The philosopher-statesman on Epicureanism, Stoicism, and the Old Academy.
Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician, and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension, and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
Though Wallace Stevens’ shorter poems are perhaps his best known, his longer poems, Helen Vendler suggests in this book, deserve equal fame and equal consideration. Stevens’ central theme—the worth of the imagination—remained with him all his life, and Mrs. Vendler therefore proposes that his development as a poet can best be seen, not in description—which must be repetitive—of the abstract bases of his work, but rather in a view of his changing styles.
The author presents here a chronological account of fourteen longer poems that span a thirty-year period, showing, through Stevens’ experiments in genre, diction, syntax, voice, imagery, and meter, the inventive variety of Stevens’s work in long forms, and providing at the same time a coherent reading of these difficult poems. She concludes, “Stevens was engaged in constant experimentation all his life in an attempt to find the appropriate vehicle for his expansive consciousness; he found it in his later long poems, which surpass in value the rest of his work.”
Until recently, fashion was considered the "F-word" in intellectual circles, dismissed as unworthy of serious attention. Yet no area of life, no individual moment, stands outside fashion's discourses. Intuitively, we all know that clothing is a language, incessantly communicating messages about its wearer. But who speaks this language, to whom is it addressed, what does it mean, and how are its meanings established and transformed? On Fashion explores the ways our material, political, psychological, sexual, even intellectual lives are woven into fashion's fabric.
This stimulating collection of essays explores fashion's symbolic and figurative functions in photography, cinema, and video; in consumerism, postmodernism, and feminism; in political and material culture; and in self-definition and subjectivity. They demonstrate the pervasive reach of fashion and its expressions.
This collection contains over sixty photographs and illustrations and includes essays by Barbara Brodman, Mary Ann Caws, Linda Benn DeLibero, Hlne Cixous, Diana Fuss, Cheryl Herr, Karla Jay, Deborah Jenson, Douglas Kellner, Ingeborg Majer O'Sickey, Leslie W. Rabine, Andrew Ross, Sonia Rykiel, Carol Shloss, Kaja Silverman, Maureen Turim, and Iris Marion Young.
Reproduction is among the most basic of human biological functions, both for our distant ancestors and for ourselves, whether we live on the plains of Africa or in North American suburbs. Our reproductive biology unites us as a species, but it has also been an important engine of our evolution. In the way our bodies function today we can see both the imprint of our formative past and implications for our future. It is the infinitely subtle and endlessly dramatic story of human reproduction and its evolutionary context that Peter T. Ellison tells in On Fertile Ground.
Ranging from the latest achievements of modern fertility clinics to the lives of subsistence farmers in the rain forests of Africa, this book offers both a remarkably broad and a minutely detailed exploration of human reproduction. Ellison, a leading pioneer in the field, combines the perspectives of anthropology, stressing the range and variation of human experience; ecology, sensitive to the two-way interactions between humans and their environments; and evolutionary biology, emphasizing a functional understanding of human reproductive biology and its role in our evolutionary history.
Whether contrasting female athletes missing their periods and male athletes using anabolic steroids with Polish farm women and hunter-gatherers in Paraguay, or exploring the intricate choreography of an implanting embryo or of a nursing mother and her child, On Fertile Ground advances a rich and deeply satisfying explanation of the mechanisms by which we reproduce and the evolutionary forces behind their design.
A startling, mesmerizing series of photographs of prairie fires, On Fire transports us from moments of almost apocalyptic splendor to the stillness of near abstraction. For over a decade Kansas-based photographer Larry Schwarm has been making extraordinary color photographs of the dramatic prairie fires that sweep across the vast grasslands of his native state each spring. Based on this stunning and extensive body of work, Schwarm was chosen from over 500 submissions as the inaugural winner of the CDS/Honickman Foundation First Book Prize in Photography. With publication of On Fire, Duke University Press, in association with the Center for Documentary Studies and The Honickman Foundation, launches this major biennial book prize for American photographers.
Fire is an essential element of the ecosystem. Every spring, the expanses of tallgrass prairie in the Flint Hills of east-central Kansas undergo controlled burning. For photographer Larry Schwarm, documenting these fires has become a passion. He captures the essence of the fires and their distinct personalities—ranging from calm and lyrical to angry and raging. His photos allow us to see the redemptive power of fire and to remove ourselves from its tragic elements. Through Schwarm’s lens, the horizon takes on new meaning as we view the sublime, mystical, and sensual character of the burning landscape. Schwarm connects the enormous power and devastation of fire to what can only be identified as another kind of creation—the creation of beauty.
Published by Duke University Press in association with Lyndhurst Books of the Center for Documentary Studies
To view images from the book, please visit http://cds.aas.duke.edu/books/fire.html
The Center for Documentary Studies/Honickman First Book Prize in Photography is open to American photographers who use their cameras for creative exploration, whether it be of places, people, or communities; of the natural or social world; of beauty at large or the lack of it; of objective or subjective realities. Information and guidelines about the prize are available at http://cds.aas.duke.edu/grants
People tend to flirt only with serious things--madness, disaster, other people's affections. So is flirtation dangerous, exploiting the ambiguity of promises to sabotage our cherished notions of commitment? Or is it, as Adam Phillips suggests, a productive pleasure, keeping things in play, letting us get to know them in different ways, allowing us the fascination of what is unconvincing? This is a book about the possibilities of flirtation, its risks and instructive amusements--about the spaces flirtation opens in the stories we tell ourselves, particularly within the framework of psychoanalysis.
Phillips looks at life as a tale to be told but rejects the idea of a master plot. Instead, he says, we should be open to the contingent, and flirtation shows us the way. His book observes children flirting with their parents, our various selves flirting with one another, and literature flirting with psychoanalysis. As Phillips explores the links between literature and psychoanalysis--ranging from Philip Roth to Isaac Rosenberg, Karl Kraus to John Clare--psychoanalysis emerges as a multi-authored autobiography. Its subjects are love, loss, and memory; its authors are the analyst and the analysand, as well as the several selves brought to life in the process. A passionate and delightfully playful defense of the virtues of being uncommitted, On Flirtation sets before us the virtue of a yet deeper commitment to the openendedness of our life stories.
Gangs are multifaceted and varied, so any attempt to understand them cannot be restricted to a singular approach. On Gangs provides a diverse and comprehensive survey of the available theories for understanding this social issue as well as the broad range of responses to it. The authors look at the many influences on gangs’ operation, growth, prevention, and enforcement.
The authors provide different criminological, psychological, and sociological approaches to gang studies, including interviews with past and current gang members. On Gangs presents the core issues for understanding gangs, including emerging topics like prison gangs, gender and gangs, and international gangs. There is also a focus on policing, legislation, and punishment. Weaving together research and policy findings to address the causes, contexts, and consequences of gangs, the authors address topics including joining, resisting, and leaving gangs, and how gangs operate in communities and institutions.
An authoritative and sweeping tour of gang scholarship, On Gangs showcases the critical evidence-based solutions in prevention, enforcement, legislation, and intervention. The authors seek to answer the question: How do we effectively deal with gangs and gang membership?
Milkman's introduction frames a career-spanning scholarly project: her interrogation of historical and contemporary intersections of class and gender inequalities in the workplace, and the efforts to challenge those inequalities. Early chapters focus on her pioneering work on women's labor during the Great Depression and the World War II years. In the book's second half, Milkman turns to the past fifty years, a period that saw a dramatic decline in gender inequality even as growing class imbalances created greater-than-ever class disparity among women. She concludes with a previously unpublished essay comparing the impact of the Great Depression and the Great Recession on women workers.
A first-of-its-kind collection, On Gender, Labor, and Inequality is an indispensable text by one of the world's top scholars of gender, equality, and work.
Edinburgh and Glasgow enjoy a famously scratchy relationship. Resembling other intercity rivalries throughout the world, from Madrid and Barcelona, to Moscow and St. Petersburg, to Beijing and Shanghai, Scotland’s sparring metropolises just happen to be much smaller and closer together—like twin stars orbiting a common axis. Yet their size belies their world-historical importance as cultural and commercial capitals of the British Empire, and the mere forty miles between their city centers does not diminish their stubbornly individual nature.
Robert Crawford dares to bring both cities to life between the covers of one book. His story of the fluctuating fortunes of each city is animated by the one-upping that has been entrenched since the eighteenth century, when Edinburgh lost parliamentary sovereignty and took on its proud wistfulness, while Glasgow came into its industrial promise and defiance. Using landmarks and individuals as gateways to their character and past, this tale of two cities mixes novelty and familiarity just as Scotland’s capital and its largest city do. Crawford gives us Adam Smith and Walter Scott, the Scottish Enlightenment and the School of Art, but also tiny apartments, a poetry library, Spanish Civil War volunteers, and the nineteenth-century entrepreneur Maria Theresa Short. We see Glasgow’s best-known street through the eyes of a Victorian child, and Edinburgh University as it appeared to Charles Darwin.
Crawford's lively account, drawing on a wealth of historical and literary sources, affirms what people from Glasgow and Edinburgh have long doubted—that it is possible to love both cities at the same time.
On Good Ground was first published in 1951. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Besides providing a vivid yet scholarly account of a religious order, this book reflects much of the regional history of the area where the nuns have done their work. The order maintains the College of St. Catherine and numerous other institutions in Minnesota and North Dakota.
Roman biographies of foreign commanders.
Cornelius Nepos was born in Cisalpine Gaul but lived in Rome and was a friend of Cicero, Atticus, and Catullus. Most of his writings, which included poems, moral examples from history, a chronological sketch of general history, a geographical work, Lives of Cato the Elder and Cicero, and other biographies, are lost. Extant is a portion of his De viris illustribus: (i) part of his parallel Lives of Roman and non-Roman famous men, namely the portion containing Lives of non-Roman generals (all Greeks except three) and a chapter on kings; and (ii) two Lives from the class of historians. The Lives are short popular biographies of various kinds, written in a usually plain readable style, of value today because of Nepos’ use of many good sources.
One of the most influential documents of our time, Mao Tse-tung's pamphlet on guerrilla warfare has become the basic textbook for waging revolution in underdeveloped and emergent areas throughout the world.
Recognizing the fundamental disparity between agrarian and urban societies, Mao advocated unorthodox strategies that converted deficits into advantages: using intelligence provided by the sympathetic peasant population; substituting deception, mobility, and surprise for superior firepower; using retreat as an offensive move; and educating the inhabitants on the ideological basis of the struggle. This radical new approach to warfare, waged in jungles and mountains by mobile guerrilla bands closely supported by local inhabitants, has been adopted by other revolutionary leaders from Ho Chi Minh to Che Guevara.
Mao wrote On Guerrilla Warfare in 1937 while in retreat after ten years of battling the Nationalist army of Chiang Kai-shek. Twelve years later, the Nationalist Chinese were rousted from the mainland, and Mao consolidated his control of a new nation, having put his theories of revolutionary guerrilla warfare to the test.
Established governments have slowly come to recognize the need to understand and devise means to counter this new method of warfare. Samuel B. Griffith's classic translation makes Mao's treatise widely available and includes a comprehensive introduction that profiles Mao, analyzes the nature and conduct of guerrilla warfare, and considers its implications for American policy.
Walter Benjamin's posthumously published collection of writings on hashish is a detailed blueprint for a book that was never written--a "truly exceptional book about hashish," as Benjamin describes it in a letter to his friend Gershom Scholem. A series of "protocols of drug experiments," written by himself and his co-participants between 1927 and 1934, together with short prose pieces that he published during his lifetime, On Hashish provides a peculiarly intimate portrait of Benjamin, venturesome as ever at the end of the Weimar Republic, and of his unique form of thought.
Consciously placing himself in a tradition of literary drug-connoisseurs from Baudelaire to Hermann Hesse, Benjamin looked to hashish and other drugs for an initiation into what he called "profane illumination." At issue here, as everywhere in Benjamin's work, is a new way of seeing, a new connection to the ordinary world. Under the influence of hashish, as time and space become inseparable, experiences become subtly stratified and resonant: we inhabit more than one plane in time. What Benjamin, in his contemporaneous study of Surrealism, calls "image space" comes vividly to life in this philosophical immersion in the sensuous.
This English-language edition of On Hashish features a section of supplementary materials--drawn from Benjamin's essays, letters, and sketches--relating to hashish use, as well as a reminiscence by his friend Jean Selz, which concerns a night of opium-smoking in Ibiza. A preface by Howard Eiland discusses the leading motifs of Benjamin's reflections on intoxication.
Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
As writers of English from Australia to India to Sri Lanka command our attention, Salman Rushdie can state confidently that English fiction was moribund until the Empire wrote back, and few, even among the British, demur. A. S. Byatt does, and her case is persuasive. In a series of essays on the complicated relations between reading, writing, and remembering, the gifted novelist and critic sorts the modish from the merely interesting and the truly good to arrive at a new view of British writing in our time.
Whether writing about the renaissance of the historical novel, discussing her own translation of historical fact into fiction, or exploring the recent European revival of interest in myth, folklore, and fairytale, Byatt's abiding concern here is with the interplay of fiction and history. Her essays amount to an eloquent and often moving meditation on the commitment to historical narrative and storytelling that she shares with many of her British and European contemporaries. With copious illustration and abundant insights into writers from Elizabeth Bowen and Henry Green to Anthony Burgess, William Golding, Muriel Spark, Penelope Fitzgerald, Julian Barnes, Martin Amis, Hilary Mantel, and Pat Barker, On Histories and Stories is an oblique defense of the art Byatt practices and a map of the complex affiliations of British and European narrative since 1945.
How can we think about peoples and cultures unlike our own? In the early modern period, the fact of human diversity presented Europeans with little cause for anxiety: they simply assumed the superiority of the West. During the eighteenth century this view was gradually abandoned, as thinkers argued that other peoples possessed reason and sensibility, and thus deserved the same respect that Westerners accorded themselves. Since that time, however, Enlightenment belief in the universals of human nature has fallen into disrepute; critics allege that such notions have had disastrous consequences in the twentieth century, ranging from prejudice to persecution and outright genocide.
Tzvetan Todorov, an internationally admired scholar, aims in this book to salvage the good name of the Enlightenment so that its ideas can once more inspire humane thought and action. The question he poses is of urgent relevance to the conflicts of our age: How can we avoid the dangers of a perverted universalism and scientism, as well as the pitfalls of relativism? Since the French were the ideologues of universalism and played a preeminent role in the diffusion of Enlightenment ideas in Europe, Todorov focuses on the French intellectual tradition, analyzing writers ranging from Montaigne through Tocqueville, Michelet, and Renan, to Lévi-Strauss. He shows how theories of human diversity were developed in the eighteenth century, and later systematically distorted. The virtues of Enlightenment thought became vices in the hands of nineteenth-century thinkers, as a result of racism, nationalism, and the search for exoticism. Todorov calls for us to reject this legacy and to strive once again for an acceptance of human diversity, through a "critical humanism" prefigured in the writings of Rousseau and Montesquieu.
This is a work of impressive erudition and insight--a masterly synthesis that can help us think incisively about the racial and ethnic tensions confronting the world today.
Contributors. Athena Athanasiou, Etienne Balibar, Mara de Gennaro, Carolyn J. Dean, Brady Thomas Heiner, Lynne Joyrich, Jacques Lezra
Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
Based on the author's long life of study, observation, and experimentation, this book clears the way for the exploration of many problems in an area of botanical research about which little substantial biochemical information is yet available. Mr. Dostál's investigations largely concern the interrelations among the different organs of plants and the ways in which the various components of the plant correlate to form an integrated whole.
Mr. Dostál writes that he "early acquired the certitude that all regulations in plants take place with an absolute determinism, an iron necessity." He describes many very simple experiments, such as removing all the leaves of a horse chestnut and all the new leaves that follow, until ultimately leaves of an entirely different form, pinnate like those of a legume, develop. Experiments on algae, in parallel with those on higher plants, add to the breadth of the coverage. Much of the work has not been published in scientific journals, and is here presented in simple terms comprehensible to the intelligent layman.
The author also discusses the vital part played by inhibiting substances in the development of the primordia of leaves and other organs, serving as regulators and conservators of reserves, so as to ensure unified organization instead of the chaos that would otherwise result. He finds, too, that his experiments support the idea, now becoming widely accepted, that food for plants may be regarded as a condition rather than a causal factor in their growth and development. As an extension of Mr. Dostál's experimental observations, 40 original figures containing 161 partial illustrations are of exceptional value.
Sociologist Patricia Hill Collins has been called in Contemporary Sociology “one of the defining voices of contemporary feminist and race scholarship.” Well known for her contributions to sociology, social theory, and cultural studies, her numerous publications indicate why she has been a tireless voice for social justice causes such as the dynamics of race, social class, gender, and sexual equality, and also black feminist politics.
In On Intellectual Activism, Collins asks scholars and public intellectuals to assess the meaning of their work. She challenges readers to rethink the potential of speaking truth to power, and examines both the role of the intellectual in public life and how well questions of contemporary social issues are communicated to the public at large.
The contents of this volume—public lectures, previously published pieces, interviews, and new essays—illustrate the important conceptual anchors of Collins’ work and reflect on the major themes of her illustrious career. These timely and thought-provoking essays include topics ranging from black feminist thought, critical education, public sociology, and resisting racism to new visions for activist intellectuals.
Three rhetorical treatises.
Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician, and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
In a style that is writerly and audacious, Adam Phillips takes up a variety of seemingly ordinary subjects underinvestigated by psychoanalysis--kissing, worrying, risk, solitude, composure, even farting as it relates to worrying.
He argues that psychoanalysis began as a virtuoso improvisation within the science of medicine, but that virtuosity has given way to the dream of science that only the examined life is worth living. Phillips goes on to show how the drive to omniscience has been unfortunate both for psychoanalysis and for life. He reveals how much one's psychic health depends on establishing a realm of life that successfully resists examination.
The left hand has traditionally represented the powers of intuition, feeling, and spontaneity. In this classic book, Jerome Bruner inquires into the part these qualities play in determining how we know what we do know; how we can help others to know—that is, to teach; and how our conception of reality affects our actions and is modified by them.
The striking and subtle discussions contained in On Knowing take on the core issues concerning man’s sense of self: creativity, the search for identity, the nature of aesthetic knowledge, myth, the learning process, and modern-day attitudes toward social controls, Freud, and fate. In this revised, expanded edition, Bruner comments on his personal efforts to maintain an intuitively and rationally balanced understanding of human nature, taking into account the odd historical circumstances which have hindered academic psychology’s attempts in the past to know man.
Writing with wit, imagination, and deep sympathy for the human condition, Jerome Bruner speaks here to the part of man’s mind that can never be completely satisfied by the right-handed virtues of order, rationality, and discipline.
During the vast stretches of early geologic time, the islands of the Caribbean archipelago separated from continental land masses, rose and sank many times, merged with and broke from other land masses, and then by the mid-Cenozoic period settled into the current pattern known today. By the time Native Americans arrived, the islands had developed complex, stable ecosystems. The actions these first colonists took on the landscape—timber clearing, cultivation, animal hunting and domestication, fishing and exploitation of reef species—affected fragile land and sea biotic communities in both beneficial and harmful ways.
On Land and Sea examines the condition of biosystems on Caribbean islands at the time of colonization, human interactions with those systems through time, and the current state of biological resources in the West Indies. Drawing on a massive data set collected from long-term archaeological research, the study reconstructs past lifeways on these small tropical islands. The work presents a wide range of information, including types of fuel and construction timber used by inhabitants, cooking techniques for various shellfish, availability and use of medicinal and ritual plants, the effects on native plants and animals of cultivation and domestication, and diet and nutrition of native populations.
The islands of the Caribbean basin continue to be actively excavated and studied in the quest to understand the earliest human inhabitants of the New World. This comprehensive work will ground current and future studies and will be valuable to archaeologists, anthropologists, botanists, ecologists, Caribbeanists, Latin American historians, and anyone studying similar island environments.
One measure of Roman Jakobson's towering role in linguistics is that his work has defined the field itself. Jakobson's contributions have now become a permanent part of American and European views on language. With his uncanny ability to survive devastating uprooting again and again--from Moscow to Prague to Upsalla to New York and finally to Cambridge--Jakobson was able to bring to each milieu new and stimulating ideas, which have broadened the perspective of linguistics while giving it new direction and specifying its domain. Linda Waugh and Monique Monville-Burston have assembled an intellectual overview of his work in linguistics from partial and complete works that they have arranged, introduced, and cross-referenced. Some appear here in print for the first time, others are newly translated into English. More than a convenient access to Jakobson's basic works, On Language presents a broad profile of the polymathic general linguist who suggested radical innovations in every area of linguistic theory.
The breadth of Jakobson's engagement in linguistics is captured by the editors' informative introduction and by their perspicacious presentation of topics. His general view of the science of linguistics is followed by his stunning contributions to linguistic metatheory in the areas of structure and function. Various aspects of historical, typological, and sociolinguistics are also explored along with his phonological theory--perhaps his most influential contribution--and his views on grammatical semantics. A topic that increasingly preoccupied Jakobson in his later career, the interrelationship between sound and meaning, is presented here in detail. The concluding three essays focus on the various relations between linguistics and the human and natural sciences, which led Jakobson ultimately to be characterized as an interdisciplinary thinker.
The first complete English translation of a controversial Renaissance debate centering moral questions on power and leadership.
Poggio Bracciolini was a prominent scholar-official of the early Renaissance and a leading representative of Florentine humanism. He was employed as a secretary to seven popes and ended his career as Chancellor of the Republic of Florence. On Leaders and Tyrants contains texts, the majority by Poggio, relating to a controversy on the relative merits of the lives and deeds of Scipio Africanus and Julius Caesar. The debate addressed the nature of tyranny and military glory, as well as the qualities necessary for republican leaders, such as Stoic virtue, lawfulness, and good citizenship. Poggio’s primary opponent was the educator Guarino of Verona, a humanist in the service of the duke of Ferrara. The psychology of power, the demands placed on public servants, and the dividing line between leadership and tyranny are as topical today as they were when Poggio wrote. This volume contains a fresh edition of the Latin texts and the first complete translation of the controversy into English.
Classroom-based writing tutoring is a distinct form of writing support, a hybrid instructional method that engages multiple voices and texts within the college classroom. Tutors work on location in the thick of writing instruction and writing activity.
On Location is the first volume to discuss this emerging practice in a methodical way. The essays in this collection integrate theory and practice to highlight the alliances and connections on-location tutoring offers while suggesting strategies for resolving its conflicts. Contributors examine classroom-based tutoring programs located in composition courses as well as in writing intensive courses across the disciplines.
The reader is given an intimate memoir of Jewish adolescence and life from a young woman’s perspective in an Eastern European shtetl at the end of the nineteenth century. Hinde Bergner, future mother of one of Yiddish literature’s greatest poets and grandmother of one of Israel’s leading painters, recalls the gradual impact of modernization on a traditional world as she finds herself caught between her thirst for a European education and true love, and the expectations of her traditional family. Written during the late 1930s as a series of episodes mailed to her children, and never completed due to Bergner’s murder at the hand of the Nazis, the memoir provides details about her teachers and matchmakers, domestic religion and customs, and the colorful characters that peopled a Jewish world that is no more.
Translated from the Yiddish and with a critical introduction by Justin Cammy, it is a lively addition to the library of Jewish women’s memoir, and should be of interest to students of Eastern European Jewish culture and women’s studies.
Walter T. Schmid offers the first original interpretation of the Laches since Hermann Bonitz in the nineteenth century in the only full-length commentary on the Laches available in English.
Schmid divides the book into five main discussions: the historical background of the dialogue; the relation of form and content in a Platonic dialogue and specific structural and aesthetic features of the Laches; the first half of the dialogue, which introduces the characters and considers the theme of the education of young men; the inquiry with Laches, which examines the traditional Greek conception of military courage; and the inquiry with Nicias in which two nontraditional conceptions of courage are mooted, one closely associated with the sophistic movement in Athens, the other with Socrates himself. Furnishing a detailed paragraph-by-paragraph reading that traces Socrates’ ongoing quest for virtue and wisdom—a wisdom founded in the action of a whole human life—Schmid conclusively shows how and why the Laches fills an important niche in Plato’s moral theory.
A Roman layman’s account of medicine in his time.
A. Cornelius Celsus was author, probably during the reign of the Roman Emperor Tiberius (AD 14–37), of a general encyclopedia of agriculture, medicine, military arts, rhetoric, philosophy, and jurisprudence, in that order of subjects. Of all this great work there survives only the eight books on medicine (De Medicina).
In Book I, after an excellent survey of Greek schools (Dogmatic, Methodic, Empiric) of medicine come sensible dietetics that will always be applicable. Book II deals with prognosis, diagnosis of symptoms (which he stresses strongly), and general therapeutics. Book III addresses internal ailments, fevers, and general diseases. Book IV treats local bodily diseases. Next come two pharmacological books, Book V on treatment by drugs of general diseases, and Book VI on local diseases. Books VII and VIII deal with surgery; these books contain accounts of many operations, including amputation.
Celsus was not a professional doctor of medicine or a surgeon, but a practical layman whose On Medicine, written in a clear and neat style for lay readers, is partly a result of his medical treatment of his household (slaves included), and partly a presentation of information gained from many Greek authorities. From no other source can we learn so much of the condition of medical science up to his own time.
The Loeb Classical Library edition of Celsus is in three volumes.
A Roman layman’s account of medicine in his time.
A. Cornelius Celsus was author, probably during the reign of the Roman Emperor Tiberius (AD 14–37), of a general encyclopedia of agriculture, medicine, military arts, rhetoric, philosophy, and jurisprudence, in that order of subjects. Of all this great work there survives only the eight books on medicine (De Medicina).
In Book I, after an excellent survey of Greek schools (Dogmatic, Methodic, Empiric) of medicine come sensible dietetics that will always be applicable. Book II deals with prognosis, diagnosis of symptoms (which he stresses strongly), and general therapeutics. Book III addresses internal ailments, fevers, and general diseases. Book IV treats local bodily diseases. Next come two pharmacological books, Book V on treatment by drugs of general diseases, and Book VI on local diseases. Books VII and VIII deal with surgery; these books contain accounts of many operations, including amputation.
Celsus was not a professional doctor of medicine or a surgeon, but a practical layman whose On Medicine, written in a clear and neat style for lay readers, is partly a result of his medical treatment of his household (slaves included), and partly a presentation of information gained from many Greek authorities. From no other source can we learn so much of the condition of medical science up to his own time.
The Loeb Classical Library edition of Celsus is in three volumes.
A Roman layman’s account of medicine in his time.
A. Cornelius Celsus was author, probably during the reign of the Roman Emperor Tiberius (AD 14–37), of a general encyclopedia of agriculture, medicine, military arts, rhetoric, philosophy, and jurisprudence, in that order of subjects. Of all this great work there survives only the eight books on medicine (De Medicina).
In Book I, after an excellent survey of Greek schools (Dogmatic, Methodic, Empiric) of medicine come sensible dietetics that will always be applicable. Book II deals with prognosis, diagnosis of symptoms (which he stresses strongly), and general therapeutics. Book III addresses internal ailments, fevers, and general diseases. Book IV treats local bodily diseases. Next come two pharmacological books, Book V on treatment by drugs of general diseases, and Book VI on local diseases. Books VII and VIII deal with surgery; these books contain accounts of many operations, including amputation.
Celsus was not a professional doctor of medicine or a surgeon, but a practical layman whose On Medicine, written in a clear and neat style for lay readers, is partly a result of his medical treatment of his household (slaves included), and partly a presentation of information gained from many Greek authorities. From no other source can we learn so much of the condition of medical science up to his own time.
The Loeb Classical Library edition of Celsus is in three volumes.
Jacopo Zabarella's two treatises On Methods and On Regressus (1578) are among the most important Renaissance discussions of how scientific knowledge should be acquired, arranged, and transmitted. They belong to a lively debate about the order in which sciences should be taught and the method to be followed in scientific demonstration that roiled the Late Renaissance world for decades. In these famous works Zabarella rejected the views of Ramists and modern Galenists in favor of the pure doctrine of Aristotle, freed from misunderstandings foisted upon it by medieval interpreters. The influence of these works on Galileo's scientific method and Descartes' famous Discourse on Method (1637) has long been debated. They are here translated into English for the first time, along with a new Latin text based on the corrected 1586 edition.
Volume 1 contains On Methods, Books I-II. Volume 2 contains On Methods, Books III-IV, and On Regressus.
Jacopo Zabarella's two treatises On Methods and On Regressus (1578) are among the most important Renaissance discussions of how scientific knowledge should be acquired, arranged, and transmitted. They belong to a lively debate about the order in which sciences should be taught and the method to be followed in scientific demonstration that roiled the Late Renaissance world for decades. In these famous works Zabarella rejected the views of Ramists and modern Galenists in favor of the pure doctrine of Aristotle, freed from misunderstandings foisted upon it by medieval interpreters. The influence of these works on Galileo's scientific method and Descartes' famous Discourse on Method (1637) has long been debated. They are here translated into English for the first time, along with a new Latin text based on the corrected 1586 edition.
Volume 1 contains On Methods, Books I-II. Volume 2 contains On Methods, Books III-IV, and On Regressus.
An incisive, unified account of modern poetry in the Western tradition, arguing that the emergence of the lyric as a dominant verse style is emblematic of the age of the individual.
Between the end of the eighteenth century and the beginning of the twentieth, poetry in the West was transformed. The now-common idea that poetry mostly corresponds with the lyric in the modern sense—a genre in which a first-person speaker talks self-referentially—was foreign to ancient, medieval, and Renaissance poetics. Yet in a relatively short time, age-old habits gave way. Poets acquired unprecedented freedom to write obscurely about private experiences, break rules of meter and syntax, use new vocabulary, and entangle first-person speakers with their own real-life identities. Poetry thus became the most subjective genre of modern literature.
On Modern Poetry reconstructs this metamorphosis, combining theoretical reflections with literary history and close readings of poets from Giacomo Leopardi to Louise Glück. Guido Mazzoni shows that the evolution of modern poetry involved significant changes in the way poetry was perceived, encouraged the construction of first-person poetic personas, and dramatically altered verse style. He interprets these developments as symptoms of profound historical and cultural shifts in the modern period: the crisis of tradition, the rise of individualism, the privileging of self-expression and its paradoxes. Mazzoni also reflects on the place of poetry in mass culture today, when its role has been largely assumed by popular music.
The result is a rich history of literary modernity and a bold new account of poetry’s transformations across centuries and national traditions.
On Morals or Concerning Education is an exhortation on the importance of education by the prolific late-Byzantine author and statesman Theodore Metochites (1270–1332), who rose to the aristocracy from a middle-class background but fell from favor late in life and died as a monk. As a manual of proper living and ethical guidance, the treatise offers unique insights into the heightened roles of philosophy and rhetoric at a time when the elite engaged intensely with their Hellenic heritage, part of a larger imperial attempt to restore Byzantium to its former glories.
On Morals probes hotly disputed issues in fourteenth-century Byzantine society, such as the distinction between the active and contemplative life and the social position of scholars. Metochites’s focus on the character and function of Christian faith also reflects ongoing debates regarding the philosophy of religion. Occasional autobiographical digressions offer fascinating glimpses of Metochites’s distinctive personality.
This volume provides the full Byzantine Greek text alongside the first English translation of one of Metochites’s longest works.
Plumbing what the poet Michael Palmer calls “the dimension of the Spirit, with that troublesome, rebarbative capital letter,” Norman Finkelstein’s On Mount Vision asks how and why the sacred has remained a basic concern of contemporary experimental poets in our secular age. By charting the wandering, together and apart, of poetry and belief, Finkelstein illustrates the rich tapestry formed by the warp and woof of poetry, and the play of Gnosticism, antinomianism, spiritualism, and shamanism, which have commonly been regarded as heretical and sometimes been outright suppressed.
This beautifully written work begins with an overview of the spiritual problematics found in nineteenth- and early twentieth-century American poetry. Traveling slightly outside of the realm of the contemporary, Finkelstein’s discussions of Emerson, Whitman, and Eliot yield to close readings of the works of Robert Duncan, Jack Spicer, Ronald Johnson, Michael Palmer, Susan Howe, Nathaniel Mackey, and Armand Schwerner. In restoring verse to its place alongside scripture, Finkelstein reminds us why the sacred remains crucial to our understanding of postmodern American poetry.
Since its inception in the mid-twentieth century, American music theory has been framed and taught almost exclusively by white men. As a result, whiteness and maleness are woven into the fabric of the field, and BIPOC music theorists face enormous hurdles due to their racial identities. In On Music Theory,Philip Ewell brings together autobiography, music theory and history, and theory and history of race in the United States to offer a black perspective on the state of music theory and to confront the field’s racist roots. Over the course of the book, Ewell undertakes a textbook analysis to unpack the mythologies of whiteness and western-ness with respect to music theory, and gives, for the first time, his perspective on the controversy surrounding the publication of volume 12 of the Journal of Schenkerian Studies. He speaks directly about the antiblackness of music theory and the antisemitism of classical music writ large and concludes by offering suggestions about how we move forward. Taking an explicitly antiracist approach to music theory, with this book Ewell begins to create a space in which those who have been marginalized in music theory can thrive.
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