This true story of the Texas brush range and the first cowboys, as thrilling as any tale of fiction, has become a classic in Western literature. It is the story of the land where cattle by tens of thousands were killed on the prairie and where the "Skinning War" was fought. It is the story of the Chisholm Trail up to Abilene and the Platte and of establishing a ranch on the free grass of the Texas Panhandle, of roping elk in Colorado, of trailing Billy the Kid in New Mexico, of the grim lands of the Pecos. And it is the story of John Young, old-time vaquero who was trail driver, hog chaser, sheriff, ranger, hunter of Mexican bandits, horse thief killer, prairie fire fighter, ranch manager, and other things—a man who was also something of a dreamer, a man of imagination.
Engrossing and enlightening, Vardis Fisher illuminates the acclaimed author's impact on Mormon culture, American letters, and the literary tradition of the American West.
In the process of creating the massive work that eventually became Lives of the Most Eminent Painters, Sculptors, and Architects, painter and scholar Giorgio Vasari (1511–1574) spent much of the mid-sixteenth century traveling throughout Italy, meeting Renaissance artists and writing about their lives and works.
From this imposing source, Thomas A. Pallen has created a compendium of theatrical references augmented by related modern Italian scholarship. Vasari's Lives—daunting because of its sheer magnitude—has remained relatively obscure to English-speaking theatre historians. To introduce the numerous scenographic references of this great work to the English-speaking audience, Pallen provides new translations of all relevant passages, as well as a table of cross-references to the principal editions of Vasari in both English and Italian. And because Vasari often omitted important information, Pallen annotates the text, providing important names, places, and historical background.
Essentially, Pallen divides Vasari's work into four categories: triumphs and pageantry, ingegni for mystery plays and festivals, theatrical scenery, and miscellanea and lacunae. Although triumphs and pageantry were not directly theatrical, they were executed by many of the same artists who worked on theatrical productions and either used or introduced many Renaissance Italian theatrical techniques. The works described here range from tableaux vivants and other forms of street decoration to fireworks displays.
While Vasari did not personally know the work of either Filippo Brunelleschi or Francesco d'Angelo (called Cecca), he discusses their inventions for staging mystery plays and street festivals; indeed, Pallen shows how the work of these two artists paved the way for all later Renaissance scenography.
Pallen then deals with Vasari's references to and descriptions of the theatrical scenery and lighting effects of his time and the artists who created them. In accordance with the schema developed by Elena Povoledo, Pallen leads the reader through the evolution of scenographic thought and practice from the elementary work of Girolamo Genga to the advanced settings created by Vasari himself.
The first major study in English of Vasily Zhukovsky (1783–1852)—poet, translator of German romantic verse, and mentor of Pushkin—this book brings overdue attention to an important figure in Russian literary and cultural history. Vinitsky’s “psychological biography” argues that Zhukovsky very consciously set out to create for himself an emotional life reflecting his unique brand of romanticism, different from what we associate with Pushkin or poets such as Byron or Wordsworth. For Zhukovsky, ideal love was harmonious, built on a mystical foundation of spiritual kinship. Vinitsky shows how Zhukovksy played a pivotal role in the evolution of ideas central to Russia’s literary and cultural identity from the end of the eighteenth century into the decades following the Napoleonic Wars.
From Michael Pollan to locavores, Whole Foods to farmers' markets, today cooks and foodies alike are paying more attention than ever before to the history of the food they bring into their kitchens—and especially to vegetables. Whether it’s an heirloom tomato, curled cabbage, or succulent squash, from a farmers' market or a backyard plot, the humble vegetable offers more than just nutrition—it also represents a link with long tradition of farming and gardening, nurturing and breeding.
In this charming new book, those veggies finally get their due. In capsule biographies of eleven different vegetables—artichokes, beans, chard, cabbage, cardoons, carrots, chili peppers, Jerusalem artichokes, peas, pumpkins, and tomatoes—Evelyne Bloch-Dano explores the world of vegetables in all its facets, from science and agriculture to history, culture, and, of course, cooking. From the importance of peppers in early international trade to the most recent findings in genetics, from the cultural cachet of cabbage to Proust’s devotion to beef-and-carrot stew, to the surprising array of vegetables that preceded the pumpkin as the avatar of All Hallow’s Eve, Bloch-Dano takes readers on a dazzling tour of the fascinating stories behind our daily repasts.
Spicing her cornucopia with an eye for anecdote and a ready wit, Bloch-Dano has created a feast that’s sure to satisfy gardeners, chefs, and eaters alike.
A Physics Today Best Book of the Year
The first biography of a pioneering scientist who made significant contributions to our understanding of dark matter and championed the advancement of women in science.
One of the great lingering mysteries of the universe is dark matter. Scientists are not sure what it is, but most believe it’s out there, and in abundance. The astronomer who finally convinced many of them was Vera Rubin. When Rubin died in 2016, she was regarded as one of the most influential astronomers of her era. Her research on the rotation of spiral galaxies was groundbreaking, and her observations contributed significantly to the confirmation of dark matter, a most notable achievement.
In Vera Rubin: A Life, prolific science writers Jacqueline Mitton and Simon Mitton provide a detailed, accessible overview of Rubin’s work, showing how she leveraged immense curiosity, profound intelligence, and novel technologies to help transform our understanding of the cosmos. But Rubin’s impact was not limited to her contributions to scientific knowledge. She also helped to transform scientific practice by promoting the careers of women researchers. Not content to be an inspiration, Rubin was a mentor and a champion. She advocated for hiring women faculty, inviting women speakers to major conferences, and honoring women with awards that were historically the exclusive province of men.
Rubin’s papers and correspondence yield vivid insights into her life and work, as she faced down gender discrimination and met the demands of family and research throughout a long and influential career. Deftly written, with both scientific experts and general readers in mind, Vera Rubin is a portrait of a woman with insatiable curiosity about the universe who never stopped asking questions and encouraging other women to do the same.
Herbert Blau (1926–2013) was the most influential theater theorist, practitioner, and educator of his generation. He was the leading American interpreter of the works of Samuel Beckett and as a director was instrumental in introducing works of the European avant-garde to American audiences. He was also one of the most far-reaching and thoughtful American theorists of theater and performance, and author of influential books such as The Dubious Spectacle, The Audience, and Take Up the Bodies: Theater at the Vanishing Point.
In The Very Thought of Herbert Blau, distinguished artists and scholars offer reflections on what made Blau's contributions so visionary, transformative, and unforgettable, and why his ideas endure in both seminar rooms and studios. The contributors, including Lee Breuer, Sue-Ellen Case, Gautam Dasgupta, Elin Diamond, S. E. Gontarski, Linda Gregerson, Martin Harries, Bill Irwin, Julia Jarcho, Anthony Kubiak, Daniel Listoe, Clark Lunberry, Bonnie Marranca, Peggy Phelan, Joseph Roach, Richard Schechner, Morton Subotnick, Julie Taymor, and Gregory Whitehead, respond to Blau's fierce and polymorphous intellect, his relentless drive and determination, and his audacity, his authority, to think, as he frequently insisted, "at the very nerve ends of thought."
Jacqueline Hansen Maggiore presents in this volume the biography of her lifelong friend Carol Piette, known throughout Chile and El Salvador as Sister Carla. Drawing from the memories of those who knew her and excerpts from her letters and diaries, Vessel of Clay chronicles Sister Carla’s extraordinary life, highlighting her dedication to the poor of Latin America but also revealing her struggles with self-doubt and emotional frailty. Vessel of Clay will appeal to both lay and religious readers interested in peace and social justice, spiritual formation and development, women’s issues, liberation theology, and mission service.
In the decades since the Vietnam War, veteran memoirs have influenced Americans’ understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation’s collective memory of the war and its aftermath. Instead, veterans’ accounts are mined for colorful quotes and then dropped from public discourse; are accepted as factual sources with little attention to how memory, no matter how authentic, can diverge from events; or are not contextualized in terms of the race, gender, or class of the narrators.
Veteran Narratives and the Collective Memory of the Vietnam War is a landmark study of the cultural heritage of the war in Vietnam as presented through the experience of its American participants. Crossing disciplinary borders in ways rarely attempted by historians, John A. Wood unearths truths embedded in the memoirists’ treatments of combat, the Vietnamese people, race relations in the United States military, male-female relationships in the war zone, and veterans’ postwar troubles. He also examines the publishing industry’s influence on collective memory, discussing, for example, the tendency of publishers and reviewers to privilege memoirs critical of the war. Veteran Narratives is a significant and original addition to the literature on Vietnam veterans and the conflict as a whole.
This book probes the narratives of poets who are exiled, tried or executed for their satire. Aesop, fabulist and riddle warrior, is assimilated to the pharmakos—the wretched human scapegoat who is expelled from the city or killed in response to a crisis—after satirizing the Delphians.
In much the same way, Dumezil's Indo-European heroes, Starkathr and Suibhne, are both warrior-poets persecuted by patron deities. This book views the scapegoat as a group's dominant warrior, sent out to confront predators or besieging forces. Both poets and warriors specialize in madness and aggression, are necessary to society, yet dangerous to society.
The "first lady of Argentine letters," Victoria Ocampo is best known as the architect of cultural bridges between the American and European continents and as the founder and director of Sur, an influential South American literary review and publishing house.
In this first biographical study in English of "la superbe Argentine," originally published in 1979, Doris Meyer considers Victoria Ocampo's role in introducing European and North American writers and artists to the South American public—through the pages of her review, through translations of their work, and through lecture tours and recitations. She examines Ocampo's personal relationships with some of the most illustrious writers and thinkers of this century—including José Ortega y Gasset, Rabindranath Tagore, Count Hermann Keyserling, Virginia Woolf, Adrienne Monnier, Vita Sackville-West, Gabriela Mistral, and many others. And she portrays an extraordinary woman who rebelled against the strictures of family and social class to become a leading personality in the fight for women's rights in Argentina and, later, a steadfast opponent of the Perón regime, for which she was sent to jail in 1953.
Fifteen of Victoria Ocampo's essays, selected from her more than ten volumes of prose and translated by Doris Meyer, complement the biographical study.
The subject of Victorian Domesticity is family life in America. The life and works of Louisa May Alcott served as the vehicle for exploring and analyzing this subject. Although Alcott was deeply influenced by popular currents of sentimentality, her own experience exposed her to the confusions and contradictions generated when sentiment confronted the reality of life in 19th-century America.
In the first chapter Strickland outlines the ways in which sentimentality colored the perception of 19th-century Americans about such issues as courtship, marriage, the relationship between the sexes, generational relationships, and the relationship between the nuclear family and the community outside the family. Chapters two and three trace Alcott’s childhood and adolescent experiences, exploring the tensions that developed between Louisa and her father, and detailing the ways in which she carried the double burden of being both poor and female as she sought her identity as a writer.
The following six chapters treat the varieties of family life that appear in Alcott’s stories, the impact of feminism on her life, and her emphasis on the importance of child nurture. In the final two chapters the author treats the relationships that Alcott perceived between the family and the world around it and assesses the legacy of the Victorian family idea.
Vienna in the Age of Uncertainty traces the vital and varied roles of science through the story of three generations of the eminent Exner family, whose members included Nobel Prize–winning biologist Karl Frisch, the teachers of Freud and of physicist Erwin Schrödinger, artists of the Vienna Secession, and a leader of Vienna’s women’s movement. Training her critical eye on the Exners through the rise and fall of Austrian liberalism and into the rise of the Third Reich, Deborah R. Coen demonstrates the interdependence of the family’s scientific and domestic lives, exploring the ways in which public notions of rationality, objectivity, and autonomy were formed in the private sphere. Vienna in the Age of Uncertainty presents the story of the Exners as a microcosm of the larger achievements and tragedies of Austrian political and scientific life in the late nineteenth and early twentieth centuries.
In August 1870, during a fair in the isolated French village of Hautefaye, a gruesome murder was committed in broad daylight that aroused the indignation of the entire country. A young nobleman, falsely accused of shouting republican slogans, was savagely tortured for hours by a mob of peasants who later burned him alive. Rumors of cannibalism stirred public fascination, and the details of the case were dramatically recounted in the popular press. While the crime was rife with political significance, the official inquiry focused on its brutality. Justice was swift: the mob’s alleged ringleaders were guillotined at the scene of the crime the following winter.
The Village of Cannibals is a fascinating inquiry by historian Alain Corbin into the social and political ingredients of an alchemy that transformed ordinary people into executioners in nineteenth-century France. Corbin’s chronicle of the killing is significant for the new light it sheds on the final eruption of peasant rage in France to end in murder. No other author has investigated this harrowing event in such depth or brought to its study such a wealth of perspectives.
Corbin explores incidents of public violence during and after the French Revolution and illustrates how earlier episodes in France’s history provide insight into the mob’s methods and choice of victim. He describes in detail the peasants’ perception of the political landscape and the climate of fear that fueled their anxiety and ignited long-smoldering hatreds. Drawing on the minutes of court proceedings, accounts of contemporary journalists, and testimony of eyewitnesses, the author offers a precise chronology of the chain of events that unfolded on the fairground that summer afternoon. His detailed investigation into the murder at Hautefaye reveals the political motivations of the murderers and the gulf between their actions and the sensibilities of the majority of French citizens, who no longer tolerated violence as a viable form of political expression. The book will be welcomed by scholars, students, and general readers for its compelling insights into the nature of collective violence.
A Bank Street College of Education Best Children’s Book of 2018 (Outstanding Merit selection) • Finalist, 2018 Ohioana Book Award
Long before she wrote The House of Dies Drear, M. C. Higgins, the Great, and many other children’s classics, Virginia Hamilton grew up among her extended family near Yellow Springs, Ohio, where her grandfather had been brought as a baby through the Underground Railroad. The family stories she heard as a child fueled her imagination, and the freedom to roam the farms and woods nearby trained her to be a great observer. In all, Hamilton wrote forty-one books, each driven by a focus on “the known, the remembered, and the imagined”—particularly within the lives of African Americans.
Over her thirty-five-year career, Hamilton received every major award for children’s literature. This new biography gives us the whole story of Virginia’s creative genius, her passion for nurturing young readers, and her clever way of crafting stories they’d love.
Virginia’s Apple is a collection of fourteen literary memoirs that explore pivotal episodes across poet and writer Judith Barrington’s life. Artfully crafted, each one stands alone yet they are linked—characters reappear and, taken together, they create a larger narrative.
The content is wide-ranging: the early days of the Second Wave of feminism—the exhilaration, the wildness, the love affairs, the surprises, and the self-invention, as well as the confusion and conflicts of those heady times; navigating a sometimes precarious existence as an out lesbian long before it was commonplace; leaving England and becoming an American citizen; finding a life partner; and growing old with an inherited disability. The author’s friendship with the distinguished poet Adrienne Rich is the subject of one story. In another, there’s an appearance by the notorious murderer, Lord Lucan, whose wife was a chance acquaintance.
These stories are laced with humor and joy, while pulsing below the surface is the slow unfolding of delayed grief over her parents’ drowning when she was nineteen, revealing how such a loss can shape a life.
In an age when few people ventured beyond their place of birth, André Palmeiro left Portugal on a journey to the far side of the world. Bearing the title “Father Visitor,” he was entrusted with the daunting task of inspecting Jesuit missions spanning from Mozambique to Japan. A global history in the guise of a biography, The Visitor tells the story of a theologian whose extraordinary travels bore witness to the fruitful contact—and violent collision—of East and West in the early modern era.
In India, Palmeiro was thrust into a controversy over the missionary tactics of Roberto Nobili, who insisted on dressing the part of an indigenous ascetic. Palmeiro walked across Southern India to inspect Nobili’s mission, recording fascinating observations along the way. As the highest-ranking Jesuit in India, he also coordinated missions to the Mughal Emperors and the Ethiopian Christians, as well as the first European explorations of the East African interior and the highlands of Tibet.
Orders from Rome sent Palmeiro farther afield in 1626, to Macau, where he oversaw Jesuit affairs in East Asia. He played a crucial role in creating missions in Vietnam and seized the opportunity to visit the Chinese mission, trekking thousands of miles to Beijing as one of China’s first Western tourists. When the Tokugawa Shogunate brutally cracked down on Christians in Japan—where neither he nor any Westerner had power to intervene—Palmeiro died from anxiety over the possibility that the last Jesuits still alive would apostatize under torture.
Vita Nuova is the second in a trilogy of memoirs written from the perspective of Bohumil Hrabal’s wife, Elis.ka, about their life in Prague from the 1950s to the 1970s, when Communist repression of artists was at its peak.
Hrabal’s inimitable humor, which in Elis.ka’s ruminations ranges from bawdy slapstick to cutting irony, is all the more penetrating for being directed at himself. Vita Nuova showcases Hrabal’s legendary bohemian intellectual life, particularly his relationship with Vladimír Boudník. Hrabal creates a shrewd, lively portrait of Eastern European intellectual life in the mid-twentieth century.
Lively and filled with vivid anecdotes, Viva Baseball! chronicles the struggles of Latin American professional baseball players in the United States from the late 1800s to the present.
As Latino players, managers, and owners continue to blossom into baseball's biggest stars, they have benefited from a growing Spanish-language media, a group identity, an increase in financial leverage and attention, and a burgeoning Latino culture in the United States. Although there have been several positive developments in the treatment of Latin American players, many, such as Albert Pujols, Pedro Martinez, Alex Rodriguez, and Ozzie Guillen, still face shocking racism. Samuel O. Regalado draws upon archives and rich interviews with Latin baseball stars like Felipe Alou, Orlando Cepeda, and Minnie Minoso to show the changing tenor of discrimination in the twenty-first-century game.
Voice Lessons explores the rich personal and political terrain of Alice Embree, a 1960s activist and convert to the women’s liberation movement of the 1970s, bringing a woman’s perspective to a transformational time in US history. This riveting memoir traces the author’s roots in segregated Austin and her participation in efforts to integrate the University of Texas. It follows her antiwar activism from a vigil in front of President Lyndon Johnson’s ranch in 1965 to a massive protest after the shootings at Kent State in 1970. Embree’s activism brought her and the Students for a Democratic Society into conflict with Frank Erwin, the powerful chairman of the UT Board of Regents, and inspired a campus free speech movement. She recounts her experiences living in New York during the tumultuous years of 1968 and 1969, including the Columbia University strike and the Woodstock music festival. She also tells about protesting at the Chicago Democratic Convention, her interactions with Yippies and poets, and her travels to Chile, Cuba, and Mexico. Embree highlights the radical roots of the women’s liberation movement in Austin and the audacious women’s community that challenged gender roles, fought for reproductive justice, and inspired a lifetime of activism.
After the publication in 1962 of One Day in the Life of Ivan Denisovich, Aleksandr Solzhenitsyn began receiving, and would continue to receive throughout his life, testimonies from fellow survivors of the gulag. Originally selected by Solzhenitsyn, the memoirs in this volume are an important addition to the literature of the Soviet gulag. Written by men from a wide variety of occupations and social classes, the writing in Voices from the Gulag lends a voice to the many ordinary people—including a circus performer, a teenage boy, and a Red Army soldier—whom a brutal system attempted to erase from memory.
Folklorist Wayland Hand once called Mary Alicia Owen “the most famous American Woman Folklorist of her time.” Drawing on primary sources, such as maps, census records, court documents, personal letters and periodicals, and the scholarship of others who have analyzed various components of Owen’s multifaceted career, historian Greg Olson offers the most complete account of her life and work to date. He also offers a critical look at some of the short stories Owen penned, sometimes under the name Julia Scott, and discusses how the experience she gained as a fiction writer helped lead her to a successful career in folklore.
Alex Kozulin, translator of Vygotsky's work and distinguished Russian-American psychologist, has written the first major intellectual biography about Vygotsky's theories and their relationship to twentieth-century Russian and Western intellectual culture. He traces Vygotsky's ideas to their origins in his early essays on literary criticism, Jewish culture, and the psychology of art, and he explicates brilliantly his psychological theory of language, thought, and development.
Kozulin's biography of Vygotsky also reflects many of the conflicts of twentieth-century psychology--from the early battles between introspectionists and reflexologists to the current argument concerning the cultural and social, rather than natural, construction of the human mind.
Vygotsky was a contemporary of Freud and Piaget, and his tragically early death and the Stalinist suppression of his work ensured that his ideas did not have an immediate effect on Western psychology. But the last two decades have seen his psychology become highly influential while that of other theoretical giants has faded.
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