Responding to the growing need for tried-and-trusted solutions to the reproductive health care issues confronting millions of women worldwide, Obstetrics and Gynecology in Low-Resource Settings provides practical guidelines for ensuring the delivery of quality OB/GYN care to women in resource-poor countries. Including contributions from leading clinicians and researchers in the field, this welcome overview fills an important gap in existing medical literature on women’s health care and will be an invaluable resource for doctors, clinicians, and medical students at all stages of their careers who work in the global health arena.

The reproductive health risks that all women face are greatly exacerbated when health care facilities are inadequate, equipment and medications are in short supply, and well-trained medical staff are few and far away. Often in these settings, the sole doctor or medical professional on hand has expertise in some areas of women’s reproductive care but needs a refresher course in others.

This informative guide features hands-on, step-by-step instruction for the most pertinent OB/GYN conditions—both acute and chronic—that health care workers in the field confront. The authors examine a wide range of topics, including: strategies to reduce maternal mortality and stillbirths; infectious and sexually transmitted diseases, including malaria and HIV; cervical cancer; contraception; prenatal, delivery, and newborn care; and complications arising from gender-based violence and female genital cutting. Published in a convenient format with a durable binding, this reference will be an essential companion to health care providers throughout the world.

Gerry Canavan offers a critical and holistic consideration of Butler's career. Drawing on Butler's personal papers, Canavan tracks the false starts, abandoned drafts, tireless rewrites, and real-life obstacles that fed Butler's frustrations and launched her triumphs. Canavan departs from other studies to approach Butler first and foremost as a science fiction writer working within, responding to, and reacting against the genre's particular canon. The result is an illuminating study of how an essential SF figure shaped themes, unconventional ideas, and an unflagging creative urge into brilliant works of fiction.

All societies around the world and through time value beauty highly. Tracing the evolutions of the Colombian standards of beauty since 1845, Michael Edward Stanfield explores their significance to and symbiotic relationship with violence and inequality in the country. Arguing that beauty holds not only social power but also economic and political power, he positions it as a pacific and inclusive influence in a country “ripped apart by violence, private armies, seizures of land, and abuse of governmental authority, one hoping that female beauty could save it from the ravages of the male beast.” One specific means of obscuring those harsh realities is the beauty pageant, of which Colombia has over 300 per year. Stanfield investigates the ways in which these pageants reveal the effects of European modernity and notions of ethnicity on Colombian women, and how beauty for Colombians has become an external representation of order and morality that can counter the pathological effects of violence, inequality, and exclusion in their country.

Milkman's introduction frames a career-spanning scholarly project: her interrogation of historical and contemporary intersections of class and gender inequalities in the workplace, and the efforts to challenge those inequalities. Early chapters focus on her pioneering work on women's labor during the Great Depression and the World War II years. In the book's second half, Milkman turns to the past fifty years, a period that saw a dramatic decline in gender inequality even as growing class imbalances created greater-than-ever class disparity among women. She concludes with a previously unpublished essay comparing the impact of the Great Depression and the Great Recession on women workers.

A first-of-its-kind collection, On Gender, Labor, and Inequality is an indispensable text by one of the world's top scholars of gender, equality, and work.

The reader is given an intimate memoir of Jewish adolescence and life from a young woman’s perspective in an Eastern European shtetl at the end of the nineteenth century. Hinde Bergner, future mother of one of Yiddish literature’s greatest poets and grandmother of one of Israel’s leading painters, recalls the gradual impact of modernization on a traditional world as she finds herself caught between her thirst for a European education and true love, and the expectations of her traditional family. Written during the late 1930s as a series of episodes mailed to her children, and never completed due to Bergner’s murder at the hand of the Nazis, the memoir provides details about her teachers and matchmakers, domestic religion and customs, and the colorful characters that peopled a Jewish world that is no more.

Translated from the Yiddish and with a critical introduction by Justin Cammy, it is a lively addition to the library of Jewish women’s memoir, and should be of interest to students of Eastern European Jewish culture and women’s studies.

When feminists argued for political rights in the context of liberal democracy they faced an impossible choice. On the one hand, they insisted that the differences between men and women were irrelevant for citizenship. On the other hand, by the fact that they acted on behalf of women, they introduced the very idea of difference they sought to eliminate. This paradox--the need both to accept and to refuse sexual difference in politics--was the constitutive condition of the long struggle by women to gain the right of citizenship. In this new book, remarkable in both its findings and its methodology, award-winning historian Joan Wallach Scott reads feminist history in terms of this paradox of sexual difference.

Focusing on four French feminist activists--Olympe de Gouges, who wrote the Declaration of the Rights of Woman and Citizen during the French Revolution; Jeanne Deroin, a utopian socialist and candidate for legislative office in 1848; Hubertine Auclert, the suffragist of the Third Republic; and Madeleine Pelletier, a psychiatrist in the early twentieth century who argued that women must "virilize" themselves in order to gain equality--Scott charts the repetitions and variations in feminist history. Again and again, feminists tried to prove they were individuals, according to the standards of individuality of their day. Again and again, they confronted the assumption that individuals were men. But when sexual difference was taken to be a fundamental difference, when only men were regarded as individuals and thus as citizens, how could women also be citizens? The imaginative and courageous answers feminists offered to these questions are the subject of this engaging book.

Empowering women through education has become a top priority of international development efforts. Erin MurphyGraham draws on more than a decade of qualitative research to examine the experiences of Juanita and eighteen other women who participated in the SAT program. Their narratives suggest the simple yet subtle ways education can spark the empowerment process, as well as the role of men and boys in promoting gender equality.

Drawing on indepth interviews and classroom observation in Honduras and Uganda, MurphyGraham shows the potential of the SAT program to empower women through expanded access and improved quality of secondary education in Latin America and Africa. An appendix provides samples of the classroom lessons.

In the first decades of the twentieth century, print-centered organizations spread rapidly across the United States, providing more women than ever before with opportunities to participate in public life. While most organizations at the time were run by and for white men, women—both Black and white—were able to reshape their lives and their social worlds through their participation in these institutions.

Organizing Women traces the histories of middle-class women—rural and urban, white and Black, married and unmarried—who used public and private institutions of print to tell their stories, expand their horizons, and further their ambitions. Drawing from a diverse range of examples, Christine Pawley introduces readers to women who ran branch libraries and library schools in Chicago and Madison, built radio empires from their midwestern farms, formed reading clubs, and published newsletters. In the process, we learn about the organizations themselves, from libraries and universities to the USDA extension service and the YWCA, and the ways in which women confronted gender discrimination and racial segregation in the course of their work.

When critics of poet Phillis Wheatley, the first African American to publish a collection of poetry, dismiss her work as derivative, they fail to see her writing as part of a new creative pantheon, sitting alongside other works that, like the popular copybooks in antebellum America, are structured as a conversation between artistic allies. Different kinds of copying in this period were distinctly feminized practices, such as artistic copying, pedagogical recitation, and literary imitation. Ekphrasis, the literary description of a work of visual art, reveals a particularly interesting form of copying, as the artwork in question becomes a kind of mediated space between author and reader; this practice, then, becomes the emblematic form of literature as collective production.

Original Copy frames ekphrasis and other forms of literary and visual copy-work as key concepts for understanding the discussions of nationalism, originality, and gender that dominated US literary circles during the first half of the nineteenth century. Christa Holm Vogelius focuses on four major writers of the period—Phillis Wheatley, Margaret Fuller, Sophia Hawthorne, and Henry Longfellow—to offer a narrative of a self-consciously feminine antebellum literary culture that was equally invested in literary nationality and convention. The explicitly feminized forms of the copy between and within media, she argues, became a productive means by which writers across a variety of genres interrogated the ill-defined but ubiquitous idea of an “original” American literature. Original Copy bridges three bodies of scholarship that have remained largely distinct—studies of literary nationalism and transnationalism, scholarship on gender in nineteenth century literary culture, and aesthetic and media theory—to argue for the significance of both imitation and intimate author-reader relations to the development of an American literature. 

Women workers and the revolutionary origins of the modern welfare state

In May 1790, the French National Assembly created spinning workshops (ateliers de filature) for thousands of unemployed women in Paris. These ateliers disclose new aspects of the process which transformed Old Regime charity into revolutionary welfare initiatives characterized by secularization, centralization, and entitlements based on citizenship. This study is the first to examine women and the welfare state in its formative period at a time when modern concepts of human rights were elaborated.

In The Origins of the Welfare State, Lisa DiCaprio reveals how the women working in the ateliers, municipal welfare officials, and the national government vied to define the meaning of revolutionary welfare throughout the Revolution. Presenting demands for improved wages and working conditions to a wide array of revolutionary officials, the women workers exercised their rights as "passive citizens" capaciously and shaped the meanings of work, welfare, and citizenship. Looking backward to the Old Regime and forward to the nineteenth century, this study explores the interventionist spirit that characterized liberalism in the eighteenth century and serves as a bridge to the history of entitlements in the nineteenth and twentieth centuries.

From reviews of the Spanish edition:

"...among the best works that Mexican fiction has produced."

—Héctor Gally, Sábado

"With homely features, but with a body so shapely and exciting that it sets men (priests included) aflame throughout the novel, with an incandescent voluptuousness and delightful amorality (surely explosive in the conservative Mexican society of her time and place) ...Otilia Rauda could be the protagonist of a Greek tragedy or of a soap opera made of improbable happenings and as many turns of fate as there are chapters used to tell the story of her life."

—Jorge Ruffinelli, Punto y Aparte

Winner of Mexico's prestigious Xavier Villaurrutia prize in 1986, Otilia Rauda is here translated into English for the first time as Otilia's Body. Widely considered Sergio Galindo's best work, the novel dramatizes a sexually liberated woman's obsession with an outlaw lover, played against the backdrop of Mexican history from 1910 to 1940. A fine example of "intimist" fiction, Otilia's Body is noteworthy for its penetratingly described characters who transcend time and place to become universally recognizable.

When Christa Kuljian arrived on the Harvard College campus as a first-year student in the fall of 1980 with copies of Our Bodies, Ourselves and Ms. magazine, she was concerned that the women’s movement had peaked in the previous decade. She soon learned, however, that there was a long way to go in terms of achieving equality for women and that social movements would continue to be a critical force in society. She began researching the history of science and gender biases in science, and how they intersect with race, class, and sexuality.

In Our Science, Ourselves, Kuljian tells the origin story of feminist science studies by focusing on the life histories of six key figures—Ruth Hubbard, Rita Arditti, Evelyn Fox Keller, Evelynn Hammonds, Anne Fausto-Sterling, and Banu Subramaniam. These women were part of a trailblazing network of female scientists in the 1970s, 80s, and 90s who were drawn to the Boston area—to Harvard, MIT, and other universities—to study science, to network with other scientists, or to take a job. Inspired by the social and political activism of the women’s movement and organizations such as Science for the People, the Genes and Gender Collective, and the Combahee River Collective, they began to write and teach about women in science, gender and science, and sexist and racist bias and exclusion. They would lead the critiques of E. O. Wilson’s sociobiology in 1975 and Larry Summers’ comments about women in science thirty years later. The book also explores how these contributions differed from those of Nancy Hopkins’, author of the 1999 MIT report on women in science, and a “reluctant feminist.”

Drawing on a rich array of sources that combines published journal articles and books with archival materials and interviews with major luminaries of feminist science studies, Kuljian chronicles and celebrates the contributions that these women have made to our collective scientific knowledge and view of the world.

This young adult biography introduces middle school readers to a remarkable woman who founded the Women’s Army Corps, served as Secretary of Health, Education, and Welfare, and ran a media empire that included the Houston Post newspaper and radio and TV stations.

Winner, Gold Medal for Biography, Military Writers Society of America, 2015

Oveta Culp Hobby (1905–1995) had a lifetime of stellar achievement. During World War II, she was asked to build a women’s army from scratch—and did. Hobby became Director of the Women’s Army Corps and the first Army woman to earn the rank of colonel. President Eisenhower chose her as Secretary of Health, Education, and Welfare, making her the second woman in history to be appointed to a president’s cabinet. When she wasn’t serving in the government, Hobby worked with her husband, former Texas governor William P. Hobby, to lead a media empire that included the Houston Post newspaper and radio and TV stations. She also supported the Houston community in many ways, from advocating for civil rights for African Americans to donating generously to the Houston Symphony and the Museum of Fine Arts.

Oveta Culp Hobby is the first biography of this important woman. Written for middle school readers, it traces her life from her childhood in Killeen to her remarkable achievements in Washington, DC, and Houston. Debra Winegarten provides the background to help young adult readers understand the times in which Hobby lived and the challenges she faced as a woman in nontraditional jobs. She shows how Hobby opened doors for women to serve in the military and in other professions that still benefit women today. Most of all, Oveta Culp Hobby will inspire young adults to follow their own dreams and turn them into tangible reality.