Originally published in 1845, Adventures of Captain Simon Suggs is a series of sketches written in part to parody some the campaign literature of the era. The character, Simon Suggs, with his motto, “it is good to be shifty in a new country,” fully incarnates a backwoods version of the national archetypes now know as the confidence man, the grafter, the professional flim-flam artist supremely skilled in the arts by which a man gets along in the world. This classic volume of good humor is set in the rough-and-tumble world of frontier life and politics.
Brings together the nation's leading scholars on the prehistory and early history of Alabama and the southeastern US
This fascinating collection was born of a concern with Alabama's past and the need to explore and explain that legacy, so often hidden by the veils of time, ignorance, or misunderstanding. In 1981 The University of Alabama celebrated its 150th anniversary, and each College contributed to the celebration by sponsoring a special symposium. The College of Arts and Sciences brought together the nation's leading scholars on the prehistory and early history of Alabama and the Southeastern United States, and for two memorable days in September 1981 several hundred interested listeners heard those scholars present their interpretations of Alabama's remarkable past.
The organizers of the symposium deliberately chose to focus on Alabama's history before statehood. Alabama as a constituent state of the Old South is well known. Alabama as a home of Indian cultures and civilizations of a high order, as an object of desire, exploration, and conquest in the sixteenth century, and as a borderland disputed by rival European nationalities for almost 300 years is less well known. The resulting essays in this collection prove as interesting, enlightening, and provocative to the casual reader as to the professional scholar, for they are intended to bring to the general reader artifacts and documents that reveal the realities and romance of that older Alabama.
Topics in the collection range from the Mississippian Period in archaeology and the de Soto expedition (and other early European explorations and settlements of Alabama) to the 1780 Siege of Mobile.
Forging Alabama’s legacy: The definitive history of every blast furnace from pioneer charcoal fires to industrial giants.
Alabama Blast Furnaces by Joseph H. Woodward II offers the only comprehensive history of every blast furnace constructed in Alabama between 1815 and 1940, tracing a vital chapter in the state's iron and steel legacy. Beginning with the pioneering Cedar Creek charcoal furnace in 1815, Woodward meticulously chronicles four distinct eras:
Pioneer Era (1815–1861): Early, locally focused furnaces that laid the foundation of Alabama’s iron industry;
Civil War Era (1861–1865): Furnaces mobilized for the Confederate war effort, including Northern raids, labor shortages,
and innovation under duress;
Reconstruction Era (1866–1879): Transition from stone-stack furnaces toward iron- and steel-shelled technology; and
Modern Era (1880–1940): The rise of large-scale coke-fired plants that propelled Alabama onto the national and international stage.
The heart of the book is a rich series of illustrated, furnace-by-furnace histories—capturing specifics on every site, including four that were built but never operated. With 50 detailed illustrations and rigorous documentation, this reissue—part of the Library of Alabama Classics series—features a new introduction by historian James R. Bennett, who situates Woodward’s work in its historical context and underscores its lasting relevance.
Originally compiled in 1940 by a member of the Woodward Iron Company family, the volume remains a seminal reference for scholars, students, and industrial history enthusiasts. Its thorough scope ensures every furnace—whether a modest pioneer operation or a towering industrial complex—has its story preserved. As one reviewer notes, this work covers furnaces that “made Alabama internationally significant in the iron and steel industry,” offering a level of detail unmatched in regional history.
A detailed guide to 102 canoe trips on the Cahaba River and 40 other creeks and rivers within the state.
John H. Foshee’s popular and informative Alabama Canoe Rides and Float Trips has been a favorite of canoeing enthusiasts since 1975, providing a detailed guide to 102 canoe trips on the Cahaba River and 40 other creeks and rivers within the state. The trips highlighted in the book range from 3½ to 14 miles in length, with difficulty factors varying from leisurely float trips to Class 4 rapids.
This handy guide will assist beginning and expert canoeists in the selection of and preparation for a variety of float experiences. The author gives suggestions for river safety and makes recommendations for equipment. In addition, he points out major danger areas and obstacles that may be encountered and includes information on river access and use of topographical maps. An appendix contains brief descriptions of the rides, including their put-ins and take-outs, and follows the general format of the individual trip descriptions.
A visually rich survey of two hundred years of Alabama fine arts and artists
Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.
Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.
This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works. Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.
Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.
Alabamians have always been a singing people. The settlers who moved into the various sections of the state brought with them songs which reflected their national origins and geographical backgrounds, and as they spread into the hills and over the lowlands they created new songs out of the conditions under which they lived. Also, they absorbed songs from outside sources whenever these pieces could be adapted to their sentiments and ways of life. Thus, by a process of memory, composition and recreation they developed a rich body of folk songs. The following collection a part of the effort to discover and preserve these songs.
The story of Alabama's governors has been often bizarre, occasionally inspiring, but never dull. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his administrative office and refused to give it up when voters failed to reelect him. A 20th-century governor, an alumnus of Yale, married his first cousin and served as an officer in the Ku Klux Klan.
This collection of biographical essays, written by 34 noted historians and political scientists, chronicles the foibles and idiosyncrasies, in and out of office, of those who have served as the state's highest elected official. It also describes their courage; their meaningful policy initiatives; their accomplishments and failures; the complex factors that led to their actions or inaction; and the enormous consequences of their choices on the state's behalf.
Taken together, the essays provide a unified history of the state, with its recurring themes of race, federal-state relations, economic development, taxation, and education. Alabama Governors is certain to become an invaluable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history and politics of the state.
An authoritative popular history that places the state in regional and national context.
Penned by one of Alabama’s most distinguished historians, this masterful work offers a sweeping yet intimate portrait of a century that reshaped both the state and the nation. With clarity, wit, and deep insight, the author traces the dramatic arc of the 20th century—from the dawn of flight and the rise of industrial power to revolutions in psychology, literature, and morality—all through the lens of Alabama’s unique experience.
Far more than a catalog of events, this book is a meditation on transformation. It captures the spirit of Alabamians as they confronted change with determination and vision, reckoning with the promises and perils of modernity. The author’s deep respect for archival sources and fellow scholars is matched by his gift for storytelling, making this an accessible and compelling read for both academics and general audiences.
With a voice honed by decades of scholarship and a heart rooted in Southern soil, the author brings history to life—illuminating how one state mirrored the nation’s evolution while forging its own path. This is essential reading for anyone seeking to understand Alabama’s place in the American story.
WINNER OF THE ANNE B. & JAMES B. MCMILLAN PRIZE IN SOUTHERN HISTORY
Examines the legacies of eight momentous US Supreme Court decisions that have their origins in Alabama legal disputes.
Unknown to many, Alabama has played a remarkable role in a number of Supreme Court rulings that continue to touch the lives of every American. In Alabama Justice: The Cases and Faces That Changed a Nation, Steven P. Brown has identified eight landmark cases that deal with religion, voting rights, libel, gender discrimination, and other issues, all originating from legal disputes in Alabama.
Written in a concise and accessible manner, each case law chapter begins with the circumstances that created the dispute. Brown then provides historical and constitutional background for the issue followed by a review of the path of litigation. Excerpts from the Court’s ruling in the case are also presented, along with a brief account of the aftermath and significance of the decision. The First Amendment (New York Times v. Sullivan), racial redistricting (Gomillion v. Lightfoot), the Equal Protection Clause of the Fourteenth Amendment (Frontiero v. Richardson), and prayer in public schools (Wallace v. Jaffree) are among the pivotal issues stamped indelibly by disputes with their origins in Alabama legal, political, and cultural landscapes. By examining such landmark twentieth-century milestones and eras such as the Scottsboro Boys trial, the Civil Rights movement, and the fight for women’s rights through a legal lens, Brown sheds new and unexpected light on the ways that events in Alabama have shaped the nation.
In addition to his analysis of cases, Brown discusses the three associate Supreme Court justices from Alabama to the Supreme Court: John McKinley, John Archibald Campbell, and Hugo Black. Their cumulative influence on constitutional interpretation, the institution of the Court, and the day-to-day rights and liberties enjoyed by every American is impossible to measure. A closing chapter examines the careers and contributions of these three Alabamians.
A comprehensive, illustrated history that shows Alabama's important role in the development of the nation's railroad system
Alabama Railroads is the first extensive history of the state’s railway system, from the chartering of the Tuscumbia Railway Company in January 1830, to the maturity of the system in the latter half of the 20th century, when Amtrak assumed control of the nation’s passenger service.
Railroads built Alabama. Without them the state’s vast natural resources could not have been developed. Scores of Alabama towns, including the city of Birmingham, owe their existence to the railroads. Moreover, Alabama legislators were instrumental in securing passage of momentous land grant legislation that brought the railroad—and settlers—to every section of the American frontier.
During the Civil War, the state’s rail system was a primary objective of Union raiders, and an Alabama rail connection into Chattanooga proved to be a vital key to victory. After the war, the railroad shaped politics and economic development in the state. Indeed, most of the important events of the first 100 years of Alabama history were influenced in a significant manner by the railroad. Alabama Railroads chronicles these events—from land grant legislation and the strategic importance of Alabama’s railroads in the Civil War to the founding of Birmingham and the development of the state’s agricultural, mineral, and timber regions.
Wayne Cline traces the development of all the major lines as well as the most prominent short lines, from the day in 1832 when the first horse-drawn cars rolled over primitive tracks at Tuscumbia, to the night in 1971 at Sylacauga when the final operating order was issued for one of the 20th century’s most famous streamliners. Along the way we meet the varied cast of colorful characters who pioneered the railway system that serves the state today. With more than 100 rare and vintage illustrations from the 19th and early 20th centuries, Alabama Railroads places Alabama’s rail heritage in a national context and allows students of southern history as well as railroad enthusiasts to view this Deep South state from an entirely fresh perspective.
A definitive bicentennial history of Alabama and its place in the American South.
Alabama: The History of a Deep South State, Bicentennial Edition is a comprehensive narrative account of the state from its earliest days to the present. This edition, updated to celebrate the state’s bicentennial year, offers a detailed survey of the colorful, dramatic, and often controversial turns in Alabama’s evolution. Organized chronologically and divided into three main sections—the first concluding in 1865, the second in 1920, and the third bringing the story to the present—makes clear and interprets the major events that occurred during Alabama’s history within the larger context of the South and the nation.
Once the home of aboriginal inhabitants, Alabama was claimed and occupied by a number of European nations prior to becoming a permanent part of the United States in 1819. A cotton and slave state for more than half of the nineteenth century, Alabama seceded in 1861 to join the Confederate States of America, and occupied an uneasy and uncertain place in America’s post-Civil War landscape. Alabama’s role in the twentieth century has been equally tumultuous and dramatic.
General readers as well as scholars will welcome this up-to-date and scrupulously researched history of Alabama, which examines such traditional subjects as politics, military history, economics, race, and class. It contains essential accounts devoted to Native Americans, women, and the environment, as well as detailed coverage of health, education, organized labor, civil rights, and the many cultural developments, from literature to sport, that have enriched Alabama’s history. The stories of individual leaders, from politicians to creative artists, are also highlighted. A key facet of this landmark historical narrative is the strong emphasis placed on the common everyday people of Alabama, those who have been rightly described as the “bone and sinew” of the state.
The story of Alabama—where history shaped a state and a nation.
Alabama: The Making of an American State is itself a watershed event in the long and storied history of the state of Alabama. Here, presented for the first time ever in a single, magnificently illustrated volume, Edwin C. Bridges conveys the magisterial sweep of Alabama’s rich, difficult, and remarkable history with verve, eloquence, and an unblinking eye.
From Alabama’s earliest fossil records to its settlement by Native Americans and later by European settlers and African slaves, from its territorial birth pangs and statehood through the upheavals of the Civil War and the civil rights movement, Bridges makes evident in clear, direct storytelling the unique social, political, economic, and cultural forces that have indelibly shaped this historically rich and unique American region.
Illustrated lavishly with maps, archival photographs, and archaeological artifacts, as well as art works, portraiture, and specimens of Alabama craftsmanship—many never before published—Alabama: The Making of an American State makes evident as rarely seen before Alabama’s most significant struggles, conflicts, achievements, and developments.
Drawn from decades of research and the deep archival holdings of the Alabama Department of Archives and History, this volume will be the definitive resource for decades to come for anyone seeking a broad understanding of Alabama’s evolving legacy.
The definitive biography Amelia Gayle Gorgas, one of the most influential people in the history of the University of Alabama
Amelia Gayle Gorgas: A Biography is a richly documented and deeply compelling portrait of one of Alabama’s most influential nineteenth‑century women. Drawing on the unparalleled depth of the Gayle‑Gorgas Collection—letters, journals, family papers, and contemporary accounts—this biography argues that Amelia’s life offers enduring insight into the resilience, intellect, and quiet leadership that shaped Southern society before, during, and after the Civil War.
Far more than the daughter of a governor, wife of Confederate ordnance chief Josiah Gorgas, or mother of famed physician William Crawford Gorgas, Amelia emerges here as a figure of remarkable adaptability and personal strength. The book traces her journey from a lively Greensboro childhood through the upheavals of war‑torn Richmond, the hardships of Reconstruction‑era Alabama, and her transformative service as librarian at The University of Alabama. Its chapters illuminate the themes that define her legacy: intellectual curiosity without formal schooling, deft management of family and community crises, a gift for nurturing students and soldiers alike, and an ability to thrive in environments as varied as Maine, Charleston, Sewanee, and Tuscaloosa.
Vivid storytelling blends seamlessly with meticulous scholarship, giving readers both an intimate family narrative and a sweeping social history of the nineteenth‑century South. This biography will appeal especially to readers of Southern history, women’s history, university and library heritage, Civil War studies, and anyone drawn to strong, quietly trailblazing figures whose lives illuminate broader cultural change. Amelia’s story endures because it speaks to the universal work of holding families, institutions, and communities together in times of profound upheaval.
A priceless material legacy documenting Wallace Rayfield’s life and work on two continents.
In the early 1990s, while cleaning out the barn on his property in Bessemer, Alabama, Allen Durough discovered the remnants of the lifework of African American architect Wallace A. Rayfield, including several hundred of Rayfield’s drawings, floor plans, business advertisements, family portraits, and graphic art pieces. This book gathers that priceless material legacy into a cohesive whole, reproducing 159 illustrations that document Rayfield’s life and work on two continents.
Born in Macon, Georgia, in 1873, Rayfield apprenticed as a young man with the noted architectural firm A. B. Mullet and Company in Washington, DC, before attending Howard University, Pratt Polytechnic Institute, and ultimately graduating with a bachelor of architecture degree from Columbia University. He returned south to teach at the Tuskegee Institute and then to establish W. A. Rayfield & Co., Architects, in Birmingham, Alabama. From there he designed buildings for construction across the south (many by mail order) and even in Africa. Rayfield specialized in church architecture, and many of his designs were for black congregations within the state, most notably the Sixteenth Street Baptist Church in Birmingham. But he also designed schools, office buildings, and private homes. After falling into bankruptcy during the Great Depression, he died in obscurity.
Durough includes catalog-style descriptive entries and illustrations of Rayfield’s designs for six types of structures: residences, churches, schools, commercial buildings, fraternal buildings, and barns. These entries contain location, commissioning data, and brief structural notes, providing a useful resource for architectural historians and preservationists. A listing of the 359 known Rayfield structures detail their locations in 19 states, plan date, building type, and name. Also included is a biographical sketch of Rayfield, an overview of his publications, and a survey of his professional artwork and advertisements.
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