Tweets and the Streets analyses the culture of the new protest movements of the 21st century. From the Arab Spring to the 'indignados' protests in Spain and the Occupy movement, Paolo Gerbaudo examines the relationship between the rise of social media and the emergence of new forms of protest.
Gerbaudo argues that activists' use of Twitter and Facebook does not fit with the image of a 'cyberspace' detached from physical reality. Instead, social media is used as part of a project of re-appropriation of public space, which involves the assembling of different groups around 'occupied' places such as Cairo’s Tahrir Square or New York’s Zuccotti Park.
An exciting and invigorating journey through the new politics of dissent, Tweets and the Streets points both to the creative possibilities and to the risks of political evanescence which new media brings to the contemporary protest experience.
Winner, 2012 Northern California Book Award for Fiction in Translation
More faithful to the original text and its deeply resonant humor, this new translation of The Twelve Chairs brings Ilf and Petrov’s Russian classic fully to life. The novel’s iconic hero, Ostap Bender, an unemployed con artist living by his wits, joins forces with Ippolit Matveyevich Vorobyaninov, a former nobleman who has returned to his hometown to look for a cache of missing jewels hidden in chairs that have been appropriated by the Soviet authorities. The search for the chairs takes them from the provinces of Moscow to the wilds of the Transcaucasus mountains. On their quest they encounter a variety of characters, from opportunistic Soviet bureaucrats to aging survivors of the old propertied classes, each one more selfish, venal, and bungling than the last. A brilliant satire of the early years of the Soviet Union, as well as the inspiration for a Mel Brooks film, The Twelve Chairs retains its universal appeal.
A millennium ago, Baghdad was the capital of one of history’s greatest civilizations. A new Islamic era was under way. Yet despite the profound cultural achievements, many Muslims felt their society had gone astray. Shiˀa Muslims challenged the dominant narrative of Islamic success with stories of loss. Faithful Muslims have long debated whether Sunni caliphs or Shiˀa imams were the true heirs of the Prophet Muhammad. More influential has been the way Muslim communities remembered those disputes through stories that influenced how to think and feel about them, Matthew Pierce argues.
Twelve Infallible Men focuses on the role of narratives of the imams in the development of a distinct Shiˀa identity. During the tenth century, at a critical juncture in Islamic history, a group of scholars began assembling definitive works containing accounts of the twelve imams’ lives. These collective biographies constructed a sacred history, portraying the imams as strong, beautiful, learned, and pious. Miracles surrounded their birth, and they became miracle workers in turn, but were nevertheless betrayed and martyred by enemies.
These biographies inspired and entertained, but more importantly they offered a meaningful narrative of history for Muslims who revered the imams. The accounts invoked shared memories and shaped communal responses and ritual practices of grieving. Mourning the imams’ tragic fates helped nascent Shiˀa communities resist the pressure to forget their story. The biographies of the imams became a focal point of cultural memory, inspiring Shiˀa religious imagination for centuries to come.
The people of Taquile Island on the Peruvian side of beautiful Lake Titicaca, the highest navigable lake in the Americas, are renowned for the hand-woven textiles that they both wear and sell to outsiders. One thousand seven hundred Quechua-speaking peasant farmers, who depend on potatoes and the fish from the lake, host the forty thousand tourists who visit their island each year. Yet only twenty-five years ago, few tourists had even heard of Taquile. In Weaving a Future: Tourism, Cloth, and Culture on an Andean Island, Elayne Zorn documents the remarkable transformation of the isolated rocky island into a community-controlled enterprise that now provides a model for indigenous communities worldwide.
Over the course of three decades and nearly two years living on Taquile Island, Zorn, who is trained in both the arts and anthropology, learned to weave from Taquilean women. She also learned how gender structures both the traditional lifestyles and the changes that tourism and transnationalism have brought. In her comprehensive and accessible study, she reveals how Taquileans used their isolation, landownership, and communal organizations to negotiate the pitfalls of globalization and modernization and even to benefit from tourism. This multi-sited ethnography set in Peru, Washington, D.C., and New York City shows why and how cloth remains central to Andean society and how the marketing of textiles provided the experience and money for Taquilean initiatives in controlling tourism.
The first book about tourism in South America that centers on traditional arts as well as community control, Weaving a Future will be of great interest to anthropologists and scholars and practitioners of tourism, grassroots development, and the fiber arts.
They stand on a hilltop in the mountains of Minas Gerais in Brazil—twelve dramatic figures, twelve Old Testament prophets soundlessly crying their warnings to mankind. There they have stood for over two centuries, masterpieces by that strange, unhappy sculptor, Antonio Francisco Lisboa—or, as he is better known, Aleijadinho, "The Little Cripple."
These figures, some mirroring in their faces the calm certainty of their prophesies and some reflecting the desperation of their warnings, have an impact upon the mind and the emotions of the modern viewer fully as great as their effect must have been upon those for whom they were originally carved—the adventurers of the lusty goldmining region which was eighteenth-century Minas Gerais. Their impact draws added depth from the realization that they bear also the mark of the anguish of their creator.
Aleijadinho, the mulatto son of a local builder, grew up untutored amid the building fever of the mining centers, grew up to endure throughout the last half of his long life the physical torment and the mental suffering of a painful and mutilating disease. Yet, developing his self-schooled talent, he stamped the hallmark of his creativity upon the religious art of the whole region.
In this volume the late artist photographer Hans Mann provides a sensitive pictorial study of the Twelve Prophets, of the six scenes of the Crucifixion which stand just below the Prophets on that windy hillside at Congonhas do Campo, and of other representative examples of the sculpture of Aleijadinho. A brief text by the photographer's wife, Graciela Mann, provides the information and background needed for the fullest enjoyment of the pictures.
The prose poem "When the Statues Speak," by Carlos Drummond de Andrade, sets the dramatic mood for the photographs of the Prophets themselves.
Twentieth Century Drifter: The Life of Marty Robbins is the first biography of this legendary country music artist and NASCAR driver who scored sixteen number-one hits and two Grammy awards. Yet even with fame and fortune, Marty Robbins always yearned for more.
Drawing from personal interviews and in-depth research, biographer Diane Diekman explains how Robbins saw himself as a drifter, a man always searching for self-fulfillment and inner peace. Born Martin David Robinson to a hardworking mother and an abusive alcoholic father, he never fully escaped the insecurities burned into him by a poverty-stricken nomadic childhood in the Arizona desert. In 1947 he got his first gig as a singer and guitar player. Too nervous to talk, the shy young man walked onstage singing. Soon he changed his name to Marty Robbins, cultivated his magnetic stage presence, and established himself as an entertainer, songwriter, and successful NASCAR driver.
For fans of Robbins, NASCAR, and classic country music, Twentieth Century Drifter: The Life of Marty Robbins is a revealing portrait of this well-loved, restless entertainer, a private man who kept those who loved him at a distance.
When the Fox Film Corporation merged with Twentieth Century Pictures in 1935, the company posed little threat to industry juggernauts such as Paramount and MGM. In the years that followed however, guided by executives Darryl F. Zanuck and Spyros Skouras, it soon emerged as one of the most important studios. Though working from separate offices in New York and Los Angeles and often of two different minds, the two men navigated Twentieth Century-Fox through the trials of the World War II boom, the birth of television, the Hollywood Blacklist, and more to an era of exceptional success, which included what was then the highest grossing movie of all time, The Sound of Music.
Twentieth Century-Fox is a comprehensive examination of the studio’s transformation during the Zanuck-Skouras era. Instead of limiting his scope to the Hollywood production studio, Lev also delves into the corporate strategies, distribution models, government relations, and technological innovations that were the responsibilities of the New York headquarters. Moving chronologically, he examines the corporate history before analyzing individual films produced by Twentieth Century-Fox during that period. Drawn largely from original archival research, Twentieth Century-Fox offers not only enlightening analyses and new insights into the films and the history of the company, but also affords the reader a unique perspective from which to view the evolution of the entire film industry.
Scorned by critics since birth, decreed dead by many, naturalism, according to Donald Pizer, is “one of the most persistent and vital strains in American fiction, perhaps the only modern literary form in America that has been both popular and significant.”
To define naturalism and explain its tenacious hold throughout the twentieth century on the American creative imagination, Pizer explores six novels: James T. Farrell’s Studs Lonigan, John Dos Passos’s U.S.A., John Steinbeck’s The Grapes of Wrath, Norman Mailer’s The Naked and the Dead, William Styron’s Lie Down in Darkness, and Saul Bellow’s The Adventures of Augie March.
Pizer’s approach to these novels is empirical; he does not wrench each novel awkwardly until it fits his framework of generalizations and principles; rather, he approaches the novels as fiction and arrives at his definition through his close reading of the works.
Establishing the background of naturalism, Pizer explains that it comes under attack because it is “sordid and sensational in subject matter,” it challenges “man’s faith in his innate moral sense and thus his responsibility for his actions,” and it is so full of “social documentation” that it is often dismissed as little more than a photographic record of a life or an era; thus the “aesthetic validity of the naturalistic novel has often been questioned.”
Pizer posits the 1890s, the 1930s,and the late 1940s as the decades when naturalism flourished in America. He concentrates on literary criticism, not on the philosophy ofnaturalism, to show that literary criticism can make a contribution to a particularly muddled area of literary history—a naturalism that is alive and changing, thus resisting the neat definitions reserved for the dead.
Self-help authors like Tom Peters and Stephen Covey, who have dominated best-seller lists over the last two decades, have exercised increasing influence on political, governmental, and educational organizations. By contrast, the topic of American success books— texts that promise to help readers succeed by retrofitting their identity to meet workplace demands—has been ignored by scholars since the 1980s. John Ramage challenges the neglect of this hugely popular literature and revives a once-lively conversation among eminent critics about the social phenomenon represented in the work of Bruce Barton, Dale Carnegie, and Norman Vincent Peale, among others.
Using literary texts from Don Quixote to Catch-22 to gloss the discussion, Ramage utilizes Kenneth Burke’s rhetorical theory to understand symbolic acts and social issues and brings together earlier commentaries within a new critical framework. He considers the problematic and paradoxical nature of success and examines its meaning in terms of its traditional dialectic partner, happiness. A synopsis of seventeenth- to nineteenth-century forerunners prefaces this analysis in which Ramage links literary code heroes with the activities of twentieth-century business leaders to determine whether, in the search for authenticity, the heroic individual or the corporation is ultimately served.
This comprehensive study chronicles the legitimation of the success book genre, enumerates rhetorical strategies used to win over readers, and supplies the historical context that renders each book’s message timely. After considering some of the dangers of crossing disciplinary borders, as exemplified by Deborah Tannen’s work, Ramage critiques Stanley Fish’s theoretical strictures against this practice, finally summoning academic critics to action with a strong call to exert greater influence within the popular marketplace.
The first comprehensive history of the Vatican’s agenda to defeat the forces of secular liberalism and communism through international law, cultural diplomacy, and a marriage of convenience with authoritarian and right-wing rulers.
After the United States entered World War I and the Russian Revolution exploded, the Vatican felt threatened by forces eager to reorganize the European international order and cast the Church out of the public sphere. In response, the papacy partnered with fascist and right-wing states as part of a broader crusade that made use of international law and cultural diplomacy to protect European countries from both liberal and socialist taint.
A Twentieth-Century Crusade reveals that papal officials opposed Woodrow Wilson’s international liberal agenda by pressing governments to sign concordats assuring state protection of the Church in exchange for support from the masses of Catholic citizens. These agreements were implemented in Mussolini’s Italy and Hitler’s Germany, as well as in countries like Latvia, Lithuania, and Poland. In tandem, the papacy forged a Catholic International—a political and diplomatic foil to the Communist International—which spread a militant anticommunist message through grassroots organizations and new media outlets. It also suppressed Catholic antifascist tendencies, even within the Holy See itself.
Following World War II, the Church attempted to mute its role in strengthening fascist states, as it worked to advance its agenda in partnership with Christian Democratic parties and a generation of Cold War warriors. The papal mission came under fire after Vatican II, as Church-state ties weakened and antiliberalism and anticommunism lost their appeal. But—as Giuliana Chamedes shows in her groundbreaking exploration—by this point, the Vatican had already made a lasting mark on Eastern and Western European law, culture, and society.
This celebrated anthology, first published in 1978 as Russian Poetry: The Modern Period, provides a much-needed panoramic overview of Russian poetry since the Bolshevik Revolution of 1917.
Major features of this collection include a new and expanded introduction, a substantial new section of glasnost-era poetry, a generous sampling of postrevolutionary poetry in Russia, full representation of poets of the first and second post-World War II generations, and poetry of the successive emigrations, flights, or expulsions from Russia.
Twentieth-Century Russian Poetry makes an important contribution to our continuing understanding of a changing world order. This anthology should be read by all those who wish to know more about the poetry of Russia, those interested in international cultural and literary history, and all Slavicists.
Today’s critical establishment assumes that sentimentalism is an eighteenth- and nineteenth-century literary mode that all but disappeared by the twentieth century. In this book, Jennifer Williamson argues that sentimentalism is alive and well in the modern era. By examining working-class literature that adopts the rhetoric of “feeling right” in order to promote a proletarian or humanist ideology as well as neo-slave narratives that wrestle with the legacy of slavery and cultural definitions of African American families, she explores the ways contemporary authors engage with familiar sentimental clichés and ideals.
Williamson covers new ground by examining authors who are not generally read for their sentimental narrative practices, considering the proletarian novels of Grace Lumpkin, Josephine Johnson, and John Steinbeck alongside neo-slave narratives written by Margaret Walker, Octavia Butler, and Toni Morrison. Through careful close readings, Williamson argues that the appropriation of sentimental modes enables both sympathetic thought and systemic action in the proletarian and neo-slave novels under discussion. She contrasts appropriations that facilitate such cultural work with those that do not, including Kathryn Stockett’s novel and film The Help. The book outlines how sentimentalism remains a viable and important means of promoting social justice while simultaneously recognizing and exploring how sentimentality can further white privilege.
Sentimentalism is not only alive in the twentieth century. It is a flourishing rhetorical practice among a range of twentieth-century authors who use sentimental tactics in order to appeal to their readers about a range of social justice issues. This book demonstrates that at stake in their appeals is who is inside and outside of the American family and nation.
Spanish American fiction became a world phenomenon in the twentieth century through multilanguage translations of such novels as Gabriel Garcia Marquez's One Hundred Years of Solitude, Manuel Puig's Kiss of the Spider Woman, Octavio Paz's Labyrinth of Solitude, and Isabel Allende's House of the Spirits. Yet these "blockbusters" are only a tiny fraction of the total, rich outpouring of Spanish-language literature from Latin America.
In this book, Naomi Lindstrom offers English-language readers a comprehensive survey of the century's literary production in Latin America (excluding Brazil). Discussing movements and trends, she places the famous masterworks in historical perspective and highlights authors and works that deserve a wider readership. Her study begins with Rodó's famous essay Ariel and ends with Rigoberta Menchú's 1992 achievement of the Nobel Prize. Her selection of works is designed to draw attention, whenever possible, to works that are available in good English translations.
A special feature of the book is its treatment of the "postboom" period. In this important concluding section, Lindstrom discusses documentary narratives, the new interrelations between popular culture and literary writing, and underrepresented groups such as youth cultures, slum dwellers, gays and lesbians, and ethnic enclaves. Written in accessible, nonspecialized language, Twentieth-Century Spanish American Fiction will be equally useful for general readers as a broad overview of this vibrant literature and for scholars as a reliable reference work.
A Choice Magazine Outstanding Academic Book
Spanish American novels of the Boom period (1962-1967) attracted a world readership to Latin American literature, but Latin American writers had already been engaging in the modernist experiments of their North American and European counterparts since the turn of the twentieth century. Indeed, the desire to be "modern" is a constant preoccupation in twentieth-century Spanish American literature and thus a very useful lens through which to view the century's novels.
In this pathfinding study, Raymond L. Williams offers the first complete analytical and critical overview of the Spanish American novel throughout the entire twentieth century. Using the desire to be modern as his organizing principle, he divides the century's novels into five periods and discusses the differing forms that "the modern" took in each era. For each period, Williams begins with a broad overview of many novels, literary contexts, and some cultural debates, followed by new readings of both canonical and significant non-canonical novels. A special feature of this book is its emphasis on women writers and other previously ignored and/or marginalized authors, including experimental and gay writers. Williams also clarifies the legacy of the Boom, the Postboom, and the Postmodern as he introduces new writers and new novelistic trends of the 1990s.
"A memoir infused with both empathy and inquiry."
—Wendy J. Fox, Electric Literature
Sarah Neidhardt grew up in the woods. When she was an infant, her parents left behind comfortable, urbane lives to take part in the back-to-the-land movement. They moved their young family to an isolated piece of land deep in the Arkansas Ozarks where they built a cabin, grew crops, and strove for eight years to live self-sufficiently.
In this vivid memoir Neidhardt explores her childhood in wider familial and social contexts. Drawing upon a trove of family letters and other archival material, she follows her parents’ journey from privilege to food stamps—from their formative youths, to their embrace of pioneer homemaking and rural poverty, to their sudden and wrenching return to conventional society—and explores the back-to-the-land movement of the 1970s as it was, and as she lived it.
A story of strangers in a strange land, of class, marriage, and family in a changing world, Twenty Acres: A Seventies Childhood in the Woods is part childhood idyll, part cautionary tale. Sarah Neidhardt reveals the treasures and tolls of unconventional, pastoral lives, and her insightful reflections offer a fresh perspective on what it means to aspire to pre-industrial lifestyles in a modern world.
Death, fame, art, and religion become comic subjects in Twenty First Century Blues, the fourth collection from Richard Cecil.Whether elegizing his predecessors, predicting his own end, channeling Dickinson’s “corpse-eye-view of stony death,” or imagining Yeats living in Indiana and dealing with English department politics, Cecil tempers his morbidity with a straightforward, tender brand of humor and a refreshing honesty about the shelf life of contemporary poetry. Deadpan and dark, yet pulsing with the spirit of life, these poems speak of historic France, Italy, and Switzerland, where religious persecutions, ancient catastrophes, and other, less personal, failures overshadow the disappointments and shortcomings of the poet’s modern life in the Midwest. Grimly cheered by these revelations, Cecil shows that poets, like cicadas screaming in the summer air, “won’t shut up until we’re skeletons.”
The walk from my apartment in Greenwich Village to my studio in Tribeca takes about twenty minutes, depending upon the route and whether I stop for a coffee and the Times. Invariably, though, it begins with a trip down the stairs.
And so sets out architecture critic Michael Sorkin on his daily walk from his home in a Manhattan old-law-style tenement building. Sorkin has followed the same path for over fifteen years, a route that has allowed him to observe the startling transformations in New York during this period of great change. Twenty Minutes in Manhattan is his personal, anecdotal account of his casual encounters with the physical space and social dimensions of this unparalleled city.
From the social gathering place of the city stoop to Washington Square Park, Sorkin’s walk takes the reader on a wry, humorous journey past local characters, neighborhood stores and bodegas, landmark buildings, and overlooked streets. His perambulations offer him—and the reader—opportunities to not only engage with his surroundings but to consider a wide range of issues that fascinate Sorkin as an architect, urbanist, and New Yorker. Whether he is despairing at street garbage or marveling at elevator etiquette, Twenty Minutes in Manhattan offers a testing ground for his ideas of how the city can be newly imagined and designed, addressing such issues as the crisis of the environment, free expression and public space, historic preservation, and the future of the neighborhood as a concept.
Inspired by Sorkin’s close, attentive relationship to his beloved city, Twenty Minutes in Manhattan is in the end a valentine to the idea of the city that ultimately offers a practical set of solutions that are relevant to not only the preservation and improvement of New York but to urban environments everywhere.
Twenty Theses on Politics is inspired by recent political transformations in Latin America. As Dussel writes in Thesis 15, regarding the liberation praxis of social and political movements, “The winds that arrive from the South—from Nestor Kirchner, Tabaré Vásquez, Luiz Inácio Lula da Silva, Evo Morales, Hugo Chávez, Fidel Castro, and so many others—show us that things can be changed. The people must reclaim sovereignty!” Throughout the twenty theses Dussel engages with Latin American thinkers and activists and with radical political projects such as the World Social Forum. He is also in dialogue with the ideas of Marx, Hegel, Habermas, Rawls, and Negri, offering insights into the applications and limits of their thinking in light of recent Latin American political thought and practice.
The Twenty-First Ballot was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This account of a bitter struggle with in the Democratic-Farmer-Labor (DFL) party in Minnesota is an interesting story in its own right, and, viewed from a wider perspective, is a valuable documentary on the American political process.
The author recounts the events leading up to and climaxing in the party's deep split over the nomination of a candidate for the 1966 gubernatorial election. The nomination was accomplished only after twenty ballots were taken at the party's convention. The twenty first ballot of the book's title derives from a campaign slogan which urged that the voters, not the party, would make the final decision.
The intraparty battle was waged between a faction which backed the nomination of the incumbent governor, Karl F. Rolvaag, for a second term and a group favoring the nomination of the incumbent lieutenant governor, A. M. "Sandy" Keith, as the gubernatorial candidate. Basic to the struggle was the conviction among supporters of Mr. Keith that a new "image' was needed to win the election of a party's obligation to an incumbent. Mr. Keith was nominated. However, Mr. Rolvaag challenged the nomination by entering the primary election. He defeated the party nominee and won a place on the general election ballot, only to be defeated, in the end, by his Republican opponent.
The book is illustrated with eight pages of news photographs of the principals and events of the story.
The details of this unusual sequence of events reveal much about the workings of party politics at the important state level. The book will, therefore, be of interest not only to the general readers but to students and teachers in political science courses.
The result of work initiated by the Harvard Civil Rights Project, this collection provides an excellent overview of the contemporary racial and ethnic terrain in the United States. The well-respected contributors to Twenty-First Century Color Lines combine theoretical and empirical perspectives, answering fundamental questions about the present and future of multiracialism in the United States: How are racial and ethnic identities promoted and defended across a spectrum of social, geopolitical and cultural contexts? What do two generations of demographic and social shifts around issues of race look like “on the ground?” What are the socio-cultural implications of changing demographics in the U.S.? And what do the answers to these questions portend for our multiracial future?
This illuminating book addresses issues of work, education, family life and nationality for different ethnic groups, including Asians and Latinos as well as African Americans and whites. Such diversity, gathered here in one volume, provides new perspectives on ethnicity in a society marked by profound racial transformations.
Contributors: Luis A. Avilés, Juan Carlos Martínez-Cruzado, Nilanjana Dasgupta, Christina Gómez, Gerald Gurin, Patricia Gurin, Anthony Kwame Harrison, Maria-Rosario Jackson, John Matlock, Nancy McArdle, John Mollenkopf, john a. powell, Doris Ramírez, David Roediger, Anayra Santory-Jorge, Jiannbin Lee Shiao, Mia H. Tuan, Katrina Wade-Golden and the editors.
Contemporary war is as much a quest for decisive technological, organizational, and doctrinal superiority before the fighting starts as it is an effort to destroy enemy militaries during battle. Armed forces that are not actively fighting are instead actively reengineering themselves for success in the next fight and imagining what that next fight may look like. Twenty-First Century Military Innovation outlines the most theoretically important themes in contemporary warfare, especially as these appear in distinctive innovations that signal changes in states’ warfighting capacities and their political goals.
Marcus Schulzke examines eight case studies that illustrate the overall direction of military innovation and important underlying themes. He devotes three chapters to new weapons technologies (drones, cyberweapons, and nonlethal weapons), two chapters to changes in the composition of state military forces (private military contractors and special operations forces), and three chapters to strategic and tactical changes (targeted killing, population-centric counterinsurgency, and degradation). Each case study includes an accessible introduction to the topic area, an overview of the ongoing scholarly debates surrounding that topic, and the most important theoretical implications. An engaging overview of the themes that emerge with military innovation, this book will also attract readers interested in particular topic areas.
The bar code is now at the core of commerce, transportation, warehousing, manufacturing, and retailing, and its influence has spread to virtually every industry in the industrialized world. When this voluntary product code was first introduced in 1974, it led to the worldwide revolution in supply chain efficiency.
To celebrate the twenty-fifth anniversary of this now universally embraced technology, the Smithsonian Institution sponsored a symposium. Gathered together in this volume are the thoughts of eight speakers with hands-on experience concerning the development, diffusion, adoption, and applications of a truly groundbreaking technology. The volume concludes with papers from a panel discussion among those involved in creating the Universal Product Code, the foundation of the bar code.
Kant declared that philosophy began in 1781 with his Critique of Pure Reason. In 1806 Hegel announced that philosophy had now been completed. Eckart Förster examines the reasons behind these claims and assesses the steps that led in such a short time from Kant’s “beginning” to Hegel’s “end.” He concludes that, in an unexpected yet significant sense, both Kant and Hegel were indeed right.
“Presents a novel interpretation of the development of German idealism that is rich in both historical depth and philosophical insight…Förster sets forth a historically nuanced and philosophically discerning interpretation of the central debates of the era.”
—Peter Yong, Philosophy in Review
“[Förster’s] book does not disappoint…The amount of material covered by Förster is impressive…Förster’s book is rich in specificity…Wherever the discussion goes, it is going to have to go on by taking Förster’s big picture and all his detailed accounts into account.”
—Terry Pinkard, Notre Dame Philosophical Reviews
“Förster’s command of the historical sources is most impressive. Moreover, this book is clearly written, and Bowman’s translation is commendable. Scholars and graduate students will welcome this masterpiece.”
—J. M. Fritzman, Choice
This is a splendid collection of stories about Texas by Texans—stories that appeared in leading magazines in the first half of the twentieth century.
Authors in this volume:
Twenty-Two Years presents the results of a unique longitudinal study of the first 22 years in the lives of more than 200 young people with varying degrees of mental retardation. By following their paths through available services, job histories, leisure activities, friendships, and marriages, the authors provide objective information about the quality of life of young people with mental retardation.
The book makes a unique contribution by determining what factors in childhood predict who will and who will not require mental retardation services and, for those who disappear from services, why some fare better than others. Most important, the results help answer a question that haunts parents: "What will happen when my child grows up?"
This study expands on an internationally acclaimed clinical and epidemiological study of children with mental retardation published in 1970. It provides prevalence rates by severity of mental retardation, gender, social class, and family stability, and shows how these change over time.
The authors confirm the central role of biomedical factors in the etiology of severe mental retardation. For the etiology of mild mental retardation, the book examines the relative contributions of biomedical and intergenerational genetic factors as well as psychosocial adversity. The book should be of interest to a broad range of clinicians, researchers, and students, as well as the families of people with mental retardation, and it will serve as a model for future epidemiological and follow-up research.
In the dismantling of the Ottoman Empire following World War I, nearly two million citizens in Turkey and Greece were expelled from homelands. The Lausanne treaty resulted in the deportation of Orthodox Christians from Turkey to Greece and of Muslims from Greece to Turkey. The transfer was hailed as a solution to the problem of minorities who could not coexist. Both governments saw the exchange as a chance to create societies of a single culture. The opinions and feelings of those uprooted from their native soil were never solicited.
In an evocative book, Bruce Clark draws on new archival research in Turkey and Greece as well as interviews with surviving participants to examine this unprecedented exercise in ethnic engineering. He examines how the exchange was negotiated and how people on both sides came to terms with new lands and identities.
Politically, the population exchange achieved its planners' goals, but the enormous human suffering left shattered legacies. It colored relations between Turkey and Greece, and has been invoked as a solution by advocates of ethnic separation from the Balkans to South Asia to the Middle East. This thoughtful book is a timely reminder of the effects of grand policy on ordinary people and of the difficulties for modern nations in contested regions where people still identify strongly with their ethnic or religious community.
Colombian-born Santiago Martinez starts his adult life as a young gay writer living in Spain. Years later, as a university professor in New York City, Santiago is called back to his native Colombia upon the suicide of his sister. There he learns some shocking secrets about his childhood and adolescence and comes to the realization that cherished memories of the past are only illusion.
The sudden emergence of the Trump nation surprised nearly everyone, including journalists, pundits, political consultants, and academics. When Trump won in 2016, his ascendancy was widely viewed as a fluke. Yet time showed it was instead the rise of a movement—angry, militant, revanchist, and unabashedly authoritarian.
How did this happen? Twilight of the American State offers a sweeping exploration of how law and legal institutions helped prepare the grounds for this rebellious movement. The controversial argument is that, viewed as a legal matter, the American state is not just a liberal democracy, as most Americans believe. Rather, the American state is composed of an uneasy and unstable combination of different versions of the state—liberal democratic, administered, neoliberal, and dissociative. Each of these versions arose through its own law and legal institutions. Each emerged at different times historically. Each was prompted by deficits in the prior versions. Each has survived displacement by succeeding versions. All remain active in the contemporary moment—creating the political-legal dysfunction America confronts today.
Pierre Schlag maps out a big picture view of the tribulations of the American state. The book abjures conventional academic frameworks, sets aside prescriptions for quick fixes, dispenses with lamentations about polarization, and bypasses historical celebrations of the American Spirit.
In Western thought, the modern period signals a break with stagnant social formations, the advent of a new rationalism, and the emergence of a truly secular order, all in the context of an overarching globalization. In The Twilight of the Literary, Terry Cochran links these developments with the rise of the book as the dominant medium for recording, preserving, and disseminating thought. Consequently, his book explores the role that language plays in elaborating modern self-understanding. It delves into what Cochran calls the "figures of thought" that have been an essential component of modern consciousness in the age of print technology--and questions the relevance of this "print-bound" thinking in a world where print no longer dominates.
Cochran begins by examining major efforts of the eighteenth century that proved decisive for modern conceptions of history, knowledge, and print. After tracing late medieval formulations of vernacular language that proved crucial to print, he analyzes the figures of thought in print culture as they proceed from the idea of the collective spirit (the "people"), an elaboration of modern history. Cochran reconsiders basic texts that, in his analysis, reveal the underpinnings of modernity's formation--from Dante and Machiavelli to Antonio Gramsci and Walter Benjamin. Moving from premodern models for collective language to competing theories of history, his work offers unprecedented insight into the means by which modern consciousness has come to know itself.
This study of the Portuguese commercial empire in India during the Hapsburg years is the most serious attempt yet made to analyze the old Portuguese pepper trade--from the planting of orchards in the foothills of Malabar and Kanara to the unloading of spice-laden carracks in Lisbon. Equally significant, it is the first book to explain how and why the Portuguese were not able to modernize their trade system when faced with crisis conditions.
The distress that confronted the Portuguese following the arrival of the Dutch and English, seen here as partly military but fundamentally economic and organizational, reached its decisive stage in the 1620s and early 1630s. The Portuguese attempted to combat the crisis by creating their own India Company. The story of that company and the reasons for its failure are thoroughly investigated as Disney looks at its antecedents, composition, activities, and weaknesses. The author has unearthed much new statistical material from widely scattered manuscript sources and in doing so sheds new light on related problems and issues, such as institutional relations between Spain and Portugal, the careers of individual merchants, and the nature and difficulties of viceregal government in Portuguese India.
Billie Timmons was fourteen when he met Charles Goodnight—over a wagonload of manure that had been jammed on a gatepost—and he went to work on the Goodnight Cross J Ranch shortly thereafter. The spirit of helpfulness that led Mr. Goodnight to strip off his coat and lift the wagon free for a lad in need sets the tone of this book, in which the author unwinds a spool of recollections of range-riding in Texas and North Dakota over an eighteen-year period.
When Billie Timmons went to work for Mr. Goodnight in 1892, Texas was undergoing a rapid transition from open range to fences. But around Texas campfires he heard tales about the northern range, told by cowboys who had ridden there and who had seen the northern lights, the tall free grass, swollen streams, and stampeding cattle. A longing to see that exciting country took hold of young Timmons.
His chance came when four buffaloes from the Goodnight ranch needed a nursemaid for their freight car trip to Yellowstone Park. Once in the northern country, Timmons stayed, casting his lot with the cowmen of North Dakota. He became the protégé of an extraordinary man, William Ray; he was foreman, friend, and confidant of banker-rancher Wilse Richards, a member of the Cowboy Hall of Fame. But even during his days in North Dakota he never lost touch with Charles Goodnight, a lifelong friend, and his portrayal of Goodnight provides much insight into the character of the man whose name belongs to the West.
In this book you experience the terror of being lost in the dead-white expanse of a North Dakota snowstorm; the gaiety of cowboy dances, for which there were never enough women available; the excitement of a near-riot in a Hebron, North Dakota, saloon, where cowboys from the 75 Ranch drank up or poured out all the liquor, then smashed all the glasses and bottles—one day before the state became bone-dry; and the loneliness of work on the range, where a flickering lantern on the side of a chuck wagon on a stormy night meant home for many a cowboy. Running like a bright thread through the narrative is Billie Timmons’s love of horses, from whom he learned the wisdom that some horses and some men are to be handled with great care and others are not to be handled at all. His chapter on Buck, his best-loved horse, is memorable.
In North Dakota, as in Texas, fences brought the end of the big herds and the end of cowboying for a man who enjoyed it to the hilt.
Chichén Itzá and Tula have long been conceived as “twin cities”—paired political capitals that share so many aspects of architectural plan, sculptural repertory, and iconographical motifs that they represent a unique case of cultural contact and artistic convergence in ancient Mesoamerica. This volume (originally published in 2007) revisits long-standing questions regarding the relationship between Chichén Itzá and Tula. Hailed as a “must read,” it quickly became a fundamental source for all Mesoamericanists.
Rather than approaching these cities through earlier notions of migrations and conquests, the volume considers their roles in the social, political, and economic relationships that emerged during the transition from the Epiclassic to the Early Postclassic period. The seventeen contributors utilize archaeological, art historical, anthropological, epigraphical, and ethnohistorical methods to demonstrate that the rise and florescence of the “twin cities” was the result of their success in adapting to complex processes of cultural change. These adaptations, along with the development of new types of political systems and the use of innovative visual and symbolic systems, permitted Chichén Itzá and Tula to emerge as dominant powers in Mesoamerica between the Epiclassic and Early Postclassic periods.
A readable account of both the history of the construction of the Twin Towers and the life of the people who work there.
The Twin Towers of the World Trade Center are more than office buildings. They are symbols of America, just as the Eiffel Tower and Big Ben represent their countries. Commissioned in 1962 and completed in 1976, these edifices are still the tallest man-made structures in New York City. Indeed, the builders intended the towers to make a statement about the importance of the Port of New York and New Jersey. The complex rises like Emerald City, with fountains and sculpture from what was once a dilapidated area of half-abandoned stores.
Folklorist Angus Gillespie takes us on a tour that goes back in time and continues to the present day. He recounts the political maneuvering necessary to get the State of New Jersey to agree to situate the project at its present location. Deftly presenting portraits of the men responsible for mooring the World Trade Center at its present location, Gillespie provides ample evidence that the World Trade Center backers were “second to none in self promotion.”
Twin Towers also demonstrates how engineers prepared the site and solved complex problems (wind patterns, elevator placement, ground-water complications) in order to erect the towers, each with 110 stories. And he discusses the contrast between the architectural community’s almost universal disdain for the towers’ design and the public’s enthusiastic acceptance of the buildings as a symbol of New York.
There is more to the Twin Towers than its architecture, however. People give this complex life, purpose, vibrancy, Gillespie points out. The World Trade Center houses more than 400 businesses and organizations from some 60 different countries engaged in a broad range of international business activities. Through his numerous first-hand interviews conducted with the people who daily work there, Gillespie vividly portrays the world of bankers, shippers, freight forwarders, and traders. With skill and insight, he captures what happens during a normal 24-hour day in the Twin Towers, starting with early morning food deliveries and ending with the patrols of nighttime security guards.
Twin Towers is both a fitting tribute and careful analysis of one of the most resonating symbols in American culture.
Twins Talk is an ethnographic study of identical twins in the United States, a study unique in that it considers what twins have to say about themselves, instead of what researchers have written about them. It presents, in the first person, the grounded and practical experiences of twins as they engage, both individually and together, the “who am I” and “who are we” questions of life. Here, the twins themselves are the stars.
Dona Lee Davis conducted conversational interviews with twenty-two sets of identical twins attending the Twins Days Festival in Twinsburg, Ohio, the largest such gathering in the world. Lively and often opinionated, each twin comes through as a whole person who at the same time maintains a special bond that the vast majority of people will never experience.
The study provides a distinctive and enlightening insider’s challenge to the nature/nurture debates that dominate contemporary research on twins. The author, herself an identical twin, draws on aspects of her own life to inform her analysis of the data throughout the text. Each chapter addresses a different theme from multiple viewpoints, including those of popular science writers, scientific researchers, and singletons, as well as those of the twins themselves.
Why do governments insist on fossil fuels? Why do renewables face uncertain and inconsistent legal and regulatory circumstances that slow their market-share growth against fossil fuels? Oksan Bayulgen studies the political determinants of partial energy reforms that result in tepid energy transitions and shifts the geographical focus from front-runner countries of energy innovation to developing countries, which have become the largest carbon emitters in the world. Her in-depth case study of energy policies in Turkey over the past two decades demonstrates that energy transitions are neither inevitable nor linear and that they are often initiated if and only when promoting renewables is in the interests of governing elites and stall when political dividends associated with energy rents change. This book contributes to the debates on the nature and pace of energy transitions by analyzing the power dynamics and political institutions under which energy reforms are initiated and implemented over time. This timely topic will be of interest to scholars, policymakers, energy investors, and anyone interested in environmental studies.
The remarkable memoir of a Touretter’s journey of self-discovery—now back in print!
Lowell Handler has Tourette’s syndrome, a disorder characterized by exaggerated facial tics, sudden jerking movements of the body and limbs, and explosive public outbursts, usually in the form of expletives and racial epithets. Although he is a successful and acclaimed photojournalist, Handler has often seen himself as an outsider—a social outcast. With courage and candor, he recalls the difficulties he suffered growing up, the confusion he experienced when doctors misdiagnosed his bizarre behavior as a psychological aberration, and finally how, restless and despairing, he embarked on a quest for answers.Denise Duhamel's much anticipated new collection begins with a revisionist tale--Noah is married to Joan of Arc--in a poem about America's often flawed sense of history. Throughout Two and Two, doubles abound: Noah's animals; Duhamel's parents as Jack and Jill in a near-fatal accident; an incestuous double sestina; a male/female pantoum; a dream and its interpretation; and translations of advertisements from English to Spanish. In two Möbius strip poems (shaped like the Twin Towers), Duhamel invites her readers to get out their scissors and tape and transform her poems into 3-D objects.
At the book's center is "Love Which Took Its Symmetry for Granted," a gathering of journal entries, personal e-mails, and news reports into a collage of witness about September 11. A section of "Mille et un sentiments," modeled on the lists of Hervé Le Tellier, Georges Perec, and George Brainard, breaks down emotions to their most basic levels, their 1,001 tiny recognitions. The book ends with "Carbó Frescos," written in the form of an art guidebook from the 24th century.
Innovative and unpretentious, Duhamel uses twice the language usually available for poetry. She culls from the literary and nonliterary, from the Bible and product warning labels, from Woody Allen films and Hong Kong action movies--to say difficult things with astonishing accuracy. Two and Two is second to none.
Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.
The current water controversy, perhaps the most crucial in the state's history, cannot be resolved until the two Californias make peace with each other. No other book confronts the environmental and philosophical problems that plague California and have nationwide echoes as thoroughly and as intelligently as Two Californias does. Two Californias is entertaining – and it also thought-provoking. It is very likely to change the ways we think about living together and sharing resources in the 1980s.
Drawing on a rich archive of Korean, Japanese, and Chinese sources, Park describes how Koreans negotiated the contradictory demands of national and colonial powers. She demonstrates that the dynamics of global capitalism led the Chinese and Japanese to pursue capitalist expansion while competing for sovereignty. Decentering the nation-state as the primary analytic rubric, her emphasis on the role of global capitalism is a major innovation for understanding nationalism, colonialism, and their immanent links in social space.
Through a regional and temporal comparison of Manchuria from the late nineteenth century until 1945, Park details how national and colonial powers enacted their claims to sovereignty through the regulation of access to land, work, and loans. She shows that among Korean migrants, the complex connections among Chinese laws, Japanese colonial policies, and Korean social practices gave rise to a form of nationalism in tension with global revolution—a nationalism that laid the foundation for what came to be regarded as North Korea’s isolationist politics.
The Two Faces of American Freedom boldly reinterprets the American political tradition from the colonial period to modern times, placing issues of race relations, immigration, and presidentialism in the context of shifting notions of empire and citizenship. Today, while the U.S. enjoys tremendous military and economic power, citizens are increasingly insulated from everyday decision-making. This was not always the case. America, Aziz Rana argues, began as a settler society grounded in an ideal of freedom as the exercise of continuous self-rule—one that joined direct political participation with economic independence. However, this vision of freedom was politically bound to the subordination of marginalized groups, especially slaves, Native Americans, and women. These practices of liberty and exclusion were not separate currents, but rather two sides of the same coin.
However, at crucial moments, social movements sought to imagine freedom without either subordination or empire. By the mid-twentieth century, these efforts failed, resulting in the rise of hierarchical state and corporate institutions. This new framework presented national and economic security as society’s guiding commitments and nurtured a continual extension of America’s global reach. Rana envisions a democratic society that revives settler ideals, but combines them with meaningful inclusion for those currently at the margins of American life.
Justice is a human virtue that is at once unconditional and conditional. Under favorable circumstances, we can be motivated to act justly by the belief that we must live up to what justice requires, irrespective of whether we benefit from doing so. But our will to act justly is subject to conditions. We find it difficult to exercise the virtue of justice when others regularly fail to. Even if we appear to have overcome the difficulty, our reluctance often betrays itself in certain moral emotions.
In this book, Jiwei Ci explores the dual nature of justice, in an attempt to make unitary sense of key features of justice reflected in its close relation to resentment, punishment, and forgiveness. Rather than pursue a search for normative principles, he probes the human psychology of justice to understand what motivates moral agents who seek to behave justly, and why their desire to be just is as precarious as it is uplifting.
A wide-ranging treatment of enduring questions, The Two Faces of Justice can also be read as a remarkably discerning contribution to the Western discourse on justice relaunched in our time by John Rawls.
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