A SCHOLARLY BOOK REPOSITORY181 start with S start with S
Some of today's most significant writers and poets explore the relation between what we call the sacred and what we witness in the apparent world.
This unprecedented anthology brings together a provocative mix of new and well known writers whose poetry and prose broaches the possibility of something "bigger" going on, something more significant at stake. Is some powerful agency at work in what we see or are we just wishing (or fearing) that there were? Who can say? Who would dare? What’s most intriguing about the selections in this volume is that the authors do dare. What’s most attractive about them is that they resist answering that dare with reductions. They prefer the swoon of multiple possibilities over the relative comfort of conclusions. Various as they are, the works collected in The Sacred Place share a common reverence for the word itself, and perhaps best of all—they share a common understanding that no one of them comprehends fully what that means. They seem to desire instead a sense that the humble stuff surrounding us affords a likely enough habitation for the sacred, even now.
Noted writer and photographer Stephen Trimble mixes eloquent accounts of personal experiences with clear explication of natural history. His photographs capture some of the most spectacular but least-known scenery in the western states. The Great Basin Desert sweeps from the Sierra to the Rockies, from the Snake River Plain to the Mojave Desert. "Biogeography" would be one way to sum up Trimble's focus on the land: what lives where, and why. He introduces concepts of desert ecology and discusses living communities of animals and plants that band Great Basin mountains—from the exhilarating emptiness of dry lake-beds to alpine regions at the summits of the 13,000-foot Basin ranges.
This is the best general introduction to the ecology and spirit of the Great Basin, a place where "the desert almost seems to mirror the sky in size," where mountains hold "ravens, bristlecone pines, winter stillness—and unseen, but satisfying, the possibility of bighorn sheep." Trimble's photographs come from the backcountry of this rugged land, from months of exploring and hiking the Great Basin wilderness in all seasons; and his well-chosen words come from a rare intimacy with the West.
This is the best general introduction to the ecology and spirit of the Great Basin, a place where "the desert almost seems to mirror the sky in size," where mountains hold "ravens, bristlecone pines, winter stillness—and unseen, but satisfying, the possibility of bighorn sheep." Trimble's photographs come from the backcountry of this rugged land, from months of exploring and hiking the Great Basin wilderness in all seasons; and his well-chosen words come from a rare intimacy with the West.
Over the course of 20 years, Herdt made 13 field trips to live with the Sambia in order to understand sexuality and ritual in the context of warfare and gender segregation. Herdt's essays examine Sambia fetish and fantasy, ritual nose-bleeding, the role of homoerotic insemination, the role of the father and mother in the process of identity formation, and the creation of a "third sex" in nature and culture. He also discusses the representation of homosexuality in cross-cultural literature on premodern societies, arguing that scholars have long viewed desires through the tropes of negative western models. Herdt asks us to reconsider the realities and subjective experiences of desires in their own context, and to rethink how the homoerotic is expressed in radically divergent sexual cultures.
San Francisco Bay Area Sports brings together fifteen essays covering the issues, controversies, and personalities that have emerged as northern Californians recreated and competed over the last 150 years. The area’s diversity, anti-establishment leanings, and unique and beautiful natural surroundings are explored in the context of a dynamic sporting past that includes events broadcast to millions or activities engaged in by just a few.
Professional and college events are covered along with lesser-known entities such as Oakland’s public parks, tennis player and Bay Area native Rosie Casals, environmentalism and hiking in Marin County, and the origins of the Gay Games. Taken as a whole, this book clarifies how sport is connected to identities based on sexuality, gender, race, and ethnicity. Just as crucial, the stories here illuminate how sport and recreation can potentially create transgressive spaces, particularity in a place known for its nonconformity.
In the year 2000 the World Health Organization estimated that 85 percent of fifteen-year-olds in Botswana would eventually die of AIDS. In Saturday Is for Funerals we learn why that won’t happen.
Unity Dow and Max Essex tell the true story of lives ravaged by AIDS—of orphans, bereaved parents, and widows; of families who devote most Saturdays to the burial of relatives and friends. We witness the actions of community leaders, medical professionals, research scientists, and educators of all types to see how an unprecedented epidemic of death and destruction is being stopped in its tracks.
This book describes how a country responded in a time of crisis. In the true-life stories of loss and quiet heroism, activism and scientific initiatives, we learn of new techniques that dramatically reduce rates of transmission from mother to child, new therapies that can save lives of many infected with AIDS, and intricate knowledge about the spread of HIV, as well as issues of confidentiality, distributive justice, and human rights. The experiences of Botswana offer practical lessons along with the critical element of hope.
H. L. Mencken’s reputation as a journalist and cultural critic of the twentieth century has endured well into the twenty-first. His early contributions as a writer, however, are not very well known. He began his journalistic career as early as 1899 and in 1910 cofounded the Baltimore Evening Sun. The next year he initiated a column—The Free Lance—that ran six days a week for four and a half years, until the Sun discontinued it, partially in response to Mencken’s controversial defense of Germany during World War One.
In this early forum for his renowned wit, Mencken broached many of the issues to which he would return again and again over his career, establishing himself as a fearless iconoclast willing to tackle the most divisive subjects and apply a heady mix of observation, satire, and repartee to clear away what he regarded as the “saturnalia of bunk” that clouded American thinking. The Free Lance reveals Mencken at his scintillating best as a journalist, polemicist, and satirist.
These columns are collected here for the first time, edited and annotated by Mencken expert and critic S. T. Joshi. This extraordinary collection is an invaluable resource for Mencken scholars and fans and provides an entertaining immersion into the early twentieth-century American zeitgeist.
Delving into European political philosophy, comparative politics, and contemporary international law, the book shows how the concept of indigeneity has shaped the development of the modern state. The exclusion of Indigenous people was not a collateral byproduct; it was a political project in its own right. The book argues that indigeneity is a political identity relational to modern nation-states and that Indigenous politics, although marking the boundary of the state, are co-constitutive of colonial processes of state-making. In showing how indigeneity is central to how the international system of states operates, the book forefronts Indigenous peoples as political actors to reject essentializing views that reduce them to cultural “survivors” rooted in the past.
With insights drawn from diverse global contexts and empirical research from Bolivia and Ecuador, this work advocates for the relevance of Indigenous studies within political science and argues for an ethnography of sovereignty in anthropology. Savages and Citizens makes a compelling case for the centrality of Indigenous perspectives to understand the modern state from political theory to international studies.
Crispin Wright's Truth and Objectivity brought about a far-reaching reorientation of the metaphysical debates concerning realism and truth. The essays in this companion volume prefigure, elaborate, or defend the proposals put forward in that landmark work.
The collection includes the Gareth Evans memorial lecture in which the program of Truth and Objectivity was first announced, as well as all of Wright's published reactions to the extensive commentary his study provoked; it presents substantial new developments and applications of the pluralistic outlook on the realism debates proposed in Truth and Objectivity, and further pursues its distinctive minimalist conceptions of truth and of truth-aptitude. Among the papers are important discussions of coherence conceptions of truth, of Hilary Putnam's most recent views on truth, and of the classical debate between correspondence, coherence, pragmatism, and deflationary conceptions of the notion. Others are concerned with Kripke's famous argument against physicalist conceptions of sensation; the distinction between minimal truth-aptitude and cognitive command; a novel prospectus for a philosophy of vagueness; and a new proposal about the most resilient interpretation of relativism.
As the organizer of some of the most important meetings in science and religion in Europe, Jean Staune is in a core position to report on the dialogue between science and religion, primarily from the views of scientists. In this book, the translation of a recent French edition, he presents "audacious and rigorous" articles by fifteen renowned leaders in the field, of whom four are Nobel Prize winners. They represent nine countries and seven religions.
Each of the authors in this volume responds in a different way, addressing naturalism, materialism, the nature of consciousness, reductionism, and the quest for meaning.Two paradigms emerge, with those who say that God (or direction) can exist in the universe because we can understand certain things, while others say that God exists because we cannot understand the universe altogether. Their reflections on the accessibility and the mystery of the world show the extraordinary abstract revolution that took place in science during the twentieth century and the way this establishes a bridge between science and religion.
Contributors are Nobel Prize winners Christian de Duve, Charles Townes, Ahmed Zewail, and William D. Phillips; as well as Paul Davies, Bernard d'Espagnat, Thomas Odhiambo, Ramanath Cowsik, Jean Kovalevsky, Thierry Magnin, Bruno Guiderdoni, Trinh Xuan Thuan, Khalil Chamcham, Michael Heller, and Philip Clayton.
Bringing together central themes in this emerging discipline, the editors have assembled important articles that provide a wider context and background against which the economics of science can be evaluated. Roughly one-third of the essays presented here are original papers, and the rest are critical articles previously published in the field. From essays examining economic welfare to the idea of scientists as agents to the digital aspects of higher education,Science Bought and Sold presents a comprehensive overview of the new directions of this expanding area.
Contributors:
Kenneth J. Arrow
Mario Biagioli
William A. Brock
Michel Callon
Partha Dasgupta
Paul A. David
Steven N. Durlauf
Paul Forman
Steve Fuller
D. Wade Hands
Shaun P. Hargreaves Heap
Philip Kitcher
Sharon G. Levin
Richard R. Nelson
David F. Noble
Michael Polanyi
Gary Rhoades
Charles Sanders Peirce
Sheila Slaughter
Paula E. Stephan
Stephen Turner
James R. Wible
John Ziman
Ever since the threads of seventeenth-century natural philosophy began to coalesce into an understanding of the natural world, printed artifacts such as laboratory notebooks, research journals, college textbooks, and popular paperbacks have been instrumental to the development of what we think of today as “science.” But just as the history of science involves more than recording discoveries, so too does the study of print culture extend beyond the mere cataloguing of books. In both disciplines, researchers attempt to comprehend how social structures of power, reputation, and meaning permeate both the written record and the intellectual scaffolding through which scientific debate takes place.
Science in Print brings together scholars from the fields of print culture, environmental history, science and technology studies, medical history, and library and information studies. This ambitious volume paints a rich picture of those tools and techniques of printing, publishing, and reading that shaped the ideas and practices that grew into modern science, from the days of the Royal Society of London in the late 1600s to the beginning of the modern U.S. environmental movement in the early 1960s.
Long neglected in the history of Renaissance and early modern Europe, in recent years scholars have revised the received understanding of the political and economic significance of the city of Naples and its rich artistic, musical, and political culture. Its importance in the history of science, however, has remained relatively unknown. The Science of Naples provides the first dedicated study of Neapolitan scientific culture in the English language. Drawing on contributions from leading experts in the field, this volume presents a series of studies that demonstrate Neapolitans’ manifold contributions to European scientific culture in the early modern period and considers the importance of the city, its institutions, and its surrounding territories for the production of new knowledge.
Individual chapters demonstrate the extent to which Neapolitan scholars and academies contributed to debates within the Republic of Letters that continued until deep into the nineteenth century, and how studies of Neapolitan natural disasters yielded unique insights that contributed to the development of fields such as medicine and volcanology. Taken together, these studies resituate the city of Naples as an integral part of a scientific culture that has increasingly globalized and present a rich and engaging portrait of the individuals who lived, worked, and made scientific knowledge there.
Individuals working in and across the fields of visual art, music, poetry, theater, and dance in the mid–twentieth century began to use experimental scores in ways that revolutionized artistic practice and opened up new forms of interdisciplinary collaboration. Their experimental methods—associated with the neo-avant-garde, neo-Dadaism, intermedia, Fluxus, and postmodernism—exploded in notoriety during the 1960s in locales from New York to Europe, East Asia, and Latin America, becoming foundational to global trends in contemporary art and performance.
The Scores Project provides an in-depth view of this historical moment. Through expert commentaries from an interdisciplinary team of scholars with accompanying illustrations, this publication examines a series of experimental scores by John Cage, George Brecht, Sylvano Bussotti, Morton Feldman, Allan Kaprow, Alison Knowles, Jackson Mac Low, Benjamin Patterson, Yvonne Rainer, Mieko Shiomi, David Tudor, and La Monte Young. Ambitious, provocative, and playful, The Scores Project is an illuminating resource to scholars and students who seek to understand this innovative and historically complex moment in the history of art.
The free online edition of this open-access publication is available at www.getty.edu/publications/scores/. Also available are free PDF and EPUB downloads of the book.
The essays and images in The Sculpture of Robyn Horn sketch the industrious career of this Little Rock, Arkansas-based sculptor, illuminating her attention to geometry, physics, and the philosophy of design, and exploring the context and origin of the various series—Geodes, Millstones, Standing Stones, and Slipping Stones, among others—that characterize her body of work.
Seattle Sports: Play, Identity, and Pursuit in the Emerald City, edited by Terry Anne Scott, explores the vast and varied history of sports in this city where diversity and social progress are reflected in and reinforced by play. The work gathered here covers Seattle’s professional sports culture as well as many of the city’s lesser-known figures and sports milestones. Fresh, nuanced takes on the Seattle Mariners, Supersonics, and Seahawks are joined by essays on gay softball leagues, city court basketball, athletics in local Japanese American communities during the interwar years, ultimate, the fierce women of roller derby, and much more. Together, these essays create a vivid portrait of Seattle fans, who, in supporting their teams—often in rain, sometimes in the midst of seismic activity—check the country’s implicit racial bias by rallying behind outspoken local sporting heroes.
Since the 1940s researchers have been repeating claims about autistic people's limited ability to understand language, to partake in imaginative play, and to generate the complex theory of mind necessary to appreciate literature. In See It Feelingly Ralph James Savarese, an English professor whose son is one of the first nonspeaking autistics to graduate from college, challenges this view.
Discussing fictional works over a period of years with readers from across the autism spectrum, Savarese was stunned by the readers' ability to expand his understanding of texts he knew intimately. Their startling insights emerged not only from the way their different bodies and brains lined up with a story but also from their experiences of stigma and exclusion.
For Mukhopadhyay Moby-Dick is an allegory of revenge against autism, the frantic quest for a cure. The white whale represents the autist's baffling, because wordless, immersion in the sensory. Computer programmer and cyberpunk author Dora Raymaker skewers the empathetic failings of the bounty hunters in Philip K. Dick's Do Androids Dream of Electric Sheep? Autistics, some studies suggest, offer instruction in embracing the nonhuman. Encountering a short story about a lonely marine biologist in Antarctica, Temple Grandin remembers her past with an uncharacteristic emotional intensity, and she reminds the reader of the myriad ways in which people can relate to fiction. Why must there be a norm?
Mixing memoir with current research in autism and cognitive literary studies, Savarese celebrates how literature springs to life through the contrasting responses of unique individuals, while helping people both on and off the spectrum to engage more richly with the world.
Mad magazine stands near the heart of post-WWII American humor, but at the periphery in scholarly recognition from American cultural historians, including humor specialists. This book fills that gap, with perceptive, informed, engaging, but also funny essays by a variety of scholars. The chapters, written by experts on humor, comics, and popular culture, cover the genesis of Mad; its editors and prominent contributors; its regular features and departments and standout examples of their contents; perspectives on its cultural and political significance; and its enduring legacy in American culture.
"A timely and significant supplement to C. P. Cavafy's poetic canon, the Selected Prose Works, eloquently translated and meticulously annotated by Peter Jeffreys, allows readers yet another creative engagement with the greatest Greek writer since antiquity. Marked by a wide and intriguing range of interests, these writings offer a rich trove for general readers and scholars alike, who from now on will find it difficult to discuss Cavafy's poetry without reference to his prose."
---Vassilis Lambropoulos, C. P. Cavafy Professor of Modern Greek, University of Michigan
"Peter Jeffreys gives us a rare gift---access to Constantine Cavafy's prose work. Through his intelligent translation, these texts, which range from literary criticism to personal notes, from essays on the Greek language to the Parthenon marbles, offer unexpected entry into the mind of one of the twentieth century's greatest literary figures. They suggest new ways to think about not only Cavafy's remarkable poetry but also the man himself. An indispensable companion for all who love Cavafy's work."
---Gregory Jusdanis, The Ohio State University
"Once you've felt his influence, you won't need telling that Cavafy is unique in his distinctive voice, his quiet humor, and his unassertive culture."
---Frank Kermode, Formerly Lord Northcliffe Professor of Modern English Literature at University College, London, and King Edward VII Professor of English Literature, University of Cambridge
Constantine Cavafy (1863–1933) is arguably the most important modern poet of Greece and Greek culture. Long a resident of Egypt and then Constantinople, Cavafy in his poems and prose works tended to focus on Greco-Roman antiquity, on Greece's national identity, and on personal and mythological images and themes including his ethnicity and sexual identity. He wrote some 150 poems, plus a few works in collaboration with his brother John.
His poetical works have been much translated and discussed, but until now, very little consideration has been given to his prose works, in part because many remained untranslated from the original Greek. This book collects Cavafy's more interesting prose pieces and translates those that originally appeared in Greek.
Of the forty pieces included, only thirteen have previously appeared in print, and of those thirteen only a few were in English. The pieces include essays, "prose poems," short stories, self-assessments, and considerations of other poets, including John Keats. This significant new collection offers a different perspective on the well-known Cavafy.
Peter Jeffreys, Assistant Professor of English at Suffolk University in Boston, received a Doctorate in English Literature from the University of Toronto. He is the author of Eastern Questions: Hellenism and Orientalism in the Writings of E.M. Forster and C.P. Cavafy and the editor of The Forster-Cavafy Letters: Friends at a Slight Angle. He is currently working on a bio-critical study of C. P. Cavafy and the decadent tradition.
Cover image copyright © David Levine
A collection of eighteen critical essays and twenty-six translations spanning the career of one of the founding intellects of Irish Studies, the Selected Writings of John V. Kelleher on Ireland and Irish America consists of five accessible sections. The first gathers Kelleher’s essays on the most widely known Irish cultural phenomenon—the literary renaissance of the early twentieth century. Part two contains his judicious assessments of Irish literature in its post-Revolutionary phase. The third section includes Kelleher’s insightful essays on the experience of the Irish in America. The fourth section contains essays that examine early Irish literature and culture, opening with a benchmark essay for Irish Studies, “Early Irish History and Pseudo-History,” which was read at the inaugural meeting of the American Conference for Irish Studies in 1961. The collection concludes with Kelleher’s translations and adaptations of poems in Old, Middle, and Modern Irish, illustrating his command of the language at every stage.
Bringing together the winning and shortlisted essays from the 2020 Hubert Butler Essay Prize, Self and Society presents five fresh perspectives on the tension between individual freedom and communal solidarity, asking what we owe our communities and why it matters. With a foreword by Ireland’s President Michael D. Higgins, the book examines themes that are more pressing than ever in the age of Coronavirus and Brexit, invoking the spirit of the Irish essayist Hubert Butler to investigate whether collective and personal aims can be synergistic or are destined to remain ever in conflict.
Winner Michael Amherst takes on identity politics, questioning whether the stratification of society in the name of social justice is helpful or harmful in the pursuit of equality. Runners-up Tara McEvoy and David Crane tackle, respectively, the necessity of collective action as a response to the current pandemic and other social crises, and the role of conflicts of individual freedom in facilitating or stifling the economic liberation of refugees. Special mentions have been awarded to Nick Inman and Beninio McDonough-Tranza for their respective essays on personal responsibility and the legacy of the Polish union Solidarnosc.
Self to Self brings together essays on personal identity, autonomy, and moral emotions by the philosopher J. David Velleman. Although the essays were written independently, they are unified by an overarching thesis – that there is no single entity denoted by “the self ” – as well as by themes from Kantian ethics, psychoanalytic theory, social psychology, and Velleman’s work in the philosophy of action. Two of the essays were selected by the editors of Philosophers’ Annual as being among the ten best papers in their year of publication.
Self to Self will be of interest to philosophers, psychologists, and others who theorize about the self.
Life would not exist without sensitive, or soft, matter. All biological structures depend on it, including red blood globules, lung fluid, and membranes. So do industrial emulsions, gels, plastics, liquid crystals, and granular materials. What makes sensitive matter so fascinating is its inherent versatility. Shape-shifting at the slightest provocation, whether a change in composition or environment, it leads a fugitive existence.
Physicist Michel Mitov brings drama to molecular gastronomy (as when two irreconcilable materials are mixed to achieve the miracle of mayonnaise) and offers answers to everyday questions, such as how does paint dry on canvas, why does shampoo foam better when you “repeat,” and what allows for the controlled release of drugs? Along the way we meet a futurist cook, a scientist with a runaway imagination, and a penniless inventor named Goodyear who added sulfur to latex, quite possibly by accident, and created durable rubber.
As Mitov demonstrates, even religious ritual is a lesson in the surprising science of sensitive matter. Thrice yearly, the reliquary of St. Januarius is carried down cobblestone streets from the Cathedral to the Church of St. Clare in Naples. If all goes as hoped—and since 1389 it often has—the dried blood contained in the reliquary’s largest vial liquefies on reaching its destination, and Neapolitans are given a reaffirming symbol of renewal.
Winner of the 2017 NASSH Book Award for best edited collection.
The hardening of racial lines during the first half of the twentieth century eliminated almost all African Americans from white organized sports, forcing black athletes to form their own teams, organizations, and events. This separate sporting culture, explored in the twelve essays included here, comprised much more than athletic competition; these “separate games” provided examples of black enterprise and black self-help and showed the importance of agency and the quest for racial uplift in a country fraught with racialist thinking and discrimination.
The significance of this sporting culture is vividly showcased in the stories of the Cuban Giants baseball team, basketball’s New York Renaissance Five, the Tennessee State Tigerbelles track-and-field team, black college football’s Turkey Bowl Classic, car racing’s Gold and Glory Sweepstakes, Negro League Baseball’s East-West All-Star game, and many more. These teams, organizations, and events made up a vibrant national sporting complex that remained in existence until the integration of sports beginning in the late 1940s. Separate Games explores the fascinating ways sports helped bind the black community and illuminate race pride, business acumen, and organizational abilities.
The separation of powers along functional lines--legislative, executive, and judicial--has been a core concept of American constitutionalism ever since the Revolution. As noted constitutional law scholar Gerhard Casper points out in this collection of essays, barren assertions of the importance of keeping the powers separate do not capture the complexity of the task when it is seen as separating power flowing from a single source--the people. Popular sovereignty did not underlie earlier versions of the separation of powers doctrine.
Casper vividly illustrates some of the challenges faced by Washington, Adams, Hamilton, Madison, Gallatin, Jefferson, and many others in Congress and the executive branch as they guided the young nation, setting precedents for future generations. He discusses areas such as congressional-executive relations, foreign affairs, appropriations, and the Judiciary Act of 1789 from the separation of powers vantage point.
The picture of our government's formative years that emerges here, of a rich and overlapping understanding of responsibilities and authority, runs counter to rigid, syllogistic views. Separating Power gives us a clear portrait of the issues of separation of power in the founding period, as well as suggesting that in modern times we should be reluctant to tie separation of powers notions to their own procrustean bed.
Piranesi was an architect, engraver, antiquities restorer and dealer, draftsman, archaeologist, furniture and fireplace designer, author, and bookseller. His creations in paper and in stone garnered considerable renown in his own lifetime, allowing him to transform himself from a penniless son of a stonemason to a wealthy entrepreneur. However, despite attempts to catalogue and analyze his work, little is known about Piranesi. Since Henri Focillon published his monograph on the artist in 1918, scholars have sought to expand his interpretive strategies used to examine Piranesi and his work. This volume is a representative sampling of the contemporary scholarship on Piranesi, with each essay scrutinizing a particular aspect of his oeuvre. By engaging with material found in eighteenth-century manuscripts and printed materials, as well as the texts and images Piranesi produced, the nine essays by esteemed contributors add to the rapidly growing and diversifying field of eighteenth-century studies. The outcome is a volume that will add to the expanding, glittering mosaic of Piranesi’s life and his work.
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Heather Hyde Minor is Assistant Professor at the University of Illinois, Urbana-Champaign.
Fabio Barry is Assistant Professor at the American University of Rome, Italy.
From their founding, land-grant schools have provided educational opportunities to millions, producing many of the nation’s scientific, technical, and agricultural leaders and spawning countless technological and agricultural innovations. Nevertheless, their history has not always been smooth or without controversy or setbacks. These vital centers of learning and research have in fact been redefined and reconceptualized many times and today bear only a cursory resemblance to their original incarnations.
The thirteen essays in this collection explore such themes as the emphasis on food science and home economics, the country life movement, the evolution of a public research system, the rise of aerospace engineering, the effects of the GI Bill, the teaching of military science, the sustainable agriculture movement, and the development of golf-turf science. Woven together, these expertly curated scenes, vignettes, and episodes powerfully illustrate these institutions’ ability to flex and adapt to serve the educational needs of an ever-changing American citizenry.
By dint of their mission to remedy social, economic, and technical problems; to improve standards of living; and to enhance the quality of life, land-grant universities are destined and intended to be agents of change—a role that finds them at times both celebrated and hotly contested, even vilified. A readable and fascinating exploration of land-grant universities, Service as Mandate offers a vital exploration of these dynamic institutions to educators, policy makers, students, and the wider communities that land-grant universities serve.
These seven critical essays, each on a twentieth-century novelist, are disparate in content, but all are concerned with the problem of evil and inhumanity and with the paradoxes of human existence.
Each essay discusses a different author, but this independence of subject is resolved into a central theme through the interpretive approach followed by the seven critics. Each of the contributors presents his subject against the background of the current disillusionment and frustration of our age. Underlying each essay are undertones of the "absurdity" of life today for those who consider it thoughtfully, and the contrast between what men would like reality to be and what they actually find.
This unity of theme—the problem of evil, of inhumanity, of meaninglessness, the concern for the human being and his future—is developed in an interesting manner. It was exploited in different ways by the seven modern novelists discussed in the essays, and it is presented with different analytical techniques by the seven critics. Yet the reader senses the unity of feeling and purpose amid the diversity of fictional content and critical evaluation.
Besdies the interpretive Introduction by Thomas B. Whitbread, the book contains the following essays:
- R. W. Lewis, "The Conflicts of Reality: Cozzens' The Last Adam"
- Alan Friedman, "The Pitching of Love's Mansion in the Tropics of Henry Miller"
- Roger D. Abrahams, "Androgynes Bound: Nathanael West's Miss Lonelyhearts"
- George Clark, "An Illiberal Education: William Golding's Pedagogy"
- Vance Ramsey, "From Here to Absurdity: Heller's Catch-22"
- Anthony Channell Hilfer, "George and Martha: Sad, Sad, Sad"
- Robert G. Twombly, "Hubris, Health, and Holiness: The Despair of J. F. Powers"
The book’s contributors include Sonny Bunch, Christopher Buckley, David “Iowahawk” Burge, Christopher Caldwell, Andrew Ferguson, Jonah Goldberg, Michael Graham, Mollie Hemingway, Rita Koganzon, Matt Labash, James Lileks, Rob Long, Larry Miller, P. J. O’Rourke, Joe Queenan, Christine Rosen, and Andrew Stiles. Jonathan V. Last, senior writer at the Weekly Standard, editor of the collection, is also a contributor. All eighteen essays in this book are appearing for the first time anywhere.
In the book’s opening essay, P. J. O’Rourke observes: “Virtue has by no means disappeared. It’s as much in public view as ever. But it’s been strung up by the heels. Virtue is upside down. Virtue is uncomfortable. Virtue looks ridiculous. All the change and the house keys are falling out of Virtue’s pants pockets.”
Here are the virtues everyone (including the book’s contributors) was taught in Sunday school but have totally forgotten about until this very moment. In this sanctimony-free zone:
• Joe Queenan observes: “In essence, thrift is a virtue that resembles being very good at Mahjong. You’ve heard about people who can do it, but you’ve never actually met any of them.”
• P. J. O’Rourke notes: “Fortitude is quaint. We praise the greatest generation for having it, but they had aluminum siding, church on Sunday, and jobs that required them to wear neckties or nylons (but never at the same time). We don’t want those either.”
• Christine Rosen writes: “A fellowship grounded in sociality means enjoying the company of those with whom you actually share physical space rather than those with whom you regularly and enthusiastically exchange cat videos.”
• Rob Long offers his version of modern day justice: if you sleep late on the weekend, you are forced to wait thirty minutes in line at Costco.
• Jonah Goldberg offers: “There was a time when this desire-to-do-good-in-all-things was considered the only kind of integrity: ‘Angels are better than mortals. They’re always certain about what is right because, by definition, they’re doing God’s will.’ Gabriel knew when it was okay to remove a mattress tag and Sandalphon always tipped the correct amount.”
• Sonny Bunch dissects forbearance, observing that the fictional Two Minutes Hate of George Orwell’s 1984 is now actually a reality directed at living, breathing people. Thanks, in part, to the Internet, “Its targets are designated by a spontaneously created mob—one that, due to its hive-mind nature—is virtually impossible to call off.”
By the time readers have completed The Seven Deadly Virtues, they won’t even realize that they’ve just been catechized into an entirely different—and better—moral universe.
Through these exchanges, Šafařík argues for the primacy of artistic creativity over scientific explanation, of truth over accuracy, of internal moral agency over an externally imposed social morality, and of personal religious belief over organized church-going. Šafařík is neither anti-scientific nor anti-rational; however, he argues that science has limited power, and he rejects the idea of science that denies meaning and value to what cannot be measured or calculated.
Šafařík’s critiques of technology, the wage economy, and increased professionalization make him an important precursor to the philosophy of deep ecology. This book was also a major influence on the Czech president Václav Havel; in this new translation it will find a fresh cohort of readers interested in what makes us human.
In Sex and Isolation, readers will encounter eccentric street people, Latin American literary geniuses, a French cabaret owner, a transvestite performer, and many other unusual characters; they’ll visit subcultures rarely described in writing and be treated to Benderson’s iconoclastic opinions about culture in former and contemporary urban society. Whether proposing new theories about the relationship between art, entertainment, and sex, analyzing the rise of the Internet and the disappearance of public space, or considering how religion and sexual identity interact, each essay demonstrates sharp wit, surprising insight and some startling intellectual positions.
This is the first American volume of Benderson’s collected essays, featuring both new work and some of his best-known writings, including his famous essay “Toward the New Degeneracy.”
Sex and religion are inevitably and intricately linked. There are few realms of human experience other than sex in which religion has greater reach and influence. The role of religion, of any faith, to prohibit, regulate, condemn, and reward, is unavoidably prominent in questions of sex—namely with whom, when, how, and why. In Sex and Religion, Dag Øistein Endsjø examines the myriad and complex religious attitudes towards sex in cultures throughout the world.
Endsjø reflects on some of the most significantly problematic areas in the relationship between sex and religion—from sex before or outside of marriage to homosexuality. Through many examples from world religions, he outlines what people mean by sex in a religious context, with whom it’s permissible to have sex, how sex can be a directly religious experience, and what consequences there are for deviance, for both the individual and society. As Endsjø explains, while Buddhist monks call attention to gay sex as a holy mystery, the Christian church questions a homosexual’s place in the church. Some religions may believe that promiscuity leads to hurricanes and nuclear war, and in others God condemns interracial marriage. Sex and Religion reveals there is nothing natural or self-evident about the ways in which various religions prescribe or proscribe and bless or condemn different types of sexuality. Whether sex becomes sacred or abhorrent depends entirely on how a religion defines it.
Sex and Religion is a fascinating investigation of mores, meanings, rituals, and rules in many faiths around the globe, and will be of interest to anyone curious about the intersection of these fundamental aspects of human history and experience.
Since the 1991 publication of his groundbreaking book Gay and Lesbian Themes in Latin American Writing, David William Foster has proposed a series of theoretical and critical principles for the analysis of Latin American culture from the perspectives of the queer. This book continues that project with a queer reading of literary and cultural aspects of Latin American texts.
Moving beyond its predecessor, which provided an initial inventory of Latin American gay and lesbian writing, Sexual Textualities analyzes questions of gender representation in Latin American cultural productions to establish the interrelationships, tensions, and irresolvable conflicts between heterosexism and homoeroticism. The topics that Foster addresses include Eva Peron as a cultural/sexual icon, feminine pornography, Luis Humberto Hermosillo's classic gay film Doña Herlinda y su hijo, homoerotic writing and Chicano authors, Matias Montes Huidobro's Exilio and the representation of gay identity, representation of the body in Alejandra Pizarnik's poetry, and the crisis of masculinity in Argentine fiction from 1940 to 1960.
Winner, 2017 Ned Shank Award for Outstanding Preservation Publication from Preserve Arkansas
Shadow Patterns: Reflections on Fay Jones and His Architecture is a collection of critical essays and personal accounts of the man the American Institute of Architects honored with its highest award, the Gold Medal, in 1990.
The essays range from the academic, with appreciations and observations by Juhanni Palaasma and Robert McCarter and Ethel Goodstein-Murphree, to personal reflections by clients and friends. Two of Arkansas’s most accomplished writers, Roy Reed and Ellen Gilchrist, who each live in Fay Jones houses, have provided intimate portrayals of what it’s like to live in, and manage the quirks of, a “house built by a genius,” where “light is everywhere. . . . Everything is quiet, and everything is a surprise,” as Gilchrist says.
Through this compendium of perspectives, readers will learn about Jones’s personal qualities, including his strong will, his ability to convince other people of the rightness of his ideas, and yet his willingness, at times, to change his mind. We also enter into the work: powerful architecture like Stoneflower and Thorncrown Chapel and Pinecote Pavilion, along with private residences ranging from the modest to the monumental. And we learn about his relationship with his mentor, Frank Lloyd Wright.
Shadow Patterns broadens and enriches our understanding of this major figure in American architecture of the twentieth century.
Shakespeare without Boundaries: Essays in Honor of Dieter Mehl offers a wide-ranging collection of essays written by an international team of distinguished scholars who attempt to define, to challenge, and to erode boundaries that currently inhibit understanding of Shakespeare, and to exemplify how approaches that defy traditional bounds of study and criticism may enhance understanding and enjoyment of a dramatist who acknowledged no boundaries in art.
The Volume is published in tribute to Professor Dieter Mehl, whose critical and scholarly work on authors from Chaucer through Shakespeare to D. H. Lawrence has transcended temporal and national boundaries in its range and scope, and who, as Ann Jennalie Cook writes, has contributed significantly to the erasure of political boundaries that have endangered the unity of German literary scholarship and, more broadly, through his work for the International Shakespeare Association, to the globalization of Shakespeare studies.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
With scientific progress occurring at a breathtaking pace, science and technology policy has never been more important than it is today. Yet there is a very real lack of public discourse about policy-making, and government involvement in science remains shrouded in both mystery and misunderstanding. Who is making choices about technology policy, and who stands to win or lose from these choices? What criteria are being used to make decisions and why? Does government involvement help or hinder scientific research?
Shaping Science and Technology Policy brings together an exciting and diverse group of emerging scholars, both practitioners and academic experts, to investigate current issues in science and technology policy. Essays explore such topics as globalization, the shifting boundary between public and private, informed consent in human participation in scientific research, intellectual property and university science, and the distribution of the costs and benefits of research.
Contributors: Charlotte Augst, Grant Black, Mark Brown, Kevin Elliott, Patrick Feng, Pamela M. Franklin, Carolyn Gideon, Tené N. Hamilton, Brian A. Jackson, Shobita Parthasarathy, Jason W. Patton, A. Abigail Payne, Bhaven Sampat, Christian Sandvig, Sheryl Winston Smith, Michael Whong-Barr
In the lightly-populated northwestern corner of Nevada, a former geologist and rural schoolteacher, a published poet and ranch owner, and an artist and environmentalist make for an intriguing—perhaps even unlikely—trio of friends. In this evocative collection of personal essays, each offers her voice as a testament to the joys and struggles of creating a home and connecting to the land and the people who live there.
Stories of ranch hands and Ladies’ Clubs, raising chickens and raising children, pulling up roots and planting dreams tumble together in a mélange of lives lived well and thoughtfully. Sharing Fencelines is as much about art as it is about activism, as much about personal growth as it is about growing community. What these women offer us is the sweet taste of what is possible, and the blended harmony of their voices echoes across the mountains and washes and deserts, resonating in our own hearts, our own homes.
Carolyn Dufurrena’s "The Flying Heart Museum" pays homage to a layered landscape of unique individuals—not the least of which are her students, searching for themselves in the Nevada wilderness: "You know how your spirit betrays you when you’re not thinking to protect yourself. Jose has been dreaming, doodling away, and his pencil has discovered this flying heart, as big as the Puritan meetinghouse....He has drawn the log cabin around the heart, and labeled it. At recess I ask him, gently, 'So, Jose, what’s in there, in your Flying Heart Museum?'"
In "Shared Fencelines," Linda Hussa reveals the mystery of horses, the gift of water, and the serendipity of love: "My first hurt came from a horse when I tried to shinny up the feathered leg of our old gelding as I’d seen my brother and sister do. Twelve hundred pounds of him stepped on my bare foot. Mom carried her shrieking two-year-old to the house...she cut off the dangling nail saying Popeye didn’t mean to, he just didn’t notice my little foot. Then she cradled my face in her cool hands and said she hoped I would forgive him and we could be friends again."
"Fire Hall" by Sophie Sheppard paints a picture of a families and communities forged against the backdrop of a rugged, rural life: "Here, when there is a funeral, the whole town comes. First to arrive are the older women, vestiges of the Lake City Ladies Club that was disbanded a few years ago because most of the younger women have jobs and no longer stay at home. At the potluck funeral dinner everyone will file in together: the women unfamiliar in dresses ordered from catalogs, the mens' hatless foreheads glowing pale in contrast to the tan of their freshly shaven jaws, the younger people that I won’t recognize."
The way lawyers think about the law can seem deeply mysterious. They see nuance and meaning in statutes and implications in judicial opinions that are opaque to the rest of us. Accessible and thought provoking, Sharpening the Legal Mind explains how lawyers analyze the cases and controversies that come before the courts.
Written by William Powers Jr., the former president of the University of Texas at Austin, this book is an authoritative introduction to the academic study of law and legal reasoning, including insights into the philosophy of law and the intellectual history of legal thought. Powers discusses the methods lawyers use to interpret the law, the relation between law and morals, and the role of courts in shaping the law. In eight chapters, he follows the historical debate on these issues and others through different generations and movements in American legal thought—formalism, realism, positivism—to critical legal studies and postmodern theory. The perfect read for anyone looking for a primer on legal reasoning, Sharpening the Legal Mind demystifies the debates and approaches to thinking like a lawyer that profoundly influence the rule of law in our lives.
Gunn’s criticism communicates his own enthusiasm for poetry. He tries to show his readers how to get a first foothold into the work of some of his favorite poets, whether Wyatt or Whitman, Mina Loy or Robert Creeley.
Living mindfully with nature during a time of uncertainty
In the midst of the environmental crises of the early twenty-first century, Tamara Dean sought a way to live lightly on the planet. Her quest drew her to a landscape unlike any other: the Driftless area of Wisconsin, a region untouched by glaciers, marked by steep hills and deeply carved valleys, capped with forests and laced with cold, spring-fed streams. There, she confronted, in ways large and small, the challenges of meeting basic needs while facing the ravages of climate change—an experience at once soul-stirring and practical that she recounts in Shelter and Storm.
Dean’s boundless curiosity and gift for storytelling imbue these essays with urgency and a sense of adventure. She invites readers to share in her discoveries while hunting for water, learning that a persistent weed could be food, or burning a hayfield to recreate a prairie. Contending with the fallout of fires, floods, and tornadoes, she offers responses to natural disasters that reflect the importance of community, now and for generations to come. Whether tracking down a rare, blue-glowing firefly, engineering a beaver-friendly waterway to appease a dying neighbor, or building a house of earthen blocks, Dean unites personal experience with science and history, presenting a perspective as informative as it is compelling.
Keenly attentive to the stakes for our planet’s future—and the implications of extreme weather, shifting agricultural practices, and political divides—Shelter and Storm illuminates a thoughtful way forward for anyone concerned about climate change and its far-reaching consequences or for anyone searching, as Dean has, for a more sustainable way to live.
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Sherman Alexie is, by many accounts, the most widely read American Indian writer in the United States and likely in the world. A literary polymath, Alexie's nineteen published books span a variety of genres and include his most recent National Book Award-winning The Absolutely True Diary of a Part-Time Indian.
Now, for the first time, a volume of critical essays is devoted to Alexie's work both in print and on the big screen. Editors Jeff Berglund and Jan Roush have assembled twelve leading scholars of American Indian literature to provide new perspectives on a writer with his finger on the pulse of America.
Interdisciplinary in their approach to Alexie's work, these essays cover the writer's entire career, and are insightful and accessible to scholars and lay readers alike. This volume is a worthy companion to the work of one of our nations's most recognized contemporary voices.
As the recent war in Lebanon demonstrated, an understanding of the Lebanese Shi‘ite militant group Hizbullah remains an important component of any attempt to solve the problems of the Middle East. The Shifts in Hizbullah’s Ideology provides an in-depth analysis of the group’s motivations, tracking the changes it has undergone since Hizbullah’s founding by Lebanese Shi‘ite clergy in 1978. Joseph Alagha demonstrates that Hizbullah, driven at its founding chiefly by religious concerns, in the latter half of the 1980s became a full-fledged social movement, with a structure and ideology aimed at social change. Further changes in the 1990s led to Hizbullah’s becoming a mainstream political party—but without surrendering its militarism or willingness to use violence to advance its ends.
In tracking these changes, The Shifts in Hizbullah’s Ideology covers such disparate topics as Hizbullah’s views of jihad, suicide and martyrdom, integration, pan-Islamism, anti-Zionism, and the relationship with Israel and the United States. It will be necessary reading for both scholars and policymakers.
Some 100,000 soldiers fought in the April 1862 battle of Shiloh, and nearly 20,000 men were killed or wounded; more Americans died on that Tennessee battlefield than had died in all the nation’s previous wars combined. In the first book in his new series, Steven E. Woodworth has brought together a group of superb historians to reassess this significant battleandprovide in-depth analyses of key aspects of the campaign and its aftermath.
The eight talented contributors dissect the campaign’s fundamental events, many of which have not received adequate attention before now. John R. Lundberg examines the role of Albert Sidney Johnston, the prized Confederate commander who recovered impressively after a less-than-stellar performance at forts Henry and Donelson only to die at Shiloh; Alexander Mendoza analyzes the crucial, and perhaps decisive, struggle to defend the Union’s left; Timothy B. Smith investigates the persistent legend that the Hornet’s Nest was the spot of the hottest fighting at Shiloh; Steven E. Woodworth follows Lew Wallace’s controversial march to the battlefield and shows why Ulysses S. Grant never forgave him; Gary D. Joiner provides the deepest analysis available of action by the Union gunboats; Grady McWhineydescribes P. G. T. Beauregard’s decision to stop the first day’s attack and takes issue with his claim of victory; and Charles D. Grear shows the battle’s impact on Confederate soldiers, many of whom did not consider the battle a defeat for their side. In the final chapter, Brooks D. Simpson analyzes how command relationships—specifically the interactions among Grant, Henry Halleck, William T. Sherman, and Abraham Lincoln—affected the campaign and debunks commonly held beliefs about Grant’s reactions to Shiloh’s aftermath.
The Shiloh Campaign will enhance readers’ understanding of a pivotal battle that helped unlock the western theater to Union conquest. It is sure to inspire further study of and debate about one of the American Civil War’s momentous campaigns.
Writing in Life magazine in February 1941, Henry Luce memorably announced the arrival of “The American Century.” The phrase caught on, as did the belief that America’s moment was at hand. Yet as Andrew J. Bacevich makes clear, that century has now ended, the victim of strategic miscalculation, military misadventures, and economic decline. To take stock of the short American Century and place it in historical perspective, Bacevich has assembled a richly provocative range of perspectives.
What did this age of reputed American preeminence signify? What caused its premature demise? What legacy remains in its wake? Distinguished historians Jeffry Frieden, Akira Iriye, David Kennedy, Walter LaFeber, Jackson Lears, Eugene McCarraher, Emily Rosenberg, and Nikhil Pal Singh offer illuminating answers to these questions. Achievement and failure, wisdom and folly, calculation and confusion all make their appearance in essays that touch on topics as varied as internationalism and empire, race and religion, consumerism and globalization.
As the United States grapples with protracted wars, daunting economic uncertainty, and pressing questions about exactly what role it should play in a rapidly changing world, understanding where the nation has been and how it got where it is today is critical. What did the forging of the American Century—with its considerable achievements but also its ample disappointments and missed opportunities—ultimately yield? That is the question this important volume answers.
Through these varied essays on politics, ethics, music, race, and culture Philip Martin admits “a minor obsession” with what he calls “the American Frolic”—the essential lack of seriousness with which many of us approach the questions inherent in living in a free society. He observes that Americans have been conditioned to react, not to consider; that while we are very good at ripostes and snappy comebacks, at cracking wise and looking smart, we often fail to authentically engage the issues with which we pretend to be most concerned. We inadvertently talk past one another, he says, resorting to cant and partisan boilerplate.
In the essays presented in The Shortstop’s Son, Philip Martin rigorously resists easy labels and rote ideological truths. He pursues more subtle meanings with a commonsense lucidity and a fundamental compassion for humanity. Whether writing about the mythos built upon Bonnie and Clyde’s bullet-ridden Ford or the ignoble death and burial of blues legend Blind Lemon Jefferson, Martin strikes the chord that both moves and informs.
Martin is our critic at large. Deeply engaged in the world of thought and experience, he applies his nimble mind and very human heart to those things which should concern us most. He allows us, through his “obsession” and the clarity of his prose, to experience a new vision, one based in our desire for rich life.
The work is given in three parts. The first section on law explores legal minds, rules and commentary on seminal jurisprudence. The second part explores literature and the influence of the writer and the disconcerting truths stories often seek to convey. Thirdly, Mendenhall delves into culture and the more obvious situations wherein we gain insight into our manner of living, and here Mendenhall exudes a Southern accent that in no way compromises his universal bearings. One of the highlights is his echo of Larry Seidentop’s question: “If we in the West do not understand the moral depth of our own tradition, how can we hope to shape the conversation of mankind?” This is all the more meaningful given that Mendenhall is a member of the Millennial generation, and part of the intellectual minority who sees the urgency of “a studied appreciation for nuanced story and linguistic narrative.”
In Show Me Your Environment, a penetrating yet personable collection of critical essays, David Baker explores how a poem works, how a poet thinks, and how the art of poetry has evolved—and is still evolving as a highly diverse, spacious, and inclusive art form. The opening essays offer contemplations on the “environment” of poetry from thoughts on physical places and regions as well as the inner aesthetic environment. Next, Baker looks at the highly distinctive achievements and styles of poets ranging from George Herbert and Emily Dickinson through poets writing today. Finally, he takes joy in reading individual poems—from the canonical to the contemporary; simply and closely.
Mozingo presents the life histories of more than sixty species of both common and unusual shrubs, and discusses how shrubs grow, reproduce, and adapt to the extreme weather conditions that are part of daily life in the Great Basin. Drawings by Christine Stetter.
Sign Here If You Exist explores states of being and states of mind, from the existence of God to sense of place to adoptive motherhood. In it, Jill Sisson Quinn examines how these states both disorient and anchor us as she treks through forests, along shorelines and into lakes and rivers as well as through memories and into scientific literature.Each essay hinges on an unlikely pairing—parasitic wasps and the afterlife, or salamanders and parenthood—in which each element casts the other in unexpectedly rich light. Quinn joins the tradition of writers such as Annie Dillard, Scott Russell Sanders, and Eula Biss to deliver essays that radiate from the junction of science and imagination, observation and introspection, and research and reflection.
Roland Barthes was a restless, protean thinker. A constant innovator—often as a daring smuggler of ideas from one discipline to another—he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France’s preeminent Collège de France, where he chose to style himself as a professor of literary semiology until his death in 1980.
The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central concerns—semiotics, visual culture, art, cinema, and photography—and features essays on Marthe Arnould, Lucien Clergue, Daniel Boudinet, Richard Avedon, Bernard Faucon, and many more.
Roughly chronological, these essays explore Barnes’ early work in the New York newspaper world of the ‘teens, proceed through the 1954 publication of The Antiphon, and include several approaches to such works as Ryder, Ladies Almanack, and Nightwood. This judicious mix of essays—many of them illustrated by photographs and drawings—presents a comprehensive picture of the creative imagination of Djuna Barnes.
Essayists include Mary Lynn Broe, Nancy J. Levine, Ann Larabee, Joan Retallack, Carolyn Allen, Carolyn Burke, Sheryl Stevenson, Marie Ponsot, Frances M. Doughty, Susan Sniader Lanser, Frann Michel, Karla Jay, Jane Marcus, Judith Lee, Julie L. Abraham, Meryl Altman, Lynda Curry, Louise A. DeSalvo, and Catharine Stimpson. Individuals sharing personal recollections of Barnes are Ruth Ford, James B. Scott, Alex Gildzen, Hank O’Neal, Chester Page, Andrew Field, and Frances McCullough. Janice Thom and Kevin Engel provide an updated bibliography.
From The Book of Repulsive Women to The Antiphon, Barnes challenged old gender dichotomies as she shaped radical sociopolitical views. Her textual methods celebrated a multiplicity of voices, heterodox forms, and genres, transgressing those tenets of modernism that privilege the “high art” of a single, unified textual identity or a discrete discourse. These essays offer various critical approaches and sinuous readings of the full range of Barnes’ achievement. Interwoven through the essays and reminiscences is a lively commentary from Barnes’ friends and contemporaries as well as Barnes herself.
Marcelo Gleiser has had a passion for science and fishing since he was a boy growing up on the beaches of Rio de Janeiro. As a world-famous theoretical physicist with hundreds of scientific articles and several books of popular science to his credit, he felt it was time to once again connect with nature in less theoretical ways. After seeing a fly-fishing class on the Dartmouth College green, he decided to learn to fly-fish, a hobby, he says, that teaches humility. In The Simple Beauty of the Unexpected, Gleiser travels the world to scientific conferences, fishing wherever he goes. At each stop, he ponders the myriad ways physics informs the act of fishing; how, in its turn, fishing serves as a lens into nature’s inner workings; and how science engages with questions of meaning and spirituality, inspiring a sense of mystery and awe of the not yet known. Personal and engaging, The Simple Beauty of the Unexpected is a scientist’s tribute to nature, an affirmation of humanity’s deep connection with and debt to Earth, and an exploration of the meaning of existence, from atom to trout to cosmos.
This softcover edition features a new essay by Gleiser on how we need a profound change of worldview if we are to have a vibrant future for our species in this fragile environment. He describes how this book was an incubator for his current thinking.
In her fourth essay collection, award-winning author Marianne Boruch explores the possibilities of hope even in darkness. Through poetry, the silence of Trappist monks, the pandemic moment, the Wright brothers’ quirky stab at flight, treasured knickknacks, and more, this book celebrates the weird, the mundane, the overlooked, and the promise of a future. Though each essay is distinct, foraging fresh ways into Louise Glück, W. H. Auden, Elizabeth Bishop, Robert Frost, Marianne Moore, Sylvia Plath, John Berryman, Langston Hughes, and more, they are all connected through the thread of Emily Dickinson’s comment that her fate was to “sing, as a Boy does by the Burying Ground . . .” Even in times filled with horror, we find beauty. Maybe we can sing in the blackest of nights.
Thoughtful and expressive, this collection provides solace and humor for readers in a world where both are often in short supply.
Integrating personal narrative and natural history, Fleischner presents what he calls a "guide to understanding" the relatively unknown landscape of the Grand Staircase-Escalante National Monument.
Like a bright blue seam incised deep in solid rock, the Escalante River binds the fir forests of Utah’s High Plateau with the barren deserts of the canyonlands region in the newly designed Grand Staircase-Escalante National Monument. To this wild landscape, naturalist Thomas Fleischner brings both emotional engagement and a wealth of knowledge. With unabashed passion and patient and learned observations Fleischner presents this relatively unknown landscape.
Singing Stone is ideal for curious visitors to the national monument as well as students of environmental studies. Fleischner’s background as a conservation biologist and former park ranger, a professor of environmental studies, and a naturalist in the Escalante Region for almost twenty years has provided him with a deep reservoir of experience and knowledge.
The book’s first three chapters survey the unique geology, flora and fauna, and human history of the region. Chapters four and five trace the more recent impacts of human activities—grazing and wilderness recreation—and explore the shifts in cultural values and public policy that have occurred as a result. Examining these topics in the context of a specific landscape offers a lens through which these changes, now the topic of examination and controversy throughout the New West, can be clearly seen and, hopefully, re-evaluated.
This volume is a result of that meeting—a collection of thirteen essays written by experts in fields that most fascinated Sir John. The contributors assess the Foundation’s fidelity to its founder’s intent, chart promising avenues for future grantmaking, and champion Sir John’s contrarian mission of unlocking life’s deepest mysteries.
The members of the John Templeton Foundation are the custodians of Sir John’s vision—bold in its aspiration; humble in its approach—charged with using the tools of science to advance the frontiers of the spirit. May the essays collected here serve as inspiration as we carry that vision forward.
Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge’s thoughts on art, art-making, and the studio.
Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of “drawing lessons.”
Incorporating elements of graphic design and ranging freely from discussions of Plato’s cave to the Enlightenment’s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.
What’s more, writing prompts at the end of the book invite readers to search their own lives for such moments—the kind that could be forgotten but instead are turned, by the gift of perspective and perfectly chosen detail, into treasure. The Six-Minute Memoir encourages people to tell their own stories even if they think they don’t have the kind of story that belongs in a memoir.
The two general essays that frame Skeptical Music make Bromwich's aesthetic commitments clear. In "An Art without Importance," published here for the first time, Bromwich underscores the trust between author and reader that gives language its subtlety and depth, and makes the written word adequate to the reality that poetry captures. For Bromwich, understanding the work of a poet is like getting to know a person; it is a kind of reading that involves a mutual attraction of temperaments. The controversial final essay, "How Moral Is Taste?," explores the points at which aesthetic and moral considerations uneasily converge. In this timely essay, Bromwich argues that the wish for excitement that poetry draws upon is at once primitive and irreducible.
Skeptical Music most notably offers incomparable readings of individual poets. An essay on the complex relationship between Hart Crane and T. S. Eliot shows how the delicate shifts of tone and shading in their work register both affinity and resistance. A revealing look at W. H. Auden traces the process by which the voice of a generation changed from prophet to domestic ironist. Whether discussing heroism in the poetry of Wallace Stevens, considering self-reflection in the poems of Elizabeth Bishop, or exploring the battle between the self and its images in the work of John Ashbery, Skeptical Music will make readers think again about what poetry is, and even more important, why it still matters.
As Elliott explains in his introduction, Wittgenstein’s philosophy runs against the grain of most contemporary bioethics scholarship, which all too often ignores the context in which moral problems are situated and pays little attention to narrative, ethnography, and clinical case studies in rendering bioethical judgments. Such anonymous, impersonal, rule-writing directives in which health care workers are advised how to behave is what this volume intends to counteract. Instead, contributors stress the value of focusing on the concrete particulars of moral problems and write in the spirit of Wittgenstein’s belief that philosophy should be useful. Specific topics include the concept of “good dying,” the nature of clinical decision making, the treatment of neurologically damaged patients, the moral treatment of animals, and the challenges of moral particularism.
Inspired by a philosopher who deplored “professional philosophy,” this work brings some startling insights and clarifications to contemporary ethical problems posed by the realities of modern medicine.
Contributors. Larry Churchill, David DeGrazia, Cora Diamond, James Edwards, Carl Elliott, Grant Gillett, Paul Johnston, Margaret Olivia Little, James Lindemann Nelson, Knut Erik Tranoy
Small Creatures and Ordinary Places reveals to us the beauty and value of hornets, bats, katydids, mice, cicadas, and other tiny dwellers in our own backyards. Young, a renowned expert on butterflies and cicadas of the American tropics, records in these charming essays his keen observations of the natural world as he walks through an urban woods near the Lake Michigan shore, or sits on his deck facing his backyard, or gazes at a field of corn stubble in autumn. He invites us to venture into our own yards, neighborhood parks, fields, and forests and pause there . . . to look and to listen.
Small creatures have unique and interesting stories to tell us, Young points out. Their brief life cycles illustrate the intricate workings of a bigger clock driving the seasons, and they dominate the larger web of life in which humans are but a strand. Far too often they are ignored, taken for granted, reviled, or misunderstood. Even now, Young writes, as we move into a new millennium as a species and the technological pace of our existence further quickens, we can gain much from appreciating nature close at hand, despite how steadily it is being pushed aside.
Stern writes of addictions and passionate attachments, of the body and bodily pleasure, of autobiography and cultural history. Smoking is Stern's seductive pretext, her way of entering unknown and mysterious regions. The Smoking Book begins with intimate and vivid accounts of growing up on a tobacco farm in colonial Rhodesia, reminiscences that permeate subsequent excursions into precolonial tobacco production and postcolonial life in Zimbabwe, as well as dramatic vignettes set in Australia, the United States, Scotland, Italy, Japan, and South America. Stern has written a book, at once intensely personal and kaleidoscopically international, that weaves the intimate act of a solitary person smoking a cigarette into a broad cultural picture of desire, exchange, fulfillment, and the acts that bind people together, either in lasting ways or through ephemeral encounters.
The Smoking Book is for anyone who has ever smoked or loved a smoker (against their better judgment); it is for those who have never smoked or for those who mourn the loss of cigarettes as they would grieve for a lost friend. But mostly, The Smoking Book is for all those who are smoldering still.
Chalfen’s “Polaroid People” are recognizable—if ironically viewed—relatives, uncles, aunts, and All-American kids. As members of “Kodak Culture” they watch home movies, take pictures of newborn babies, and even, in their darker moments, scratch out the faces of disliked relatives in group photographs. He examines who shoots these photos and why, as well as how they think (or don’t) of planning, editing, and exhibiting their shots. Chalfen’s analysis reveals the culturally structured behavior underlying seemingly spontaneous photographic activities.
Quesnel embraces the notion that to simply walk in one’s neighborhood is to familiarize oneself with the local flora and fauna, drawing attention to everyday things too often neglected. She argues that we can be complacent with what surrounds us, but with careful observation and research, we become acutely aware—and in awe of—nature’s everyday activities. The black bear’s hibernation techniques and mountain chickadee’s caching methods reveal just two of nature’s wily ways. Quesnel chases other curiosities as well, asking, “How does a spider create an orb web?” or, “How does a boulder the size of a small car end up alone in the woods?” In the introduction, she writes, “It is this ‘un-peeling’ of layers in nature that opens up our world.”
For anyone interested in nature writing, whether an armchair explorer, outdoor enthusiast, or science aficionado, Snow Fleas and Chickadees provides an entertaining and engaging discovery of the picturesque Sierra Nevada.
Images, whether filmic or not, cannot be replaced by words. Yet words can make images. This is the general thesis underlying So What, a collection of essays on canonical filmmakers like Luchino Visconti and Orson Welles; more experimental directors, such as Marguerite Duras and Albert Serra; and visual artists, including Hollis Frampton and Agnes Martin. Alexander García Düttmann aims to make their films as if they did not precede his text, capturing their idea and experience.
If the relationship between filmic image and text is a heterogeneous one, then this heterogeneity must leave a trace. This is why the book’s chapters are organized not according to historical periods or on the basis of film theories but rather by single concepts that function like dictionary entries. The chapters adopt different forms, blurring the lines between art and philosophy. So What is a practical exercise in “making films with words,” inviting readers to draw out insights from its conceptual play.
So What compiles previously untranslated and hard-to-find essays into a single volume, one that represents the absorbing and singular thought process of a major contemporary philosopher.
Opening with Hayek's arguments against market socialism, the volume continues with his writings on the economics of war, many in response to the proposals made in John Maynard Keynes's famous pamphlet, How to Pay for the War. The last section presents articles that anticipated The Road to Serfdom, Hayek's classic meditation on the dangers of collectivism. An appendix contains a number of topical book reviews written by Hayek during this crucial period, and a masterful introduction by the volume editor, Bruce Caldwell, sets Hayek's work in context.
Socialism and War will interest not just fans of The Road to Serfdom, but anyone concerned with the ongoing debates over the propriety of government intervention in the economy.
"When he wrote The Road to Serfdom, [Hayek's] was a voice in the wilderness. Now the fight [has] been taken up by people all over the world, by institutions and movements, and the ideas that seemed so strange to many in 1944 can be found from scholarly journals to television programs."—Thomas Sowell, Forbes
"Intellectually [Hayek] towers like a giant oak in a forest of saplings."—Chicago Tribune
"Each new addition to The Collected Works of F. A. Hayek, the University of Chicago's painstaking series of reissues and collections, is a gem."—Liberty on Volume IX of The Collected Works of F. A. Hayek
Each chapter of Socially Engaged Creative Practice focuses on an individual or group’s mode of working and methodological practice of performance across a range of modes, disciplines, and media, from community opera to online queer performance; from anti-racist classroom pedagogy to 1980s cabaret in nightclubs; from community art projects in schools to community writing projects in transport interchanges. The performers, writers, and creators represented here engage and grapple with contemporary performance as a situated practice and as a problem.
The personal perspective of each performer—as directors, librettists, producers, and writers—is explicitly located in a community, and the book offers a series of case studies detailing socially engaged work that aligns with concepts of performance and community.
Spanning a wide array of disciplines, from German studies and sociology to literary criticism, philosophy, and anthropology, with contributions from some of the most outstanding scholars in these fields, Sociology Hesitant contributes to the recognition of DuBois as an important historical figure by focusing on the complexity of his theoretical work. These essays offer an extended interaction with the ideas and projects DuBois formulated in a series of essays written between 1887 and 1910 that take up intricate questions concerning the nature of methodology and the theory of knowledge. Using DuBois’s work as a point of departure, contributors explore current thinking about diverse subjects such as geopolitics and postcolonialism. Demonstrating that engaging the question of race requires rethinking the historical nature of theoretical understanding, this collection brings to light the notion that the struggle for equality is a struggle for freedom of thought in pursuit of truth.
Contributors. Kenneth Barkin, Nahum Chandler, Ronald Judy, David Krell, Charles Lemert, Sieglinde D. Lemke, Tommy Lott, Kevin Miles, Abdulkarim Mustapha, Ken Warren
Praise for Ariel Dorfman
“One of the most important voices coming out of Latin America.”—Salman Rushdie
“A remarkable writer . . . writing out of a very different cultural perspective from comfortable American readers.”—Digby Diehl, Los Angeles Herald Examiner
“One of the six greatest Latin American novelists.”—Jacobo Timmerman, Newsweek
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