Plenty of books tell you how to do research. This book helps you figure out WHAT to research in the first place, and why it matters.

The hardest part of research isn't answering a question. It's knowing what to do before you know what your question is. Where Research Begins tackles the two challenges every researcher faces with every new project: How do I find a compelling problem to investigate—one that truly matters to me, deeply and personally? How do I then design my research project so that the results will matter to anyone else?

This book will help you start your new research project the right way for you with a series of simple yet ingenious exercises. Written in a conversational style and packed with real-world examples, this easy-to-follow workbook offers an engaging guide to finding research inspiration within yourself, and in the broader world of ideas.

Read this book if you (or your students):

• have difficulty choosing a research topic
• know your topic, but are unsure how to turn it into a research project
• feel intimidated by or unqualified to do research
• worry that you’re asking the wrong questions about your research topic
• have plenty of good ideas, but aren’t sure which one to commit to
• feel like your research topic was imposed by someone else
• want to learn new ways to think about how to do research.

Under the expert guidance of award-winning researchers Thomas S. Mullaney and Christopher Rea, you will find yourself on the path to a compelling and meaningful research project, one that matters to you—and the world.

A favorite destination of visitors to the Texas coast, Corpus Christi is a midsize city that manages to be both cosmopolitan and provincial, networked and local. It is an indispensable provider of urban services to South Texas, as well as a port of international significance. Its industries and military bases and, increasingly, its coastal research institutes give it a range of connections throughout North America. Despite these advantages, however, Corpus Christi has never made it into the first rank of Texas cities, and a keen self-consciousness about the city’s subordinate position has driven debates over Corpus’s identity and prospects for decades.

In this masterful urban history—a study that will reshape the way that Texans look at all their cities—Alan Lessoff analyzes Corpus Christi’s place within Texas, the American Southwest, the western Gulf of Mexico, and the U.S.-Mexican borderlands from the city’s founding in 1839 to the present. He portrays Corpus as a place where westward Anglo expansion overwhelmed the Hispanic settlement process from the south, leaving a legacy of conflicting historical narratives that colors the city’s character even now. Lessoff also explores how competing visions of the city’s identity and possibilities have played out in arenas ranging from artwork in public places to schemes to embellish, redevelop, or preserve the downtown waterfront and North Padre Island. With a deep understanding of the geographic, historical, economic, and political factors that have formed the city, Lessoff demonstrates that Corpus Christi exemplifies the tensions between regional and cosmopolitan influences that have shaped cities across the Southwest.

Huaca Prieta—one the world’s best-known, yet least understood, early maritime mound sites—and other Preceramic sites on the north coast of Peru bear witness to the beginnings of civilization in the Americas. Across more than fourteen millennia of human occupation, the coalescence of maritime, agricultural, and pastoral economies in the north coast settlements set in motion long-term biological and cultural transformations that led to increased social complexity and food production, and later the emergence of preindustrial states and urbanism. These developments make Huaca Prieta a site of global importance in world archaeology.

This landmark volume presents the findings of a major archaeological investigation carried out at Huaca Prieta, the nearby mound Paredones, and several Preceramic domestic sites in the lower Chicama Valley between 2006 and 2013 by an interdisciplinary team of more than fifty international specialists. The book’s contributors report on and analyze the extensive material records from the sites, including data on the architecture and spatial patterns; floral, faunal, and lithic remains; textiles; basketry; and more. Using this rich data, they build new models of the social, economic, and ontological practices of these early peoples, who appear to have favored cooperation and living in harmony with the environment over the accumulation of power and the development of ruling elites. This discovery adds a crucial new dimension to our understanding of emergent social complexity, cosmology, and religion in the Neolithic period.

"Re-reading is one of life's joys," Anne Drury Hall reminds us. Not simply from the sweetness of remembering or because of the way a book can be like an old friend, but because returning to a great book is inseparable from the endeavor to succeed at being human. The "pull of something old and steady and reliable, the pull to rise to a higher plane" is an important aspect of this experience, where the reader truly "notices" and "connects" with the world and himself. This is why books are the cornerstones of education and the source of the power of concentration. 

  After leaving school and becoming lost in adulthood, can one return to these books and revive the quest to be great? For this is why we call such books "great". Yet as Hall says, "few people use the phrase 'great books' any more except ironically, because there is an odd view in the current intellectual fog that there is no such thing as 'greatness'". She is compelled, then, to reexamine the so-called great books and make the case for their eternal importance. It is a task that requires not only swimming against the disenchanted march of the post-modern reader into adulthood, but also asserting the unthinkable––namely, that great books were written by great men who achieved this status through their own labor and endurance. 
Hall reintroduces the reader to Plato, Homer, Chaucer, Shakespeare, Milton and Melville and hopes this will expose the fraud of most of contemporary literature, and encourage taste and stamina for the works that promise to exhilarate. And Hall argues well that the thrill of these books draws from one shared feature: "The heart of these books is the drama of choice." If Roger Scruton is famous for showing us that ideas have consequences, Hall provides the reader the vision of himself as standing on the brink and the urgency of taking life seriously again. For many this means taking books seriously again.

This book is an important companion to the works treated therein, for teachers and students alike. Both need encouragement in the laboring of instruction or reading the impressive classics. Particularly apt is Hall's treatment of the difficulty of teaching Shakespeare. For the not-so-recent university graduate, perhaps this book will bring him once again to wander where the Muses still haunt. Indeed, even the well-read will enjoy Hall's keen interpretation of the glory of these stories. This is a book written by a true teacher. 

Annamaboe was the largest slave trading port on the eighteenth-century Gold Coast, and it was home to successful, wily African merchants whose unusual partnerships with their European counterparts made the town and its people an integral part of the Atlantic’s webs of exchange. Where the Negroes Are Masters brings to life the outpost’s feverish commercial bustle and continual brutality, recovering the experiences of the entrepreneurial black and white men who thrived on the lucrative traffic in human beings.

Located in present-day Ghana, the port of Annamaboe brought the town’s Fante merchants into daily contact with diverse peoples: Englishmen of the Royal African Company, Rhode Island Rum Men, European slave traders, and captured Africans from neighboring nations. Operating on their own turf, Annamaboe’s African leaders could bend negotiations with Europeans to their own advantage, as they funneled imported goods from across the Atlantic deep into the African interior and shipped vast cargoes of enslaved Africans to labor in the Americas.

Far from mere pawns in the hands of the colonial powers, African men and women were major players in the complex networks of the slave trade. Randy Sparks captures their collective experience in vivid detail, uncovering how the slave trade arose, how it functioned from day to day, and how it transformed life in Annamaboe and made the port itself a hub of Atlantic commerce. From the personal, commercial, and cultural encounters that unfolded along Annamaboe’s shore emerges a dynamic new vision of the early modern Atlantic world.

Where the Red-Winged Blackbirds Sing examines the ways in which the Akimel O’odham (“River People”) and their ancestors, the Huhugam, adapted to economic, political, and environmental constraints imposed by federal Indian policy, the Indian Bureau, and an encroaching settler population in Arizona’s Gila River Valley. Fundamental to O’odham resilience was their connection to their sense of peoplehood and their himdag (“lifeway”), which culminated in the restoration of their water rights and a revitalization of their Indigenous culture.
 
Author Jennifer Bess examines the Akimel O’odham’s worldview, which links their origins with a responsibility to farm the Gila River Valley and to honor their history of adaptation and obligations as “world-builders”—co-creators of an evermore life-sustaining environment and participants in flexible networks of economic exchange. Bess considers this worldview in context of the Huhugam–Akimel O’odham agricultural economy over more than a thousand years. Drawing directly on Akimel O’odham traditional ecological knowledge, innovations, and interpretive strategies in archives and interviews, Bess shows how the Akimel O’odham engaged in agricultural economy for the sake of their lifeways, collective identity, enduring future, and actualization of the values modeled in their sacred stories.
 
Where the Red-Winged Blackbirds Sing highlights the values of adaptation, innovation, and co-creation fundamental to Akimel O’odham lifeways and chronicles the contributions the Akimel O’odham have made to American history and to the history of agriculture. The book will be of interest to scholars of Indigenous, American Southwestern, and agricultural history.
 

A new edition of a classic short-story collection.
 
The stories of Where the Rivers Flow North are “superior work, rich in texture and character,” says the Wall Street Journal, and “the novella is brilliantly done.” That novella, the title story of the collection, was also made into a feature film starring Rip Torn and Michael J. Fox. These six stories, available again in this new edition, continue Howard Frank Mosher’s career-long exploration of Kingdom County, Vermont. “Within the borders of his fictional kingdom,” the Providence Journal has noted, “Mosher has created mountains and rivers, timber forests and crossroads villages, history and language. And he has peopled the landscape with some of the truest, most memorable characters in contemporary literature.” This new edition features a new introduction by novelist Peter Orner.
 

Winner of the John Collier Jr. Award for Still Photography

Where the Roads All End tells the remarkable story of an American family’s eight anthropological expeditions to the remote Kalahari Desert in South-West Africa (Namibia) during the 1950s. Raytheon co-founder Laurence Marshall, his wife Lorna, and children John and Elizabeth recorded the lives of some of the last remaining hunter-gatherers, the so-called Bushmen, in what is now recognized as one of the most important ventures in the anthropology of Africa. Largely self-taught as ethnographers, the family supplemented their research with motion picture film and still photography to create an unparalleled archive that documents the Ju/’hoansi and the /Gwi just as they were being settled by the government onto a “Bushman Preserve.” The Marshalls’ films and publications popularized a strong counternarrative to existing negative stereotypes of the “Bushman” and revitalized academic studies of these southern African hunter-gatherers.

This vivid and multilayered account of a unique family enterprise focuses on 25,000 still photographs in the archives of Harvard’s Peabody Museum of Archaeology and Ethnology. Illustrated with over 300 images, Where the Roads All End reflects on the enduring ethnographic record established by the Marshalls and the influential pathways they charted in anthropological fieldwork, visual anthropology, ethnographic film, and documentary photography.

The old aphorism “Where you stand is where you sit” rings true across many sectors of society. For academic administrators, be they provosts, vice-presidents or vice-chancellors, deans or directors, department chairs or heads, or administrative support professionals, the level and scope of responsibilities clearly influence perspectives. Yet, having a understanding of the higher-education enterprise is essential to ensuring professional success and advancement. Such understanding is at the heart of this work.
 
This handbook addresses the three key responsibilities of academic officers: inspiration, evaluation, and representation. “Getting a Good Start” deals with the promise of a new position, communicating with supervisors, and “getting around.” “Offering Inspiration and Direction” looks at the integrated scholar and “academic intrapreneurs”; diversity; the joys, challenges, and failure of professional life; and dealing with tragedies. “Guidance to Various Academic Administrators and Support Staff” examines the development, roles, and responsibilities of academic officers and institutional planning and budgeting. Reviewing the state of the institution and its personnel is covered in “Assessments and Evaluations,” and “Policies and Partnerships” deals with ethics-based policies, academic consortia and partnerships, and international outreach.
 
Throughout this valuable handbook, Smith offers background, advice, and examples that will interest both the novice and seasoned administrator as he takes us on a tour of success stories, challenges, and foibles.

The emergence of rhetorical new materialisms and computational rhetorics has provoked something of an existential crisis within rhetorical studies. In Where’s the Rhetoric?, S. Scott Graham tackles this titular question by arguing first that scholarly efforts in rhetorical new materialisms and computational rhetoric be understood as coextensive with longstanding disciplinary commitments in rhetoric. In making this argument, Graham excavates the shared intellectual history of traditional rhetorical inquiry, rhetorical new materialisms, and computational rhetoric with particular emphasis on the works of Carolyn Miller, Kenneth Burke, and Henri Bergson.
 
Building on this foundation, Graham then argues for a more unified approach to contemporary rhetorical inquiry—one that eschews disciplinary demarcations between rhetoric’s various subareas. Specifically, Graham uses his unified field theory to explore 1) the rise of the “tweetorial” as a parascientific genre, 2) inventional practices in new media design, 3) statistical approaches to understanding biomedical discourse, and 4) American electioneering rhetorics. The book overall demonstrates how seemingly disparate intellectual approaches within rhetoric can be made to speak productively to one another in the pursuit of shared scholarly goals around questions of genre, media, and political discourse—thereby providing a foundation for imagining a more unified field.
 

Depression-era Harlan County, Kentucky, was the site of one of the most bitter and protracted labor disputes in American history. The decade-long conflict between miners and the coal operators who adamantly resisted unionization has been immortalized in folksong by Florence Reece and Aunt Molly Jackson, contemplated in prose by Theodore Dreiser and Sherwood Anderson, and long been obscured by popular myths and legends.

 

John W. Hevener separates the fact from the legend in his Weatherford Award-winning investigation of Harlan's civil strife, now available for the first time in paperback. In Which Side Are You On? Hevener attributes the violence–-including the deaths of thirteen union miners–-to more than just labor conflict, viewing Harlan's troubles as sectional economic conflict stemming from the county's rapid industrialization and social disorganization in the preceding decade.

 

Detailing the dimensions of unionization and the balance of power spawned by New Deal labor policy after government intervention, Which Side Are You On? is the definitive analysis of Harlan's bloody decade and a seminal contribution to American labor history.

Whiff is the new novel by David Edwards (Séguier). It is illustrated by the Japanese Manga artist Junko Murata and continues the story of Edwards’ first novel, Niche, co-authored with Jay Cantor (Plessis). Whiff derives from an actual experiment performed in Paris at the art and science innovation center, Le Laboratoire. In this latest experiment, the double-Michelin-starred chef Thierry Marx collaborated with the colloidal scientist Jérôme Bibette to introduce a new way of encapsulating flavors. Wishing to present these delectable capsules in an unusual way, a group of art and science college students developed with Edwards a new way of eating by aerosol, called whiffing. Whiff, whose publication coincides with the commercialization by Le Laboratoire of aerosolized chocolate, explores how we dream, and realize our dreams, through surprising combinations of aesthetic and analytical methods. Whiff is also accompanied by the first “whiffing” recipes.

The years from 1928 to 1937 were the “Nanking decade” when the Chinese Nationalist government strove to build a new China with Western assistance. This was an interval of hope between the turbulence of the warlord-ridden twenties and the eight-year war with Japan that began in 1937. James Thomson explores the ways in which Americans, both missionaries and foundation representatives, tried to help the Chinese government and Chinese reformers undertake a transformation of rural society. His is the first in-depth study of these efforts to produce radical change and at the same time avoid the chaos and violence of revolution.

Despite the conservatism of the right wing in the Kuomintang party dictatorship, this Nanking decade saw many promising beginnings. American missionaries—the largest group of Westerners in the Chinese hinterland—often took the initiative locally, and some rallied to support of China’s first modern-minded government. They assisted both in rural reconstruction programs and in efforts of at ideological reform. Thomson analyzes the work of the National Christian Council in an area of Kiangsi province recently recovered from Communist rule. He also traces the deepening involvement of missionaries and the Chinese Christian Church in the “New Life Movement,” sponsored by Chiang Kai-shek.

Unhappily aware of the sharpening polarization of Chinese politics, these American reformers struggled in vain to steer clear of too close an identification with the ruling party. Yet they found themselves increasingly identified with the Nanking regime and their reform efforts obstructed by its disinclination or inability to revolutionize the Chinese countryside. In this way, American reformers in Nationalist China were forerunners of subsequent American attempts, under government sponsorship, to find a middle path between revolution and reaction in other situations of national upheaval.

For this book, James Thomson has used hitherto unexplored archives that document the participation of American private citizens in the process of Chinese social, economic, and political change.

A Manhattan or a Sazerac; neat, on the rocks, or with a splash of soda—no matter how it’s served up, whiskey is synonymous with the poet’s inspiration and the devil’s spirit. Be it bourbon, rye, corn, Irish, or Scotch, whiskey has an infamous and celebrated history from a sometimes lethal, herb-infused concoction to a high-quality, meticulously crafted liquor.

            In Whiskey, Kevin R. Kosardelivers an informative, concise narrative of the drink’s history, from its obscure medieval origins to the globally traded product that it is today. Focusing on three nations—Scotland, Ireland, and America—Kosarcharts how the technique of distillation moved from ancient Egypt to the British Isles. Contrary to popular claims, there were no good old days of whiskey: before the twentieth century, consumers could never be sure just what was being poured in their cup—unscrupulous profiteers could distill anything into booze and pawn it off as whiskey. Eventually, government and industry established legal definitions of what whiskey is and how it could be made, allowing for the distinctive styles of whiskey known today.

Whiskey explains what whiskey is, how it is made, and how the types of whiskey differ. With a list of suggested brands and classic cocktail recipes for the thirsty reader, this book is perfect for drink and food enthusiasts and history lovers alike.

In March 1791 Treasury Secretary Alexander Hamilton shocked the western frontier when he proposed a domestic excise tax on whiskey to balance America’s national debt. The law, known colloquially as the “Whiskey Act,” disproportionately penalized farmers in the backcountry, while offering favorable tax incentives designed to protect larger distillers. Although Hamilton viewed the law as a means of both collecting revenue andforcefully imposing federal authority over the notoriously defiant frontier, settlers in Western Pennsylvania bristled at its passage. They demanded that the law be revoked or rewritten to correct its perceived the injustices, and begged their representatives to lobby Congress on their behalf. 
   As the months passed however the people of Western Pennsylvania grew restless with the inadequacy of the government’s response and they soon turned to more violent means of political expression. Treasury officers across the west were targeted for their involvement in the tax collection, and they were brutally attacked by armed bands of disgruntled locals. They were tarred and feathered, burned with hot irons, and whipped; their homes were ransacked and burned. Extralegal courts were established in a direct challenge to federal authority, and the frontier slowly drifted toward a state of rebellion.
   In response President George Washington raised an army of 13,000 men, one of the largest forces he ever commanded, to suppress the rebellion. No major battle ever occurred, but weeks of arrests, illegal detentions, and civil rights violations rocked the west. The event polarized the nation, and highlighted the dramatic differences between Washington’s Federalist perspective and Jefferson’s emerging Democratic-Republican Party. Two centuries later the Whiskey Rebellion stands as the second largest domestic rebellion in American History, only outdone by the Confederate States of America in 1861.
   In The Whiskey Rebellion: A Distilled History of an American Crisis, historian Brady J. Crytzer takes the reader on a journey through Western Pennsylvania following the routes of both the rebels and the United States Army to place this important event into context for the reader. Complete with images and maps, the author illuminates what visitors can still see from the period while providing a cogent and engrossing account of this crisis unfolded and how it was resolved. 

A succinct account of the Whiskey Rebellion of 1794 in Western Pennsylvania.

When it comes to Texas honky-tonk, nobody knows the music or the scene better than Johnny Bush. Author of Willie Nelson's classic concert anthem "Whiskey River," and singer of hits such as "You Gave Me a Mountain," "Undo the Right," "Jim, Jack and Rose," and "I'll Be There," Johnny Bush is a legend in country music, a singer-songwriter who has lived the cheatin', hurtin', hard-drinkin' life and recorded some of the most heart-wrenching songs about it. He has one of the purest honky-tonk voices ever to come out of Texas. And Bush's career has been just as dramatic as his songs—on the verge of achieving superstardom in the early 1970s, he was sidelined by a rare vocal disorder that he combated for thirty years. But, survivor that he is, Bush is once again filling dance halls across Texas and inspiring a new generation of musicians who crave the authenticity—the "pure D" country—that Johnny Bush has always had and that Nashville country music has lost.

In Whiskey River (Take My Mind), Johnny Bush tells the twin stories of his life and of Texas honky-tonk music. He recalls growing up poor in Houston's Kashmere Gardens neighborhood and learning his chops in honky-tonks around Houston and San Antonio—places where chicken wire protected the bandstand and deadly fights broke out regularly. Bush vividly describes life on the road in the 1960s as a band member for Ray Price and Willie Nelson, including the booze, drugs, and one-night stands that fueled his songs but destroyed his first three marriages. He remembers the time in the early 1970s when he was hotter than Willie and on the fast track to superstardom—until spasmodic dysphonia forced his career into the slow lane. Bush describes his agonizing, but ultimately successful struggle to keep performing and rebuild his fan base, as well as the hard-won happiness he has found in his personal life.

Woven throughout Bush's autobiography is the never-before-told story of Texas honky-tonk music, from Bob Wills and Floyd Tillman to Junior Brown and Pat Green. Johnny Bush has known almost all the great musicians, past and present, and he has wonderful stories to tell. Likewise, he offers shrewd observations on how the music business has changed since he started performing in the 1950s—and pulls no punches in saying how Nashville music has lost its country soul. For everyone who loves genuine country music, Johnny Bush, Willie Nelson, and stories of triumph against all odds, Whiskey River (Take My Mind) is a must-read.

For 100 days in 1994, genocide engulfed Rwanda. Since then, many in the international community have praised the country's postgenocide government for its efforts to foster national unity and reconciliation by downplaying ethnic differences and promoting "one Rwanda for all Rwandans." Examining how ordinary rural Rwandans experience and view these policies, Whispering Truth to Power challenges the conventional wisdom on postgenocide Rwanda.

Harriet Jacobs's famous autobiography, Incidents in the Life of a Slave Girl, includes her heartbreaking account of parting with her young daughter, Louisa, who had been taken away to the North by her white father. Here, Mary Maillard follows the thread of the Jacobs family lineage by revealing the communications of Louisa Jacobs and her close friends in more than seventy previously unidentified letters. In this annotated correspondence, new voices call out from the lost world of nineteenth-century African American women who persevered despite difficult family obligations and the racial strife that marked the post-Reconstruction era.

Society needs whistleblowers, yet to speak up and expose wrongdoing often results in professional and personal ruin. Kate Kenny draws on the stories of whistleblowers to explain why this is, and what must be done to protect those who have the courage to expose the truth.

Despite their substantial contribution to society, whistleblowers are considered martyrs more than heroes. When people expose serious wrongdoing in their organizations, they are often punished or ignored. Many end up isolated by colleagues, their professional careers destroyed. The financial industry, rife with scandals, is the focus of Kate Kenny’s penetrating global study. Introducing whistleblowers from the United States, the United Kingdom, Switzerland, and Ireland working at companies like Wachovia, Halifax Bank of Scotland, and Countrywide–Bank of America, Whistleblowing suggests practices that would make it less perilous to hold the powerful to account and would leave us all better off.

Kenny interviewed the men and women who reported unethical and illegal conduct at major corporations in the run up to the 2008 financial crisis. Many were compliance officers working in influential organizations that claimed to follow the rules. Using the concept of affective recognition to explain how the norms at work powerfully influence our understandings of right and wrong, she reframes whistleblowing as a collective phenomenon, not just a personal choice but a vital public service.

A novel about disability, family secrets, and Norway’s eugenic past. 

The White Bathing Hut is a genetic detective story. The narrator uses a wheelchair because of an inherited illness that has caused his muscle tissue to degenerate, making him unable to walk. One day, he falls from his wheelchair. His family is away, his cell phone out of reach, and he has no choice but to lie on the floor of his apartment, dissecting his life, until help arrives. He recalls his parents’ reactions of shame and silence when, as a teenager, his illness was first diagnosed. Now in her old age, his mother remains stubbornly secretive. A chance call from a cousin provides the narrator with clues about his grandfather and uncle, whom he never met and who both also had the disease. His search for the truth about his heredity is given new urgency when his mother is diagnosed with cancer. He must persuade her to speak before she dies, for his own sake and for his daughter’s. The White Bathing Hut is an indictment of contemporary Norwegian society, which claims to abhor its history of eugenics, yet still seeks to control the lives of people with disabilities. 

How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.

This is the only comprehensive and critical account, in a single volume, of the leukocytes. It cuts across scientific and clinical disciplines to provide a unified review of granulocytes, monocytes, and lymphocytes, both as individual cell types and as they form an integrated system of defense against the body's foreign invaders. Sections on each cell type discuss first normal and then abnormal aspects of morphogenesis and morphology, the kinetics of production, distribution, life span, metabolism and function. Specific disease states are reviewed in the context of pathophysiological mechanisms.

Readable, and beautifully illustrated with photomicrographs, electron micrographs, diagrams and drawings, this book will serve a broad audience of physicians and scientists as well as students seeking a basic grounding in the field. More than 6,000 references are cited; the reader will find a perspective on the historical development of leukocyte biology as well as a current summary of a rapidly changing field. Not only hematologists, but workers in the basic disciplines of immunology and cell biology, and in the clinical fields of oncology, genetics, infectious disease, surgery, and related areas, will turn to this book as the fundamental teaching and reference work on white cells.

From Ovid’s Lycaon to Professor Lupin, from Teen Wolf to An American Werewolf in Paris, the lycanthrope, or werewolf, comes to us frequently on the page and the silver screen. These interpretations often display lycanthropy as a curse, with the afflicted person becoming an uncontrollable, feral beast during every full moon. But this is just one version of the werewolf—its origins can be traced back thousands of years to early prehistory, and everything from Iron Age bog bodies and Roman gods to people such as Joan of Arc, Adolf Hitler, and Sigmund Freud feature in its story. Exploring the role of this odd assortment of ideas and people in the myth, The White Devil tracks the development of the werewolf from its birth to the present day, seeking to understand why the wolf curse continues to hold a firm grip on the modern imagination.

In the town of Urepel, Arizona, Xabier Etxea, a young Basque-American sheep rancher, and his wife grapple with the rituals, mores, and spirituality of their heritage and the realities of living in the new American West. Their tenuous balance of the past and the present is disrupted when Xabier’s father is unexpectedly killed.

             In the wake of this tragedy, Xabier learns that not only is the family ranch in jeopardy of foreclosure but his father’s death may not have been the accident it first appeared to be. Now, he must find a way to save his family’s ranch while unraveling the mysteries leading to his father’s death. Along the way, Xabier strives to adhere to his father’s memory and words—the invitation to stay true to who he is without losing his arima (soul).

            In lyrical language that evokes the mythologies that have shaped the Etxeas’s worldview, White Dove, Tell Me speaks to the divided self that seeks to honor the family’s Basque heritage, while they strive for understanding in a new land.         

For all its history of intersecting empires, the Balkans has been rarely framed as a global site of race and coloniality. This, as Piro Rexhepi argues in White Enclosures is not surprising, given the perception of the Balkans as colorblind and raceless, a project that spans post-Ottoman racial formations, transverses Socialist modernity and is negotiated anew in the process of postsocialist Euro-Atlantic integration. Connecting severed colonial histories from the vantage point of body politic, Rexhepi turns to the borderland zones of the Balkans to trace past and present geopolitical attempts of walling whiteness. From efforts to straighten the sexualities of post-Ottoman Muslim subjects, to Yugoslav nonaligned solidarities between Muslims of the second and third world, to Roma displacement and contemporary emergence of refugee carceral technologies along the Balkan Route, Rexhepi points not only to the epistemic erasures that maintain the fantasy of whiteness but also to the disruption emanating from the solidarities between queer- and transpeople that fold the Balkans back into global efforts to resist the politics of racial capitalism. 
 

    Among the countless gangster films produced by Hollywood, few are as haunting, complex, or ingeniously crafted as White Heat (1948). Students of film history and screen writing will appreciate this treatment—an engaging study of teh various artistic elements that turned what might have been just another gangster film into an innovative classic of the genre and a model of cooperative filmmaking at its best.
    Crucial to White Heat's success, McGilligan stresses, was the rare manner in which every aspect of production coalesced: studio, script, cast, crew, and director.

The relation of White House assistants to the president, their appropriate role in the governmental process, and the most effective means for organizing and managing the White House have been subjects of both public concern and academic dispute. White House Operations addresses these and related questions by providing the first thorough analysis of how the thirty-sixth president managed his staff. By grounding their study in original documents from the Lyndon B. Johnson Presidential Library, the authors lift the veil of secrecy that clouds the inner workings of the White House. The result is an insightful elaboration of the complex, extensive, and diverse roles of White House aides—and av fascinating look at such key White House figures as McGeorge Bundy, Joseph Califano, Bill Moyers, George Reedy, Walt Rostow, Lawrence O’Brien, and Johnson himself.

This exploration of Johnson’s highly personalized White House operations provides far-reaching implications for the nature of effective presidential management. The comprehensive analysis of the range of work done under Johnson and the unique nature of White House assistance leads the authors to a strong and vigorous assertion for a positive role for the White House staff that clashes sharply with the thrust of many recommendations for reorganizing the presidency. Redford and McCulley convincingly demonstrate that management of the White House staff and other parts of the president’s advisory system will remain crucial for successful presidential performance.

The book is the fifth volume in a series designed to provide a comprehensive administrative history of the Johnson presidency. The book will be of interest to the informed general reader, presidential scholars, political scientists, U.S. historians, and students of public management and will be an important addition to academic library collections.

The study of white ethnicities is becoming increasingly important in the social sciences. This book provides a critical introduction to the topic.

Whiteness has traditionally been seen as "ethnically transparent" - the marker against which other ethnicities are measured. This analysis is clearly incorrect, but only recently have many race and ethnicity scholars moved away from focusing on ethnic minorities and instead oriented their studies around the construction of white identities. Simon Clarke and Steve Garner's book is designed to guide students as they explore how white identities are forged using both sociological and psycho-social ideas.

Including an excellent survey of the existing literature and original research from the UK, this book will be an invaluable guide for sociology students taking modules in race and ethnicity.