A SCHOLARLY BOOK REPOSITORY
In Shaping Science with Rhetoric, Leah Ceccarelli addresses such questions through close readings of three scientific monographs in their historical contexts—Theodosius Dobzhansky's Genetics and the Origin of Species (1937), which inspired the "modern synthesis" of evolutionary biology; Erwin Schrödinger's What Is Life? (1944), which catalyzed the field of molecular biology; and Edward O. Wilson's Consilience (1998), a so far not entirely successful attempt to unite the social and biological sciences. She examines the rhetorical strategies used in each book and evaluates which worked best, based on the reviews and scientific papers that followed in their wake.
Ceccarelli's work will be important for anyone interested in how interdisciplinary fields are formed, from historians and rhetoricians of science to scientists themselves.
In this fluid world, she argues, racial and ethnic identities are shaped more by notions of what is decent, elegant, and modern rather than by skin color or status. As the different troupes vie for the townspeople's recognition as the most "authentic" group, these notions are challenged and reworked. A fascinating look at a rich tradition, this innovative work is also a compelling example of the critical anthropology of performance.
As an inchoate middle class emerged in Puerto Rico in the early nineteenth century, its members sought to control not only public space, but also the people, activities, and even attitudes that filled it. Their instruments were the San Juan town council and the Casa de Beneficencia, a state-run charitable establishment charged with responsibility for the poor.
In this book, Teresita Martínez-Vergne explores how municipal officials and the Casa de Beneficencia shaped the discourse on public and private space and thereby marginalized the worthy poor and vagrants, "liberated" Africans, indigent and unruly women, and destitute children. Drawing on extensive and innovative archival research, she shows that the men who comprised the San Juan ayuntamiento and the board of charity regulated the public discourse on topics such as education, religious orthodoxy, hygiene, and family life, thereby establishing norms for "correct" social behavior and chastising the "deviant" lifestyles of the working poor.
This research clarifies the ways in which San Juan's middle class defined itself in the midst of rapid social and economic change. It also offers new insights into notions of citizenship and the process of nation-building in the Caribbean.
In Hollywood, we hear, it’s all about the money. It’s a ready explanation for why so few black films get made—no crossover appeal, no promise of a big payoff. But what if the money itself is color-coded? What if the economics that governs film production is so skewed that no film by, about, or for people of color will ever look like a worthy investment unless it follows specific racial or gender patterns? This, Monica Ndounou shows us, is precisely the case. In a work as revealing about the culture of filmmaking as it is about the distorted economics of African American film, Ndounou clearly traces the insidious connections between history, content, and cash in black films.
How does history come into it? Hollywood’s reliance on past performance as a measure of potential success virtually guarantees that historically underrepresented, underfunded, and undersold African American films devalue the future prospects of black films. So the cycle continues as it has for nearly a century. Behind the scenes, the numbers are far from neutral. Analyzing the onscreen narratives and off-screen circumstances behind nearly two thousand films featuring African Americans in leading and supporting roles, including such recent productions as Bamboozled, Beloved, and Tyler Perry’s Diary of a Mad Black Woman, Ndounou exposes the cultural and racial constraints that limit not just the production but also the expression and creative freedom of black films. Her wide-ranging analysis reaches into questions of literature, language, speech and dialect, film images and narrative, acting, theater and film business practices, production history and financing, and organizational history.
By uncovering the ideology behind profit-driven industry practices that reshape narratives by, about, and for people of color, this provocative work brings to light existing limitations—and possibilities for reworking stories and business practices in theater, literature, and film.
The dean of business historians continues his masterful chronicle of the transforming revolutions of the twentieth century begun in Inventing the Electronic Century.
Alfred Chandler argues that only with consistent attention to research and development and an emphasis on long-term corporate strategies could firms remain successful over time. He details these processes for nearly every major chemical and pharmaceutical firm, demonstrating why some companies forged ahead while others failed.
By the end of World War II, the chemical and pharmaceutical industries were transformed by the commercializing of new learning, the petrochemical and the antibiotic revolutions. But by the 1970s, chemical science was no longer providing the new learning necessary to commercialize more products, although new directions flourished in the pharmaceutical industries. In the 1980s, major drug companies, including Eli Lilly, Merck, and Schering Plough, commercialized the first biotechnology products, and as the twenty-first century began, the infrastructure of this biotechnology revolution was comparable to that of the second industrial revolution just before World War I and the information revolution of the 1960s. Shaping the Industrial Century is a major contribution to our understanding of the most dynamic industries of the modern era.
Although he is one of the most influential Catholic theologians in Europe, very few of Klaus Demmer's writings are available in English. This translation of his well-known work on moral theology introduces Demmer's thought to English-speaking audiences.
In an original synthesis of scholastic and continental philosophy, Demmer brings the Catholic moral tradition into conversation with contemporary philosophical schools—transcendental, hermeneutical, and analytical—to fashion a moral theology in the spirit of the Second Vatican Council. He shows the richness of the neoscholastic tradition in shaping and being shaped by our contemporary self-understanding.
A complete bibliography of Demmer's works will assist readers in seeking out more of his writings.
of Italian art, Karel van Mander's Schilder-Boeck (or
Book on Picturing) has long been recognized for its critical
and historical influence—and yet, until now, no
comprehensive account of the book's conception, aims, and
impact has been available. In this in-depth analysis of the
content and context of Van Mander's work, Walter S. Melion
reveals the Schilder-Boeck's central importance to an
understanding of northern Renaissance and Baroque art.
By interpreting the terminology employed in the
Schilder-Boeck, Melion establishes the text's
relationship to past and contemporary art theory. Van Mander
is seen here developing his critical categories and then
applying them to Ancient, Italian, and Netherlandish artists
in order to mark changes within a culture and to characterize
excellence for each region. Thus Melion demonstrates how Van
Mander revised both the structure and critical language of
Vasari's Lives to refute the Italian's claims for the
superiority of the Tuscan style, and to clarify northern
artistic traditions and the concerns of Netherlandish
artists. A much needed corrective to the view that Dutch art
of the period was lacking in theory, Melion's work offers a
compelling account of a sixteenth- and seventeenth-century
theoretical and critical perspective and shows how this
perspective suggests a rereading of northern art.
Walter S. Melion is assistant professor of art history
at The Johns Hopkins University.
Ponzio shows how the Italian Fascists' pedagogical practices influenced the origin and evolution of the Hitler Youth. He dissects similarities and differences in the training processes of the youth leaders of the Opera Nazionale Balilla, Gioventù Italiana del Littorio, and Hitlerjugend. And, he explores the transnational institutional interactions and mutual cooperation that flourished between Mussolini's and Hitler's youth organizations in the 1930s and 1940s.
Using the story of She Who Watches as her guide, Armitage shows that even though women were barred from positions of public authority until recently, they have always worked quietly and informally to assure the stability and security of their families and communities. Women’s community-building and cooperative skills have been decisive in developing the societies of the Pacific Northwest—Washington, Oregon, Idaho, western Montana, and British Columbia. Like She Who Watches, women have never been mere observers, but watchful guardians and active shapers of the public good.
Drawing on her three decades of research and teaching and based on hundreds of secondary sources, Armitage’s account explores the varied ways in which, beginning in the earliest times and continuing to the present, women of all races and ethnicities have made the history of our region. An accessible introduction for general readers and scholars alike, Shaping the Public Good restores a missing piece of Pacific Northwest history by demonstrating the part that women—“the famous, the forgotten, and all the women in between”—have always played in establishing their families and building communities.
Using this community as a case study, David Uru Iyam asserts that these women are not stereotypically submissive, oppressed, or passive. Agwagune women participate in male ceremonies by pretending to be unaware of them, concealing their authority under a veneer of secrecy. Instead of focusing on obvious male political power, Iyam highlights the overlooked domestic and public contributions of women that uphold—and change—entire social systems.
Rebekah Plueckhahn explores the inherent contradiction between solution and problem-making as experienced by residents of Ulaanbaatar during a tumultuous period in Mongolia’s economic history. She examines the ways residents attempt to own forms of real estate and, in turn, physically shape the city and its politics and urban economic forms from within. This book interlinks the intimate space of the home with ideologies of the national economy, urban development and disrepair and the types of politics and ethics that arise as a result.
It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.
In the pages of this intriguing volume, a cure to stagflation seems to be at hand. Martin L. Weitzman, one of America’s leading economic theorists, has hit upon a central feature of our economic life as the cause of this chronic malady: the standard practice of paying workers a fixed wage, regardless of whether a company is doing well or poorly. Weitzman shows in a clear straightforward way that an alternative labor payment system, in which a significant number of firms share profits or revenues with their employees (like the Japanese bonus system), provides immunity against stagflation; an economy of such firms automatically soaks up unemployed labor and resists inflation.
Under the Weitzman system, firms always have an incentive to take on more workers because the additional worker is paid only a fraction or share of the revenue he brings into the firm. General Motors and Eastern Airlines have already taken steps to implement profit and revenue sharing. Here, for the first time, is a lucid explanation and justification of share systems. Eschewing theoretically unsound schemes such as supply-side tax cuts and industrial policy on the one hand and macroeconomic sledgehammer “cures” on the other, The Share Economy provides a powerful and hopeful account of what may become the most important economic innovation of our time.
This book analyzes newly collected data on crime and social development up to age 70 for 500 men who were remanded to reform school in the 1940s. Born in Boston in the late 1920s and early 1930s, these men were the subjects of the classic study Unraveling Juvenile Delinquency by Sheldon and Eleanor Glueck (1950). Updating their lives at the close of the twentieth century, and connecting their adult experiences to childhood, this book is arguably the longest longitudinal study of age, crime, and the life course to date.
John Laub and Robert Sampson's long-term data, combined with in-depth interviews, defy the conventional wisdom that links individual traits such as poor verbal skills, limited self-control, and difficult temperament to long-term trajectories of offending. The authors reject the idea of categorizing offenders to reveal etiologies of offending--rather, they connect variability in behavior to social context. They find that men who desisted from crime were rooted in structural routines and had strong social ties to family and community.
By uniting life-history narratives with rigorous data analysis, the authors shed new light on long-term trajectories of crime and current policies of crime control.
The historical relationship between capital and labor has evolved in the past few decades. One particularly noteworthy development is the rise of shared capitalism, a system in which workers have become partial owners of their firms and thus, in effect, both employees and stockholders. Profit sharing arrangements and gain-sharing bonuses, which tie compensation directly to a firm’s performance, also reflect this new attitude toward labor.
Shared Capitalism at Work analyzes the effects of this trend on workers and firms. The contributors focus on four main areas: the fraction of firms that participate in shared capitalism programs in the United States and abroad, the factors that enable these firms to overcome classic free rider and risk problems, the effect of shared capitalism on firm performance, and the impact of shared capitalism on worker well-being. This volume provides essential studies for understanding the increasingly important role of shared capitalism in the modern workplace.
topics. Rather than offering a Band-Aid approach to curricular offerings,
the contributors demonstrate inclusive, innovative ways to integrate multicultural
issues and media into existing courses.
In "Struggling for America's Soul: A Search for Some Common Ground
in the Multicultural Debate," Lester Friedman leads off the volume
with an analysis of the value and necessity of multicultural approaches
for today's students and for society at large. The essays that follow
provide a wealth of material for organizing courses, including week-by-week
syllabi detailing specific writing assignments, bibliographical information
on readings, and sources for films and videos. The contributors, who teach
at institutions ranging from community colleges through major research
universities, describe their experiences teaching students of various
ages, backgrounds, and interests.
Shared Differences will be of value to all who use media as a
tool in their teaching, whether in history, literature, or the social
sciences, as well as to those who teach film and video production.
In A Shared Future, Richard L. Wood and Brad R. Fulton draw on a new national study of community organizing coalitions and in-depth interviews of key leaders in this field to show how faith-based organizing is creatively navigating the competing aspirations of America’s universalist and multiculturalist democratic ideals, even as it confronts three demons bedeviling American politics: economic inequality, federal policy paralysis, and racial inequity. With a broad view of the entire field and a distinct empirical focus on the PICO National Network, Wood and Fulton’s analysis illuminates the tensions, struggles, and deep rewards that come with pursuing racial equity within a social change organization and in society. Ultimately, A Shared Future offers a vision for how we might build a future that embodies the ethical democracy of the best American dreams.
An interview of the authors on the subject of faith leaders organizing for justice (Peace Talks Radio, copyright Good Radio Shows, Inc.) can be heard at this link: https://beta.prx.org/stories/190030
Lueck explores Civil War- and Reconstruction-era challenges to the University of Louisville and nearby local high schools, their curricular transformations, and their fate in regard to national education reform efforts. These institutions reflect many of the educational trends and developments of the day: college and university building, the emergence of English education as the dominant curriculum for higher learning, student-centered pedagogies and educational theories, the development and transformation of normal schools, the introduction of manual education and its mutation into vocational education, and the extension of advanced education to women, African American, and working-class students.
Lueck demonstrates a complex genealogy of interconnections among high schools, colleges, and universities that demands we rethink our categories and standards of assessment and our field’s history. A shift in our historical narrative would promote a move away from an emphasis on the preparation, transition, and movement of student writers from high school to college or university and instead allow a greater focus on the fostering of rich rhetorical practices and pedagogies at all educational levels. As the definition of college-level writing becomes increasingly contested once again, Lueck invites a reassessment of the discipline’s understanding of contemporary programs based in high schools like dual-credit and concurrent enrollment.
Shared Land/Conflicting Identity: Trajectories of Israeli and Palestinian Symbol Use argues that rhetoric, ideology, and myth have played key roles in influencing the development of the 100-year conflict between first the Zionist settlers and the current Israeli people and the Palestinian residents in what is now Israel. The Israeli-Palestinian conflict is usually treated as an issue of land and water. While these elements are the core of the conflict, they are heavily influenced by the symbols used by both peoples to describe, understand, and persuade each other. The authors argue that symbolic practices deeply influenced the Oslo Accords, and that the breakthrough in the peace process that led to Oslo could not have occurred without a breakthrough in communication styles.
Rowland and Frank develop four crucial ideas on social development: the roles of rhetoric, ideology, and myth; the influence of symbolic factors; specific symbolic factors that played a key role in peace negotiations; and the identification and value of criteria for evaluating symbolic practices in any society.
There is a controlled, unpretentious constancy to Katherine Soniat's passionate, wise poetry that reminds one of the language of Elizabeth Bishop. Yet her voice is singular; there is an elegance of line, a centered quality that makes the poems more courtly than visceral. One tends to trust what is given in these beautifully rendered images and this gentle music.
The poems are particularly crafted, partly meditative, yet the poet handles larger themes easily and with grace, without the shrillness that sometimes seems common in our time. Her gift for metaphoric language is evident. She has an even-tempered, deeply intelligent mode which carries from poem to poem.
Winner, 2023 Booker Worthern Literary Prize
For nearly a century, British expatriate Charles Joseph Finger (1867–1941) was best known as an award-winning author of children’s literature. In Shared Secrets, Elizabeth Findley Shores relates Finger’s untold story, exploring the secrets that connected the author to an international community of twentieth-century queer literati.
As a young man, Finger reveled in the easy homosociality of his London polytechnical school, where he launched a student literary society in the mold of the city’s private men’s clubs. Throughout his life, as he wandered from England to Patagonia to the United States, he tried to recreate similarly open spaces—such as Gayeta, his would-be art colony in Arkansas. But it was through his idiosyncratic magazine All’s Well that he constructed his most successful social network, writing articles filled with coded signals and winking asides for an inner circle of understanding readers.
Capitalizing on the publishing opportunities of the day, Finger used every means available to express his twin loves—literature and men. He produced an enormous body of work, and his short, semiautobiographical fiction won some critical acclaim. Ultimately, the children’s book that won Finger a Newbery Medal ushered him into the public eye, ending his development as an author of serious queer literature.
Shared Secrets is both the story of Finger’s remarkable, adventurous life and a rare look at a community of gay writers and artists who helped shaped twentieth-century American culture, even as they artfully concealed their own identities.
Where it divides Arizona and Sonora, the international boundary between Mexico and the United States is both a political reality, literally expressed by a fence, and, to a considerable degree, a cultural illusion. Mexican, Anglo, and Native American cultures straddle the fence; people of various ethnic backgrounds move back and forth across the artificial divide, despite increasing obstacles to free movement. On either side is found a complex cultural mix of ethnic, religious, and occupational groups. In A Shared Space James Griffith examines many of the distinctive folk expressions of this varied cultural region.
By examining the mutual influence of history and folk culture, Shared Traditions reveals the essence of southern culture in the complex and dynamic interactions of descendants of Europeans, Africans, and Native Americans. The book covers a broad spectrum of southern folk groups, folklore expressions, and major themes of southern history, including antebellum society, slavery, the coming of the Civil War, economic modernization in the Appalachians and the Sea Islands, immigration, the civil rights movement, and the effects of cultural tourism.
Joyner addresses the convergence of African and European elements in the Old South and explores how specific environmental and demographic features shaped the acculturation process. He discusses divergent practices in worship services, funeral and burial services, and other religious ceremonies. He examines links between speech patterns and cultural patterns, the influence of Irish folk culture in the American South, and the southern Jewish experience. He also investigates points of intersection between history and legend and relations between the new social history and folklore.
Ranging from rites of power and resistance on the slave plantation to the creolization of language to the musical brew of blues, country, jazz, and rock, Shared Traditions reveals the distinctive culture born of a sharing by black and white southerners of their deep-rooted and diverse traditions.
The latest collection from award-winning poet Vievee Francis, The Shared World imagines the ideas and ideals and spaces of the Black woman. The book delves into inherited memories and restrictions between families, lovers, and strangers and the perception and inconvenient truth of Black woman as mother—with or without child. Francis challenges the ways in which Black women are often dismissed while expected to be nurturing. This raw assemblage of poetic narratives stares down the oppressors from within and writes a new language in the art of taking back the body and the memory. These poetic narratives are brutal in their lyrical blows but tender with the bruised history left behind. “You can’t stop this / song,” she writes. “More hands than yours have closed / around my throat.”
Francis’s lyric gifts are on full display as she probes self-discovery, history, intimacy, and violence. Her voice encompasses humor and gravity, enigma and revelation. What emerges is a realm of intertwined experiences. “The secret to knowing the secret is to speak,” she concludes, “but we too often tell / the stories of no matter and avoid the one story that does matter. / In truth, we are bound by one story, so you’d think by now / we’d tell it, at least to each other.”
Understanding the challenges of corporate governance is central to our comprehension of the economic dynamics driving corporations today. Among the most important institutions in capitalism today, corporations and joint-stock companies had their origins in Europe during the seventeenth and eighteenth centuries. And as they became more prevalent, the issue of internal governance became more pressing. At stake—and very much contested—was the allocation of rights and obligations among shareholders, directors, and managers.
This comprehensive account of the development of corporate governance in Britain and Ireland during its earliest stages highlights the role of political factors in shaping the evolution of corporate governance as well as the important debates that arose about the division of authority and responsibility. Political and economic institutions confronted similar issues, including the need for transparency and accountability in decision making and the roles of electors and the elected, and this book emphasizes how political institutions—from election procedures to assemblies to annual reporting—therefore provided apt models upon which companies drew readily. Filling a gap in the literature on early corporate economy, this book provides insight into the origins of many ongoing modern debates.
Cracking open the politics of transparency and secrecy
In an era of open data and ubiquitous dataveillance, what does it mean to “share”? This book argues that we are all “shareveillant” subjects, called upon to be transparent and render data open at the same time as the security state invests in practices to keep data closed. Drawing on Jacques Rancière’s “distribution of the sensible,” Clare Birchall reimagines sharing in terms of a collective political relationality beyond the veillant expectations of the state.
The first part of this book presents a fresh and encouraging report on the state of racial integration in America's neighborhoods. It shows that while the majority are indeed racially segregated, a substantial and growing number are integrated, and remain so for years.
Still, many integrated neighborhoods do unravel quickly, and the second part of the book explores the root causes. Instead of panic and "white flight" causing the rapid breakdown of racially integrated neighborhoods, the author argues, contemporary racial change is driven primarily by the decision of white households not to move into integrated neighborhoods when they are moving for reasons unrelated to race. Such "white avoidance" is largely based on the assumptions that integrated neighborhoods quickly become all black and that the quality of life in them declines as a result.
The author concludes that while this explanation may be less troubling than the more common focus on racial hatred and white flight, there is still a good case for modest government intervention to promote the stability of racially integrated neighborhoods. The final chapter offers some guidelines for policymakers to follow in crafting effective policies.
An in-depth exploration of digital culture and its dissemination, Sharing offers a counterpoint to the dominant view that file sharing is piracy. Instead, Philippe Aigrain looks at the benefits of file sharing, which allows unknown writers and artists to be appreciated more easily. Concentrating not only on the cultural enrichment caused by widely shared digital media, Sharing also discusses new financing models that would allow works to be shared freely by individuals without aim at profit. Aigrain carefully balances the needs to support and reward creative activity with a suitable respect for the cultural common good and proposes a new interpretation of the digital landscape.
In the lightly-populated northwestern corner of Nevada, a former geologist and rural schoolteacher, a published poet and ranch owner, and an artist and environmentalist make for an intriguing—perhaps even unlikely—trio of friends. In this evocative collection of personal essays, each offers her voice as a testament to the joys and struggles of creating a home and connecting to the land and the people who live there.
Stories of ranch hands and Ladies’ Clubs, raising chickens and raising children, pulling up roots and planting dreams tumble together in a mélange of lives lived well and thoughtfully. Sharing Fencelines is as much about art as it is about activism, as much about personal growth as it is about growing community. What these women offer us is the sweet taste of what is possible, and the blended harmony of their voices echoes across the mountains and washes and deserts, resonating in our own hearts, our own homes.
Carolyn Dufurrena’s "The Flying Heart Museum" pays homage to a layered landscape of unique individuals—not the least of which are her students, searching for themselves in the Nevada wilderness: "You know how your spirit betrays you when you’re not thinking to protect yourself. Jose has been dreaming, doodling away, and his pencil has discovered this flying heart, as big as the Puritan meetinghouse....He has drawn the log cabin around the heart, and labeled it. At recess I ask him, gently, 'So, Jose, what’s in there, in your Flying Heart Museum?'"
In "Shared Fencelines," Linda Hussa reveals the mystery of horses, the gift of water, and the serendipity of love: "My first hurt came from a horse when I tried to shinny up the feathered leg of our old gelding as I’d seen my brother and sister do. Twelve hundred pounds of him stepped on my bare foot. Mom carried her shrieking two-year-old to the house...she cut off the dangling nail saying Popeye didn’t mean to, he just didn’t notice my little foot. Then she cradled my face in her cool hands and said she hoped I would forgive him and we could be friends again."
"Fire Hall" by Sophie Sheppard paints a picture of a families and communities forged against the backdrop of a rugged, rural life: "Here, when there is a funeral, the whole town comes. First to arrive are the older women, vestiges of the Lake City Ladies Club that was disbanded a few years ago because most of the younger women have jobs and no longer stay at home. At the potluck funeral dinner everyone will file in together: the women unfamiliar in dresses ordered from catalogs, the mens' hatless foreheads glowing pale in contrast to the tan of their freshly shaven jaws, the younger people that I won’t recognize."
Like national politicians, state legislators all too often focus on partisanship instead of policy making, engaging themselves in rancorous debate that achieves little beyond gridlock. However, during one short period in Michigan's history, legislators stopped bickering and focused on forging compromise. Daniel Loepp's Sharing the Balance of Power chronicles the 87th Michigan Legislature (1993-1994), in which Republicans and Democrats successfully shared power.
In 1992, Michigan voters elected exactly fifty-five Republicans and fifty-five Democrats to the state house. As a result, the two parties each elected a co-speaker, and a shared power agreement was forged. Given the history of intense partisanship in the state house, political pundits predicted that any plan for shared power would disintegrate within months. What resulted instead was one of the most productive legislatures in Michigan history.
Author Daniel Loepp, chief of staff to Democratic Co-Speaker Curtis Hertel at the time, skillfully takes the reader "inside" the State Capitol, examining the key policy debates (including school finance reform), important personalities, and difficult negotiations. Loepp's balanced presentation is testimony to the two years of bi-partisan cooperation in which he took part.
In an age of public cynicism about the legislative process, Daniel Loepp offers the reader a refreshing story about two co-speakers and their 108 colleagues who came together in the spirit of bi-partisan representation to successfully serve their constituents, the people of Michigan.
Daniel Loepp is a partner in the firm of Karoub Associates, Michigan's oldest multi-client lobbying firm.
While focusing on the changing practice of contact improvisation through two decades of social transformation, Novack’s work incorporates the history of rock dancing and disco, the modern and experimental dance movements of Merce Cunningham, Anna Halprin, and Judson Church, among others, and a variety of other physical activities, such as martial arts, aerobics, and wrestling.
There is no more compelling and dramatic unfolding story, with more profound international ramifications, than the conflict in the Middle East.
Sharing the Land of Canaan is a critical examination of the core issues of the conflict that dares to put forward a radical but logical solution: that a shared state is the best way to achieve justice and peace for Israelis and Palestinians.
Mazin B. Qumsiyeh, a human rights activist based at Yale University, offers an overview of the issues at stake, and outlines his vision for a lasting peace based on upholding the principles of human rights for all. Tackling taboo subjects, myths and obstacles, he argues convincingly that apartheid in the form of a two-state solution is no longer a feasible way to achieve enduring peace.
At this critical time, when the 'road map' to peace looks more uncertain than ever, this book provides a refreshing counterpoint to the failed strategies of the past. It is a direct and accessible account of the history - and mythology - of the fabled 'Land of Canaan', which lays out hopeful ideas for the future of this truly multiethnic and multicultural region.
Winner of the Alice Hanson Jones Prize, Economic History Association
A Choice Outstanding Academic Title of the Year
The civil rights movement was also a struggle for economic justice, one that until now has not had its own history. Sharing the Prize demonstrates the significant material gains black southerners made—in improved job opportunities, quality of education, and health care—from the 1960s to the 1970s and beyond. Because black advances did not come at the expense of southern whites, Gavin Wright argues, the civil rights struggle was that rarest of social revolutions: one that benefits both sides.
“Wright argues that government action spurred by the civil-rights movement corrected a misfiring market, generating large economic gains that private companies had been unable to seize on their own.”
—The Economist
“Written…with the care and imagination [Wright] displayed in his superb work on slavery and the southern economy since the Civil War, this excellent economic history offers the best empirical account to date of the effects the civil rights revolution had on southern labor markets, schools, and other important institutions…With much of the nation persuaded that a post-racial age has begun, Wright’s analytical history…takes on fresh urgency.”
—Ira Katznelson, New York Review of Books
On the wings of Laura Erickson’s award-winning book For the Birds comes Sharing the Wonder of Birds with Kids. Easy and fun to use, Sharing the Wonder is a delightful book that helps caring adults introduce kids to the fascinating world of birds.
Chock-full of creative activities, this hands-on guide goes way beyond teaching bird identification. In her light-hearted style, Erickson paves the way for children to discover—with a little help from you—the beauty and significance of birds, how their bodies work, why they behave as they do, and why it’s critical to protect and care for them.
Sharing the Wonder of Birds with Kids will show you how to kindle children’s interest in birds, giving them the joy and pride of discovering these natural treasures for themselves.
A sleek hunter of the seas, the shark has struck fear into the hearts of men since the days of the first fishermen. Dean Crawford now explores here the long relationship between shark and man, revealing that behind the fearsome caricature is a complex animal that deserves a thoughtful reconsideration.
With a lineage stretching back over 100 million years, the shark has evolved into 350 different species, from the great white to the pike-bearing goblin to the tiny cookie-cutter. Crawford compiles here a fascinating narrative that analyzes how and why the animal looms large in our cultural psyche. While sharks have played a prominent part in religion and mythology, they are more commonly perceived as deadly predators—in such films as Jaws and Dr. No—or as symbols of natural violence, as in Hemingway’s Islands in the Stream. Shark ultimately argues, however, that our ill-informed emotional responses, spurred by such representations, have encouraged the wholesale slaughter of sharks—and our ignorance endangers the very existence of the shark today.
Both a celebration of their lethal beauty and plea for their conservation, Shark urges us to shed our fears and appreciate the magnificence of this majestic animal.
In the South Pacific, he discovers a world of sorcery and shark worship, where Christian and pagan rituals coexist and an ordinary day is marked by confrontations with America-worshiping cult leaders and militants alike. A defiantly original blend of history and memoir, anthropology and travel writing, The Shark God is ultimately a tale of personal and political transformation.
“The Shark God, a travel story as dark and twisted as one might ever wish to hear . . . reaches a superb climax with some apocalyptically page-turning scenes.”—Guardian
“A fascinating account of the drama of Melanesian life.”—Times Literary Supplement
“With exquisite writing, Montgomery lovingly captures the beauty and the horrors, the mysteries and the shams of the people and places he visits.”—Publishers Weekly
“A very real and memorable talent. . . . The endurance [Montgomery] displayed on his travels was admirable, the adventures he survived were tremendous, and the quality of his prose seems matched only by the wisdom of his observations.”—Simon Winchester, Globe and Mail (Toronto)
A contributing photographer to National Geographic, Peschak is best known for his unusual photographs of sharks—his iconic image of a great white shark following a researcher in a small yellow kayak is one of the most recognizable shark photographs in the world. The other images gathered here are no less riveting, bringing us as close as possible to sharks in the wild. Alongside the photographs, Sharks and People tells the compelling story of the natural history of sharks. Sharks have roamed the oceans for more than four hundred million years, and in this time they have never stopped adapting to the ever-changing world—their unique cartilage skeletons and array of super-senses mark them as one of the most evolved groups of animals. Scientists have recently discovered that sharks play an important role in balancing the ocean, including maintaining the health of coral reefs. Yet, tens of millions of sharks are killed every year just to fill the demand for shark fin soup alone. Today more than sixty species of sharks, including hammerhead, mako, and oceanic white-tip sharks, are listed as vulnerable or in danger of extinction.
The need to understand the significant part sharks play in the oceanic ecosystem has never been so urgent, and Peschak’s photographs bear witness to the thrilling strength and unique attraction of sharks. They are certain to enthrall and inspire.
The waters around Australia, the world’s smallest continent, are home to the greatest diversity of sharks and rays on Earth. Fully 100 of these sea creatures (along with their little-known relatives, the chimaerids) have been named or described since the first edition of this book—the biggest revision of the Class Chondrichthyes since the time of Linneaus. This second edition of Sharks and Rays of Australia brings more than 300 of these species to life in newly commissioned, full-color illustrations.
Here, in precisely painted detail, are the weird silvery ghost shark and the remarkably camouflaged ornate wobbegong; spurdogs and swell sharks; the primitive frilled shark and the blacktip, a fast swimmer capable of leaping out of the water like a dolphin. Peter Last and John Stevens review the major shake-ups in the elasmobranch family tree—sorting out, for instance, dogfishes and skates—and include updated family keys, the latest information about species ranges, and new distribution maps. Extensively revised species descriptions reflect additional fisheries and newly gleaned life history and biological information—all essential to conservation efforts as sharks die in commercial bycatches and end up on restaurant menus. An essential tool for conservation biologists trying to save threatened sharks, now under siege worldwide, this marvelous volume will also appeal to fish biologists, divers, naturalists, commercial and recreational fishermen, and anyone with an appreciation for these ancient evolutionary survivors.
It’s 2047 in Dayton, Ohio. In response to food and water shortages, the U.S. government has developed an enormous, and powerfully successful, agricultural area—the “Heartland Grid”—just north of the city. In the meantime, in the wake of declining American power a multinational force has established itself in Cleveland. Behind these quickly shifting alliances lies a troubling yet tantalizing question: what will the American future look like?
Sharp and Dangerous Virtues is the story of ordinary people caught in situations they had never planned for or even imagined. There are Chad and Sharis, a married couple with two sons, holding out for normal life in their decaying suburb; Tuuro, a black church custodian whose false confession of murder is used for political purposes; Lila, Dayton’s aging, lonely Commissioner of Water, who dreams of being part of the “pure” existence of the Grid residents; and Charles and Diana, idealistic lovers trying desperately to preserve the nature center that has become their refuge.
What will these people do? What choices are left for them, and what choices have been taken away? Whom and what can they trust? Novelist Moody—known for her vivid portrayals of complicated characters and relationships in novels such as Best Friends and Sometimes Mine—weaves together cataclysmic events and the most intimate of human emotions to create a future that seems achingly real. Sharp and Dangerous Virtues will change the way you think and feel.
The way lawyers think about the law can seem deeply mysterious. They see nuance and meaning in statutes and implications in judicial opinions that are opaque to the rest of us. Accessible and thought provoking, Sharpening the Legal Mind explains how lawyers analyze the cases and controversies that come before the courts.
Written by William Powers Jr., the former president of the University of Texas at Austin, this book is an authoritative introduction to the academic study of law and legal reasoning, including insights into the philosophy of law and the intellectual history of legal thought. Powers discusses the methods lawyers use to interpret the law, the relation between law and morals, and the role of courts in shaping the law. In eight chapters, he follows the historical debate on these issues and others through different generations and movements in American legal thought—formalism, realism, positivism—to critical legal studies and postmodern theory. The perfect read for anyone looking for a primer on legal reasoning, Sharpening the Legal Mind demystifies the debates and approaches to thinking like a lawyer that profoundly influence the rule of law in our lives.
A gripping and thought-provoking work that is unlike any Civil War novel previously written, Sharpshooter takes us into the mind of one of the war’s veterans as he attempts, years after the conflict, to reconstruct his experiences and to find some measure of meaning in them.
A child of the divided East Tennessee mountain region, Willis Carr left home at age thirteen to follow his father and brothers on a bridge-burning mission for the Union cause. Imprisoned at Knoxville, he agreed to join the Confederate army to avoid being hanged and became a sharpshooter serving under General Longstreet. He survived several major battles, including Gettysburg, and eventually found himself guarding prisoners at the infamous Andersonville stockade, where a former slave taught him to read.
After the war, haunted by his memories, Carr writes down his story, revisits the battlefields, studies photographs and drawings, listens to other veterans as they tell their stories, and pores over memoirs and other books. Above all, he embues whatever he hears, sees, and reads with his emotions, his imagination, and his intellect. Yet, even as an old man nearing death, he still feels that he has somehow missed the war, that something essential about it has eluded him. Finally, in a searing moment of personal revelation, a particular memory, long suppressed, rises to the surface of Carr’s consciousness and draws his long quest to a poignant close.
A compelling work of fiction from a writer who is both a gifted novelist and a distinguished student of the Civil War, David Madden’s Sharpshooter invites us to see this signal episode in American history in a new way—to grasp its facts, to imagine what facts cannot convey, and to make the war our own.
This comprehensive biography of the actress film critic Rex Reed called “a national treasure” draws on Robert A. Schanke’s interviews and correspondence not only with Eva Le Gallienne but also with more than one hundred of her colleagues and friends, including Glenda Jackson, Burgess Meredith, Eli Wallach, Peter Falk, Ellen Burstyn, Anne Jackson, Farley Granger, Jane Alexander, Uta Hagen, and Rosemary Harris. Forty-two illustrations offer highlights of Le Gallienne’s many notable performances in such plays as Hedda Gabler, Liliom, The Cherry Orchard, Peter Pan, Camille, Mary Stuart, The Royal Family,and The Dream Watcher.
Behind her public role as a famous actress and as the founding and maintaining force of the first civic repertory theatre in the United States, Eva Le Gallienne led a private life complicated by her identity as a lesbian. Schanke considers Le Gallienne’s sexuality and how it played a role in the struggles, defeats, and triumphs that combined to inspire her greatness. Shattered Applause, a finalist for the Lambda Literary Award for Lesbian Nonfiction, tells a fascinating story that also serves as a barometer of the changing values, tastes, and attitudes of American society.
A heartrending and engrossing memoir that challenges narratives of racial progress and postracial America.
“Every so often, a book comes along that changes the way we see, speak, and think about the world. Shattered is one of those books.” —Frank B. Wilderson III, author of Afropessimism and Incognegro
From a distance, Matthieu Chapman’s life and accomplishments serve as an example of racial progress in America: the first in his family to go to college, he earns two master’s degrees and a doctorate and then becomes a professor of theater. Despite his personal and academic success, however, the specter of antiblackness continues to haunt his every moment and interaction.
Told through fragments, facets, shards, slivers, splinters, and absences, Shattered places Chapman’s own story in dialogue with US history and structural analysis of race to relay the experience of being very alive in a demonstrably antiblack society—laying bare the impact of the American way on black bodies, black psyches, and black lives. From the Church of Jesus Christ of Latter-day Saints to the offices of higher education, from a Loyal White Knights flyer on his windshield to a play with black students written by a black playwright, Chapman’s life story embodies the resistance that occurs, the shattering, collapsing, and reconfiguring of being that happens in the collisions between conceptions of blackness. Shattered is a heartrending and thought-provoking challenge to narratives of racial progress and postracial America—an important reminder that systemic antiblack racism affects every black person regardless of what they achieve in spite of it.
Popular images of women in Mexico—conveyed through literature and, more recently, film and television—were long restricted to either the stereotypically submissive wife and mother or the demonized fallen woman. But new representations of women and their roles in Mexican society have shattered the ideological mirrors that reflected these images. This book explores this major change in the literary representation of women in Mexico.
María Elena de Valdés enters into a selective and hard-hitting examination of literary representation in its social context and a contestatory engagement of both the literary text and its place in the social reality of Mexico. Some of the topics she considers are Carlos Fuentes and the subversion of the social codes for women; the poetic ties between Sor Juana Inés de la Cruz and Octavio Paz; questions of female identity in the writings of Rosario Castellanos, Luisa Josefina Hernández, María Luisa Puga, and Elena Poniatowska; the Chicana writing of Sandra Cisneros; and the postmodern celebration—without reprobation—of being a woman in Laura Esquivel's Like Water for Chocolate.
The AIDS epidemic has touched the lives of all Americans. An entire generation has been forced to redefine the way it looks at intimacy. Our very images of ourselves are being altered in the wake of this tragic illness. Yet we are only now beginning to discover the true extent of the change AIDS has wrought on American society. This massive challenge to public health is creating a fault line beneath our institutions, threatening to undermine much that we have taken for granted about the pillars of our culture. Looking out across the landscape of AIDS, we sense a fundamental shift in the way we think about ourselves, about others, and about government.
Shattered Mirrors is a deeply moving meditation on the impact AIDS is having on American consciousness. AIDS has become a moral lesson for our nation, Monroe Price argues, but not the narrow lesson about the dangers of deviancy that certain segments of society have professed. The AIDS epidemic challenges some of our most cherished ideas about individual autonomy, free expression, fairness, and confidence in the future. As this book points out, the ultimate legacy of the AIDS epidemic is far more than its terrible impact on the health of the citizenry.
As the disease grinds on, several traditional barriers between church and state, government and the media, citizen and consumer have begun to erode, while other barriers of class, race, and lifestyle are growing larger. It is too early to say whether these and similar changes will be permanent, but as long as there is uncertainty about how devastating AIDS will prove to be to our society, we will continue to debate its meaning and how we should respond to the threat it poses to all of us. In the long run, Price maintains, AIDS may force us to reexamine the role government should play in shaping our personal lives. More than this, it may well oblige us to redefine what we mean by identity and community in a democracy under siege.
In October 1955, three Chicago boys were found murdered, their bodies naked and dumped in a ditch in Robinson Woods on the city’s Northwest Side. A community and a nation were shocked. In a time when such crimes against children were rare, the public was transfixed as local television stations aired stark footage of the first hours of the investigation. Life and Newsweek magazines published exclusive stories the following week. When Kenneth Hansen was convicted and sentenced for the murders, the case was considered solved—until questions were raised about Hansen’s presumed guilt.
Shattered Sense of Innocence: The 1955 Murders of Three Chicago Children tells the gripping story of the three murdered boys—thirteen-year-old John Schuessler, his eleven-year-old brother, Anton, and thirteen-year-old Bobby Peterson—and the quest to find and bring to justice their killer. Authors Richard C. Lindberg and Gloria Jean Sykes recount the bungled 1955 police investigation, the failures of multiple law enforcement agencies, and the subsequent convictions of Kenneth Hansen, in 1995 and 2002, and present new information concerning two suspects overlooked by police for five decades.
The authors deftly examine all sides of this tragic story, drawing on exclusive interviews with law enforcement agents, with horse trainers affiliated with the so-called horse mafia, and with the man convicted of the murders, Kenneth Hansen. This intensely intimate account offers a rare glimpse into one community and examines how these atrocious crimes altered public perceptions nationwide. Shattered Sense of Innocence, which is also a story of political controversy, a determined federal agent’s quest for justice, and a community’s loss of innocence, includes fifty illustrations.
After the Holocaust, the empty, silent spaces of bombed-out synagogues, cemeteries, and Jewish districts were all that was left in many German and Polish cities with prewar histories rich in the sights and sounds of Jewish life. What happened to this scarred landscape after the war, and how have Germans, Poles, and Jews encountered these ruins over the past sixty years?
In the postwar period, city officials swept away many sites, despite protests from Jewish leaders. But in the late 1970s church groups, local residents, political dissidents, and tourists demanded the preservation of the few ruins still standing. Since the collapse of the Soviet Union in 1989, this desire to preserve and restore has grown stronger. In one of the most striking and little-studied shifts in postwar European history, the traces of a long-neglected Jewish past have gradually been recovered, thanks to the rise of heritage tourism, nostalgia for ruins, international discussions about the Holocaust, and a pervasive longing for cosmopolitanism in a globalizing world.
Examining this transformation from both sides of the Iron Curtain, Michael Meng finds no divided memory along West–East lines, but rather a shared memory of tensions and paradoxes that crosses borders throughout Central Europe. His narrative reveals the changing dynamics of the local and the transnational, as Germans, Poles, Americans, and Israelis confront a built environment that is inevitably altered with the passage of time. Shattered Spaces exemplifies urban history at its best, uncovering a surprising and moving postwar story of broad contemporary interest.
Large-scale agriculture has come to favor uniformity in food crops. More than 7,000 U.S. apple varieties once grew in American orchards; 6,000 of them are no longer available. Every broccoli variety offered through seed catalogs in 1900 has now disappeared. As the international genetics supply industry absorbs seed companies—with nearly one thousand takeovers since 1970—this trend toward uniformity seems likely to continue; and as third world agriculture is brought in line with international business interests, the gene pools of humanity's most basic foods are threatened.
The consequences are more than culinary. Without the genetic diversity from which farmers traditionally breed for resistance to diseases, crops are more susceptible to the spread of pestilence. Tragedies like the Irish Potato Famine may be thought of today as ancient history; yet the U.S. corn blight of 1970 shows that technologically based agribusiness is a breeding ground for disaster.
Shattering reviews the development of genetic diversity over 10,000 years of human agriculture, then exposes its loss in our lifetime at the hands of political and economic forces. The possibility of crisis is real; this book shows that it may not be too late to avert it.
In this first comprehensive account of Shawnee culture, Dr. Howard assembled data concerning the tribe by utilizing published accounts, documents, maps, photographs, and paintings; and by visiting present-day Shawnees and participating in their ceremonies, games and everyday activities. The work is embellished with musical notations of Shawnee songs, maps, heirloom photographs and several photographs taken by the author during his fieldwork. Of particular interest is a remarkable series of paintings of Shawnee life by gifted Shawnee artist, Earnest Spybuck.
Until recently, historians have assumed that Central Algonquians derive from politically unified tribes, but by analyzing the crucial role that individuals, institutions, and policies played in shaping modern tribal governments, Warren reveals a messier, more complicated history of migration and conflict. Ultimately, Warren establishes that the form of the modern Shawnee "tribe" was coerced in accordance with the U.S. government's desire for an entity with whom to do business, rather than as a natural development of traditional Shawnee ways.
Genin's richly detailed portrait shows the effects of a family's struggle—personal, religious, social, and for their very survival—against the shadow of the Nazi rise to power.
Collected for the first time, this volume of the Franklin Family Papers offers rare insight into the personal lives of three generations of dissenting women.
Patricia Clark's poems explore not only refuge but also wonder and appreciation, as well as astonishment.
A number of the 56 poems collected here show her grappling with loss, especially the loss of her mother, though she isn't one to indulge in misery. Instead, she goes walking. It is the harp tree in "The Poplar Adrift" that Clark imagines giving voice to sorrow, thus sparing those who stroll by—"all the grief that passes" becoming, in the tree’s very fibers, sound on the air, a wind through branches and leaves.
Clark also finds opportunities for learning, for meditation, and for contemplation. Octavio Paz has written, "Nature speaks as though it were a lover." In many of the poems collected here, Clark listens to nature speaking and revels in this lover, aiming to capture some of the qualities of Michigan's trees, birds, and landscapes in lyric poems.
It is Clark's particular gift to give us "tasted" as she draws her readers into the world, inhabiting the worlds of nature, head, and heart.
Here's the myth: Native Americans are people of great spiritual depth, in touch with the rhythms of the earth, rhythms that they celebrate through drumming and dancing. They love the great outdoors and are completely in tune with the natural world. They can predict the weather by glancing at the sky, or hearing a crow cry, or somehow. Who knows exactly how? The point of the myth is that Indians are, well, special. Different from white people, but in a good way.
The four young male Native American poets whose work is brought together in this startling collection would probably raise high their middle fingers in salute to this myth. These guys and "guys" they are—don't buy into the myth. Their poems aren't about hunting and fishing or bonding with animal spirits. Their poems are about urban decay and homelessness, about loneliness and despair, about Payday Loans and 40-ounce beers, about getting enough to eat and too much to drink. And there is nothing romantic about their poetry, either. It is written in the vernacular of mean streets: often raw and coarse and vulgar, just like the lives it describes. Sure, they write about life on the reservation. However, for the Indians in their poems, life on the reservation is a lot like life in the city, but without the traffic. These poets are sick to death of the myth. You can feel it in their poems.
These poets are bound by a common attitude as well as a common heritage. All four—Joel Waters, Steve Pacheco, Luke Warm Water, and Trevino L. Brings Plenty—are Sioux, and all four identify themselves as "Skins" (as in "Redskins"). In their poems, they grapple with their heritage, wrestling with what it means to be a Sioux and a Skin today. It's a fight to the finish.
As Armstrong shows, humans have treated sheep with awe, cruelty or disdain for many thousands of years. Our exploitation of them for milk, meat, and wool—but also for artistic and cultural purposes—has shaped both our history and theirs. Despite all that we owe them we have often dismissed sheep as the least witted and least interesting of mammals: to be accused of “sheepishness” or behaving “like a flock of sheep” is to be denigrated for lack of courage, individuality, or will. Yet, as this book demonstrates, sheep actually possess highly sophisticated social skills and emotional intelligence. Above all, Sheep demonstrates that sometimes the most mundane animals turn out to be the most surprising.
Author Jon Wallace tells the story of evolving living conditions as the sheep industry came to encompass innumerable families of modest means. The transformation improved many New Mexicans’ lives and helped establish the territory as a productive part of the United States. There was a cost, however, with widespread ecological changes to the lands—brought about in large part by heavy grazing. Following the US annexation of New Mexico, new markets for mutton and wool opened. Well-connected, well-financed Anglo merchants and growers who had recently arrived in the territory took advantage of the new opportunity and joined their Hispanic counterparts in entering the sheep industry.
The Sheep Industry of Territorial New Mexico situates this socially imbued economic story within the larger context of the environmental consequences of open-range grazing while examining the relationships among Hispanic, Anglo, and Indigenous people in the region. Historians, students, general readers, and specialists interested in the history of agriculture, labor, capitalism, and the US Southwest will find Wallace’s analysis useful and engaging.
Sheer Misery trains a humane and unsparing eye on the corporeal experiences of the soldiers who fought in Belgium, France, and Italy during the last two years of the war. In the horrendously unhygienic and often lethal conditions of the front line, their bodies broke down, stubbornly declaring their needs for warmth, rest, and good nutrition. Feet became too swollen to march, fingers too frozen to pull triggers; stomachs cramped, and diarrhea stained underwear and pants. Turning away from the accounts of high-level military strategy that dominate many WWII chronicles, acclaimed historian Mary Louise Roberts instead relies on diaries and letters to bring to life visceral sense memories like the moans of the “screaming meemies,” the acrid smell of cordite, and the shockingly mundane sight of rotting corpses. As Roberts writes, “For soldiers who fought, the war was above all about their bodies.”
Confederate general Joseph O. Shelby and his legendary Iron Brigade refused to acknowledge the end of the Civil War. Instead, they fought their way to Mexico in search of a place where they could continue to defy the U.S. government. These veteran Missouri cavalrymen clawed their way for fifteen hundred miles, fighting Juaristas, Indians, desperados, and disgruntled gringos. They disbanded only after they had offered their services to Emperor Maximilian and were turned down.
Shelby’s adjutant, journalist John N. Edwards, first published his story of the exploits of this superb mounted brigade and its quixotic final march in 1872. Conger Beasley provides a lively introduction that includes the first biographical sketch of the author. The 1969 movie The Undefeated starring John Wayne and Rock Hudson was based upon Shelby’s expedition.
Gunn’s criticism communicates his own enthusiasm for poetry. He tries to show his readers how to get a first foothold into the work of some of his favorite poets, whether Wyatt or Whitman, Mina Loy or Robert Creeley.
Pritchard is convinced that his job as a critic is to talk back to the imagination he has been engaged by. The four sections of this volume look at writers as diverse as the critic Samuel Johnson, the novelist Raymond Chandler, and the poet James Merrill, and at the abrasive epistolary behavior of Evelyn Waugh and Kingsley Amis. Perhaps the book's most original section is its final one, in which Pritchard writes about music-about playing the piano, singing hymns, listening to jazz-and about the teaching life as it appears in literature and in his own classroom. He concludes with appreciative essays on two of his own fondly remembered teachers.
Shelf Life is mannerly and elegant, but venturesome, even bold in its explorations of the artistic performance-of that passionate preference Robert Frost found to be the root of all human expression.
Central to their approach is a general theory of psychic concealment, a poetics of hiding. Whether in a clinical setting or a literary text, they search out the unspeakable secret as a symptom of devastating trauma revealed only in linguistic or behavioral encodings. Their view of trauma provides the linchpin for new psychic and linguistic structures such as the "transgenerational phantom," an undisclosed family secret handed down to an unwitting descendant, and the intra-psychic secret or "crypt," which entombs an unspeakable but consummated desire. Throughout, Abraham and Torok seek to restore communication with those intimate recesses of the mind which are, for one reason or another, denied expression.
Classics of French theory and practice, the essays in volume one include four previously uncollected works by Maria Torok. Nicholas Rand supplies a substantial introductory essay and commentary throughout. Abraham and Torok's theories of fractured meaning and their search for coherence in the face of discontinuity and disruption have the potential to reshape not only psychoanalysis but all disciplines concerned with issues of textual, oral, or visual interpretation.
In Shelley and His Readers, the first full-length critical analysis of the dialogue between Shelley's poetry and its contemporary reviewers, Kim Wheatley argues that Shelley's idealism can be recovered through the study of his poetry's reception. Incorporating extensive research in major early-nineteenth-century British periodicals, Wheatley integrates a reception-based methodology with careful textual analysis to demonstrate that the early reception of Shelley's work registers the immediate impact of the poet's increasingly idealistic passion for reforming the world.
Wheatley examines Shelley's poetry within the context of Romantic-era "paranoid politics," a simultaneously empowering and disabling dynamic in which the reviewers employ a heightened language of defensiveness and persecution that paints their adversaries as Satanic rebels against orthodoxy. This "paranoid style" displays a preoccupation with the efficacy of the printed word and singles out radical writers such as Shelley as sources of social contamination.
Using Shelley's Queen Mab to illustrate his early radicalism, Wheatley demonstrates that the poet, like his contemporary reviewers, is caught up in paranoid rhetoric. Failing to challenge the assumptions underlying the paranoid style-conspiracy and contagion-in this poem Shelley takes merely a defiant, oppositional stance. However, Shelley's later poems, exemplified by Prometheus Unbound and Adonais, circumvent the reviewers' rhetoric through their boldly experimental language, a process registered by the reviewers' own responses. These less explicitly political poems transcend the dynamics of cultural paranoia by shifting to an apolitical conception of the aesthetic. In collaboration with its early readers, Shelley's poetry thus moves momentarily beyond paranoid politics.
The final chapter of this study argues that the posthumous reception of Adonais uniquely replicates the elegiac moves and complex idealism of the poem, concluding with a discussion of how the Shelley circle aestheticized the poet after his death.
Shelley and His Readers offers a new approach to the question of how to recuperate Romantic idealism in the face of challenges from both deconstructive and historicist criticism. Its innovative use of reception-based analysis will make this book invaluable not only to specialists of the Romantic period but also to anyone interested in new developments in literary criticism.
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