The prolonged downturn in the Japanese economy that began during the recessionary 1990s triggered a complex set of reactions both within Japan and abroad, reshaping not only the country’s economy but also its politics, society, and culture. In Japan After Japan, scholars of history, anthropology, literature, and film explore the profound transformations in Japan since the early 1990s, providing complex analyses of a nation in transition, linking its present to its past and connecting local situations to global developments.

Several of the essayists reflect on the politics of history, considering changes in the relationship between Japan and the United States, the complex legacy of Japanese colonialism, Japan’s chronic unease with its wartime history, and the postwar consolidation of an ethnocentric and racist nationalism. Others analyze anxieties related to the role of children in society and the weakening of the gendered divide between workplace and home. Turning to popular culture, contributors scrutinize the avid consumption of “real events” in formats including police shows, quiz shows, and live Web camera feeds; the creation, distribution, and reception of Pokémon, the game-based franchise that became a worldwide cultural phenomenon; and the ways that the behavior of zealous fans of anime both reinforces and clashes with corporate interests. Focusing on contemporary social and political movements, one essay relates how a local citizens’ group pressed the Japanese government to turn an international exposition, the Aichi Expo 2005, into a more environmentally conscious project. Another essay offers both a survey of emerging political movements and a manifesto identifying new possibilities for radical politics in Japan. Together the contributors to Japan After Japan present much-needed insight into the wide-ranging transformations of Japanese society that began in the 1990s.

Contributors. Anne Allison, Andrea G. Arai, Eric Cazdyn, Leo Ching, Harry Harootunian, Marilyn Ivy, Sabu Kohso, J. Victor Koschmann, Thomas LaMarre, Masao Miyoshi, Yutaka Nagahara, Naoki Sakai, Tomiko Yoda, Yoshimi Shunya, Mitsuhiro Yoshimoto

Since the end of World War II, Japan has determinately remained outside the current of world events and uninvolved in the processes determining global history and politics. In Japan and the World, distinguished scholars, novelists, and intellectuals articulate how Japan—despite unprecedented economic prowess in securing dominance in the world's market—is caught in a complex dependency with the United States. Drawing on critical and postmodernist theory, this timely volume situates this dependency in a broader historical context and assesses Japan's current dealings in international politics, society, and culture.
Among the many topics covered are: racism in U.S.-Japanese relations; productivity and workplace discourse; Western cultural hegemony; the constructing of a Japanese cultural history; and the place of the novelist in today's world. Originally published as a special issue of boundary 2 (Fall 1991), this edition includes four new essays on Japanese industrial revolution; the place of English studies in Japan; how American cultural, historical, and political discourse represented Japan and in turn how America's version of Japan became Japan's version of itself; and an "archaeology" of hegemonic relationships between Japan and America and Britain in the first half of the twentieth century.

Contributors. Eqbal Ahmad, Perry Anderson, Bruce Cumings, Arif Dirlik, H.D. Harootunian, Kazuo Ishuro, Fredric Jameson, Kojin Karatani, Oe Kenzaburo, Masao Miyoshi, Tetsuo Najita, Leslie Pincus, Naoki Sakai, Miriam Silverberg, Christena Turner, Rob Wilson, Mitsuhiro Yoshimoto

Historians have long been aware of the richness and complexity of the intellectual history of modern Japanese politics. Najita's study, however, is the first in a Western language to present a consistent and broad synthesis of this subject. Najita elucidates the political dynamics of the past two hundred years of Japanese history by focusing on the interplay of restorationism and bureaucratism within the context of Japan's modern revolution, the Meiji Restoration.

In the late nineteenth century, Japan's modernizing quest for empire transformed midwifery into a new woman's profession. With the rise of Japanese immigration to the United States, Japanese midwives (sanba) served as cultural brokers as well as birth attendants for Issei women. They actively participated in the creation of Japanese American community and culture as preservers of Japanese birthing customs and agents of cultural change. 

Japanese American Midwives reveals the dynamic relationship between this welfare state and the history of women and health. Susan L. Smith blends midwives' individual stories with astute analysis to demonstrate the impossibility of clearly separating domestic policy from foreign policy, public health from racial politics, medical care from women's caregiving, and the history of women and health from national and international politics. By setting the history of Japanese American midwives in this larger context, Smith reveals little-known ethnic, racial, and regional aspects of women's history and the history of medicine.

Japan is the world's second most powerful economy and one of the most urbanized nations on earth. Yet English-language literature contains remarkable little about cities in Japan. This collection of original essays on Japanese urban and industrial development covers a broad spectrum of city experiences. Leading Japanese and Western urbanists analyze Japan's largest metropolitan areas (Tokyo, Osaka, Nagoya); proto-typical industrial cities (Kamaishi, Kitakyushu, Toyota); high technology urban satellites (Kanagawa); and smaller, more traditionally organized industrial districts (Tsubame). This book demonstrates how Japan's flexible economic growth strategies and changing relationship to the world economy have produced a uniquely Japanese pattern of urban development in this century.

Throughout the essays that describe individual cities, contributors provide commentary on each city's twentieth-century history and functional relations with other cities and focus on the dynamic linkage between global relations and local activities. They examine the role of government—central, prefectural, and local—in the restructuring of Japanese industrial and urban life. One essay is devoted to the urbanization process in pre-World War II Japan; another considers urban planning on the western Pacific Rim. This is the first book that analyzes how the economic transformation of Japan has restructured Japanese cities and how urban and regional development policies have kept pace with (and in some ways effected) changes in the economy.

This comprehensive study of Japanese cities provides interdisciplinary coverage of urban development issues of interest to the fields of economics, business, sociology, political science, history, Asian and Japanese studies, and urban planning.

S. N. Eisenstadt, one of the world's leading social theorists, provides a monumental synthesis of Japanese history, religion, culture, and social organization. Equipped with a thorough command of the literature, Eisenstadt explores the Japanese historical legacy and its impact on the Japanese experience of modernity. Eschewing the polemicism of structuralist or culturalist approaches, he expands his investigative framework to include a keenly systematic, broadly comparative analysis. What emerges is an innovative new construction, focusing on the nonideological character of Japanese civilization as well as its infinite capacity to recreate community through an ongoing past.

Terayama Shuji (1935-1983) was an avant-garde Japanese poet, dramatist, film director, and photographer known for his highly provocative work. In this inventive and revealing work, Steven Ridgely examines Terayama's life and art to show that a conventional notion of him does not do full justice to the meaning and importance of his wide-ranging, often playful body of work.

Ridgely places Terayama at the center of Japanese and global counterculture and finds in his work a larger story about the history of postwar Japanese art and culture. He sees Terayama as reflecting the most significant events of his day: young poets seizing control of haiku and tanka in the 1950s, radio drama experimenting with form and content after the cultural shift to television around 1960, young assistant directors given free rein in the New Wave as cinema combated television, underground theatre in the politicized late 1960s, and experimental short film through the 1970s after both the studio system and art house cinema had collapsed.

Featuring close readings of Terayama's art, Ridgely demonstrates how across his oeuvre there are patterns that sidestep existing power structures, never offering direct opposition but nevertheless making the opposition plain. And, he claims, there is always in Terayama's work a broad call for seeking out or creating pockets of fiction-where we are made aware that things are not what they seem-and to use otherness in those spaces to take a clearer view of reality.

Oni, ubiquitous supernatural figures in Japanese literature, lore, art, and religion, usually appear as demons or ogres. Characteristically threatening, monstrous creatures with ugly features and fearful habits, including cannibalism, they also can be harbingers of prosperity, beautiful and sexual, and especially in modern contexts, even cute and lovable. There has been much ambiguity in their character and identity over their long history. Usually male, their female manifestations convey distinctivly gendered social and cultural meanings.

Oni appear frequently in various arts and media, from Noh theater and picture scrolls to modern fiction and political propaganda, They remain common figures in popular Japanese anime, manga, and film and are becoming embedded in American and international popular culture through such media. Noriko Reiderýs book is the first in English devoted to oni. Reider fully examines their cultural history, multifaceted roles, and complex significance as "others" to the Japanese.

Among Asian countries—where until recently documentary filmmaking was largely the domain of central governments—Japan was exceptional for the vigor of its nonfiction film industry. And yet, for all its aesthetic, historical, and political interest, the Japanese documentary remains little known and largely unstudied outside of Japan. This is the first English-language study of the subject, an enlightening close look at the first fifty years of documentary film theory and practice in Japan. Beginning with films made by foreigners in the nineteenth century and concluding with the first two films made after Japan’s surrender in 1945, Abé Mark Nornes moves from a “prehistory of the documentary,” through innovations of the proletarian film movement, to the hardening of style and conventions that started with the Manchurian Incident films and continued through the Pacific War. Nornes draws on a wide variety of archival sources—including Japanese studio records, secret police reports, government memos, letters, military tribunal testimonies, and more—to chart shifts in documentary style against developments in the history of modern Japan. Abé Mark Nornes is associate professor at the University of Michigan, where he teaches in the Department of Asian Languages and Cultures and the Program in Film and Video Studies.

Although the Japanese interregnum was brief, its dramatic commencement and equally dramatic conclusion represented a watershed in the history of the young state of Sarawak.

In recent years, there has been a groundswell of interest in the war years, culminating in an attempt at reassessment of the Japanese occupation in Southeast Asia by Western and Japanese scholars as well as by those from Southeast Asia.

Presented here in a two-volume edition is a history of the Japanese occupation of Sarawak narrated through the compelling testimonies of the actual participants based on their recollections, memoirs, and correspondence.

Although the wartime Japanese military administration of Indonesia was critical to the making of modern Indonesia, it remains shrouded in mystery, in part because of the systematic destruction of records following the Japanese surrender. These excerpts from personal memoirs of individual Japanese soldiers and administrators provide unique glimpses of the occupation—from the Japanese landing on Java and the Dutch surrender, to the independence proclamation in Jakarta, to the violence in Surabaya following the Japanese surrender. Through the eyes of Japanese at all levels of responsibility, we see the internal Indonesian turmoil, the struggle toward an independence movement, and the efforts of some Japanese to promote independence, despite the policies of imperial headquarters.

Not only does this collection illuminate modern Indonesian history, it provides students of Japanese history with a feeling for the variety of Japanese responses to the war effort. The Japanese Experience in Indonesia will therefore be of interest to Southeast and East Asian historians and political scientists, as well as to those with a more general interest in World War II.

In this introduction to Japanese law, J. Mark Ramseyer and Minoru Nakazato combine an economic approach with a clear and often amusing account of the law itself to challenge commonly held ideas about the law. Arguing against such things as the assumption that Japanese law differs from law in the United States and the idea that law plays only a trivial role in Japan or is culturally determined, this book will be recognized as a major contribution to the understanding of Japanese law.

"A compelling economic analysis. . . . This book remains one of the few concerning Japanese law that successfully brings to life the legal culture of Japan." —Bonnie L. Dixon, New York Law Journal

How has the Bank of Japan (BOJ) helped shape Japan's economic growth during the past two decades? This book comprehensively explores the relations between financial market liberalization and BOJ policies and examines the ways in which these policies promoted economic growth in the 1980s. The authors argue that the structure of Japan's financial markets, particularly restrictions on money-market transactions and the key role of commercial banks in financing corporate investments, allowed the BOJ to influence Japan's economic success.

The first two chapters provide the most in-depth English-language discussion of the BOJ's operating procedures and policymaker's views about how BOJ actions affect the Japanese business cycle. Chapter three explores the impact of the BOJ's distinctive window guidance policy on corporate investment, while chapter four looks at how monetary policy affects the term structure of interest rates in Japan. The final two chapters examine the overall effect of monetary policy on real aggregate economic activity.

This volume will prove invaluable not only to economists interested in the technical operating procedures of the BOJ, but also to those interested in the Japanese economy and in the operation and outcome of monetary reform in general.

This book traces the development of feminist consciousness in Japan from 1871 to 1941. Taeko Shibahara uncovers some fascinating histories as she examines how middle-class women navigated between domestic and international influences to form ideologies and strategies for reform. They negotiated a humanitarian space as Japan expanded its nationalist, militarist, imperialist, and patriarchal power. 

 

Focusing on these women's political awakening and activism, Shibahara shows how Japanese feminists channeled and adapted ideas selected from international movements and from interactions with mainly American social activists. 

 

Japanese Women and the Transnational Feminist Movement before World War II also connects the development of international contacts with the particular contributions of Ichikawa Fusae to the suffrage movement, Ishimoto Shidzue to the birth control movement, and Gauntlett Tsune to the peace movement by touching on issues of poverty, prostitution, and temperance. The result provides a window through which to view the Japanese women's rights movement with a broader perspective.

From swift steeds to ritually slaughtered deer to symbolic serpents, nonhuman animals of every stripe have participated from the earliest of times in the construction of the cultural community that we know as Japan. Yet the historical accounts that have hitherto prevailed, claim the authors of this innovative volume, relegate our fellow animals to a silent and benign “nature” that lies beyond the realm of narrative and agency. What happens when we restore nonhuman creatures to the field of historical vision?

This book challenges many of the fundamental assumptions that have shaped contemporary scholarship on Japan, engaging from new perspectives questions of economic growth, isolation from and interaction with the outside world, the tools of conquest and empire, and the character of modernity. Essay by essay, this provocative collection compels readers to acknowledge the diversity of living beings who exist at the ragged edges of our human, as well as our historical, horizons.

Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience.

For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium?

In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.

How did the Japanese themselves respond to the American occupation? How were the sweeping reforms—political, social, and economic—of SCAP's program received? How permanent was their effect, and why did some succeed and others fail completely? How successful in the long view was the democratization induced by MacArthur's "artificial revolution"? And what tendencies existing in fundamental Japanese attitudes and history might account for this peculiar success?

The author, Japanese-born and educated in America, a political scientist and journalist, brings his unique experience and knowledge to bear on these questions. The result is a book which tells the story of the American occupation of Japan from the Japanese point of view.

Japan’s Holy War reveals how a radical religious ideology drove the Japanese to imperial expansion and global war. Bringing to light a wealth of new information, Walter A. Skya demonstrates that whatever other motives the Japanese had for waging war in Asia and the Pacific, for many the war was the fulfillment of a religious mandate. In the early twentieth century, a fervent nationalism developed within State Shintō. This ultranationalism gained widespread military and public support and led to rampant terrorism; between 1921 and 1936 three serving and two former prime ministers were assassinated. Shintō ultranationalist societies fomented a discourse calling for the abolition of parliamentary government and unlimited Japanese expansion.

Skya documents a transformation in the ideology of State Shintō in the late nineteenth century and the early twentieth. He shows that within the religion, support for the German-inspired theory of constitutional monarchy that had underpinned the Meiji Constitution gave way to a theory of absolute monarchy advocated by the constitutional scholar Hozumi Yatsuka in the late 1890s. That, in turn, was superseded by a totalitarian ideology centered on the emperor: an ideology advanced by the political theorists Uesugi Shinkichi and Kakehi Katsuhiko in the 1910s and 1920s. Examining the connections between various forms of Shintō nationalism and the state, Skya demonstrates that where the Meiji oligarchs had constructed a quasi-religious, quasi-secular state, Hozumi Yatsuka desired a traditional theocratic state. Uesugi Shinkichi and Kakehi Katsuhiko went further, encouraging radical, militant forms of extreme religious nationalism. Skya suggests that the creeping democracy and secularization of Japan’s political order in the early twentieth century were the principal causes of the terrorism of the 1930s, which ultimately led to a holy war against Western civilization.

The Jazz Exiles chronicles the expatriate movement of American jazz musicians during the post-World War II era. While the term "exiles" normally conjures up images of ousted Third World leaders or deposed kings, it is as much a part of the jazz vocabulary as improvization or Birdland. Like the American writers of the 1920s who went to Europe and became Gertrude Stein's "lost generation", jazz musicians from the United States also made the Atlantic crossing at a steadily increasing rate until many of the major names in jazz lived or worked almost exclusively abroad. Throughout "The Jazz Exiles", the musicians speak for themselves in describing their motivation for joining the exodus to Europe which is now regarded as the third largest migration in jazz history. The exiles include many of the biggest names in jazz - Dexter Gordon, Johnny Griffin, Phil Woods, Coleman Hawkins, Louis Armstrong, Stan Getz, Benny Carter, and Bud Powell, among others. This work also assesses the impact of foreign residence on the careers of these musicians and on the history of jazz. Moody, a jazz musician himself, charts the movement of American musicians to Europe from a historical perspective and examines the exile experience from a number of sociological and economic viewpoints, all of which are factors in understanding jazz history. With stories narrated through personal interviews in the musicians' own words, "The Jazz Exiles" aims to shed new light on America's attitude toward its own original art form and examines the dilemma of the American artist both at home and abroad. Jazz aficionados, rhythm and blues fans - in fact, anyone who appreciates American music - should read the stories of these jazz exiles. "

Part music history, part cultural meditation, part travel narrative, Jazz Journeys to Japan is the first book to address the experiences of individual players -- Japanese jazz greats such as Toshiko Akiyoshi, Masahiko Satoh, Makoto Ozone, and Yosuke Yamashita.
William Minor navigates the converging streams of Western music and Eastern tradition, revealing through interviews with musicians, critics, and producers the unique synthesis that results from this convergence. And, turning conventional wisdom on its ear, he disproves the widely held notion that Japanese jazz artists don't "swing." Along the way, we experience Minor's growing appreciation of Japanese culture, which mirrors his subjects' discovery of American jazz.
William Minor's previous books include Unzipped Souls: A Jazz Journey through the Soviet Union, and Monterey Jazz Festival: Forty Legendary Years. He has written for Downbeat, Jazz Times, Jazz Notes, Coda, and Swing Journal.