Owen Lovejoy and the Coalition for Equality examines how these three distinct groups merged their agendas into a single antislavery, religious, political campaign for equality with Lovejoy at the helm. Combining scholarly biography, historiography, and primary source material, Jane Ann Moore and William F. Moore demonstrate Lovejoy's crucial role in nineteenth-century politics, the rise of antislavery sentiment in religious spaces, and the emerging congressional commitment to end slavery. Their compelling account explores how the immorality of slavery became a touchstone of political and religious action in the United States through the efforts of a synergetic coalition led by an essential abolitionist figure.
From Edward Lear’s “The Owl and the Pussycat”to David Lynch’s Twin Peaks, owls have been woven into the fabric of popular culture. At times they are depicted as dignified, wise old scholars and at other times as foreboding voyeurs who see all and interrogate with an accusatory, “Who? Who?” In Owl best-selling author Desmond Morris explores the natural and cultural history of these predators of the night who embody both good and evil in turn.
In this fascinating book, Morris describes the evolution, the many species, and the wide spread of owls across the globe. Owls are found on every land mass around the world, with the exception of Antarctica; and as a result of their wide distribution, owls appear in the folktales, myths, and legends of many native peoples—in addition to popular art, film, and literature worldwide. Featuring over 100 telling illustrations from nature and culture, Owl will appeal to the numerous fans of this enigmatic bird, from the friendly Mr. Owls to silent, sinister, hunters of the dark.
Toward a posthumanist art and ethology
The Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that artistic knowledge, with its experimental nature, ability to contain contradictions, and more capacious understanding of truth-claims, presents a valuable supplement to scientific knowledge when it comes to encountering and existing alongside nonhuman animals and life worlds.
Though critical of art works involving animals that are unreflective and exploitative, Gerspacher’s exploration of aesthetic practices by Allora & Calzadilla, Pierre Huyghe, Agnieszka Kurant, Araya Rasdjarmrearnsook, Martin Roth, David Weber-Krebs, and others suggests that, alongside scientific practices, art has much to offer in revealing the otherworldly qualities of animals and forging ecopolitical solidarities with fellow earthlings.
The investor-owned corporation is the conventional form for structuring large-scale enterprise in market economies. But it is not the only one. Even in the United States, noncapitalist firms play a vital role in many sectors. Employee-owned firms have long been prominent in the service professions--law, accounting, investment banking, medicine--and are becoming increasingly important in other industries. The buyout of United Airlines by its employees is the most conspicuous recent instance. Farmer-owned produce cooperatives dominate the market for most basic agricultural commodities. Consumer-owned utilities provide electricity to one out of eight households. Key firms such as MasterCard, Associated Press, and Ace Hardware are service and supply cooperatives owned by local businesses. Occupant-owned condominiums and cooperatives are rapidly displacing investor-owned rental housing. Mutual companies owned by their policyholders sell half of all life insurance and one-quarter of all property and liability insurance. And nonprofit firms, which have no owners at all, account for 90 percent of all nongovernmental schools and colleges, two-thirds of all hospitals, half of all day-care centers, and one-quarter of all nursing homes.
Henry Hansmann explores the reasons for this diverse pattern of ownership. He explains why different industries and different national economies exhibit different distributions of ownership forms. The key to the success of a particular form, he shows, depends on the balance between the costs of contracting in the market and the costs of ownership. And he examines how this balance is affected by history and by the legal and regulatory framework within which firms are organized.
With noncapitalist firms now playing an expanding role in the former socialist countries of Eastern Europe and Asia as well as in the developed market economies of the West, The Ownership of Enterprise will be an important book for business people, policymakers, and scholars.
Owning a Piece of the Minors is by and about a man who lived his dream and acquired a baseball team. When Jerry Klinkowitz joined the group that ran the Waterloo, Iowa, Diamonds in the 1970s, ownership of a minor league baseball franchise conferred little mystique. Neglected for a half century, minor league baseball was at best obscure. Yet in the purchase of fantasy, what difference if your desire is out of style?
Klinkowitz continued his work with the Diamonds through the 1980s and much of the 1990s. In Owning a Piece of the Minors, he maps out his personal journey through baseball and probes his fluctuating fortunes and those of his team as he evolves from a fan to a team executive and, most important, to a writer writing about baseball. This baseball story begins with a nine-year-old Klinkowitz who is elated when Milwaukee lures the Braves from Boston; this story of a love affair with baseball might have died—and in fact suffered a ten-year hiatus—when the apostate Braves fled to Atlanta in 1965.
Klinkowitz rediscovered the joy of being at the baseball park when, as a middle-aged professor, he took his own children to the Waterloo Diamonds games. Gradually his involvement with the Diamonds grew deeper until he owned the team. His immersion into team activities was complete, from shagging batting practice and working the beer bar to struggling with the Cleveland Indians and then the San Diego Padres as minor league affiliates to accommodate baseball's resurgence.
Klinkowitz writes of loss—first the Braves and later the Diamonds; of writing baseball fiction; of attending the 1982 World Series back in Milwaukee; of the great old ballparks around the country, including Wrigley, Fenway, and old Comiskey Park; of fictional and factual accounts of how the Diamonds franchise was lost; of friendships among season ticket holders in "Box 28"; and of Mildred Boyenga, the club president and Baseball Woman of the Year. A first-rate stylist, Klinkowitz shows the problems and perks and, most rewarding, the priceless relationships made possible in the world of baseball.
Owning and Managing Forests is both an accessible overview of the privileges, rights, and obligations that accompany forest ownership and a guidebook to help active forest owners and managers use laws to their advantage and avoid the pitfalls of expensive and exhausting litigation. The book is a revised, expanded, and updated edition of Legal Aspects of Owning and Managing Woodlands, published in 1998 by Island Press and named Best Forestry Book of the Year by the National Woodland Owners Association.
This edition provides current information on recent changes in property, environmental, and tax laws, while also discussing new directions in forest management. It offers expanded treatment of topics including private property, searching property records, easements, estate planning, timber sale contracts, working with forestry professionals, and how to pass woodlands intact to future generations. The book also describes the many different facets of trusts, changes in forestland taxation methods, and new licensing and certification options. Included, too, is a section on avoiding disputes and how to use alternative dispute resolution methods to avoid costly, troubling, and time-consuming court battles.
Owning and Managing Forests provides clear and concise descriptions of often confusing concepts and difficult subjects, and addresses issues in a competent yet conversational tone. Anyone involved with owning or managing forestland will find the book an essential guide and reference.
"A major contribution to the study of global events in times of global media. Owning the Olympics tests the possibilities and limits of the concept of 'media events' by analyzing the mega-event of the information age: the Beijing Olympics. . . . A good read from cover to cover."
—Guobin Yang, Associate Professor, Asian/Middle Eastern Cultures & Sociology, Barnard College, Columbia University
From the moment they were announced, the Beijing Games were a major media event and the focus of intense scrutiny and speculation. In contrast to earlier such events, however, the Beijing Games are also unfolding in a newly volatile global media environment that is no longer monopolized by broadcast media. The dramatic expansion of media outlets and the growth of mobile communications technology have changed the nature of media events, making it significantly more difficult to regulate them or control their meaning. This volatility is reflected in the multiple, well-publicized controversies characterizing the run-up to Beijing 2008. According to many Western commentators, the People's Republic of China seized the Olympics as an opportunity to reinvent itself as the "New China"---a global leader in economics, technology, and environmental issues, with an improving human-rights record. But China's maneuverings have also been hotly contested by diverse global voices, including prominent human-rights advocates, all seeking to displace the official story of the Games.
Bringing together a distinguished group of scholars from Chinese studies, human rights, media studies, law, and other fields, Owning the Olympics reveals how multiple entities---including the Chinese Communist Party itself---seek to influence and control the narratives through which the Beijing Games will be understood.
digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.
Walter Van Tilburg Clark, author of the classic novel The Ox-Bow Incident, was one of the West’s most important literary figures, a writer who contributed mightily to the tradition of viewing the West realistically and not through the veil of myth and romance. As a comparatively young man, he published three novels and a collection of short stories, then remained almost silent for the rest of his life, the victim of a paralyzing case of writer’s block. Now Jackson J. Benson, one of the country’s foremost literary biographers, has produced the first full-length biography of this brilliant, enigmatic, and ultimately tragic figure. Based on widely scattered sources—personal papers and correspondence; interviews with family members, friends, and others; and Clark’s unpublished stories and poems—Benson’s biography focuses on Clark’s intellectual and literary life as a writer, teacher, and westerner. Benson masterfully balances his engaging account of the experiences, people, and settings of Clark’s life with a penetrating examination of his complex psyche and the crippling perfectionism that virtually ended Clark’s career, as well as offering up a thoughtful assessment of Clark’s place in Western writing. In these pages, Clark lives again, a warm, complex, and ultimately anguished human being. Benson’s remarkably astute and sensitive biography is destined to be the book that readers and researchers consult first for information about this major western writer.
What would happen if a feminist Jewish wit and scholar invaded David Lodge’s territory? Marleen S. Barr, herself a pioneer in the feminist criticism of science fiction, provides a giddily entertaining answer in this feisty novel. Oy Pioneer! follows professor Sondra Lear as she makes her inimitable way through a world of learning—at times fantastic, at times all too familiar, often hilarious, and always compulsively interesting.
As if Mel Brooks and Erica Jong had joined forces to recreate Sex and the City for the intellectual set, the story is a heady mix of Jewish humor, feminist insight, and academic satire. Lear is a tenured radical and a wildly ambitious intellectual, but is subject nonetheless to the husband-hunting imperatives of her Jewish mother. Her adventures expand narrative parameters according to Barr’s term "genre fission."
Mixing elements of science fiction, fantasy, ethnic comedy, satire, and authentic experience of academic life, Oy Pioneer! is uncommonly fun—a Jewish feminist scholar’s imaginative text boldly going where no academic satire has gone before—and bringing readers along for an exhilarating ride.
Listen Up! When the New York-born Tito Puente composed "Oye Como Va!" in the 1960s, his popular song was called "Latin" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente’s tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands with other sounds in our multicultural society, challenging ideas of what "Latin" music is or ought to be. Waves of immigrants further complicate the picture as they continue to bring their distinctive musical styles to the U.S.—from merengue and bachata to cumbia and reggaeton.
In Oye Como Va!, Deborah Pacini Hernandez traces the trajectories of various U.S. Latino musical forms in a globalizing world, examining how the blending of Latin music reflects Latino/a American lives connecting across nations. Exploring the simultaneously powerful, vexing, and stimulating relationship between hybridity, music, and identity, Oye Como Va! asserts that this potent combination is a signature of the U.S. Latino/a experience.
Published just days before America’s entry into World War II, Ozark Country is Otto Ernest Rayburn’s love letter to his adopted region. One of several chronicles of the Ozarks that garnered national attention during the Depression and war years, when many Americans craved stories about people and places seemingly untouched by the difficulties of the times, Rayburn’s colorful tour takes readers from the fictional village of Woodville into the backcountry of a region teeming with storytellers, ballad singers, superstitions, and home remedies.
Rayburn’s tales—fantastical, fun, and unapologetically romantic—portray a world that had already nearly disappeared by the time they were written. Yet Rayburn’s depiction of the Ozarks resonates with notions of the region that have persisted in the American consciousness ever since.
Originally published in 1949, this comprehensive gathering of folksongs is being reissued after many years out of print. The renewed interest in folklore among the general public as well as the scholarly community has prompted this publication.
The collection comprises four volumes including more than eight hundred songs, indexed by title, by first line, and by contributor and town. Each song is thoroughly annotated. In addition to lyrics, the compiler furnished scores and variant lyrics and titles for each song and listed similarities to other songs along with whatever historical information was available to him.
The songs are presented in four volumes. The fourth volume is an assortment of religious songs, hymns, and revival tunes along with sentimental ballads and journalistic pieces.
Characteristic of the compiler's careful work is the painstaking accuracy with which dialect peculiarities are preserved. Randolph scrupulously avoided correcting pronunciation or adding missing words or forgotten lines. Because, as he explains in his introduction, many of the people who sang for him were reluctant to have their voices recorded, his texts represent the best possible reproduction of this priceless American folk art.
A new introduction by W. K. McNeil, folklorist for the Ozark Folklore Center and book review editor for the Journal of American Folklore, comments on Randolph's importance to the field of American folklore and the significance of this work in particular.
The Ozark Trilogy (previously published in 1981, Doubleday) is a widely acclaimed fantasy/science fiction story with, as the title suggests, very strong ties to the Ozark region. Twelve Fair Kingdoms, The Grand Jubilee, And Then There’ll Be Fireworks—the books that comprise the trilogy—chronicle life on the planet Ozark and its Confederation of Continents, which are appropriately named Arkansaw, Oklahomah, Mizzurah, Tinaseeh, Kintucky, and Marktwain. However, the story told here involves much more than a mere transplant of Ozark culture and heritage onto a new planet. While this new Ozark culture maintains and even intensifies many of the “real” Ozark traditions and customs (for instance, “Grannys” hold significant, stabilizing social roles and are important sources of wisdom), the planet Ozark combines many new, fantastical elements with traditional ways. Mules on Ozark fly, and the wise “Grannys” also work magic.
The protagonist of The Ozark Trilogy, Responsible of Brightwater, appears at the center of Ozark society, a society she must save from evil magic, civil war, and, ultimately, alien invasion. As Responsible travels from continent to continent in an attempt to discover and squelch the evil magic and calm the civil unrest, we are witness to many dangerous and sometimes comical adventures along the way, including a spectacular flying Mule crash and a magic duel with a Granny gone bad.
Elgin has created a fantastic world infused with the folk traditions, social and familial hierarchies, and traditional dialect of the Ozarks. While parallels might be drawn between, for example, the break-up of the Confederacy of Continents on planet Ozark and the American Civil War, Elgin comments on aspects of Ozark history and tradition in a non didactic way. The trilogy, with its strong heroine and witty engagement of tradition, is a classic of Ozark literature.
Interest in scholarly study of the Ozarks has grown steadily in recent years, and The Ozarks in Missouri History: Discoveries in an American Region will be welcomed by historians and Ozark enthusiasts alike. This lively collection gathers fifteen essays, many of them pioneering efforts in the field, that originally appeared in the Missouri Historical Review, the journal of the State Historical Society.
Hailed in the Foreign Service Journal as “a landmark book that should command the attention of every serious student of American diplomacy, international environmental issues, or the art of negotiation,” and cited in Nature for its “worthwhile insights on the harnessing of science and diplomacy,” the first edition of Ozone Diplomacy offered an insider’s view of the politics, economics, science, and diplomacy involved in creating the precedent-setting treaty to protect the Earth: the 1987 Montreal Protocol on Substances That Deplete the Ozone Layer.
The first edition ended with a discussion of the revisions to the protocol in 1990 and offered lessons for global diplomacy regarding the then just-maturing climate change issue. Now Richard Benedick—a principal architect and the chief U.S. negotiator of the historic treaty—expands the ozone story, bringing us to the eve of the tenth anniversary of the Montreal Protocol. He describes subsequent negotiations to deal with unexpected major scientific discoveries and important amendments adding new chemicals and accelerating the phaseout schedules. Implementing the revised treaty has forced the protocol’s signatories to confront complex economic and political problems, including North–South financial and technology transfer issues, black markets for banned CFCs, revisionism, and industry’s willingness and ability to develop new technologies and innovative substitutes. In his final chapter Benedick offers a new analysis applying the lessons of the ozone experience to ongoing climate change negotiations.
Ozone Diplomacy has frequently been cited as the definitive book on the most successful environment treaty, and is essential reading for those concerned about the future of our planet.
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