A SCHOLARLY BOOK REPOSITORY113 start with P start with P
A uniquely Tejano version of the old-fashioned political barbeque, the traditional South Texas pachanga allowed politicians to connect with voters in a relaxed setting where all could enjoy live music and abundant food and drink along with political speeches and dealmaking. Today's pachanga still combines politics, music, and votes—along with a powerful new element. Corporate sponsorships have transformed the pachanga into a major marketing event, replete with celebrity performers and product giveaways, which can be recorded and broadcast on TV or radio to vastly increase the reach of the political—and the commercial—messages.
This book explores the growing convergence of politics, transnational marketing, and borderlands music in the South Texas pachanga. Anthropologist Margaret Dorsey has observed some one hundred pachangas and interviewed promoters, politicians, artists, and local people. She investigates how candidates and corporations market their products to Hispanic consumers, as well as how the use of traditional music for marketing is altering traditional forms such as the corrido. Her multifaceted study also shows clearly that the lines of influence run both ways—while corporate culture is transforming the traditions of the border, Tejano voters/consumers only respond to marketing appeals (whether for politicians or products) that resonate with their values and the realities of their lives. Far from being an example of how transnational marketing homogenizes culture, the pachanga demonstrates that local cultures can exert an equally strong influence on multinational corporations.
Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types.
Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples.
Contributors:
María Isabel Álvarez Icaza Longoria
Christine Andraud
Bruno Giovanni Brunetti
David Buti
Davide Domenici
Élodie Dupey García
Tatiana Falcón Álvarez
Anne Genachte-Le Bail
Fabrice Goubard
Aymeric Histace
Patricia Horcajada Campos
Stephen Houston
Olivia Kindl
Bertrand Lavédrine
Linda R. Manzanilla Naim
Anne Michelin
Costanza Miliani
Virgina E. Miller
Sélim Natahi
Fabien Pottier
Patricia Quintana Owen
Franco D. Rossi
Antonio Sgamellotti
Vera Tiesler
Aurélie Tournié
María Luisa Vázquez de Ágredos Pascual
Cristina Vidal Lorenzo
The volume is interdisciplinary, including the work of anthropologists, historians, sociologists, political scientists, ethnomusicologists, and Americanist and literary studies scholars. Contributors examine popular music of the Palestinian resistance, ethno-racial “passing” in Israeli cinema, Arab-Jewish rock, Euro-Israeli tourism to the Arab Middle East, Internet communities in the Palestinian diaspora, café culture in early-twentieth-century Jerusalem, and more. Together, they suggest new ways of conceptualizing Palestinian and Israeli political culture.
Contributors. Livia Alexander, Carol Bardenstein, Elliott Colla, Amy Horowitz, Laleh Khalili, Mary Layoun, Mark LeVine, Joseph Massad, Melani McAlister, Ilan Pappé, Rebecca L. Stein, Ted Swedenburg, Salim Tamari
This is a book about the politics of competing cultures and myths in a colonized nation. Elizabeth Buck considers the transformation of Hawaiian culture focusing on the indigenous population rather than on the colonizers. She describes how Hawaii's established religious, social, political, and economic relationships have changed in the past 200 years as a result of Western imperialism. Her account is particularly timely in light of the current Hawaiian demands for sovereignty 100 years after the overthrow of the monarchy in 1893.
Buck examines the social transformation Hawaii from a complex hierarchical, oral society to an American state dominated by corporate tourism and its myths of paradise. She pays particular attention to the ways contemporary Hawaiians are challenging the use of their traditions as the basis for exoticized entertainment.
Buck demonstrates that sacred chants and hula were an integral part of Hawaiian social life; as the repository of the people's historical memory, chants and hula practices played a vital role in maintaining the links between religious, political, and economic relationships. Tracing the ways in which Hawaiian culture has been variously suppressed and constructed by Western explorers, New England missionaries, the tourist industry, ethnomusicologists, and contemporary Hawaiians, Buck offers a fascinating "rereading" of Hawaiian history.
At the same time, the United States felt the influence of the rise of popular mass-circulation newspapers and magazines and the surge in American book publishing. Concern over living correctly as well as prosperously was commonly discussed by leading authors and journalists, who were now writing for ever-expanding regional and national audiences. Women became more important as authors and editors, giving advice and building huge markets for women readers, with the magazine Godey's Lady's Book and novels by Susan Warner, Maria Cummins, and Harriet Beecher Stowe expressing women's views about the troubled state of society. Best-selling male writers--including novelist George Lippard, historian George Bancroft, and travel writer Bayard Taylor--were among those adding their voices to concerns about prosperity and morality and about America's place in the world. Writers and publishers discovered that a high moral tone could be exceedingly good for business.
The authors of this book examine how popular writers and widely read newspapers, magazines, and books expressed social tensions between prosperity and morality. This study draws on that nationwide conversation through leading mass media, including circulation-leading newspapers, the New York Herald and the New York Tribune, plus prominent newspapers from the South and West, the Richmond Enquirer and the Cincinnati Enquirer. Best-selling magazines aimed at middle-class tastes, Harper's Magazine and the Southern Literary Messenger, added their voices, as did two leading business magazines.
Most of the Reader is arranged chronologically. Weighted toward the twentieth century and early twenty-first, it nevertheless gives due attention to major events in Paraguay's history, such as the Triple Alliance War (1864–70) and the Chaco War (1932–35). The Reader's final section, focused on national identity and culture, addresses matters including ethnicity, language, and gender. Most of the selections are by Paraguayans, and many of the pieces appear in English for the first time. Helpful introductions by the editors precede each of the book's sections and all of the selected texts.
"A remarkable look at a remote society [and] an engaging memoir that testifies to a loving partnership . . . compelling."—James Idema, Chicago Tribune
Pardon My Heart is an exploration of love in the contemporary African American ethos. In this lyrically complex collection, the speakers and subjects—the adult descendants of the Great Migration—reckon with past experiences and revelatory, hard-earned ideas about race and class.
With a compelling blend of narrative, musicality, and imagery, Jackson’s poems span a multitude of scenes, landscapes, and sensations. Pardon My Heart examines intimacy, memory, grief, and festivity while seeking out new, reflective sectors within emotion and culture. By means of concise portraiture and sonic vibrancy, Jackson’s poems ultimately express the urgency and pliability of the human soul.
Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Parlor Ponds: The Cultural Work of the American Home Aquarium, 1850–1970 examines the myriad cultural meanings of the American home aquarium during the nineteenth and twentieth centuries and argues that the home aquarium provided its enthusiasts with a potent tool for managing the challenges of historical change, from urbanization to globalization. The tank could be a window to an alien world, a theater for domestic melodrama, or a vehicle in a fantastical undersea journey. Its residents were seen as inscrutable and wholly disposable “its,” as deeply loved and charismatic individuals, and as alter egos by aquarists themselves.
Parlor Ponds fills a gap in the growing field of animal studies by showing that the tank is an emblematic product of modernity, one using elements of exploration, technology, science, and a commitment to rigorous observation to contain anxieties spawned by industrialization, urbanization, changing gender roles, and imperial entanglements. Judith Hamera engages advertisements, images, memoirs, public aquarium programs, and enthusiast publications to show how the history of the aquarium illuminates complex cultural attitudes toward nature and domestication, science and religion, gender and alterity, and national conquest and environmental stewardship with an emphasis on the ways it illuminates American public discourse on colonial and postcolonial expansion.
Like. Share. Comment. Subscribe. Embed. Upload. Check in. The commands of the modern online world relentlessly prompt participation and encourage collaboration, connecting people in ways not possible even five years ago. This connectedness no doubt influences college writing courses in both form and content, creating possibilities for investigating new forms of writing and student participation. In this innovative volume, Sarah J. Arroyo argues for a “participatory composition,” inspired by the culture of online video sharing and framed by theorist Gregory Ulmer’s concept of electracy.
Electracy, according to Ulmer, “is to digital media what literacy is to alphabetic writing.” Although electracy can be compared to digital literacy, it is not something shut on and off with the power buttons on computers or mobile devices. Rather, electracy encompasses the cultural, institutional, pedagogical, and ideological implications inherent in the transition from a culture of print literacy to a culture saturated with electronic media, regardless of the presence of actual machines.
Arroyo explores the apparatus of electracy in many of its manifestations while focusing on the participatory practices found in online video culture, particularly on YouTube. Chapters are devoted to questions of subjectivity, definition, authorship, and pedagogy. Utilizing theory and incorporating practical examples from YouTube, classrooms, and other social sites, Arroyo presents accessible and practical approaches for writing instruction. Additionally, she outlines the concept of participatory composition by highlighting how it manifests in online video culture, offers student examples of engagement with the concept, and advocates participatory approaches throughout the book.
Arroyo presents accessible and practical possibilities for teaching and learning that will benefit scholars of rhetoric and composition, media studies, and anyone interested in the cultural and instructional implications of the digital age.
Edward Spicer devoted most of his professional career to the study of the Yaquis and came to be regarded as a leading authority on that tribe. At the inception of his forty years of research stands Pascua, a firsthand description of daily village life.
Since World War II London has become a significantly multiracial city. Some of the earliest agents of its transformation were young men and women recruited in the late 1950s from Barbados, then a British colony, to work in the metropolis’s nationalized public transportation system and in its hospitals. These Barbadians met, married, settled in London, and raised Londoner children. In 1987-88 John Western conducted a series of interviews with twelve such families--both parents and children. Their vivid words fill A Passage to England with insight, human, and, often, poignancy. Here is a rich perspective on thirty years or more of London social history.
Western structured the interviews to allow the Barbadians a lot of freedom to discuss whatever came to mind concerning either their own life histories and achievements, or wider themes of culture, politics, and society. Topics covered range from matters of “race” to Margaret Thatcher and the change her decade in power has wrought in Britain. One development, for example, is the strikingly entrepreneurial spirit now embraced by some of the young British blacks, veritably “Mrs. Thatcher’s Children.” Ultimately, many of the interviewees focused on the changes they see in their ancestral island in the Caribbean, to which all of them have returned for visits. For this migrant generation especially, as the prospect of retirement begins to grow increasingly important, inevitable questions regard the definitions of “home” and “belonging” must be confronted: Does one stay in London--with one’s children and grandchildren--or does one return to Barbados, which for many seems no longer the same island as the one they left a working lifetime ago? Within the context of an ever-increasing complement of geographically mobile people worldwide, Western’s study provides unique insights into the particular ambiguities a particular set of person have wrestled with at a particular moment in history...but the import of the Barbadian Londoners’ story is universal.
Past Titan Rock, a winner of the Appalachian Award for Literature, is available in a new edition as part of the series Sounding Appalachia, with an introduction by series editor Travis D. Stimeling.
In 1977 Ellesa Clay High thought she would spend an afternoon interviewing Lily May Ledford, best known as the lead performer of an all-female string band that began playing on the radio in the 1930s. That meeting began an unexpected journey leading into the mountains of eastern Kentucky and a hundred years into the past. Set in Red River Gorge, an area of steep ridges and box canyons, Past Titan Rock is a multigenre, multivocal re-creation of life in that region. With Ledford’s guidance, High traveled and lived in the gorge, visiting with people who could remember life there before the Works Progress Administration built roads across the ridges and into the valleys during the New Deal. What emerges through a unique combination of personal essay, oral history, and short fiction is a portrait of a mountain culture rich in custom, oral tradition, and song. Past Titan Rock demonstrates the depth of community ties in the Red River Gorge and raises important questions about how to resist destructive forces today.
The first decades of the twentieth century were years of dramatic change in Zanzibar, a time when the social, economic, and political lives of island residents were in incredible flux, framed by the abolition of slavery, the introduction of colonialism, and a tide of urban migration. Pastimes and Politics explores the era from the perspective of the urban poor, highlighting the numerous and varied ways that recently freed slaves and other immigrants to town struggled to improve their individual and collective lives and to create a sense of community within this new environment. In this study Laura Fair explores a range of cultural and social practices that gave expression to slaves’ ideas of emancipation, as well as how such ideas and practices were gendered.
Pastimes and Politics examines the ways in which various cultural practices, including taarab music, dress, football, ethnicity, and sexuality, changed during the early twentieth century in relation to islanders’ changing social and political identities. Professor Fair argues that cultural changes were not merely reflections of social and political transformations. Rather, leisure and popular culture were critical practices through which the colonized and former slaves transformed themselves and the society in which they lived.
Methodologically innovative and clearly written, Pastimes and Politics is accessible to specialists and general readers alike. It is a book that should find wide use in courses on African history, urbanization, popular culture, gender studies, or emancipation.
Making clear the early and deep intermingling of practices and world views among Spaniards and Andeans, Christians and non-Christians, Abercrombie critiques both the romanticist tendency to regard Andean culture as still separate from and resistant to European influences, and the melodramatic view that all indigenous practices have been obliterated by colonial and national elites. He challenges prejudices that, from colonial days to the present, have seen Andean historical knowledge only in mythic narratives or narratives of personal experience. Bringing an ethnographer’s approach to historiography, he shows how complex Andean rituals that hybridize European and indigenous traditions—such as libation dedications and llama sacrifices held on saints’ day festivals—are in fact potent evidence of social memory in the community.
Originally published in 1974, this second edition was published by Gnomon Press in 1997.Payne Hollow is a reflective and poetic memoir that details the simple, self-sufficient life Harlan Hubbard and his wife, Anna, led along the banks of the Ohio River in the 1950s–80s. After living on a shantyboat for eight years, the Hubbards crafted a custom home and studio at Payne Hollow, in Trimble County, Kentucky, where they lived off the land and embraced a lifestyle focused on nature, art, and solitude. The book, illustrated with Harlan’s own ink drawings, captures the couple’s philosophy of living in harmony with the natural world, free from the distractions and demands of modern society. Hubbard eloquently describes in words and images their daily routines, the changing seasons, and the deep satisfaction he and Anna found in their way of life. Through his writing, Hubbard rejoices in the return to simplicity and creates an appreciation for the living world, making Payne Hollow not just a memoir, but a model for building a deliberate, mindful life in tune with nature.
This is a true story of the struggle, survival, and ultimate success of a large black family in south Alabama who, in the middle decades of the 20th century, lifted themselves out of poverty to achieve the American dream of property ownership. Descended from slaves and sharecroppers in the Black Belt region, this family of hard-working parents and their thirteen children is mentored by its matriarch, Moa, the author’s beloved great grandmother, who passes on to the family, along with other cultural wealth, her recipe for moonshine.
Without rancor or blame, and even with occasional humor, The Pecan Orchard offers a window into the inequities between blacks and whites in a small southern town still emerging from Jim Crow attitudes.
Told in clean, straightforward prose, the story radiates the suffocating midday heat of summertime cotton fields and the biting winter wind sifting through porous shanty walls. It conveys the implicit shame in “Colored Only” restrooms, drinking fountains, and eating areas; the beaming satisfaction of a job well done recognized by others; the “yessum” manners required of southern society; and the joyful moments, shared memories, and loving bonds that sustain—and even raise—a proud family.
“In the fifties, sleek Mixmasters were replacing rusty eggbeaters, and new pressure-cookers blew their tops in kitchens all over town. There were kids everywhere, and new ‘ranch-style’ houses filled vacant lots. . . . Turquoise Studebakers and dusty-rose Chevy BelAirs with flamboyant fins and lots of chrome replaced dark pre-war cars. Cameras took color snapshots instead of black-and-white. We wore red canvas tennis shoes and lemon yellow shorts, and bright blue popsicles melted down our chins.” —from the Introduction
Hastings experienced the rural and small town side of an event that touched all who weathered it—the economic crash of 1929 and its 10-year aftermath.
The author grew up in Marion, Illinois, entering the first grade in 1930, the start of the Great Depression. This book, which recalls memorable episodes in the life of that boy, is a sequel to the popular ANickel’s Worth of Skim Milk.
What Hastings experienced as a child was typical of depression-era life. Those who were young then can relive lost youth in Hastings’ books. And there were moments worth reliving: Hastings tells of “laughter and love and tears in the midst of hunger and cold and deprivation.” Those too young to have experienced the economic devastation can see those hard days through the eyes of a trained storyteller reporting from the point of view of a child.
MacDougall demonstrates that Penobscot legend, linguistics, dance, and oral tradition became foundations of resistance against assimilation into the dominant culture. She thoughtfully and accessibly reconstructs from published, archival, and oral sources the tribe's metaphorical and triumphant Dance of Resistance—founded on spiritual power, reverence for homeland, and commitment to self-determination—from colonial times to the present. A decade of political activism culminated in the precedent-setting 1980 Maine Indian Land Claims settlement. Today the Penobscots run small industries, manage their natural resources, and provide health services, K through 8 education, and social services to the poor and elderly of their community.
Helm begins with a broad-ranging, stimulating overview of the social organization of hunter-gatherer peoples of the world, past and present, that provides a background for all she has learned about the Dene. The chapters in part 1 focus on community and daily life among the Mackenzie Dene in the middle of the twentieth century. After two historical overview chapters, Helm moves from the early years of the twentieth century to the earliest contacts between Dene and white culture, ending with a look at the momentous changes in Dene-government relations in the 1970s. Part 3 considers traditional Dene knowledge, meaning, and enjoyments, including a chapter on the Dogrib hand game. Throughout, Helm's encyclopedic knowledge combines with her personal interactions to create a collection that is unique in its breadth and intensity.
Social structures, the domestic export and economies, and spiritual spheres within native Andean communities are key elements of analysis. Also highlighted is the persistence of duality in the Andean world: perceived dichotomies such as those between the coast and the highlands, Europeans and Indo-Peruvians. Even before the conquest, the Cabana and Collagua communities sharing the Colca Valley were divided according to kinship and location. The Incas, and then the Spanish, capitalized on these divisions, incorporating them into their state structure in order to administer the area more effectively, but Colca Valley peoples resisted total assimilation into either. Colca Valley communities have shown a remarkable tenacity in retaining their social, economic, and cultural practices while accommodating various assimilationist efforts over the centuries. Today’s population maintains similarities with their ancestors of more than five hundred years ago—in language, agricultural practices, daily rituals, familial relationships, and practices of reciprocity. They also retain links to ecological phenomena, including the volcanoes from which they believe they emerged and continue to venerate.
People of the Water is an ethnographic analysis of the cultural practices of the Uru-Chipayans—how they have maintained their culture and how they have changed. The Chipayans are an Andean people whose culture predates the time of the Incas (c. AD 1400), but they were almost wiped out by 1940, when only around 400 remained. Yet their population has quadrupled in the last 60 years. Joseph Bastien has spent decades living with and studying the Chipayans, and here for the first time he discusses the dynamics between traditional, social, and religious practices and the impending forces of modernity upon them. With the support of more than 100 illustrations he documents how, in spite of challenges, the Chipayans maintain ecological sustainability through an ecosystem approach that is holistic and symbolically embedded in rituals and customs.
Chipayans have a resilient and innovative culture, maintaining dress, language, hairstyle, rituals, and behavior while also re-creating their culture from a dialectic between themselves and the world around them. Bastien provides the reader with a series of experienced observations and intimate details of a group of people who strive to maintain their ancient traditions while adapting to modern society. This ethnographic study offers insightful, surprising, and thoughtful conclusions applicable to interpreting the world around us.
Late Antiquity, which lies between Classical Antiquity and the Middle Ages (ca. A.D. 250-750), heralded the gradual decline of Mediterranean classical civilization, and the initial formation of a strictly western European, Christian society. During this period, three momentous developments threatened the paternalistic Roman social system: the rise of the Christian church, the disintegration of the Roman Empire in the west, and the establishment of the barbarian kingdoms.
The first of its type, this volume presents a collection of Latin source documents illustrating the social upheaval taking place in the Late Roman and early medieval worlds. The texts included in this volume provide the original Latin for the selections that are translated in People, Personal Expression, and Social Relations in Late Antiquity, Volume I. The 140 selected texts gathered from 70 different sources offer the reader firsthand experience with the ways that the Latin language was being used during the transformative period of Late Antiquity.
Ralph W. Mathisen is Professor of Ancient and Byzantine History; Louise Fry Scudder Professor of Humanities; and Director, Biographical Database for Late Antiquity at the University of South Carolina.
In this book about families--those of the various native peoples of southern New England and those of the English settlers and their descendants--Gloria Main compares the ways in which the two cultures went about solving common human problems. Using original sources--diaries, inventories, wills, court records--as well as the findings of demographers, ethnologists, and cultural anthropologists, she compares the family life of the English colonists with the lives of comparable groups remaining in England and of native Americans. She looks at social organization, patterns of work, gender relations, sexual practices, childbearing and childrearing, demographic changes, and ways of dealing with sickness and death.
Main finds that the transplanted English family system produced descendants who were unusually healthy for the times and spectacularly fecund. Large families and steady population growth led to the creation of new towns and the enlargement of old ones with inevitably adverse consequences for the native Americans in the area. Main follows the two cultures into the eighteenth century and makes clear how the promise of perpetual accessions of new land eventually extended Puritan family culture across much of the North American continent.
"Mr. Gilbert's splendid book opens the door on a conflicted past, and provides an indispensable perspective on the troubled and troubling struggle we face today between old and new, unity and diversity."—Alan Trachtenberg, New York Times
"Perfect Cities is a remarkable account of a struggle for cultural definition. Chronicling the byplay between cultural homogeneity and heterogeneity, unity and diversity, James Gilbert not only throws light on Chicago's past but also provides insight that can be applied to the cultural debates of our own time."—Adria Bernardi, Chicago Tribune
"What Gilbert has done is to enable the reader to experience the grand utopian visions of the times, yet at the same time see the cantankerous reality that made the visions impossible."—Henry Kisor, Chicago Sun-Times
A saying in Mexico City is “quien domina el centro, domina el país” (whoever dominates the center, dominates the country) as the Zócalo continues to act as the performative embodiment of Mexican society. This book highlights how particular performances build upon each other by recycling past architectures and performative practices for new purposes. Ana Martínez discusses the singular role of collective memory in creating meaning through space and landmarks, providing a new perspective and further insight into the problem of Mexico’s relationship with its own past. Rather than merely describe the commemorations, she traces the relationship between space and the invention of a Mexican imaginary. She also explores how indigenous communities, Mexico’s alienated subalterns, performed as exploited objects, exotic characters, and subjects with agency. The book’s dual purposes are to examine the Zócalo as Mexico’s central site of performance and to unmask, without homogenizing, the official discourse regarding Mexico’s natives. This book will be of interest for students and scholars in theater studies, Mexican Studies, Cultural Geography, Latinx and Latin American Studies.
Wirtz analyzes a variety of performances and the ways they construct Cuban racial and historical imaginations. She offers a sophisticated view of performance as enacting diverse revolutionary ideals, religious notions, and racial identity politics, and she outlines how these concepts play out in the ongoing institutionalization of folklore as an official, even state-sponsored, category. Employing Bakhtin’s concept of “chronotopes”—the semiotic construction of space-time—she examines the roles of voice, temporality, embodiment, imagery, and memory in the racializing process. The result is a deftly balanced study that marries racial studies, performance studies, anthropology, and semiotics to explore the nature of race as a cultural sign, one that is always in process, always shifting.
Miyazaki also photographed the water as he went, creating waterscapes of the ever-changing lake affected by weather and time. Perimeter gathers these images together, creating a diverse portrait of both people and a place, encapsulating Lake Michigan’s significance to those who are drawn to it.
Anthropologist James R. Welch transparently presents ethnographic insights from his long-term fieldwork in two A’uwẽ communities. He addresses how distinctive constructions of age organization contribute to social well-being in an era of major ecological, economic, and sociocultural change. Welch shows how A’uwẽ perspectives on the human life cycle help define ethnic identity, promote cultural resilience, and encourage the betterment of youth. They provide frameworks that people may creatively mobilize to responsibly and respectfully engage with others at different stages of life. They also motivate people to access and manage landscape resources essential to the social construction of good living. Through careful analysis, Welch shows how contemporary traditional peoples can foster enthusiasm for service to family and community amid dominant cultures that prioritize individual well-being.
This book is an essential resource for students and scholars interested in sociocultural anthropology, Indigenous cultures, health and culture, and human ecology.
It is a harsh, remote country, where the weather is always very close and the horizon far away. The Brazos country of long-ago Fourth of July fishing expeditions; the grass-grown remains of a way station of the Butterfield Stage Line; the streets of Abilene; the sparse grazing lands under infinite skies-all are made resonant by a native son’s affection and understanding. It is a way of life-resilient and persnickety-that is almost gone.
Above all, it is people: the author’s grandmother, who had a mortal fear of bridges and whose premonitions of unnamed calamities (that as often as not happened), both alarmed and pleased the young boy; Uncle Aubrey, “who married late”; the blacksmith they awakened in the dead of night; the familiar neighbors; the rare and deliciously mysterious strangers.
With humor and strong, unsentimental feeling, A. C. Greene conserves for us the priceless eccentricities of place and person that are being flattened out-almost literally bulldozed away-by the impatient, insatiable onrush of the twentieth century. His West Texas is a very personal country, but what he seeks to share will be familiar to all who take pleasure in the memories that tie them to their own special region of America.
Published posthumously with Northanger Abbey in 1817, Persuasion crowns Jane Austen’s remarkable career. It is her most passionate and introspective love story. This richly illustrated and annotated edition brings her last completed novel to life with previously unmatched vitality. In the same format that so rewarded readers of Pride and Prejudice: An Annotated Edition, it offers running commentary on the novel (conveniently placed alongside Austen’s text) to explain difficult words, allusions, and contexts, while bringing together critical observations and scholarship for an enhanced reading experience. The abundance of color illustrations allows the reader to see the characters, locations, clothing, and carriages of the novel, as well as the larger political and historical events that shape its action.
In his Introduction, distinguished scholar Robert Morrison examines the broken engagement between Anne Elliot and Frederick Wentworth, and the ways in which they wander from one another even as their enduring feelings draw them steadily back together. His notes constitute the most sustained critical commentary ever brought to bear on the novel and explicate its central conflicts as well as its relationship to Austen’s other works, and to those of her major contemporaries, including Lord Byron, Walter Scott, and Maria Edgeworth.
Specialists, Janeites, and first-time readers alike will treasure this annotated and beautifully illustrated edition, which does justice to the elegance and depth of Jane Austen’s time-bound and timeless story of loneliness, missed opportunities, and abiding love.
Using Jurgen Habermas’s concept of a public sphere, the author reveals how the Irish constructed a plebian “counter” public of Gaelic meaning through various mechanisms of communication, the ethnic press, the meeting rooms of Irish societies, the consumption of circulating pamphlets, oratory, songs, ballads, poems, and conversation.
Settled in working class neighborhoods of vast spatial separation in an industrial city, the Irish resisted a parochialism identified with neighborhood and instead extended themselves to construct a vibrant, culturally engaged network of Irish rebirth in Philadelphia, a public of Gaelic meaning.
Every New Year's Day since 1901, the Philadelphia Mummers have presented a spectacular show of shows that raucously snakes and shimmies its way through city streets. The Mummers Parade features music, dance, comedy, and mime, along with dazzling costumes and floats. Although the lavish event is now televised to a wide audience, it is still rooted in the same neighborhoods where it began.
This book explores the community created and annually reaffirmed by the Philadelphia Mummers. The author spent more than five years with the Mummers, observing their lives and rituals as she took part in their preparations and parades. Writing with the fascination of a sociologist and the excitement of a participant, Masters examines the Mummers from their beginnings. Through the prism of their century-long history, we can see how communities retain their identities and how they are affected by larger cultural trends.
A retrospective survey of Bruce Harkness’s striking social documentary photographs and an invaluable historical record that bears witness to irrevocably lost swaths of Detroit’s social and urban fabric.
In 1980, the cities of Detroit and Hamtramck, Michigan, exercised eminent domain to develop nearly five hundred acres of land for a new industrial park and General Motors assembly plant. But the land was not vacant. Some thirty-five hundred people lived there in Poletown—some of them for their entire lives. They attended neighborhood schools and churches, worked for and patronized small businesses, walked the sidewalks, drove the streets, and tended to lawns and gardens. Harkness began photographing the area in February 1981. He recorded street scenes, intersections, panoramic views, homes, businesses, churches, and people. Ten months, ninety visits, and six hundred photographs later, it all disappeared forever.
The Poletown series established Harkness as a major Detroit documentarian. It came on the heels of late-1970s projects located in and around the city’s skid row: Cass Corridor. The images include gritty streetscapes, a portrait series depicting residents living in a crumbling apartment building, and the lively cultural milieu of a local gay and transgender bar. Most of this old portion of inner-city Detroit since has been supplanted by urban redevelopment and gentrification.
During the late 1980s, Harkness collaborated with urban historian John J. Bukowczyk on a major documentary project, Urban Interiors. While the Poletown project had documented the exteriors of buildings and streetscapes on Detroit’s East Side, Urban Interiors captured the insides of inner-city Detroit homes and businesses and included extended oral history interviews.
While Harkness has always found human dignity and resilience in his subjects, the tone of his work brightened in the 1990s alongside Detroit’s revival. Photographs from this era include blues musicians performing in clubs and at outdoor concerts and the distinctive, robust youth culture that flourished in Dearborn’s now-defunct Zone Coffee House.
Featuring images from these and other projects, Photographs from Detroit, 1975–2019 includes Harkness’s extensive notes, which describe and contextualize the encounters he shared with the people and places he photographed, and offer insight into his working methods and equipment. The volume and quality of Harkness’s work merits him recognition as one of Detroit’s most important documentary photographers during this pivotal, transitional era in the city’s history.
Harkness’s images depict the struggles and resilience of ordinary individuals and families in working-class communities who together have indelibly shaped the spirit of Detroit. This book is a must-have for Detroiters past and present as well as historians, anthropologists, social documentary advocates, and photobook collectors everywhere.
In his introduction, David Faflik considers what made Gunn's book a compelling read in the past and how today it can elucidate our understanding of the formation and evolution of urban American life and letters.
In Picture Man, Margaret Thomas views Kayamori’s life through multiple lenses. Using Kayamori’s original photos, she explores the economic and political realities that sent Kayamori and thousands like him out of Japan toward opportunity and adventure in the United States, especially the Pacific Northwest. She reveals the tensions around Asian immigrants on the West Coast and the racism that sent many young men north to work in the canneries of Alaska. And she illuminates the intersecting—and at times conflicting—lives of villagers and migrants in a time of enormous change. Part history, part biography, part photographic showcase, Picture Man offers a fascinating new view of Alaska history.
"A most interesting book. . . . [Shaw's] account of how the Pima Indians lived, their family structure, how they reared their children, courtship and marriage, how they treated their elders, their religious practices before the coming of a Christian missionary in 1870, and their accommodation with death are related in language that can be easily understood by the layman and, yet, provide information which can be used by the sociologist and anthropologist."—Journal of the West
"The current trend in books written by American Indians is to idealize the Indian past while condemning white culture. This volume is a notable exception because its author is old enough to remember the past and because she has been successful in adapting those elements of white culture which she found useful without sacrificing this essential heritage. . . . The style is simple and straightforward, that of a good storyteller which reaches all adult levels."—Choice
"Simple and charming reminiscences of the old Pima ways at the turn of the century when they still prevailed and of the changes which recent decades have brought about in the lives of the desert people."—Books of the Southwest
"Throughout [Shaw's] account a special kind of humor, sensitivity, and pride is revealed when discussing her peoples and her own personal experiences."—The Masterkey
Nearly a century ago, hundreds of families journeyed from Spain to the United States, to search for a better life in the growing zinc-industry towns of Harrison County, West Virginia. As they created a new culture and a new home in this strange land, they added another thread to the rich fabric of our nation. Writing from his perspective as a first-generation son of this immigrant community, González recounts his childhood memories of his neighborhood, where these immigrants raised their families, worked in the often insufferable conditions of the zinc factories, and celebrated "romerias" and feast days with their neighbors.
"The University of Alabama Press has produced yet another excellent book on Florida. Gracefully written, it offers one of the most compelling images of rural life in early 20th-century Florida that exists in print. It should enjoy wide readership." —The Florida Historical Quarterly
Pioneer Family is based on the recollections of Hugie and Oleta Oesterreicher, who lived in rural northeast Florida in the early decades of the twentieth century. Northeast Florida was still frontier country then, and Hugie and Oleta were pioneers. Although the time and setting of their story are particular, the theme of survival during hard times is universal. Born in a cypress cabin on the edge of the great Durbin Swamp located midway between St. Augustine and Jacksonville, Hugie knew every alligator hole, every bog, every creek; he could dry venison so it lasted without refrigeration for months, could build a potato bank that kept potatoes warm all winter, and put down a well without machinery. He knew how to cope with rattlesnakes and moccasins. Early one morning in 1925, Hugie fell in love with a tall, brown-eyed girl as he passed her place on a cattle drive. He courted this girl, Oleta Brown, with no success at first, but finally they were married in 1927.
Their daughter retells their story from vivid accounts they gave of their childhood, courtship, early years of marriage, and struggles during the Great Depression. In an age bereft of heroes, the story of their courage, their faith, and their commitment provides a fascinating empathy with a time that has passed; a place that has disappeared.
And in Chicago, there are as many destinations for pizza as there are individual preferences. Each of the city's seventy-seven neighborhoods is home to numerous go-to spots, featuring many styles and specialties. With so many pizzerias, it would seem impossible to determine the best of the best.
Enter renowned Chicago-based food journalist Steve Dolinsky! In Pizza City, USA: 101 Reasons Why Chicago Is America's Greatest Pizza Town, Dolinsky embarks on a pizza quest, methodically testing more than a hundred different pizzas in Chicagoland. Zestfully written and thoroughly researched, Pizza City, USA is a hunger–inducing testament to Dolinsky's passion for great, unpretentious food.
This user-friendly guide is smartly organized by location, and by the varieties served by the city's proud pizzaioli–including thin, artisan, Neapolitan, deep-dish and pan, stuffed, Sicilian, Roman, and Detroit-style, as well as by-the-slice. Pizza City also includes Dolinsky's "Top 5 Pizzas" in several categories, a glossary of Chicago pizza terms, and maps and photos to steer devoted foodies and newcomers alike.
Alaska has always attracted people from varied backgrounds. In A Place of Belonging, Phyllis Movius introduces us to five women who settled in Fairbanks between 1903 and 1923 and who typify the disparate population that has long enriched Alaska. The women’s daily lives and personal stories are woven together in these biographical portraits, drawn from the women’s letters, memoirs, personal papers, club records, their own oral histories and published writings. Enriched by many never-before-published historical photos, Movius’s research gives us a unique inroad into life on the frontier.
Spring-fed creeks. Old stone houses. Cedar brakes and bleached limestone. The Hill Country holds powerful sway over the imagination of Texans. So many of us dream of having our own little place in the limestone hills. The Hill Country feels just like home, even if you've never lived there.
This beautifully written book explores what the Hill Country has meant as a homeplace to the author, his family, and longtime residents of the area, as well as to newcomers. David Syring listens to the stories that his aunts, uncles, and cousins tell about life in the Hill Country and grapples with their meaning for his own search for a place to belong. He also collects short stories focused around Honey Creek Church to consider how places become containers for memory. And he draws upon several years of living in Fredericksburg to talk about the problems and opportunities created by heritage tourism and the development of the town as a "home" for German Americans. These interconnected stories illuminate what it means to belong to a place and why the Texas Hill Country has become the spiritual, if not actual, home of many people.
This volume presents a cross section of current research about the origins and internal developments of prehistoric Plains village people in the Central and Northern Plains.
This impressive scholarly debut deftly reinterprets one of America's oldest symbols--the southern slave plantation. S. Max Edelson examines the relationships between planters, slaves, and the natural world they colonized to create the Carolina Lowcountry.
European settlers came to South Carolina in 1670 determined to possess an abundant wilderness. Over the course of a century, they settled highly adaptive rice and indigo plantations across a vast coastal plain. Forcing slaves to turn swampy wastelands into productive fields and to channel surging waters into elaborate irrigation systems, planters initiated a stunning economic transformation.
The result, Edelson reveals, was two interdependent plantation worlds. A rough rice frontier became a place of unremitting field labor. With the profits, planters made Charleston and its hinterland into a refined, diversified place to live. From urban townhouses and rural retreats, they ran multiple-plantation enterprises, looking to England for affirmation as agriculturists, gentlemen, and stakeholders in Britain's American empire. Offering a new vision of the Old South that was far from static, Edelson reveals the plantations of early South Carolina to have been dynamic instruments behind an expansive process of colonization.
With a bold interdisciplinary approach, Plantation Enterprise reconstructs the environmental, economic, and cultural changes that made the Carolina Lowcountry one of the most prosperous and repressive regions in the Atlantic world.
Although Niggli is perhaps best known for her fiction and folk plays, this anthology recovers her historical dramas, most of which have been long out of print or were never published. These plays are deeply concerned with the aftermath of the 1910 Mexican Revolution, imagining its implications for Mexico, Mexican Americans, and U.S.-Mexico relations. Included are Mexican Silhouettes (1928), Singing Valley (1936), The Cry of Dolores (1936), The Fair God (1936), Soldadera (1938), This is Villa! (1939), and The Ring of General Macias (1943). These works reflect on the making of history and often portray the Revolution through the lens of women’s experiences.
Also included in this volume are an extensive critical introduction to Niggli, a chronology of her life and writings, plus letters and reviews by, to, and about Josefina Niggli. that provide illuminating context for the plays.
Much has been written about the workings of communist governments in the USSR and the Soviet bloc, yet there is still a great deal to explore regarding their relationship to the everyday lives of the citizens living under them. This third volume builds on the editors’ Style and Socialism and Socialist Spaces, showing how the rise of consumer culture took a unique form in these countries.
Essays from top scholars address topics ranging from fashion and game shows to smoking and camping. The authors of the essays in this collection investigate the ways in which pleasurable activities, like many other facets of daily life, were both a space in which these communist governments tried to insinuate themselves and thereby further expand the reach of their authority,
and also an opportunity for people to assert their individuality.
Mavor’s original approach to these photographs emphatically sees sexuality where it has been previously rendered invisible. She insists that the sexuality of the girls in Carroll’s pictures is not only present, but deserves recognition, respect, and scrutiny. Similarly, she sees in Cameron’s photographs of sensual Madonnas surprising visions of motherhood that outstrip both Victorian and contemporary understandings of the maternal as untouchable and inviolate, without sexuality. Finally she shows how Hannah Cullwick, posing in various masquerades for her secret paramour, emerges as a subject with desires rather than simply a victim of her upper-class partner. Even when confronting the darker areas of these photographs, Mavor perseveres in her insistence on the pleasures taken—by the viewer, the photographer, and often by the model herself—in the act of imagining these sexualities. Inspired by Roland Barthes, and drawing on other theorists such as Julia Kristeva and Luce Irigaray, Mavor creates a text that is at once interdisciplinary, personal, and profoundly pleasurable.
In the Cameroon grassfields, an area of high fertility, women hold a paradoxical fear of infertility. By combining symbolic, political-economic, and historical analyses, Pamela Feldman-Savelsberg traces the way reproductive threat is invoked in struggles over gender and ethnic identities. Women's fears of reproductive disorders, she finds, are an important mode of expression for their worries about much larger issues, such as rural poverty, brought about or exacerbated by political and economic changes in this century.
A lively case study of an infertile queen who flees the palace sets the stage for discussions of the ethnographic and historical setting, the symbolism of fertility and infertility, and the development and interaction of cosmopolitan and ethno-gynecologies. The book concludes with an analysis of the links between women's role in human reproduction and the divine king's role in social reproduction, both occurring in the rapidly changing context of a multiethnic African nation.
Plundered Kitchens, Empty Wombs underscores the relevance of medical anthropology to other anthropological specializations, as well as to epidemiologists, population specialists, and development planners. It should reach a broad audience in medical anthropology, public health, and women's studies.
Pamela Feldman-Savelsberg is Assistant Professor of Anthropology, Carleton College.
How an early modern understanding of place and movement are embedded in a performative theory of literature
How is a garden like a poem? Early modern writers frequently compared the two, and as Jim Ellis shows, the metaphor gained strength with the arrival of a spectacular new art form—the Renaissance pleasure garden—which immersed visitors in a political allegory to be read by their bodies’ movements. The Poem, the Garden, and the World traces the Renaissance-era relationship of place and movement from garden to poetry to a confluence of both. Starting with the Earl of Leicester’s pleasure garden for Queen Elizabeth’s 1575 progress visit, Ellis explores the political function of the entertainment landscape that plunged visitors into a fully realized golden world—a mythical new form to represent the nation. Next, he turns to one of that garden’s visitors: Philip Sidney, who would later contend that literature’s golden worlds work to move us as we move through them, reorienting readers toward a belief in English empire. This idea would later be illustrated by Edmund Spenser’s Faerie Queen; as with the pleasure garden, both characters and readers are refashioned as they traverse the poem’s dreamlike space. Exploring the artistic creations of three of the era’s major figures, Ellis argues for a performative understanding of literature, in which readers are transformed as they navigate poetic worlds.
An examination of the social and cultural repercussions of Jewish emigration from Poland to Argentina in the 1920s and 1930s
Between the 1890s and 1930s, Argentina, following the United States and Palestine, became the main destination for Eastern European Ashkenazi Jews seeking safety, civil rights, and better economic prospects. In the period between 1918 and 1939, sixty thousand Polish Jews established new homes in Argentina. They formed a strong ethnic community that quickly embraced Argentine culture while still maintaining their unique Jewish-Polish character. This mass migration caused the transformation of cultural, social, and political milieus in both Poland and Argentina, forever shaping the cultural landscape of both lands.
In Polacos in Argentina: Polish Jews, Interwar Migration, and the Emergence of Transatlantic Jewish Culture, Mariusz Kałczewiak has constructed a multifaceted and in-depth narrative that sheds light on marginalized aspects of Jewish migration and enriches the dialogue between Latin American Jewish studies and Polish Jewish Studies. Based on archival research, Yiddish travelogues on Argentina, and the Yiddish and Spanish-language press, this study recreates a mosaic of entanglements that Jewish migration wove between Poland and Argentina.
Most studies on mass migration fail to acknowledge the role of the country of origin, but this innovative work approaches Jewish migration to Argentina as a continuous process that took place on both sides of the Atlantic. Taken as a whole, Polacos in Argentina enlightens the heterogeneous and complex issue of immigrant commitments, belongings, and expectations. Jewish emigration from Poland to Argentina serves as a case study of how ethnicity evolves among migrants and their children, and the dynamics that emerge between putting down roots in a new country and maintaining commitments to the country of origin.
In Pole Raising and Speech Making, author Jennifer Eastman Attebery focuses on the beginnings of the traditional Scandinavian Midsummer celebration and the surrounding spring-to-summer seasonal festivities in the Rocky Mountain West during the height of Swedish immigration to the area—1880–1917.
Combining research in folkloristics and history, Attebery explores various ways that immigrants blended traditional Swedish Midsummer-related celebrations with local civic celebrations of American Independence Day on July 4 and the Mormons’ Pioneer Day on July 24. Functioning as multimodal observances with multiple meanings, these holidays represent and reconsider ethnicity and panethnicity, sacred and secular relationships, and the rural and the urban, demonstrating how flexible and complex traditional celebrations can be.
Providing a wealth of detail and information surrounding little-studied celebrations and valuable archival and published primary sources—diaries, letters, speeches, newspaper reports, and images—Pole Raising and Speech Making is proof that non-English immigrant culture must be included when discussing “American” culture. It will be of interest to scholars and graduate students in ethnic studies, folklore, ritual and festival studies, and Scandinavian American cultural history.
Authors John Radzilowski and Ann Hetzel Gunkel look at family life among Polish immigrants, their role in the economic development of the state, the working conditions they experienced, and the development of their labor activism. Close-knit Polish American communities were often centered on parish churches but also focused on fraternal and social groups and cultural organizations. Polish Americans, including waves of political refugees during World War II and the Cold War, helped shape the history and culture of not only Chicago, the “capital” of Polish America, but also the rest of Illinois with their music, theater, literature, food.
With forty-seven photographs and an ample number of extensive excerpts from first-person accounts and Polish newspaper articles, this captivating, highly readable book illustrates important and often overlooked stories of this ethnic group in Illinois and the changing nature of Polish ethnicity in the state over the past two hundred years. Illinoisans and Midwesterners celebrating their connections to Poland will treasure this rich and important part of the state’s history.
In this all-new addition to the People of Wisconsin series, author Susan Mikos traces the history of Polish immigrants as they settled in America’s northern heartland. The second largest immigrant population after Germans, Poles put down roots in all corners of the state, from the industrial center of Milwaukee to the farmland around Stevens Point, in the Cutover, and beyond. In each locale, they brought with them a hunger to own land, a willingness to work hard, and a passion for building churches.
Included is a first person memoir from Polish immigrant Maciej Wojda, translated for the first time into English, and historical photographs of Polish settlements around our state.
Each essay presents readers with the extraordinary production and consumption of culture by Polish Jews in literature, film, cabaret, theater, the visual arts, architecture, and music. They show how this process was defined by a reciprocal cultural exchange that flourished between cities at the periphery—from Lwów and Wilno to Kraków and Łódź—and international centers like Warsaw, thereby illuminating the place of Polish Jews within urban European cultures.
Companion website (https://polishjewishmusic.iu.edu)
Silverman surveys rituals of courtship, marriage, coming of age, and funerals, also noting those customs that have been rediscovered after falling into disuse. She follows the trail of folk stories and delves into folk music and dance, particularly the polka, providing a detailed discussion of texts, contexts, and performance practices. She also describes birthing practices, home remedies, superstitions, folk blessings, and miracle cures. In addition, she offers a wealth of information on foodways and on the origins and celebration of holy days, from Christmas Eve vigils to the Dyngus Day festivals of the Easter season.
Polish-American Folklore reveals a community that preserves distinctive traditions even though geographically dispersed in a new homeland. Polish Americans retain ties to their ethnicity though ethnic media, social clubs, churches, group events, and the Internet. This "Polonia without walls" is united by a resilient, dynamic, family-oriented culture that attracts not only Polish immigrants and their descendants but also newcomers from other ethnic and racial groups.
By including first-person commentary from a wide range of Polish American individuals and families, from first-generation immigrants to non-Polish in-laws who embrace Polish foods, music, and traditions, Silverman brings to life a thriving ethnic subculture that values equally its Polish roots and its American harvest.
Unlike many small tropical towns, Chunhuhub in rural Quintana Roo, Mexico, has not been a helpless victim of international forces. Its people are descendants of heroic Mayans who stood off the Spanish invaders. People in Chunhuhub continue to live largely through subsistence farming of maize and vegetables, supplemented by commercial orchard, livestock, and field crop cultivation. They are, however, also self-consciously “modernizing” by seeking better educational and economic opportunities.
Political Ecology in a Yucatec Maya Community tells the story of Chunhuhub at the beginning of the twenty-first century, focusing on the resource management of plants and animals. E. N. Anderson and his Maya co-authors provide a detailed overview of Maya knowledge of and relationships with the environment, describing how these relationships have been maintained over the centuries and are being transformed by modernization. They show that the Quintana Roo Mayas have been working to find ways to continue ancient and sustainable methods of making a living while also introducing modern techniques that can improve that living. For instance, traditional subsistence agriculture is broadly sustainable at current population densities, but hunting is not, and modern mechanized agriculture has an uncertain future.
Bringing the voice of contemporary Mayas to every page, the authors offer an encyclopedic overview of the region: history, environment, agriculture, medicine, social relations, and economy. Whether discussing the fine points of beekeeping or addressing the problem of deforestation, they provide a remarkably detailed account that immerses readers in the landscape.
Maya of the Yucatán Peninsula have had more than their share of successes—and some failures as well—and as a study in political and cultural ecology, Political Ecology in a Yucatec Maya Community has much to tell us about tropical development and about the human condition. Their experience tells us that if we wish to have not only farms but also mahogany, wildlife, and ecotourism, then further efforts are needed.
As Anderson observes, traditional Maya management, with its immense knowledge base, remains the best—indeed, the only—effective system for making a living from the Yucatán’s harsh landscape. Political Ecology in a Yucatec Maya Community is a compelling testament to the daily life practices of modern peasant farmers that can provide us with clues about more efficient management techniques for the conservation of biodiversity worldwide.
In search of answers, cultural historian Eric Burns delves deep into the biographies of some of the most famous figures in American history, from Benjamin Franklin to Fanny Kemble, Elvis Presley to Gene Tierney, and Michael Jordan to Oprah Winfrey. Through these case studies, he considers the evolution of celebrity throughout the ages. More controversially, he questions the very status of fame in the twenty-first century, an era in which thousands of minor celebrities have seen their fifteen minutes in the spotlight.
The Politics of Fame is a provocative and entertaining look at the lives and afterlives of America’s most beloved celebrities as well as the mad devotion they inspired. It raises important questions about what celebrity worship reveals about the worshippers—and about the state of the nation itself
changing conditions of political possibility by examining the
connection between politics and sexual morality in the British
colony of Fiji from 1929 to 1932.
"Polka Heartland" captures the beat that pulses in the heart of Midwestern culture--the polka--and offers up the fascinating history of how "oompah-pah" came to be the sound of middle America. From the crowded dance tent at Pulaski Polka Days to an off-the-grid Mexican polka dance in small-town Wisconsin, "Polka Heartland" explores the people, places, and history behind the Midwest's favorite music.
From polka's surprising origin story as a cutting-edge European fad to an exploration of the modern-day polka scene, author Rick March and photographer Dick Blau take readers on a joyful romp through this beloved, unique, and richly storied genre. "Polka Heartland" describes the artists, venues, instruments, and music-makers who have been pivotal to polka's popularity across the Midwest and offers six full-color photo galleries to immerse readers in today's vibrant polka scene.
Pompeii's tragedy is our windfall: an ancient city fully preserved, its urban design and domestic styles speaking across the ages. This richly illustrated book conducts us through the captured wonders of Pompeii, evoking at every turn the life of the city as it was 2,000 years ago.
When Vesuvius erupted in 79 A.D. its lava preserved not only the Pompeii of that time but a palimpsest of the city's history, visible traces of the different societies of Pompeii's past. Paul Zanker, a noted authority on Roman art and architecture, disentangles these tantalizing traces to show us the urban images that marked Pompeii's development from country town to Roman imperial city. Exploring Pompeii's public buildings, its streets and gathering places, we witness the impact of religious changes, the renovation of theaters and expansion of athletic facilities, and the influence of elite families on the city's appearance. Through these stages, Zanker adeptly conjures a sense of the political and social meanings in urban planning and public architecture.
The private houses of Pompeii prove equally eloquent, their layout, decor, and architectural detail speaking volumes about the life, taste, and desires of their owners. At home or in public, at work or at ease, these Pompeians and their world come alive in Zanker's masterly rendering. A provocative and original reading of material culture, his work is an incomparable introduction to urban life in antiquity.
The story of Paris in the 1930s seems straightforward enough, with the Popular Front movement leading toward the inspiring 1936 election of a leftist coalition government. The socialist victory, which resulted in fundamental improvements in the lives of workers, was then derailed in a precipitous descent that culminated in France's capitulation before the Nazis in June 1940. Yet no matter how minutely recounted, this "straight story" clarifies only the political activity behind which turbulent cultural currents brought about far-reaching changes in everyday life and the way it is represented.
In this book, Dudley Andrew and Steven Ungar apply an evocative "poetics of culture" to capture the complex atmospherics of Paris in the 1930s. They highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film—technologies that converged with efforts among writers (Gide, Malraux, Céline), artists (Renoir, Dalí), and other intellectuals (Mounier, de Rougemont, Leiris) to respond to the decade's crises.
Their analysis takes them to expositions and music halls, to upscale architecture and fashion sites, to traditional neighborhoods, and to overseas territories, the latter portrayed in metropolitan exhibits and colonial cinema. Rather than a straight story of the Popular Front, they have produced something closer to the format of an illustrated newspaper whose multiple columns represent the breadth of urban life during this critical decade at the end of the Third French Republic.
Frenzied crowds, talking ravens, the stench of the Tiber River: life in ancient Rome was stimulating, dynamic, and often downright dangerous. The Romans relaxed and gossiped in baths, stole precious water from aqueducts, and partied and dined to excess. Everyone from senators to the enslaved crowded into theaters and circuses to watch their favorite singers, pantomime, and comedies and scream their approval at charioteers. The lucky celebrated their accomplishments with elaborate tombs. Amid pervasive inequality and brutality, beauty also flourished through architecture, poetry, and art.
From the smells of fragrant cookshops and religious sacrifices to the cries of public executions and murderous electoral mobs, Guy de la Bédoyère’s Populus draws on a host of historical and literary sources to transport us into the intensity of daily life at the height of ancient Rome.
Central Asia has long stood at the crossroads of history. It was the staging ground for the armies of the Mongol Empire, for the nineteenth-century struggle between the Russian and British empires, and for the NATO campaign in Afghanistan. Today, multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet “Stanland” is still, to many, a terra incognita, a geographical blank.
Beginning in the mid-1990s, academic and journalist David Mould’s career took him to the region on Fulbright Fellowships and contracts as a media trainer and consultant for UNESCO and USAID, among others. In Postcards from Stanland, he takes readers along with him on his encounters with the people, landscapes, and customs of the diverse countries—Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan—he came to love. He talks with teachers, students, politicians, environmental activists, bloggers, cab drivers, merchants, Peace Corps volunteers, and more.
Until now, few books for a nonspecialist readership have been written on the region, and while Mould brings his own considerable expertise to bear on his account—for example, he is one of the few scholars to have conducted research on post-Soviet media in the region—the book is above all a tapestry of place and a valuable contribution to our understanding of the post-Soviet world.
However, as Christopher Bracken shows in this elegantly argued work, the potlatch was in fact invented by the nineteenth-century Canadian law that sought to destroy it. In addition to giving the world its own potlatch, the law also generated a random collection of "potlatch papers" dating from the 1860s to the 1930s. Bracken meticulously analyzes these documents—some canonical, like Franz Boas's ethnographies, others unpublished and little known—to catch a colonialist discourse in the act of constructing fictions about certain First Nations and then deploying those fictions against them. Rather than referring to objects that already exist, the "potlatch papers" instead gave themselves something to refer to; a mirror in which to observe not "the Indian," but "the European."
The Indian subdistrict of Shahabad, located in the dwindling forests of the southeastern tip of Rajasthan, is an area of extreme poverty. Beset by droughts and food shortages in recent years, it is the home of the Sahariyas, former bonded laborers, officially classified as Rajasthan’s only “primitive tribe.” From afar, we might consider this the bleakest of the bleak, but in Poverty and the Quest for Life, Bhrigupati Singh asks us to reconsider just what quality of life means. He shows how the Sahariyas conceive of aspiration, advancement, and vitality in both material and spiritual terms, and how such bridging can engender new possibilities of life.
Singh organizes his study around two themes: power and ethics, through which he explores a complex terrain of material and spiritual forces. Authority remains contested, whether in divine or human forms; the state is both despised and desired; high and low castes negotiate new ways of living together, in conflict but also cooperation; new gods move across rival social groups; animals and plants leave their tracks on human subjectivity and religiosity; and the potential for vitality persists even as natural resources steadily disappear. Studying this milieu, Singh offers new ways of thinking beyond the religion-secularism and nature-culture dichotomies, juxtaposing questions about quality of life with political theologies of sovereignty, neighborliness, and ethics, in the process painting a rich portrait of perseverance and fragility in contemporary rural India.
Beginning with his early days with the Peace Corps in Africa and culminating with a recent bout with cancer, The Power of the Between is an evocative account of the circuitous path Stoller’s life has taken, offering a fascinating depiction of how a career is shaped over decades of reading and research. Stoller imparts his accumulated wisdom not through grandiose pronouncements but by drawing on his gift for storytelling. Tales of his apprenticeship to a sorcerer in Niger, his studies with Claude Lévi-Strauss in Paris, and his friendships with West African street vendors in New York City accompany philosophical reflections on love, memory, power, courage, health, and illness.
Graced with Stoller’s trademark humor and narrative elegance, The Power of the Between is both the story of a distinguished career and a profound meditation on coming to terms with the impermanence of all things.
The realignment of the Chinese social order that took place over the course of the Sung dynasty set the pattern for Chinese society throughout most of the later imperial era. This study examines that realignment from the perspective of specific Sung families, using data on two groups of Sung elites—the grand councilors who led the bureaucracy and locally prominent gentlemen in Wu-chou (in modern Chekiang).
By analyzing kinship relationships, Beverly Bossler demonstrates the importance of family relations to the establishment and perpetuation of social status locally and in the capital. She shows how social position was measured and acted upon, how status shaped personal relationships (and vice versa), and how both status and personal relationships conditioned—and were conditioned by—political success. Finally, in a contribution to the ongoing discussion of localism in the Sung, Bossler details the varied networks that connected the local elite to the capital and elsewhere.
Thus came a nearly inevitable shock, as the daily rhythms of life--rising before dawn to prepare for a long day of maintaining livestock and crops; returning for a late lunch and siesta; joining in a game of soccer followed by dinner in the evening--transformed forever in favor of a new tourist industry and the compromises required to support it. As Practically Invisible demonstrates, for Agua Blancans, becoming a supposedly "authentic" version of their own indigenous selves required performing their culture for outsiders, thus becoming these performances within the minds of these visitors. At the heart of this story, then, is a delicate balancing act between tradition and survival, a performance experienced by countless indigenous groups.
Bauer grew up "awkward with soil and with machines" in a small town east of Des Moines, As a teenager, he left the farm for college life twenty miles away and, after graduation, took a job with Better Homes and Gardens in Des Moines, writing in the junk-mail fictional persona of "Barbara Joyce,"asking millions of people to subscribe. After a few years he moved to Chicago to work as an editor and writer for Playboy and eventually as a freelance journalist. In the summer of 1975, he returned home to attend his grandmother's funeral and by autumn he moved back to Prairie City, where he stayed for the next three seasons.
Bauer's book is neither a wistful nostalgia about returning to a simpler time and place nor a patronizing look at those who never leave the town in which they were born. What emerges is an unsentimental yet loving account of life in the Midwest. Not just a portrait of Prairie City, Iowa, but of everyone's small town, everywhere.
Growing up in a Norwegian American community imbued with the customs and foods of the Old Country, Carrie Young recalls how her mother and her neighbors skillfully blended Scandinavian with what they always called the American style of cooking. Young recounts how her mother, Carrine Gafkjen—after homesteading as a single woman in 1904—cooked for a large threshing crew during harvest season. Living and cooking around the clock in a cook car the size of a Pullman kitchen, she delighted the crew with her soda pancakes and her sour cream doughnuts, her fattigman (Poor Man's Cookies) and her fabulous North Dakota Lemon Meringue Pie.
During holidays lutefisk and lefse reigned supreme, but when the Glorified Rice fad swept the country in the thirties women broke new ground with inventive variations. And the short-lived but intensely experienced Three-Day Bun Era (when the buns became so ethereal they were in danger of floating off the plate) kept the Ladies Aid luncheons competitive. Whatever the times, in good years or bad, there was always the solace ofKaffe Tid, the forenoon and afternoon coffee time, when the table was set with smor og brod (butter and bread) and something sweet, like a Whipped Cream Cake or Devil's Food Cake with Rhubarb Sauce.
This book will appeal to those who feel nostalgia for a parent's or grandparent's cooking, to those who have a longing for the heartier fare of times past. The author's daughter, Felicia Young, who has "cooked Scandinavian since she was old enough to hold a lefse stick," has compiled and tested the seventy-two recipes accompanying this joyful memoir.
2024 Honorable Mention, Fernando Coronil Prize, Latin American Studies Association, Section on Venezuelan Studies
A study of the modes of predation used by and against the Sanema people of Venezuela.
Predation is central to the cosmology and lifeways of the Sanema-speaking Indigenous people of Venezuelan Amazonia, but it also marks their experience of modernity under the socialist “Bolivarian” regime and its immense oil wealth. Yet predation is not simply violence and plunder. For Sanema people, it means a great deal more: enticement, seduction, persuasion. It suggests an imminent threat but also opportunity and even sanctuary.
Amy Penfield spent two and a half years in the field, living with and learning from Sanema communities. She discovered that while predation is what we think it is—invading enemies, incursions by gold miners, and unscrupulous state interventions—Sanema are not merely prey. Predation, or appropriation without reciprocity, is essential to their own activities. They use predatory techniques of trickery in hunting and shamanism activities, while at the same time, they employ tactics of manipulation to obtain resources from neighbors and from the state. A richly detailed ethnography, Predatory Economies looks beyond well-worn tropes of activism and resistance to tell a new story of agency from an Indigenous perspective.
Most important, the letters offer a rare contemporary, firsthand account of Ireland's an Gorta Mor, the Great Famine that began with the failure of the potato crop in 1845. Letters written in the months and years following the announcement of the first crop failure provide insight into not only the sufferings of one family but also the response of the community and nation as this crisis transformed Ireland.
James and Elizabeth Prendergast were the parents of six children. Their letters from Milltown, County Kerry, dictated to a scrivener, were posted to sons Thomas and Jeffrey and daughter Julia Riordan and her husband Cornelius, all of whom had emigrated in search of employment to Boston, Massachusetts—a city that would itself be transformed by the famine-era influx of Irish immigrants.
In addition to transcriptions of the forty-eight letters in the collection, this volume includes contextual essays by historian Ruth-Ann Harris and genealogist Marie Daly. The evidence of the letters themselves, along with the contributions of Harris and Daly, demonstrate the ways in which the family of James Prendergast was at once exceptional and typical.
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