa in the 1990s riveted the attention of the world. But these crises did not occur in a historical vacuum. By peering through the mists of the past, the case studies presented in The Land Beyond the Mists illustrate the significant advances to have taken place since decolonization in our understanding of the pre-colonial histories of Rwanda, Burundi, and eastern Congo.

Based on both oral and written sources, these essays are important both for their methods—viewing history from the perspective of local actors—and for their conclusions, which seriously challenge colonial myths about the area.

This book traces the emergence of modern American poetry at the turn of the nineteenth century. With a particular focus on four "little magazines"--Poetry, The Masses, Others, and The Seven Arts--John Timberman Newcomb shows how each advanced ambitious agendas combining urban subjects, stylistic experimentation, and progressive social ideals. While subsequent literary history has favored the poets whose work made them distinct--individuals singled out usually on the basis of a novel technique--Newcomb provides a denser, richer view of the history that hundreds of poets made.

In 1951 and 1952, William W. Newcomb, Jr. visited the Delaware people of Oklahoma in order to write an ethnographic study of the tribe. He discusses the origins and linguistic affiliations of the Delaware, their social systems, economic and material culture, and religion and folklore, as well as the process of acculturation and assimilation that took place after European contact.

Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies is the first volume of its kind to be published in English. Bringing together young and established scholars, it seeks to consolidate the vital work being done on the connections between the Spanish- and Portuguese-speaking worlds on both sides of the Atlantic. The volume builds from an understanding that Iberian and Latin American cultures are inherently transoceanic—having engaged in earlier eras in parallel, and sometimes interconnected, colonization projects around the world and more recently in postcolonial evaluations of these practices and their legacies.
 
The jumping-off point for Beyond Tordesillas is the critic Jorge Schwartz’s evocative call to arms, “Down with Tordesillas!” In this groundbreaking essay, Schwartz looks to the imaginary line created by the Treaty of Tordesillas (1494), which divided the known world into Spanish and Portuguese spheres of influence, to stand in for generations of literary and cultural noncommunication between the Spanish- and Portuguese-speaking spheres, and their attendant academic disciplines. This volume’s contributions range topically across continents, from the Iberian Peninsula to Latin American countries. They also range across genres, with studies that analyze fictional narrative, music, performance, and visual culture. Beyond Tordesillas forcefully challenges the disciplinary—and indeed, arbitrary—boundaries that for too long have separated Hispanic and Luso-Brazilian studies.
 

A classic work on the indigenous peoples of Texas.

Drawing from 167 examples of decorative needlework—primarily samplers and quilts from 114 collections across the United States—made by individual women aged forty years and over between 1820 and 1860, this exquisitely illustrated book explores how women experienced social and cultural change in antebellum America.

The book is filled with individual examples, stories, and over eighty fine color photographs that illuminate the role that samplers and needlework played in the culture of the time. For example, in October 1852, Amy Fiske (1785–1859) of Sturbridge, Massachusetts, stitched a sampler. But she was not a schoolgirl making a sampler to learn her letters. Instead, as she explained, “The above is what I have taken from my sampler that I wrought when I was nine years old. It was w[rough]t on fine cloth [and] it tattered to pieces. My age at this time is 66 years.”

Situated at the intersection of women’s history, material culture study, and the history of aging, this book brings together objects, diaries, letters, portraits, and prescriptive literature to consider how middle-class American women experienced the aging process. Chapters explore the physical and mental effects of “old age” on antebellum women and their needlework, technological developments related to needlework during the antebellum period and the tensions that arose from the increased mechanization of textile production, and how gift needlework functioned among friends and family members. Far from being solely decorative ornaments or functional household textiles, these samplers and quilts served their own ends. They offered aging women a means of coping, of sharing and of expressing themselves. These “threads of time” provide a valuable and revealing source for the lives of mature antebellum women.

Publication of this book was made possible in part through generous funding from the Coby Foundation, Ltd and from the Quilters Guild of Dallas, Helena Hibbs Endowment Fund.

 Where did humanity get the idea that outer space is a frontier waiting to be explored? Destined for the Stars unravels the popularization of the science of space exploration in America between 1944 and 1955, arguing that the success of the US space program was due not to technological or economic superiority, but was sustained by a culture that had long believed it was called by God to settle new frontiers and prepare for the inevitable end of time and God’s final judgment. Religious forces, Newell finds, were in no small way responsible for the crescendo of support for and interest in space exploration in the early 1950s, well before Project Mercury—the United States’ first human spaceflight program—began in 1959.
 
In this remarkable history, Newell explores the connection between the art of Chesley Bonestell—the father of modern space art whose paintings drew inspiration from depictions of the American West—and the popularity of that art in Cold War America; Bonestell’s working partnership with science writer and rocket expert Willy Ley; and Ley and Bonestell’s relationship with Wernher von Braun, father of both the V-2 missile and the Saturn V rocket, whose millennial conviction that God wanted humankind to leave Earth and explore other planets animated his life’s work. Together, they inspired a technological and scientific faith that  awoke a deep-seated belief in a sense of divine destiny to reach the heavens. The origins of their quest, Newell concludes, had less to do with the Cold War strife commonly associated with the space race and everything to do with the religious culture that contributed to the invention of space as the final frontier.

Archaeology in the Southwest is increasingly directing its attention south of the international border as it becomes clear that a picture of the pre-hispanic Southwest is incomplete without taking the Mexican Northwest into account.

Surveying the Archaeology of Northwest Mexico presents an overview of recent work in Sonora and Chihuahua, comprising a sort of professional tour of the area. The chapters offer fresh insights into the formation of centers such as Paquimé, Cerro de Trincheras, and the Rio Sonora cabaceras. Contributors explore relations between these centers, individual internal organization of the various identifiable polities, and the relation of the whole northwest Mexican region to better-known adjacent ones. The volume underscores that northwest Mexico was not a dependent hinterland but was inhabited by many independent groups throughout prehistory.

In volume 21 of the Arrington Lecture Series, Quincy Newell studies the life of Jane Elizabeth Manning James, an African American, born in 1822, who converted to Mormonism in 1843. The narrative of Jane's life has to date been told in versions that favored official LDS positions on race and gender at the time of their telling. Newell's study here brings contemporary historical scholarship and critical distance to bear on the facts and the meanings of Jane M. James's experience.

The Arrington Lecture series, established by one of the twentieth-century West's most distinguished historians, Leonard Arrington, has become a leading forum for prominent historians to address topics related to Mormon history. Utah State University hosts the Leonard J. Arrington Mormon History Lecture Series through the Merrill-Cazier Library Special Collections and Archives department.

In Côte d’Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth in a fantastic display of Western imitation, spending far more than they can afford on brand name clothing, accessories, technology, and a robust nightlife. Such imitation, however, is not primarily meant to deceive—rather, as Sasha Newell argues in The Modernity Bluff, it is an explicit performance so valued in Côte d’Ivoire it has become a matter of national pride.

Called bluffeurs, these young urban men operate in a system of cultural economy where reputation is essential for financial success. That reputation is measured by familiarity with and access to the fashionable and expensive, which leads to a paradoxical state of affairs in which the wasting of wealth is essential to its accumulation. Using the consumption of Western goods to express their cultural mastery over Western taste, Newell argues, bluffeurs engage a global hierarchy that is profoundly modern, one that values performance over authenticity­—highlighting the counterfeit nature of modernity itself.

Between 1905 and 1939 a conspicuously tall white man with a shock of red hair, dressed in a silk shirt and white linen trousers, could be seen on the streets of Onitsha, in Eastern Nigeria. How was it possible for an unconventional, boy-loving Englishman to gain a social status among the local populace enjoyed by few other Europeans in colonial West Africa?

In The Forger’s Tale: The Search for Odeziaku Stephanie Newell charts the story of the English novelist and poet John Moray Stuart-Young (1881–1939) as he traveled from the slums of Manchester to West Africa in order to escape the homophobic prejudices of late-Victorian society. Leaving behind a criminal record for forgery and embezzlement and his notoriety as a “spirit rapper,” Stuart-Young found a new identity as a wealthy palm oil trader and a celebrated author, known to Nigerians as “Odeziaku.”

In this fascinating biographical account, Newell draws on queer theory, African gender debates, and “new imperial history” to open up a wider study of imperialism, (homo)sexuality, and nonelite culture between the 1880s and the late 1930s. The Forger’s Tale pays close attention to different forms of West African cultural production in the colonial period and to public debates about sexuality and ethics, as well as to movements in mainstream English literature.

Between the 1880s and the 1940s, the region known as British West Africa became a dynamic zone of literary creativity and textual experimentation. African-owned newspapers offered local writers numerous opportunities to contribute material for publication, and editors repeatedly defined the press as a vehicle to host public debates rather than simply as an organ to disseminate news or editorial ideology. Literate locals responded with great zeal, and in increasing numbers as the twentieth century progressed, they sent in letters, articles, fiction, and poetry for publication in English- and African-language newspapers.

The Power to Name offers a rich cultural history of this phenomenon, examining the wide array of anonymous and pseudonymous writing practices to be found in African-owned newspapers between the 1880s and the 1940s, and the rise of celebrity journalism in the period of anticolonial nationalism. Stephanie Newell has produced an account of colonial West Africa that skillfully shows the ways in which colonized subjects used pseudonyms and anonymity to alter and play with colonial power and constructions of African identity.

This compilation of cutting-edge philosophical and scientific research comprises a survey of recent neuroscientific research on representational systems in animals and humans. Representational systems provide their owners with useful information about their environment and are shaped by the special informational needs of the organism with respect to its environment. In this volume, the authors address the long-standing dispute about the usefulness of the notion of representation in the study of behavior systems and offer a fresh perspective on representational systems that combines philosophical insights and experimental experience.

As one of the world’s most eminent living philosophers, John Perry has covered a remarkable breadth of subjects in his published work, including semantics, indexicality, self-knowledge, personal identity, and consciousness. Looking particularly at the way in which he deals with issues of self, communication, and reality, this volume is organized in seven chapters that highlight a different aspect of Perry’s work on the intersection of these subjects. A fundamental work for students and scholars, Identity, Language, and Mind explores questions that are not only essential in understanding Perry’s writings, but also contemporary philosophy as a whole.

This book presents a revisionist account of Ralph Waldo Emerson's influential thought on individualism, in particular his political psychology.

Christopher Newfield analyzes the interplay of liberal and authoritarian impulses in Emerson's work in various domains: domestic life, the changing New England economy, theories of poetic language, homoerotic friendship, and racial hierarchy. Focusing on neglected later writings, Newfield shows how Emerson explored the tensions between autonomy and community—and consistently resolved these tensions by "abandoning crucial elements of both" and redefining autonomy as a kind of liberating subjection. He argues that in Emersonian individualism, self-determination is accompanied by submission to authority, and examines the influence of this submissive individualism on the history of American liberalism. In a provocative reading of Emerson's early and neglected later works, Newfield analyzes Emerson's emphasis on collective, or "corporate", world-building, rather than private possession. Tracing the development of this corporate individualism, he illuminates contradictions in Emerson's political outlook, and the conjunctions of liberal and authoritarian ideology they produced.

Emphasizing how profoundly the American research university has been shaped by business and the humanities alike, Ivy and Industry is a vital contribution to debates about the corporatization of higher education in the United States. Christopher Newfield traces major trends in the intellectual and institutional history of the research university from 1880 to 1980. He pays particular attention to the connections between the changing forms and demands of American business and the cultivation of a university-trained middle class. He contends that by imbuing its staff and students with seemingly opposed ideas—of self-development on the one hand and of an economic system existing prior to and inviolate of their own activity on the other—the university has created a deeply conflicted middle class.

Newfield views management as neither inherently good nor bad, but rather as a challenge to and tool for negotiating modern life. In Ivy and Industry he integrates business and managerial philosophies from Taylorism through Tom Peters’s “culture of excellence” with the speeches and writings of leading university administrators and federal and state education and science policies. He discusses the financial dependence on industry and government that was established in the university’s early years and the equal influence of liberal arts traditions on faculty and administrators. He describes the arrival of a managerial ethos on campus well before World War II, showing how managerial strategies shaped even fields seemingly isolated from commerce, like literary studies. Demonstrating that business and the humanities have each had a far stronger impact on higher education in the United States than is commonly thought, Ivy and Industry is the dramatic story of how universities have approached their dual mission of expanding the mind of the individual while stimulating economic growth.

The fifth edition of Michigan’s Town & Country Inns is a guide to more than 50 inns, bed-and-breakfast homes, and historic lodgings in the Upper and Lower Peninsulas of Michigan.

Choose from lighthouses anchored to the rugged shores of Lake Superior, Victorian mansions built by lumber and mining barons, rustic log lodges, and romantic small town hideaways. Meet the innkeepers themselves, who range from retired military officers and corporate heads to artists and poets. You’ll find detailed descriptions of the accommodations along with information about rates, suitability for children, and policies on smoking and pets. Get a sense of the flavor and mood of each and learn about fun things to do in the surrounding areas. Numerous photos enhance the descriptions and provide a visitor’s-eye view of some of the most unusual and delightful places to stay in Michigan.

"A graceful, elegantly told ghost story that is at times frightening, at times heartwarming, often quite funny, and always an engrossing and fascinating read."
---Rodney Vaccaro, Emmy Award–winning Hollywood screenwriter and producer

"I started Friday night and got up Saturday morning with a desire to get back to it to finish. In my experience, if I wake up and the first thing on my mind is getting back to a book, it's a good book."
---Bryan Uecker, co-owner of The Book Nook & Java Shop, Montague, Michigan

"A spellbinding mystery of timeless love, loss, and a house that held all the answers. I couldn't put it down." 
---Judith Evans Thomas, coauthor of the Born to Shop travel books

"Living in a 100-year old Michigan farmhouse myself, I was totally pulled into the real possibilities Newhof's characters found themselves in. Ghosts and real life haunts made for a compelling read."
---Robbyn Smith van Frankenhuyzen, author of the series Hazel Ridge Farm Stories

"Spirits and Wine is a can't-put-down novel that feels less like fiction and more like sharing a glass of wine with your best friends who go on to disclose the deeply disturbing, deadly things occurring in the lovely old house they planned to restore. Susan Newhof writes truthfully and with beautiful care, evoking the icy appeal of a small lakeshore town in Michigan while revealing the wretched secrets that cling to one dwelling. After reading this harrowing tale in one sitting, I am dying to ask the author---did these menacing events really happen . . . to you?"
---Jerrilyn Farmer, author of the best-selling Madeline Bean Mysteries

"If only the walls could talk---and they do in Susan Newhof's thrilling Spirits and Wine. Readers, be prepared for an absorbing adventure into John and Anna's journey to solve a century-old mystery wrapped within the walls of their newly purchased 'dream home.' Told creatively in tandem, the couple's story of life in pursuit of truth will leave you wondering just where the fact ends and the fiction begins. Keep the lights on and enjoy!"
---Beckey Burgoyne, author of Perfectly Amanda: Gunsmoke's "Miss Kitty"---To Dodge and Beyond 
 
It's a mystery and a ghost story, all wrapped up in one.

A newly married couple buys an old house in a small lakeshore town in West Michigan and finds it haunted by the dramatic secrets of its past inhabitants. As the couple settles in, disturbing events prompt them to investigate who those residents were, what happened to them, and why one spirit remains active. Could the Spanish influenza epidemic in the region, which resulted in the deaths of an unprecedented number of young, healthy adults in Michigan and elsewhere in 1918---19, and the resulting slew of orphans, have something to do with the spirit now haunting their house?

They are determined to discover the truth about their house, even if it jeopardizes their own safety.

     In this stunning debut novel, a child dissects the darkness at the heart of her British diplomatic family. Living in Nigeria on the brink of civil war, Anna—also known as Jake—becomes blood brothers with Dave, the Korean American daughter of a C.I.A. operative. They do push-ups, collect pornography, and plot lives of unmarried freedom while around them a country disintegrates. Luscious, terrifying, and raw, Nigeria itself becomes a lesson in endurance, suffering, love. 
     Stories are layered upon stories: Anna's grandmother tells stories about life as a white woman on the Gold Coast; the clairvoyant and closeted "Aunt" Elsie gives Anna a story of transformation to hold onto in the coming tumult of adolescence. Yet Where Bones Dance also spirals down to the stories that are not told—sexual abuse, the myth of benign colonialism, the chaos of postcolonial Africa. Sensual and fantastical by turns, this moving, funny, immensely readable book delivers an understanding of the interplay of sexuality, gender, race, and war that is sophisticated beyond the years of its intrepid narrator.

 

Best Books for General Audiences, selected by the American Association of School Librarians and the Public Library Association

For two hundred and seventy years, the House of Braganza provided the kings and queens of Portugal. During a period of momentous change, from 1640 to 1910, this influential family helped to establish Portuguese independence from their powerful Spanish neighbors and saved the monarchy and government from total destruction by the marauding armies of Napoleon. The Braganzas also ruled the vast empire of Brazil from 1822 to 1889, successfully creating a unified nation and preventing the country from splitting into small warring states.

In his fascinating reappraisal of the Braganza dynasty, Malyn Newitt traces the rise and fall of one of the world’s most important royal families. He introduces us to a colorful cast of innovators, revolutionaries, villains, heroes, and charlatans, from the absolutist Dom Miguel to the “Soldier King” Dom Pedro I, and recounts in vivid detail the major social, economic, and political events that defined their rule. Featuring an extensive selection of artworks and photographs, Newitt’s book offers a timely look at Britain’s “oldest ally” and the role of monarchy in the early modern European world.

In Pretend We’re Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the unfettered lust for profit, fictional monsters act out the problems with an economic system that seems designed to eat people whole.

Newitz looks at representations of serial killers, mad doctors, the undead, cyborgs, and unfortunates mutated by their involvement with the mass media industry. Whether considering the serial killer who turns murder into a kind of labor by mass producing dead bodies, or the hack writers and bloodthirsty actresses trapped inside Hollywood’s profit-mad storytelling machine, she reveals that each creature has its own tale to tell about how a freewheeling market economy turns human beings into monstrosities.

Newitz tracks the monsters spawned by capitalism through b movies, Hollywood blockbusters, pulp fiction, and American literary classics, looking at their manifestations in works such as Norman Mailer’s “true life novel” The Executioner’s Song; the short stories of Isaac Asimov and H. P. Lovecraft; the cyberpunk novels of William Gibson and Marge Piercy; true-crime books about the serial killers Ted Bundy and Jeffrey Dahmer; and movies including Modern Times (1936), Donovan’s Brain (1953), Night of the Living Dead (1968), RoboCop (1987), The Silence of the Lambs (1991), and Artificial Intelligence: AI (2001). Newitz shows that as literature and film tell it, the story of American capitalism since the late nineteenth century is a tale of body-mangling, soul-crushing horror.

While postwar British cinema and the British new wave have received much scholarly attention, the misunderstood period of the 1970s has been comparatively ignored. Don’t Look Now uncovers forgotten but richly rewarding films, including Nicolas Roeg’s Don’t Look Now and the films of Lindsay Anderson and Barney Platts-Mills. This volume offers insight into the careers of important filmmakers and sheds light on the genres of experimental film, horror, rock and punk films, as well as representations of the black community, shifts in gender politics, and adaptations of television comedies. The contributors ask searching questions about the nature of British film culture and its relationship to popular culture, television, and the cultural underground.

How the study of Shakespeare’s legacy, specifically in film and television, can radically challenge what we consider to be authentically Shakespearean

In the field of adaptation studies today, the idea of reading an adapted text as “faithful” or “unfaithful” to its original source strikes many scholars as too simplistic, too conservative, and too moralizing. In Uncanny Fidelity: Recognizing Shakespeare in Twenty-First Century Film and Television, James Newlin challenges these critical orthodoxies. Instead, recognizing how a film or television series closely recalls Shakespeare’s drama encourages an interrogation of what we consider to be “Shakespeare” in the first place.

Drawing upon Sigmund Freud’s model of the uncanny—the sudden sensation of peculiar, discomforting familiarity—this book focuses on films and television series that were not marketed as adaptations of Shakespeare. Yet these works unexpectedly invoke lost, even troubling aspects of Shakespeare’s original playtexts, their performance history, or their reception. Broadening the scope of fidelity readings beyond familiar concerns like plot and language, Newlin demonstrates how the study of Shakespeare’s afterlife can clarify both the historical context of his drama and its relevance for the current political moment. Engaging contemporary debates in literary and psychoanalytic theory, this book features provocative close readings of The Tempest, Othello, and The Winter’s Tale alongside recent films and television series, from art-house movies such as The Master and Manchester by the Sea to the cult favorites Brigsby Bear and Vice Principals. These works conjure widely overlooked qualities of Shakespeare’s drama by recalling the casting practices or the generic contexts of the early modern stage or by making a meaningful intervention in the plays’ critical reception. Closely examining these surprisingly faithful adaptations of Shakespeare’s drama helps us to articulate the original experience of the early modern stage and better consider its resonance in the present.

This book will benefit students and scholars of Shakespeare on film and psychoanalytic theory. Yet Uncanny Fidelity will also be of interest to scholars of performance history, source studies, and early modern discourses of race and gender—as well as anyone interested in the unexpected connections between canonical literature and contemporary culture. By examining adaptation as an instance of uncanny return, Newlin demonstrates how the study of Shakespeare’s afterlife can radically challenge what we consider to be authentically Shakespearean.

 

 

Although the author eventually wrote no fewer than eight autobiographies, he showed little awareness of the effect of his strong personality upon others. The sixty-six reminiscences in Garland in His Own Time offer an essential complement to his self-portrait by giving the perspectives of family, friends, fellow writers, and critics. The book offers the contemporary reader new reasons to return to this fascinating writer’s work. 

In Realizing Educational Rights, Anne Newman examines two educational rights questions that arise at the intersection of political theory, educational policy, and law: What is the place of a right to education in a participatory democracy, and how can we realize this right in the United States? Tracking these questions across both philosophical and pragmatic terrain, she addresses urgent moral and political questions, offering a rare, double-pronged look at educational justice in a democratic society.

Newman argues that an adequate K–12 education is the right of all citizens, as a matter of equality, and emphasizes that this right must be shielded from the sway of partisan and majoritarian policy making far more than it currently is. She then examines how educational rights are realized in our current democratic structure, offering two case studies of leading types of rights-based activism: school finance litigation on the state level and the mobilization of citizens through community-based organizations. Bringing these case studies together with rich philosophical analysis, Realizing Educational Rights advances understanding of the relationships among moral and legal rights, education reform, and democratic politics. 

Subjects on Display explores a recurrent figure at the heart of many nineteenth-century English novels: the retiring, self-effacing woman who is conspicuous for her inconspicuousness. Beth Newman draws upon both psychoanalytic theory and recent work in social history as she argues that this paradoxical figure, who often triumphs over more dazzling, eye-catching rivals, is a response to the forces that made personal display a vexed issue for Victorian women. Chief among these is the changing socioeconomic landscape that made the ideal of the modest woman outlive its usefulness as a class signifier even as it continued to exert moral authority.

This problem cannot be grasped in its full complexity, Newman shows, without considering how the unstable social meanings of display interacted with psychical forces-specifically, the desire to be seen by others that is central to both masculine and feminine subjectivity. This desire raises an issue that feminist theorists have been reluctant to address: the importance of pleasure in being the object of the look. Their reluctance is characteristic of cultural theory, which has tended to equate subjectivity with the position of the observer rather than the observed.

Through a consideration of fiction by Charlotte Brontë, Charles Dickens, George Eliot, and Henry James, Newman shifts the inquiry toward the observed in the experience of being seen. In the process she reopens the question of the gaze and its relation to subjectivity.

Subjects on Display will appeal to scholars and students in several disciplines as it returns psychoanalysis to a central position within literary and cultural studies.

Want to walk for a leisurely hour or two with the kids? Take them to the Churchville Nature Center, with its re-created Lenape Indian village and children's exhibits. Or would you prefer a more strenuous all-day hike? Try the rocky woods trail at Bake Oven Knob, Bear Rocks, and The Cliffs. Or if you're interested in wildlife, hike Green Lane Reservoir where 260 species of birds have been sighted. Perhaps you'd simply like to hike from Pennsylvania to Delaware and back again. Then White Clay Creek Preserve is for you.

These are only five of the forty hiking trails described in Hikes Around Philadelphia. All are within an hour and a half's drive of the city. Ranging from 1.0 to 12.6 miles in length, they will take you through dense forests or wide-open meadows, past early farmsteads or a ringing boulder field from the last ice age. You can break your hike with a visit to a restored home or leave civilization behind on an isolated mountain ridge. Some of the trails are gravel or paved, or are canal towpaths, and are quite suitable for young children, older adults, or wheelchair hikers. Others are longer and more challenging, including rugged sections of the Appalachian Trail and the Horseshoe Trail.

For each hike Boyd Newman and Linda Newman provide a detailed write-up, a trail map showing the hike route on a USGS survey map, and directions to the trailhead. They also include information on distance, elevation, probable time, surface, interesting features, facililities, disability access, whether hunting is allowed in the vicinity, and availability to public transportation. This format allows you to browse through the book and easily locate the particular hike that appeals to you today.

In a concise introduction, the authors not only explain how to get the most out of the book but also give some hints on hiking safety and appropriate clothing and equipment. 

This handy reference offers:
*a detailed write-up of each hike
*easy-to-read trail maps
*directions to the trail heads
*information that are accessible by public transportation
*details about handicap accessibility
*lots of other pointers that make planned or last-minute hikes fun and easy for everyone

The Post-Modern Aura is Charles Newman's classic and incendiary polemic about the "Post-Modern" attitude in fiction, culture, and sensibility. In it, he challenges the "revolutionary" claims of avant-garde novelists and literary theorists as well as the arguments of neoconservatives, neorealists, and advocates of "moral fiction." Newman argues that neither of these groups confront the unprecedented break with tradition entailed by an economics and culture of inflation. A combination of cultural critique, literary criticism, economic forecast, and historical jeremiad, The Post-Modern Aura is finally a positive statement, celebrating "The Act of Fiction" and suggesting how the forces which have been devaluing it might be overcome.

In the twenty-first century as an interest in Marxist thought again coincides with the specter of financial inflation, The Post-Modern Aura is timely again. 


 

Boswell and the Press: Essays on the Ephemeral Writing of James Boswell is the first sustained examination of James Boswell’s ephemeral writing, his contributions to periodicals, his pamphlets, and his broadsides. The essays collected here enhance our comprehension of his interests, capabilities, and proclivities as an author and refine our understanding of how the print environment in which he worked influenced what he wrote and how he wrote it. This book will also be of interest to historians of journalism and the publishing industry of eighteenth-century Britain.