Because emotion is assumed to depend on subjectivity, the "death of the subject" described in recent years by theorists such as Derrida, de Man, and Deleuze would also seem to mean the death of feeling. This revolutionary work transforms the burgeoning interdisciplinary debate on emotion by suggesting, instead, a positive relation between the "death of the subject" and the very existence of emotion.

Reading the writings of Derrida and de Man--theorists often seen as emotionally contradictory and cold--Terada finds grounds for construing emotion as nonsubjective. This project offers fresh interpretations of deconstruction's most important texts, and of Continental and Anglo-American philosophers from Descartes to Deleuze and Dennett. At the same time, it revitalizes poststructuralist theory by deploying its methodologies in a new field, the philosophy of emotion, to reach a startling conclusion: if we really were subjects, we would have no emotions at all.

Engaging debates in philosophy, literary criticism, psychology, and cognitive science from a poststructuralist and deconstructive perspective, Terada's work is essential for the renewal of critical thought in our day.

In Looking Away, Rei Terada revisits debates about appearance and reality in order to make a startling claim: that the purpose of such debates is to police feelings of dissatisfaction with the given world.

Focusing on romantic and post-romantic thought after Kant, Terada argues that acceptance of the world “as is” is coerced by canonical epistemology and aesthetics. In guilty evasions of this coercion, post-Kantian thinkers cultivate fleeting, aberrant appearances, perceptual experiences that do not present themselves as facts to be accepted and therefore become images of freedom. This “phenomenophilia,” she suggests, informs romanticism and subsequent philosophical thought with a nascent queer theory.

Through graceful readings of Coleridge’s obsession with perceptual ephemera, or “spectra,” recorded in his Notebooks; of Kant’s efforts in his First and Third Critiques to come to terms with the given world; of Nietzsche’s responses to Kant and his meditations on ephemeral phenomenal experiences; and of Adorno’s interpretations of both Nietzsche and Kant, Terada proposes that the connection between dissatisfaction and ephemeral phenomenality reveals a hitherto-unknown alternative to aesthetics that expresses our right to desire something other than experience “as is,” even those parts of it that really cannot be otherwise.

The Roman comic playwright “whose every word delights.”

Terence brought to the Roman stage a bright comic voice and a refined sense of style. His six comedies—first produced in the half dozen years before his premature death in 159 BC—imaginatively reformulated in Latin plays that were originally written by Greek playwrights, especially Menander. For this new Loeb Classical Library edition of Terence, John Barsby gives us a faithful and lively translation with full explanatory notes, facing a freshly edited Latin text.

Volume I contains a substantial introduction and three plays: The Woman of Andros, a romantic comedy; The Self-Tormentor, which looks at contrasting father-son relationships; and The Eunuch, whose characters include the most sympathetically drawn courtesan in Roman comedy. The other three plays are in Volume II: Phormio, a comedy of intrigue with an engaging trickster; The Mother-in-Law, unique among Terence’s plays in that the female characters are the admirable ones; and The Brothers, which explores contrasting approaches to parental education of sons.

The Romans highly praised Terence—“whose speech can charm, whose every word delights,” in Cicero’s words. This new edition of his plays, which replaces the now outdated Loeb translation by John Sargeaunt (first published in 1912), succeeds in capturing his polished style and appeal.

The Roman comic playwright “whose every word delights.”

Terence brought to the Roman stage a bright comic voice and a refined sense of style. His six comedies—first produced in the half dozen years before his premature death in 159 BC—imaginatively reformulated in Latin plays that were originally written by Greek playwrights, especially Menander. For this new Loeb Classical Library edition of Terence, John Barsby gives us a faithful and lively translation with full explanatory notes, facing a freshly edited Latin text.

Volume I contains a substantial introduction and three plays: The Woman of Andros, a romantic comedy; The Self-Tormentor, which looks at contrasting father-son relationships; and The Eunuch, whose characters include the most sympathetically drawn courtesan in Roman comedy. The other three plays are in Volume II: Phormio, a comedy of intrigue with an engaging trickster; The Mother-in-Law, unique among Terence’s plays in that the female characters are the admirable ones; and The Brothers, which explores contrasting approaches to parental education of sons.

The Romans highly praised Terence—“whose speech can charm, whose every word delights,” in Cicero’s words. This new edition of his plays, which replaces the now outdated Loeb translation by John Sargeaunt (first published in 1912), succeeds in capturing his polished style and appeal.

Renaissance Italians pioneered radical changes in ways of helping the poor, including orphanages, workhouses, pawnshops, and women’s shelters. Nicholas Terpstra shows that gender was the key factor driving innovation. Most of the recipients of charity were women. The most creative new plans focused on features of women’s poverty like illegitimate births, hunger, unemployment, and domestic violence. Signal features of the reforms, from forced labor to new instruments of saving and lending, were devised specifically to help young women get a start in life.

Cultures of Charity is the first book to see women’s poverty as the key factor driving changes to poor relief. These changes generated intense political debates as proponents of republican democracy challenged more elitist and authoritarian forms of government emerging at the time. Should taxes fund poor relief? Could forced labor help build local industry? Focusing on Bologna, Terpstra looks at how these fights around politics and gender generated pioneering forms of poor relief, including early examples of maternity benefits, unemployment insurance, food stamps, and credit union savings plans.

Economic historian, democratic socialist, educator, and British labor party activist, R. H. Tawney touched many worlds. His life, too, spanned great distance and change. When he was born in Calcutta in 1880, Gladstone, Tennyson, and Queen Victoria were flourishing and the British Empire was approaching its height. By the time of his death in 1962, the Empire had shrunk to a few tourist islands, and socialism, once so shocking, was now commonplace.

Ross Terrill, in this absorbing first study of Tawney’s thought, view his subject within three related contexts. The first is Tawney, the man. Terrill makes skillful use of unpublished material—the early diary, speech and lecture notes, letters, interviews with friends and associates—to tell the story of Tawney’s life in relation to his times. Second is social democracy. Tawney was one of its most influential philosophers and prophets, and this book argues for the continuing validity of his socialism as a path between capitalism and communism. Third is British politics. From Edwardian liberal “consensus” to mid-century collectivist “consensus,” Tawney’s long career, often at odds with prevailing orthodoxies, offers a window on British political culture.

Four key ideas are found in Tawney’s political thought: equality and the dispersion of power—the “shape of socialism”; function and citizenship—the “life of socialism.” These ideas, and indeed the life of the man himself, Terrill believes, are summed up in socialism as fellowship. “As long as men are men,” Tawney said, “a poor society cannot be too poor to find a right order of life, nor a rich society too rich to have need to seek it.”

This book is a blend of biography, history, and the study of political ideas. It provides a striking portrait of a remarkable man and a panorama of changing ideas and situations in the society where he tried to realize his socialist vision. It offers many glimpses of Tawney’s associates, among them Beveridge, the Webbs, Laski, A. P. Wadsworth, Temple, Margaret Cole, and Leonard Woolf; and surprising snippets, like the fact that Tawney used the phrase “private affluence and public squalor” in 1919.

Austere apologetics.

Q. Septimus Florens Tertullianus (ca. AD 150–222) was born a soldier’s son at Carthage, educated in Greek and Roman literature, philosophy, and medicine, and later studied law to became a pleader, remaining a clever and often tortuous arguer. At Rome he became a learned and militant Christian. After visiting churches in Greece (and Asia Minor?) he returned to Carthage and in his writings there founded a Christian Latin language and literature, toiling to fuse enthusiasm with reason; to unite the demands of the Bible with the practice of the Church; and to continue to vindicate the Church’s possession of the true doctrine in the face of unbelievers, Jews, Gnostics, and others. In some of his many works he defended Christianity, in others he attacked heretical people and beliefs; in others he dealt with morals. In this volume are his Apologeticus and De Spectaculis.

Of Minucius, an early Christian writer of unknown date, we have only Octavius, a vigorous and readable debate between an unbeliever and a Christian friend of Minucius, the lawyer Octavius Ianuarius. Minucius himself acts as presiding judge. Octavius wins the argument. The whole work presents a picture of social and religious conditions in Rome, apparently about the end of the second century.

John Milton is regarded as the greatest English poet after Shakespeare. Yet for sublimity and philosophical grandeur, Milton stands almost alone in world literature. His peers are Homer, Virgil, Dante, Wordsworth, and Goethe: poets who achieve a total ethical and spiritual vision of the world. In this panoramic interpretation, the distinguished Milton scholar Gordon Teskey shows how the poet’s changing commitments are subordinated to an aesthetic that joins beauty to truth and value to ethics. The art of poetry is rediscovered by Milton as a way of thinking in the world as it is, and for the world as it can be.

Milton’s early poems include the heroic Nativity Ode; the seductive paired poems “L’Allegro” and “Il Penseroso”; the mythological pageant Comus, with its comically diabolical enchanter and its serious debate on the human use of nature; and “Lycidas,” perhaps the greatest short poem in English and a prophecy of vast human displacements in the modern world. Teskey follows Milton’s creative development in three phases, from the idealistic transcendence of the poems written in his twenties to the political engagement of the gritty, hard-hitting poems of his middle years. The third phase is that of “transcendental engagement,” in the heaven-storming epic Paradise Lost, and the great works that followed it: the intense intellectual debate Paradise Regained, and the tragedy Samson Agonistes.

From the distinguished literary scholar Gordon Teskey comes an essay collection that restores Spenser to his rightful prominence in Renaissance studies, opening up the epic of The Faerie Queene as a grand, improvisatory project on human nature, and arguing—controversially—that it is Spenser, not Milton, who is the more important and relevant poet for the modern world.

There is more adventure in The Faerie Queene than in any other major English poem. But the epic of Arthurian knights, ladies, and dragons in Faerie Land, beloved by C. S. Lewis, is often regarded as quaint and obscure, and few critics have analyzed the poem as an experiment in open thinking. In this remarkable collection, the renowned literary scholar Gordon Teskey examines the masterwork with care and imagination, explaining the theory of allegory—now and in Edmund Spenser’s Elizabethan age—and illuminating the poem’s improvisatory moments as it embarks upon fairy tale, myth, and enchantment.

Milton, often considered the greatest English poet after Shakespeare, called Spenser his “original.” But Teskey argues that while Milton’s rigid ideology in Paradise Lost has failed the test of time, Spenser’s allegory invites engagement on contemporary terms ranging from power, gender, violence, and virtue ethics, to mobility, the posthuman, and the future of the planet. The Faerie Queene was unfinished when Spenser died in his forties. It is the brilliant work of a poet of youthful energy and philosophical vision who opens up new questions instead of answering old ones. The epic’s grand finale, “The Mutabilitie Cantos,” delivers a vision of human life as dizzyingly turbulent and constantly changing, leaving a future open to everything.

A landmark history of the antisemitic blood libel myth—how it took root in Europe, spread with the invention of the printing press, and persists today.

Accusations that Jews ritually killed Christian children emerged in the mid-twelfth century, following the death of twelve-year-old William of Norwich, England, in 1144. Later, continental Europeans added a destructive twist: Jews murdered Christian children to use their blood. While charges that Jews poisoned wells and desecrated the communion host waned over the years, the blood libel survived.

Initially blood libel stories were confined to monastic chronicles and local lore. But the development of the printing press in the mid-fifteenth century expanded the audience and crystallized the vocabulary, images, and “facts” of the blood libel, providing a lasting template for hate. Tales of Jews killing Christians—notably Simon of Trent, a toddler whose body was found under a Jewish house in 1475—were widely disseminated using the new technology. Following the paper trail across Europe, from England to Italy to Poland, Magda Teter shows how the blood libel was internalized and how Jews and Christians dealt with the repercussions.

The pattern established in early modern Europe still plays out today. In 2014 the Anti-Defamation League appealed to Facebook to take down a page titled “Jewish Ritual Murder.” The following year white supremacists gathered in England to honor Little Hugh of Lincoln as a sacrificial victim of the Jews. Based on sources in eight countries and ten languages, Blood Libel captures the long shadow of a pernicious myth.

In post-Reformation Poland—the largest state in Europe and home to the largest Jewish population in the world—the Catholic Church suffered profound anxiety about its power after the Protestant threat. Magda Teter reveals how criminal law became a key tool in the manipulation of the meaning of the sacred and in the effort to legitimize Church authority. The mishandling of sacred symbols was transformed from a sin that could be absolved into a crime that resulted in harsh sentences of mutilation, hanging, decapitation, and, principally, burning at the stake.

Teter casts new light on the most infamous type of sacrilege, the accusation against Jews for desecrating the eucharistic wafer. These sacrilege trials were part of a broader struggle over the meaning of the sacred and of sacred space at a time of religious and political uncertainty, with the eucharist at its center. But host desecration—defined in the law as sacrilege—went beyond anti-Jewish hatred to reflect Catholic-Protestant conflict, changing conditions of ecclesiastic authority and jurisdiction, and competition in the economic marketplace.

Recounting dramatic stories of torture, trial, and punishment, this is the first book to consider the sacrilege accusations of the early modern period within the broader context of politics and common crime. Teter draws on previously unexamined trial records to bring out the real-life relationships among Catholics, Jews, and Protestants and challenges the commonly held view that following the Reformation, Poland was a “state without stakes”—uniquely a country without religious persecution.

The architectural jewel of Constantinople is the church of Hagia Sophia (Holy Wisdom), constructed 532–537 CE. Although the edifice built by Justinian remains almost intact, only some of its original mosaics survive. In the first comprehensive study, Natalia Teteriatnikov describes the original mosaic program of the church and its restorations after the earthquake of 558.

Drawing from decades of her personal research and scholarship on St. Sophia, the author analyzes the material and decorative components of the Justinianic mosaics that survive. She considers the architectural and theological aesthetics, as well as the social conditions that led to the production of a distinctive, aniconic mosaic program. Lavishly illustrated, the book includes a catalog of the nineteenth-century watercolors created by Gaspare Fossati—the only surviving evidence for reconstructing mosaics that are no longer extant.

This exceptional bibliography, a pioneer work in its field, surveys Hungarian literature from its beginnings to 1965. A companion to the author's An Introductory Bibliography to the Study of Hungarian Literature, this volume contains over 4500 numbered entries which report on the first and later editions of the works of 162 authors. Mr. Tezla has included the major figures from each literary period and has based his selection of authors on the importance of their original writings to the development of this national literature. Significant authors who established substantial careers in Hungary and continued to write after their emigration are also represented in this comprehensive volume, as are a number of figures of secondary literary import.

Mr. Tezla begins his coverage of each author with a brief biographical account offering pertinent data on family background, education, and literary activities. The sketch provides as well observations on the writings of the author and his place in Hungarian literature and a record of the languages into which his works have been translated. Further material on the author is divided into annotated sections noting bibliographical, biographical, and critical studies.

As a means of helping the reader obtain titles through inter-library loan or through photographic processes, Mr. Tezla also includes location symbols for numbered items known to be available in selected libraries in the United States and Europe. Five appendixes, a glossary, and indexes provide additional bibliographic tools for both the beginning student and the advanced scholar researching Hungarian literature. The work is invaluable also as a buying guide for libraries seeking to develop a Hungarian collection.

Stressed and sleepless, today's high school students race from school to activities in their most competitive game of all: admission to a top-ranked, prestigious university. But is relying on magazine rankings and a vague sense of "prestige" really the best way to choose a college? Is hiring test prep teachers and consultants really the best way to shape your own education?

In this book, edited by a veteran admissions counselor, a passionate advocate for students, the presidents and admission deans of leading colleges and universities--like Dartmouth, Vanderbilt, Harvard--remind readers that college choice and admission are a matter of fit, not of winning a prize, and that many colleges are "good" in different ways. They call for bold changes in admissions policies and application strategies, to help both colleges and applicants to rediscover what college is really for. It's not just a ticket to financial success, but a once-in-a-lifetime chance to explore new worlds of knowledge.

What is the best possible society? How would its rulers govern and its citizens behave? Such questions are sometimes dismissed as distractions from genuine political problems, but in an era when political idealism seems a relic of the past, says Jonny Thakkar, they are more urgent than ever. A daring experiment in using ancient philosophy to breathe life into our political present, Plato as Critical Theorist takes seriously one of Plato’s central claims: that philosophers should rule. What many accounts miss is the intimate connection between Plato’s politics and his metaphysics, Thakkar argues. Philosophy is the activity of articulating how parts and wholes best fit together, while ruling is the activity that shapes the parts of society into a coherent whole conducive to the good life. Plato’s ideal society is thus one in which ideal theory itself plays a leading role.

Today’s liberal democracies require not philosopher-kings legislating from above but philosopher-citizens willing to work toward a vision of the best society in their daily lives. Against the claim that such idealism is inherently illiberal, Thakkar shows that it is fully compatible with the liberal theories of both Popper and Rawls while nevertheless pushing beyond them in providing a new vantage point for the Marxian critique of capitalism.

The claim, often made, that India--uniquely among civilizations--lacks historical writing distracts us from a more pertinent question, according to Romila Thapar: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. In The Past Before Us, a distinguished scholar of ancient India guides us through a panoramic survey of the historical traditions of North India. Thapar reveals a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature.

The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy and continuity amid social change. Spanning an epoch of nearly twenty-five hundred years, from 1000 BCE to 1400 CE, Thapar delineates three distinct historical traditions: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptions, regional accounts, and royal biographies and dramas are all scrutinized afresh--not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.

Theocritus of the third century BCE, born at Syracuse, travelled widely in the Greek world. Having studied poetry at Cos with poet and critic Philitas, he composed poetry under patronage, chiefly perhaps at Syracuse and Cos; and then went to Alexandria in Egypt, whose King Ptolemy II (died 246 BCE), pupil of Philitas, befriended him. Here (and at Cos?) he spent the rest of his life. Most lovable of Greek versemakers, Theocritus was the founder of bucolic or pastoral poetry. Of his so-called Idylls, 'Little forms' or pieces (not all are genuine), ten are about pastoral life real or idealised; several are small epics (three are hymns); two are beautiful 'occasional' poems (one about a country walk, one to accompany a gift of a distaff for the wife of his friend Nicias); six are love-poems; several are mimes, striking pictures of common life; and three are specially expressive of his own feelings. The 24 'Epigrams' were apparently inscribed on works of art.

Moschus of Syracuse, 2nd century BCE, came next. As a grammarian he wrote a (lost) work on Rhodian dialect. Though he was classed as bucolic, his extant poetry (mainly 'Runaway Love' and the story of 'Europa') is not really pastoral, the 'Lament for Bion' not being Moschus's work.

'Megara' may be by Theocritus; but 'The Dead Adonis' is much later.

Bion of Phlossa near Smyrna lived in Sicily, probably late 2nd and early 1st century BCE. Most of the extant poems are not really bucolic, but 'Lament for Adonis' is floridly brilliant.

The so-called Pattern-Poems, included in the bucolic tradition, are found also in the Greek Anthology.

The father of pastoral poetry and his Hellenistic heirs.

Theocritus (early third century BC), born in Syracuse and also active on Cos and at Alexandria, was the inventor of the bucolic genre. Like his contemporary Callimachus, Theocritus was a learned poet who followed the aesthetic, developed a generation earlier by Philitas of Cos (LCL 508), of refashioning traditional literary forms in original ways through tightly organized and highly polished work on a small scale (thus the traditional generic title Idylls: “little forms”). Although Theocritus composed in a variety of genres or generic combinations, including encomium, epigram, hymn, mime, and epyllion, he is best known for the poems set in the countryside, mostly dialogues or song-contests, that combine lyric tone with epic meter and the Doric dialect of his native Sicily to create an idealized and evocatively described pastoral landscape, whose lovelorn inhabitants, presided over by the Nymphs, Pan, and Priapus, use song as a natural mode of expression.

The bucolic/pastoral genre was developed by the second and third members of the Greek bucolic canon, Moschus (fl. mid second century BC, also from Syracuse) and Bion (fl. some fifty years later, from Phlossa near Smyrna), and remained vital through Greco-Roman antiquity and into the modern era.

This edition of Theocritus, Moschus, and Bion, together with the so-called “pattern poems” included in the bucolic tradition, replaces the earlier Loeb Classical Library edition by J. M. Edmonds (1912), using the critical texts of Gow (1952) and Gallavotti (1993) as a base and providing a fresh translation with ample annotation.

The first fruits of Greek botany.

Theophrastus of Eresus in Lesbos, born about 370 BC, is the author of the most important botanical works that have survived from classical antiquity. He was in turn student, collaborator, and successor of Aristotle. Like his predecessor he was interested in all aspects of human knowledge and experience, especially natural science. His writings on plants form a counterpart to Aristotle’s zoological works.

In the Enquiry into Plants Theophrastus classifies and describes varieties—covering trees, plants of particular regions, shrubs, herbaceous plants, and cereals; in the last of the nine books he focuses on plant juices and medicinal properties of herbs. This edition is in two volumes; the second contains two additional treatises, On Odours and Weather Signs.

In De causis plantarum Theophrastus turns to plant physiology. Books 1 and 2 are concerned with generation, sprouting, flowering and fruiting, and the effects of climate. In Books 3 and 4 Theophrastus studies cultivation and agricultural methods. In Books 5 and 6 he discusses plant breeding; diseases and other causes of death; and distinctive flavors and odors. The Loeb Classical Library edition is in three volumes.

Theophrastus’ celebrated Characters is of a quite different nature. This collection of descriptive sketches is the earliest known character-writing and a striking reflection of contemporary life.

The first fruits of Greek botany.

Theophrastus of Eresus in Lesbos, born about 370 BC, is the author of the most important botanical works that have survived from classical antiquity. He was in turn student, collaborator, and successor of Aristotle. Like his predecessor he was interested in all aspects of human knowledge and experience, especially natural science. His writings on plants form a counterpart to Aristotle’s zoological works.

In the Enquiry into Plants Theophrastus classifies and describes varieties—covering trees, plants of particular regions, shrubs, herbaceous plants, and cereals; in the last of the nine books he focuses on plant juices and medicinal properties of herbs. This edition is in two volumes; the second contains two additional treatises, On Odours and Weather Signs.

In De causis plantarum Theophrastus turns to plant physiology. Books 1 and 2 are concerned with generation, sprouting, flowering and fruiting, and the effects of climate. In Books 3 and 4 Theophrastus studies cultivation and agricultural methods. In Books 5 and 6 he discusses plant breeding; diseases and other causes of death; and distinctive flavors and odors. The Loeb Classical Library edition is in three volumes.

Theophrastus’ celebrated Characters is of a quite different nature. This collection of descriptive sketches is the earliest known character-writing and a striking reflection of contemporary life.

The first fruits of Greek botany.

Theophrastus of Eresus in Lesbos, born about 370 BC, is the author of the most important botanical works that have survived from classical antiquity. He was in turn student, collaborator, and successor of Aristotle. Like his predecessor he was interested in all aspects of human knowledge and experience, especially natural science. His writings on plants form a counterpart to Aristotle’s zoological works.

In the Enquiry into Plants Theophrastus classifies and describes varieties—covering trees, plants of particular regions, shrubs, herbaceous plants, and cereals; in the last of the nine books he focuses on plant juices and medicinal properties of herbs. This edition is in two volumes; the second contains two additional treatises, On Odours and Weather Signs.

In De causis plantarum Theophrastus turns to plant physiology. Books 1 and 2 are concerned with generation, sprouting, flowering and fruiting, and the effects of climate. In Books 3 and 4 Theophrastus studies cultivation and agricultural methods. In Books 5 and 6 he discusses plant breeding; diseases and other causes of death; and distinctive flavors and odors. The Loeb Classical Library edition is in three volumes.

Theophrastus’ celebrated Characters is of a quite different nature. This collection of descriptive sketches is the earliest known character-writing and a striking reflection of contemporary life.

Dramatis personae.

This volume collects important examples of Greek literary portraiture. The Characters of Theophrastus consists of thirty fictional sketches of men who are each dominated by a single fault, such as arrogance, boorishness, or superstition. Unassuming in style, his character sketches nonetheless bear resemblance to the vivid figures of the period’s New Comedy. The Hellenistic poet Herodas wrote mimes, a popular Greek entertainment in which one actor or a small group portrayed a situation from everyday urban life, concentrating on depiction of character rather than on plot. Here too in a new text and translation are substantial portions of the mimes of Sophron, a Syracusan of the fifth century BC whose work Plato is said to have enjoyed, as well as a selection of anonymous mime fragments.


The extant work of Sophron and the anonymous mime fragments are newly added to the Loeb Classical Library in this edition. And Jeffrey Rusten and Ian Cunningham have updated their editions of Theophrastus and Herodas (both first published in 1993) in light of the latest scholarship.

The first fruits of Greek botany.

Theophrastus of Eresus in Lesbos, born about 370 BC, is the author of the most important botanical works that have survived from classical antiquity. He was in turn student, collaborator, and successor of Aristotle. Like his predecessor he was interested in all aspects of human knowledge and experience, especially natural science. His writings on plants form a counterpart to Aristotle’s zoological works.

In the Enquiry into Plants Theophrastus classifies and describes varieties—covering trees, plants of particular regions, shrubs, herbaceous plants, and cereals; in the last of the nine books he focuses on plant juices and medicinal properties of herbs. This edition is in two volumes; the second contains two additional treatises, On Odours and Weather Signs.

In De causis plantarum Theophrastus turns to plant physiology. Books 1 and 2 are concerned with generation, sprouting, flowering and fruiting, and the effects of climate. In Books 3 and 4 Theophrastus studies cultivation and agricultural methods. In Books 5 and 6 he discusses plant breeding; diseases and other causes of death; and distinctive flavors and odors. The Loeb Classical Library edition is in three volumes.

Theophrastus’ celebrated Characters is of a quite different nature. This collection of descriptive sketches is the earliest known character-writing and a striking reflection of contemporary life.

The first fruits of Greek botany.

Theophrastus of Eresus in Lesbos, born about 370 BC, is the author of the most important botanical works that have survived from classical antiquity. He was in turn student, collaborator, and successor of Aristotle. Like his predecessor he was interested in all aspects of human knowledge and experience, especially natural science. His writings on plants form a counterpart to Aristotle’s zoological works.

In the Enquiry into Plants Theophrastus classifies and describes varieties—covering trees, plants of particular regions, shrubs, herbaceous plants, and cereals; in the last of the nine books he focuses on plant juices and medicinal properties of herbs. This edition is in two volumes; the second contains two additional treatises, On Odours and Weather Signs.

In De causis plantarum Theophrastus turns to plant physiology. Books 1 and 2 are concerned with generation, sprouting, flowering and fruiting, and the effects of climate. In Books 3 and 4 Theophrastus studies cultivation and agricultural methods. In Books 5 and 6 he discusses plant breeding; diseases and other causes of death; and distinctive flavors and odors. The Loeb Classical Library edition is in three volumes.

Theophrastus’ celebrated Characters is of a quite different nature. This collection of descriptive sketches is the earliest known character-writing and a striking reflection of contemporary life.

THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.

This volume collects some of the liveliest examples of Greek literary portraiture. The Characters of Theophrastus sketches thirty hypothetical men, each dominated by a single fault, such as rudeness, superstitution, or greed. Unassuming in style, the sketches nonetheless bear resemblance on the one hand to Aristotle's account of faults and virtues and on the other to the vivid figures of Menandrian New Comedy. This new text and translation by Jeffrey Rusten is based on the most recent scholarship.

Herodas flourished in the 270s and 260s--the high point of Hellenistic poetry. His poems are choliambic mimes, dramatic dialogues that depict characters in everyday urban settings and situations. I. C. Cunningham presents a new translation of Herodas, based on his Teubner text.

Also included here, in a reprint of the earlier Loeb edition by A. D. Knox, are the fragments of Greek poetry in the choliambic meter--especially those which offer a tantalizing glimpse into the raucous and sordid world of Hipponax--and the lyric iambics on themes of Cynic philosophy by Cercidas.

The Fifteenth Amendment to the Constitution of the United States guarantees that all citizens have the right to vote without regard to their “race, color, or previous condition of servitude.” For almost a century the Fifteenth Amendment was a dead letter. Throughout the South millions of nonwhite Americans were excluded from the political process by poll taxes, literacy tests, and other devices. The landmark Voting Rights Act of 1965 sought to end that injustice.

In this absorbing book, political scientist Abigail Thernstrom analyzes the radical transformation of the Voting Rights Act in the years since its passage. She shows how a measure carefully crafted to open the polling booths to southern blacks has evolved into a powerful tool for affirmative action in the electoral sphere—a means to promote black and Hispanic officeholding by creating “safe” seats for minority candidates. What began as an effort to give minorities a fair shake has become a means of ensuring a fair share.

Thernstrom demonstrates how voting rights have created a “political thicket” in which Congress, the courts, and the justice Department have been lost. Why this should be true, how small statutory changes led to large and unexpected results, how civil rights groups prevailed against a conservative Senate, how Republicans have benefited from gerrymandering to increase black officeholding—these stories are all part of Thernstrom’s well-told tale.

Even though the concept of the right to vote retains an aura of moral simplicity, the issue of minority voting rights is perhaps the most complex, yet least studied, of all affirmative action issues. Whose Votes Count? should stimulate the overdue discussion that the subject deserves among all those concerned with American politics.

Embedded in the consciousness of Americans throughout much of the country’s history has been the American Dream: that every citizen, no matter how humble his beginnings, is free to climb to the top of the social and economic ladder. Poverty and Progress assesses the claims of the American Dream against the actual structure of economic and social opportunities in a typical nineteenth century industrial community—Newburyport, Massachusetts.

Here is local history. With the aid of newspapers, census reports, and local tax, school, and savings bank records Stephan Thernstrom constructs a detailed and vivid portrait of working class life in Newburyport from 1850 to 1880, the critical years in which this old New England town was transformed into a booming industrial city. To determine how many self-made men there really were in the community, he traces the career patterns of hundreds of obscure laborers and their sons over this thirty year period, exploring in depth the differing mobility patterns of native-born and Irish immigrant workmen. Out of this analysis emerges the conclusion that opportunities for occupational mobility were distinctly limited. Common laborers and their sons were rarely able to attain middle class status, although many rose from unskilled to semiskilled or skilled occupations.

But another kind of mobility was widespread. Men who remained in lowly laboring jobs were often strikingly successful in accumulating savings and purchasing homes and a plot of land. As a result, the working class was more easily integrated into the community; a new basis for social stability was produced which offset the disruptive influences that accompanied the first shock of urbanization and industrialization.

Since Newburyport underwent changes common to other American cities, Thernstrom argues, his findings help to illuminate the social history of nineteenth century America and provide a new point of departure for gauging mobility trends in our society today. Correlating the Newburyport evidence with comparable studies of twentieth century cities, he refutes the popular belief that it is now more difficult to rise from the bottom of the social ladder than it was in the idyllic past. The “blocked mobility” theory was proposed by Lloyd Warner in his famous “Yankee City” studies of Newburyport; Thernstrom provides a thorough critique of the “Yankee City” volumes and of the ahistorical style of social research which they embody.

From Acadians to Zoroastrians-Asians, American Indians, East Indians, West Indians, Europeans, Latin Americans, Afro-Americans, and Mexican Americans—the Harvard Encyclopedia of American Ethnic Groups provides the first comprehensive and systematic review of the many peoples of this country. It should excite all Americans about their nation.

Informative and entertaining, this volume is an indispensable reference work for home, library and office. It establishes a foundation for the burgeoning field of ethnic studies; it will satisfy and stimulate the popular interest in ancestry and heritage. It is a guide to the history, culture, and distinctive characteristics of the more than 100 ethnic groups who live in the United States.

Each ethnic group is described in detail. The origins, history and present situation of the familiar as well as the virtually unknown are presented succinctly and objectively. Not only the immigrants and refugees who came voluntarily but also those already in the New World when the first Europeans arrived, those whose ancestors came involuntarily as slaves, and those who became part of the American population as a result of conquest or purchase and subsequent annexation figure in these pages. The English and the Estonians, the Germans and the Gypsies, the Swedes and the Serbs are interestingly juxtaposed. Even entries about relatively well-known groups offer new material and fresh interpretations. The articles on less well-known groups are the product of intensive research in primary sources; many provide the first scholarly discussion to appear in English. One hundred and twenty American and European contributors have been involved in this effort, writing either on individual groups or on broad themes relating to many.

The group entries are at the heart of the book, but it contains, in addition, a series of thematic essays that illuminate the key facets of ethnicity. Some of these are comparative; some philosophical; some historical; others focus on current policy issues or relate ethnicity to major subjects such as education, religion, and literature. American identity and Americanization, immigration policy and experience, and prejudice and discrimination in U.S. history are discussed at length. Several essays probe the complex interplay between assimilation and pluralism—perhaps the central theme in American history—and the complications of race and religion.

Numerous cross-references and brief identifications will aid the reader with unfamiliar terms and alternative group names. Eighty-seven maps, especially commissioned, show where different groups have originated. Annotated bibliographies contain suggestions for further reading and research. Appendix I, on methods of estimating the size of groups, leads the reader through a maze of conflicting statistics. Appendix II reproduces, in facsimile, hard-to-locate census and immigration materials, beginning with the first published report on the nativities of the population in 1850.

Concerned primarily with oligopoly, this work includes a general study of pricing in three different markets—perfect competition, perfect monopoly, and imperfect competition. The solutions of these markets offered by Cournot, Smithies, Chamberlin, Stackelberg, Fellner, and Robinson are presented mathematically, followed by the author’s own version of the theory of rational pricing in oligopoly.

Previous authors have not allowed for all the variables arising from profit and price situations in the market. Here, more realistic assumptions and more complex analyses indicate that sellers in oligopoly situations do not always need to arrange specific agreements—hence, that “administered” pricing does not inevitably occur when the market is dominated by a few producers.

Elemental learning.

The splendid achievement of Greek mathematics is here illustrated in two volumes of selected mathematical works. Volume I (LCL 335) contains the divisions of mathematics; mathematics in Greek education; calculation; arithmetical notation and operations, including square root and cube root; Pythagorean arithmetic, including properties of numbers; the square root of 2; proportion and means; algebraic equations; Proclus; Thales; Pythagorean geometry; Democritus; Hippocrates of Chios; duplicating the cube and squaring the circle; trisecting angles; Theaetetus; Plato; Eudoxus of Cnidus (pyramid, cone); Aristotle (the infinite, the lever); Euclid.

Volume II (LCL 362) contains Aristarchus (distances of sun and moon); Archimedes (cylinder, sphere, cubic equations; conoids; spheroids; spiral; expression of large numbers; mechanics; hydrostatics); Eratosthenes (measurement of the earth); Apollonius (conic sections and other works); later development of geometry; trigonometry (including Ptolemy’s table of sines); mensuration: Heron of Alexandria (mensuration); Diophantus (algebra, determinate and indeterminate equations); Pappus (the revival of geometry).

Elemental learning.

The splendid achievement of Greek mathematics is here illustrated in two volumes of selected mathematical works. Volume I (LCL 335) contains the divisions of mathematics; mathematics in Greek education; calculation; arithmetical notation and operations, including square root and cube root; Pythagorean arithmetic, including properties of numbers; the square root of 2; proportion and means; algebraic equations; Proclus; Thales; Pythagorean geometry; Democritus; Hippocrates of Chios; duplicating the cube and squaring the circle; trisecting angles; Theaetetus; Plato; Eudoxus of Cnidus (pyramid, cone); Aristotle (the infinite, the lever); Euclid.

Volume II (LCL 362) contains Aristarchus (distances of sun and moon); Archimedes (cylinder, sphere, cubic equations; conoids; spheroids; spiral; expression of large numbers; mechanics; hydrostatics); Eratosthenes (measurement of the earth); Apollonius (conic sections and other works); later development of geometry; trigonometry (including Ptolemy’s table of sines); mensuration: Heron of Alexandria (mensuration); Diophantus (algebra, determinate and indeterminate equations); Pappus (the revival of geometry).

Through vivid and searching portraits of these three redoubtable journalists, prize-winning historian John L. Thomas traces for the first time the evolving ideologies of the most significant reformers of their age.

Henry George’s Progress and Poverty, Edward Bellamy’s Looking Backward, and Henry Lloyd’s Wealth against Commonwealth each in its turn became an international bestseller, championing a course of national policy and social reform that owed allegiance neither to the large-scale capitalist model then emerging, nor to the bureaucratic socialism espoused on the left. Also common to the vast writings of all three were a deep distrust of partisan machine politics and a mounting sense of social crisis which neither spoilsmanship nor materialism seemed able to address.

Seeking instead diversity and cooperation within society, small economic units, and simplicity in government, the authors of these works were moved to defend strikes during the heyday of industrial capitalism. They spoke out for international peace when imperialism was rampant. They called for the preservation of community values in the face of urban sprawl. And they urged the goals of brotherhood and interdependence in an age when survival of the fittest was seen as holy writ.

They failed magnificently as apostles of a radical culture based on the ideal of a community, yet their intellectual legacy was not lost: their heirs include the broad movement that took the name Progressive, the New Deal, and the hopeful crusades of the 1960s. This magnificent book is their memorial and their history.

Walt Whitman stands freshly illuminated in this powerful portrait of the poet responding to his times.

Whitman’s idealistic expectations of democracy were painfully eroded by the rapidly expanding urban capitalism that, before the Civil War, increasingly threatened the economic and political power of the ordinary American. His poetry during this, his most fruitful period, became the indispensable medium allowing him to adjust to these developments. He succeeded in portraying this modern society as an invigorating natural extension of the artisanal order. After the war, however, American capitalism advanced at a pace that made it impossible for Whitman to redeem it through his poetry. His imagination defeated by realities, he invested more and more in dreams of the future, while his poetry turned to the past, Memory emerging as a central figure.

In this many-sided analysis M. Wynn Thomas relates Whitman’s work to American painting of the period; examines the poet’s evocation of nature, which he sometimes saw as a challenge to man’s confidence in himself; documents the revisions and additions Whitman made to Leaves of Grass in order to demonstrate that “my Book and the War are One”; and pays sympathetic attention to the postwar poetry, usually slighted.

Entangled Objects threatens to dislodge the cornerstone of Western anthropology by rendering permanently problematic the idea of reciprocity. All traffic, and commerce, whether economic or intellectual, between Western anthropologists and the rest of the world, is predicated upon the possibility of establishing reciprocal relations between the West and the indigenous peoples it has colonized for centuries.

Drawing on his work on contemporary postcolonial Pacific societies, Nicholas Thomas takes up three issues central to modern anthropology: the cultural and political dynamics of colonial encounters, the nature of Western and non-Western transactions (such as the gift and the commodity), and the significance of material objects in social life. Along the way, he raises doubts about any simple “us/them” dichotomy between Westerners and Pacific Islanders, challenging the preoccupation of anthropology with cultural difference by stressing the shared history of colonial entanglement.

Thomas integrates general issues into a historical discussion of the uses Pacific Islanders and Europeans have made of each other’s material artifacts. He explores how nineteenth- and twentieth-century islanders, and visitors from the time of the Cook voyages up to the present day, have fashioned identities for themselves and each other by appropriating and exchanging goods. Previous writers have explored museums and the tribal art market, but this is the first book to concentrate on the distinct interests of European collectors and the islanders. In its comparative scope, its combination of historical and ethnographic scholarship, and its subversive approach to anthropological theory and traditional understandings of colonial relationships, Entangled Objects is a unique and challenging book. It will be tremendously interesting to all those working in the fields of cultural studies, from history to literature.

Are public officials morally justified in threatening violence, engaging in deception, or forcing citizens to act for their own good? Can individual officials be held morally accountable for the wrongs that governments commit? Dennis Thompson addresses these questions by developing a conception of political ethics that respects the demands of both morality and politics. He criticizes conventional conceptions for failing to appreciate the difference democracy makes, and for ascribing responsibility only to isolated leaders or to impersonal organizations. His book seeks to recapture the sense that men and women, acting for us and together with us in a democratic process, make the moral choices that govern our public life.

Thompson surveys ethical conflicts of public officials over a range of political issues, including nuclear deterrence, foreign intervention, undercover investigation, bureaucratic negligence, campaign finance, the privacy of officials, health care, welfare paternalism, drug and safety regulation, and social experimentation. He views these conflicts from the perspectives of many different kinds of public officials—elected and appointed executives at several levels of government, administrators, judges, legislators, governmental advisers, and even doctors, lawyers, social workers, and journalists whose professional roles often thrust them into public life.

In clarifying the ethical problems faced by officials, Thompson combines theoretical analysis with practical prescription, and begins to define a field of inquiry for which many have said there is a need but to which few have yet contributed. Philosophers, political scientists, policy analysts, sociologists, lawyers, and other professionals interested in ethics in government will gain insight from this book.

The Arab Spring uprisings of 2011 were often portrayed in the media as a dawn of democracy in the region. But the revolutionaries were—and saw themselves as—heirs to a centuries-long struggle for just government and the rule of law, a struggle obstructed by local elites as well as the interventions of foreign powers. Elizabeth F. Thompson uncovers the deep roots of liberal constitutionalism in the Middle East through the remarkable stories of those who fought against poverty, tyranny, and foreign rule.

Fascinating, sometimes quixotic personalities come to light: Tanyus Shahin, the Lebanese blacksmith who founded a peasant republic in 1858; Halide Edib, the feminist novelist who played a prominent role in the 1908 Ottoman constitutional revolution; Ali Shariati, the history professor who helped ignite the 1979 Iranian Revolution; Wael Ghonim, the Google executive who rallied Egyptians to Tahrir Square in 2011, and many more. Their memoirs, speeches, and letters chart the complex lineage of political idealism, reform, and violence that informs today’s Middle East.

Often depicted as inherently anti-democratic, Islam was integral to egalitarian movements that sought to correct imbalances of power and wealth wrought by the modern global economy—and by global war. Motivated by a memory of betrayal at the hands of the Great Powers after World War I and in the Cold War, today’s progressives assert a local tradition of liberal constitutionalism that has often been stifled but never extinguished.

How is life related to the mind? The question has long confounded philosophers and scientists, and it is this so-called explanatory gap between biological life and consciousness that Evan Thompson explores in Mind in Life.

Thompson draws upon sources as diverse as molecular biology, evolutionary theory, artificial life, complex systems theory, neuroscience, psychology, Continental Phenomenology, and analytic philosophy to argue that mind and life are more continuous than has previously been accepted, and that current explanations do not adequately address the myriad facets of the biology and phenomenology of mind. Where there is life, Thompson argues, there is mind: life and mind share common principles of self-organization, and the self-organizing features of mind are an enriched version of the self-organizing features of life. Rather than trying to close the explanatory gap, Thompson marshals philosophical and scientific analyses to bring unprecedented insight to the nature of life and consciousness. This synthesis of phenomenology and biology helps make Mind in Life a vital and long-awaited addition to his landmark volume The Embodied Mind: Cognitive Science and Human Experience (coauthored with Eleanor Rosch and Francisco Varela).

Endlessly interesting and accessible, Mind in Life is a groundbreaking addition to the fields of the theory of the mind, life science, and phenomenology.

One of England’s grand masters of history provides a clear and persuasive interpretation of the creation of “respectable society” in Victorian Britain. Integrating a vast amount of research previously hidden in obscure or academic journals, he covers not only the economy, social structure, and patterns of authority, but also marriage and the family, childhood, homes and houses, work and play.

By 1900 the structure of British society had become more orderly and well-defined than it had been in the 1830s and 1840s, but the result, F. M. L. Thompson shows, was fragmentation into a multiplicity of sections or classes with differing standards and notions of respectability. Each group operated its own social controls, based on what it considered acceptable or unacceptable conduct. This “internalized and diversified” respectability was not the cohesive force its middle-class and evangelical proponents had envisioned. The Victorian experience thus bequeathed structural problems, identity problems, and authority problems to the twentieth century, with which Britain is grappling.

Derided as simple, dismissed as inferior to film, famously characterized as a vast wasteland, television nonetheless exerts an undeniable, apparently inescapable power in our culture. The secret of television's success may well lie in the remarkable narrative complexities underlying its seeming simplicity, complexities Kristin Thompson unmasks in this engaging analysis of the narrative workings of television and film.

After first looking at the narrative techniques the two media share, Thompson focuses on the specific challenges that series television presents and the tactics writers have devised to meet them--tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. Beyond adapting the techniques of film, Thompson argues, television has wrought its own changes in traditional narrative form. Drawing on classics of film and television, as well as recent and current series like Buffy the Vampire Slayer, The Sopranos, and The Simpsons, she shows how adaptations, sequels, series, and sagas have altered long-standing notions of closure and single authorship. And in a comparison of David Lynch's Blue Velvet and Twin Peaks, she asks whether there can be an "art television" comparable to the more familiar "art cinema."

In a book as entertaining as it is enlightening, Kristin Thompson offers the first in-depth analysis of Hollywood's storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films. She also takes on the myth that modern Hollywood films are based on a narrative system radically different from the one in use during the Golden Age of the studio system.

Drawing on a wide range of films from the 1920s to the 1990s--from Keaton's Our Hospitality to Casablanca to Terminator 2--Thompson explains such staples of narrative as the goal-oriented protagonist, the double plot-line, and dialogue hooks. She domonstrates that the "three-act structure," a concept widely used by practitioners and media commentators, fails to explain how Hollywood stories are put together.

Thompson then demonstrates in detail how classical narrative techniques work in ten box-office and critical successes made since the New Hollywood began in the 1970s: Tootsie, Back to the Future, The Silence of the Lambs, Groundhog Day, Desperately Seeking Susan, Amadeus, The Hunt for Red October, Parenthood, Alien, and Hannah and Her Sisters. In passing, she suggests reasons for the apparent slump in quality in Hollywood films of the 1990s. The results will be of interest to movie fans, scholars, and film practitioners alike.

Any sound practical philosophy must be clear on practical concepts—concepts, in particular, of life, action, and practice. This clarity is Michael Thompson’s aim in his ambitious work. In Thompson’s view, failure to comprehend the structures of thought and judgment expressed in these concepts has disfigured modern moral philosophy, rendering it incapable of addressing the larger questions that should be its focus.

In three investigations, Thompson considers life, action, and practice successively, attempting to exhibit these interrelated concepts as pure categories of thought, and to show how a proper exposition of them must be Aristotelian in character. He contends that the pure character of these categories, and the Aristotelian forms of reflection necessary to grasp them, are systematically obscured by modern theoretical philosophy, which thus blocks the way to the renewal of practical philosophy. His work recovers the possibility, within the tradition of analytic philosophy, of hazarding powerful generalities, and of focusing on the larger issues—like “life”—that have the power to revive philosophy.

As an attempt to relocate crucial concepts from moral philosophy and the theory of action into what might be called the metaphysics of life, this original work promises to reconfigure a whole sector of philosophy. It is a work that any student of contemporary philosophy must grapple with.

Dazzled by the model of Japan’s Western-style constitutional government, Chinese officials and elite activists made plans to establish locally elected councils. By October 1911, government agencies had reported the establishment of about 5,000 councils.

Throughout the period, data on self-government reforms collected from localities were compiled in provincial capitals, then collated, summarized, and archived in Beijing. Simultaneously, directives were being sent from the capital to the provinces. From this wealth of previously unexamined material, Roger R. Thompson draws a portrait-in-motion of the reforms. He demonstrates the energy and significance of the late-Qing local-self-government movement, while making a compelling case that it was separate from the well-studied phenomenon of provincial assemblies and constitutionalism in general.

New Orleans has always captured our imagination as an exotic city in its racial ambiguity and pursuit of les bons temps. Despite its image as a place apart, the city played a key role in nineteenth-century America as a site for immigration and pluralism, the quest for equality, and the centrality of self-making.

In both the literary imagination and the law, creoles of color navigated life on a shifting color line. As they passed among various racial categories and through different social spaces, they filtered for a national audience the meaning of the French Revolution, the Haitian Revolution of 1804, the Civil War and Reconstruction, and de jure segregation.

Shirley Thompson offers a moving study of a world defined by racial and cultural double consciousness. In tracing the experiences of creoles of color, she illuminates the role ordinary Americans played in shaping an understanding of identity and belonging.

The years from 1928 to 1937 were the “Nanking decade” when the Chinese Nationalist government strove to build a new China with Western assistance. This was an interval of hope between the turbulence of the warlord-ridden twenties and the eight-year war with Japan that began in 1937. James Thomson explores the ways in which Americans, both missionaries and foundation representatives, tried to help the Chinese government and Chinese reformers undertake a transformation of rural society. His is the first in-depth study of these efforts to produce radical change and at the same time avoid the chaos and violence of revolution.

Despite the conservatism of the right wing in the Kuomintang party dictatorship, this Nanking decade saw many promising beginnings. American missionaries—the largest group of Westerners in the Chinese hinterland—often took the initiative locally, and some rallied to support of China’s first modern-minded government. They assisted both in rural reconstruction programs and in efforts of at ideological reform. Thomson analyzes the work of the National Christian Council in an area of Kiangsi province recently recovered from Communist rule. He also traces the deepening involvement of missionaries and the Chinese Christian Church in the “New Life Movement,” sponsored by Chiang Kai-shek.

Unhappily aware of the sharpening polarization of Chinese politics, these American reformers struggled in vain to steer clear of too close an identification with the ruling party. Yet they found themselves increasingly identified with the Nanking regime and their reform efforts obstructed by its disinclination or inability to revolutionize the Chinese countryside. In this way, American reformers in Nationalist China were forerunners of subsequent American attempts, under government sponsorship, to find a middle path between revolution and reaction in other situations of national upheaval.

For this book, James Thomson has used hitherto unexplored archives that document the participation of American private citizens in the process of Chinese social, economic, and political change.

The concept of a right is fundamental to moral, political, and legal thinking, but much of the use of that concept is selective and fragmentary: it is common merely to appeal to this or that intuitively plausible attribution of rights as needed for purposes of argument. In The Realm of Rights Judith Thomson provides a full-scale, systematic theory of human and social rights, bringing out what in general makes an attribution of a right true.

Thomson says that the question what it is to have a right precedes the question which rights we have, and she therefore begins by asking why our having rights is a morally significant fact about us. She argues that a person’s having a right is reducible to a complex moral constraint: central to that constraint is that, other things being equal, the right ought to be accorded. Thomson asks what those other things are that may or may not be equal, and describes the tradeoffs that relieve us of the requirement to accord a right.

Our rights fall into two classes, those we have by virtue of being human beings and those we have by virtue of private interactions and law. Thomson argues that the first class includes rights that others not kill or harm us, but does not include rights that others meet our needs. The second class includes rights that issue from promises and consent, and Thomson shows how they are generated; she also argues that property rights issue only from a legitimate legal system, so that the second class includes them as well.

The Realm of Rights will take its place as a major effort to provide a stable foundation for our deeply held belief that we are not mere cogs in a communal machine, but are instead individuals whose private interests are entitled to respect.

Moral theory should be simple: the moral theorist attends to ordinary human action to explain what makes some acts right and others wrong, and we need no microscope to observe a human act. Yet no moral theory that is simple captures all of the morally relevant facts.

In a set of vivid examples, stories, and cases Judith Thomson shows just how wide an array of moral considerations bears on all but the simplest of problems. She is a philosophical analyst of the highest caliber who can tease a multitude of implications out of the story of a mere bit of eavesdropping. She is also a master teller of tales which have a philosophical bite. Beyond these pleasures, however, she brings new depth of understanding to some of the most pressing moral issues of the moment, notably abortion. Thomson’s essays determinedly confront the most difficult questions: What is it to have a moral right to life, or any other right? What is the relation between the infringement of such rights and restitution? How is rights theory to deal with the imposition of risk?

By the turn of the twentieth century, Japan’s military and economic successes made it the dominant power in East Asia, drawing hundreds of thousands of Chinese, Korean, and Taiwanese students to the metropole and sending thousands of Japanese to other parts of East Asia. The constant movement of peoples, ideas, and texts in the Japanese empire created numerous literary contact nebulae, fluid spaces of diminished hierarchies where writers grapple with and transculturate one another’s creative output.

Drawing extensively on vernacular sources in Japanese, Chinese, and Korean, this book analyzes the most active of these contact nebulae: semicolonial Chinese, occupied Manchurian, and colonial Korean and Taiwanese transculturations of Japanese literature. It explores how colonial and semicolonial writers discussed, adapted, translated, and recast thousands of Japanese creative works, both affirming and challenging Japan’s cultural authority. Such efforts not only blurred distinctions among resistance, acquiescence, and collaboration but also shattered cultural and national barriers central to the discourse of empire. In this context, twentieth-century East Asian literatures can no longer be understood in isolation from one another, linked only by their encounters with the West, but instead must be seen in constant interaction throughout the Japanese empire and beyond.

In this wide-ranging, ambitious, and engaging study, Christian Thorne confronts the history and enduring legacy of anti-foundationalist thought.

Anti-foundationalism—the skeptical line of thought that contends our beliefs cannot be authoritatively grounded and that most of what passes for knowledge is a sham—has become one of the dominant positions in contemporary criticism. Thorne argues that despite its ascendance, anti-foundationalism is wrong. In The Dialectic of Counter-Enlightenment, he uses deft readings of a range of texts to offer new perspectives on the ongoing clash between philosophy and comprehensive doubt.

The problem with anti-foundationalism is not, as is often thought, that it radiates uncertainty or will unglue the university, but instead that it is a system of thought—with set habits that generate unearned certainties. The shelves are full of histories of modern philosophy, but the history of the resistance to philosophical thought remains to be told. At its heart, The Dialectic of Counter-Enlightenment is a plea not to take doubt at its word—a plea for the return of a vanished philosophical intelligence and for the retirement of an anti-Enlightenment thinking that commits, over and over again, the very crimes that it lays at Enlightenment’s door.

After the eruption, Krakatau provided a unique opportunity to study the colonization of a sterile area by plants and animals across a sea barrier and the gradual incorporation of the newcomers into the developing ecosystem. Krakatau is a comprehensive account of the reassembly of a tropical forest ecosystem over the past century. Ian Thornton tackles the many questions and controversies surrounding the eruption and its aftermath. He writes, “The natural healing process has followed the most extreme form of ecological destruction possible, total biological extirpation. Yet the islands surviving the 1883 eruption are covered in secondary forest, and over 200 species of plants, 70 species of vertebrates, and thousands of invertebrate species now inhabit these forests.”

Krakatau will be essential reading for anyone who wishes to understand not just the rebirth of Krakatau but also the resilient nature of life everywhere.

What are states, and how are they made? Scholars of European history assert that war makes states, just as states make war. This study finds that in China, the challenges of governing produced a trajectory of state-building in which the processes of moral regulation and social control were at least as central to state-making as the exercise of coercive power.

State-making is, in China as elsewhere, a profoundly normative and normalizing process. This study maps the complex processes of state-making, moral regulation, and social control during three critical reform periods: the Yongzheng reign (1723-1735), the Guomindang's Nanjing decade (1927-1937), and the Communist Party's Socialist Education Campaign (1962-1966). During each period, central authorities introduced—not without resistance—institutional change designed to extend the reach of central control over local political life. The successes and failures of state-building in each case rested largely upon the ability of each regime to construct itself as an autonomous moral agent both separate from and embedded in an imagined political community. Thornton offers a historical reading of the state-making process as a contest between central and local regimes of bureaucratic and discursive practice.

A one-year-old attempting to build a tower of blocks may bring the pile crashing down, yet her five-year-old sister accomplishes this task with ease. Why do young children have difficulty with problems that present no real challenge to older children? How do problem-solving skills develop? In Children Solving Problems, Stephanie Thornton surveys recent research from a broad range of perspectives in order to explore this important question.

What Thornton finds may come as a surprise: successful problem-solving depends less on how smart we are—or, as the pioneering psychologist Jean Piaget claimed, how advanced our skill in logical reasoning is—and more on the factual knowledge we acquire as we learn and interpret cues from the world around us.

Problem-solving skills evolve through experience and dynamic interaction with a problem. But equally important—as the Russian psychologist L. S. Vygotsky proposed—is social interaction. Successful problem-solving is a social process. Sharing problem-solving tasks—with skilled adults and with other children—is vital to a child’s growth in expertise and confidence. In problem-solving, confidence can be more important than skill.

In a real sense, problem-solving lies at the heart of what we mean by intelligence. The ability to identify a goal, to work out how to achieve it, and to carry out that plan is the essence of every intelligent activity. Could it be, Thornton suggests, that problem-solving processes provide the fundamental machinery for cognitive development? In Children Solving Problems she synthesizes the dramatic insights and findings of post-Piagetian research and sets the agenda for the next stage in understanding the varied phenomena of children’s problem-solving.

As a backyard naturalist and river enthusiast, Henry David Thoreau was keenly aware of the many ways in which humans had altered the waterways and meadows of his beloved Concord River Valley. A land surveyor by trade, he recognized that he was as complicit in these transformations as the bankers, builders, and elected officials who were his clients. The Boatman reveals the depth of his knowledge about the river as it elegantly chronicles his move from anger to lament to acceptance of how humans had changed a place he cherished even more than Walden Pond.

“A scrupulous account of the environment Thoreau loved most… Thorson argues convincingly—sometimes beautifully—that Thoreau’s thinking and writing were integrally connected to paddling and sailing.”
—Wall Street Journal

“An in-depth account of Thoreau’s lifelong love of boats, his skill as a navigator, his intimate knowledge of the waterways around Concord, and his extensive survey of the Concord River.”
—Robert Pogue Harrison, New York Review of Books

“An impressive feat of empirical research…an important contribution to the scholarship on Thoreau as natural scientist.”
—Los Angeles Review of Books

“The Boatman presents a whole new Thoreau—the river rat. This is not just groundbreaking, but fun.”
—David Gessner, author of All the Wild That Remains

"Let us settle ourselves, and work and wedge our feet downward," Thoreau invites his readers in Walden, "till we come to a hard bottom and rocks in place, which we can call reality." Walden's Shore explores Thoreau's understanding of that hard reality, not as metaphor but as physical science. Robert M. Thorson is interested in Thoreau the rock and mineral collector, interpreter of landscapes, and field scientist whose compass and measuring stick were as important to him as his plant press. At Walden's climax, Thoreau asks us to imagine a "living earth" upon which all animal and plant life is parasitic. This book examines Thoreau's understanding of the geodynamics of that living earth, and how his understanding informed the writing of Walden.

The story unfolds against the ferment of natural science in the nineteenth century, as Natural Theology gave way to modern secular science. That era saw one of the great blunders in the history of American science--the rejection of glacial theory. Thorson demonstrates just how close Thoreau came to discovering a "theory of everything" that could have explained most of the landscape he saw from the doorway of his cabin at Walden. At pivotal moments in his career, Thoreau encountered the work of the geologist Charles Lyell and that of his protégé Charles Darwin. Thorson concludes that the inevitable path of Thoreau's thought was descendental, not transcendental, as he worked his way downward through the complexity of life to its inorganic origin, the living rock.

What happens when the cerebral--that is, theories of literature and of affect--encounters the corporeal, the human body? In this study by Jane Thrailkill, what emerges from the convergence is an important vision of late-nineteenth-century American realist literature and the role of emotion and physiology in literary criticism.

Affecting Fictions offers a new understanding of American literary realism that draws on neuroscience and cognitive psychology. Thrailkill positions herself against the emotionless interpretations of the New Critics. Taking as her point of departure realist works of medicine, psychology, and literature, she argues that nineteenth-century readers and critics would have taken it for granted that texts engaged both mind and body. Feeling, she writes, is part of interpretation.

Examining literary works by Henry James, Kate Chopin, Charlotte Perkins Gilman, and Oliver Wendell Holmes, Thrailkill explores the connections among the aesthetic, emotion, consciousness, and the body in readings that illuminate lesser-known works such as "Elsie Venner" and that resuscitate classics such as "The Yellow Wallpaper."

Focusing on pity, fear, nervousness, pleasure, and wonder, Thrailkill makes an important contribution to the growing body of critical work on affect and aesthetics, presenting a case for the indispensability of emotions to the study of fiction.

Classic political realism.

Thucydides of Athens was born about 471 BC. He saw the rise of Athens to greatness under the inspired leadership of Pericles. In 430, the second year of the Peloponnesian War, he caught and survived the horrible plague that he described so graphically. Later, as general in 423 he failed to save Amphipolis from the enemy and was disgraced. He tells us about this, not in volumes of self-justification, but in one sentence of his history of the war—that it befell him to be an exile for twenty years. He then lived probably on his property in Thrace, but was able to observe both sides in certain campaigns of the war, and returned to Athens after her defeat in 404. He had been composing his famous history, with its hopes and horrors, triumphs and disasters, in full detail from first-hand knowledge, along with the accounts of others.

The war was really three conflicts with one uncertain peace after the first; and Thucydides had not unified them into one account when death came sometime before 396. His history of the first conflict, 431–421, was nearly complete; Thucydides was still at work on this when the war spread to Sicily and into a conflict (415–413) likewise complete in his awful and brilliant record, though not fitted into the whole. His story of the final conflict of 413–404 breaks off (in the middle of a sentence) when dealing with the year 411. So his work was left unfinished and as a whole unrevised. Yet in brilliance of description and depth of insight this history has no superior.

The Loeb Classical Library edition of Thucydides is in four volumes.

Classic political realism.

Thucydides of Athens was born about 471 BC. He saw the rise of Athens to greatness under the inspired leadership of Pericles. In 430, the second year of the Peloponnesian War, he caught and survived the horrible plague that he described so graphically. Later, as general in 423 he failed to save Amphipolis from the enemy and was disgraced. He tells us about this, not in volumes of self-justification, but in one sentence of his history of the war—that it befell him to be an exile for twenty years. He then lived probably on his property in Thrace, but was able to observe both sides in certain campaigns of the war, and returned to Athens after her defeat in 404. He had been composing his famous history, with its hopes and horrors, triumphs and disasters, in full detail from first-hand knowledge, along with the accounts of others.

The war was really three conflicts with one uncertain peace after the first; and Thucydides had not unified them into one account when death came sometime before 396. His history of the first conflict, 431–421, was nearly complete; Thucydides was still at work on this when the war spread to Sicily and into a conflict (415–413) likewise complete in his awful and brilliant record, though not fitted into the whole. His story of the final conflict of 413–404 breaks off (in the middle of a sentence) when dealing with the year 411. So his work was left unfinished and as a whole unrevised. Yet in brilliance of description and depth of insight this history has no superior.

The Loeb Classical Library edition of Thucydides is in four volumes.

Classic political realism.

Thucydides of Athens was born about 471 BC. He saw the rise of Athens to greatness under the inspired leadership of Pericles. In 430, the second year of the Peloponnesian War, he caught and survived the horrible plague that he described so graphically. Later, as general in 423 he failed to save Amphipolis from the enemy and was disgraced. He tells us about this, not in volumes of self-justification, but in one sentence of his history of the war—that it befell him to be an exile for twenty years. He then lived probably on his property in Thrace, but was able to observe both sides in certain campaigns of the war, and returned to Athens after her defeat in 404. He had been composing his famous history, with its hopes and horrors, triumphs and disasters, in full detail from first-hand knowledge, along with the accounts of others.

The war was really three conflicts with one uncertain peace after the first; and Thucydides had not unified them into one account when death came sometime before 396. His history of the first conflict, 431–421, was nearly complete; Thucydides was still at work on this when the war spread to Sicily and into a conflict (415–413) likewise complete in his awful and brilliant record, though not fitted into the whole. His story of the final conflict of 413–404 breaks off (in the middle of a sentence) when dealing with the year 411. So his work was left unfinished and as a whole unrevised. Yet in brilliance of description and depth of insight this history has no superior.

The Loeb Classical Library edition of Thucydides is in four volumes.

Classic political realism.

Thucydides of Athens was born about 471 BC. He saw the rise of Athens to greatness under the inspired leadership of Pericles. In 430, the second year of the Peloponnesian War, he caught and survived the horrible plague that he described so graphically. Later, as general in 423 he failed to save Amphipolis from the enemy and was disgraced. He tells us about this, not in volumes of self-justification, but in one sentence of his history of the war—that it befell him to be an exile for twenty years. He then lived probably on his property in Thrace, but was able to observe both sides in certain campaigns of the war, and returned to Athens after her defeat in 404. He had been composing his famous history, with its hopes and horrors, triumphs and disasters, in full detail from first-hand knowledge, along with the accounts of others.

The war was really three conflicts with one uncertain peace after the first; and Thucydides had not unified them into one account when death came sometime before 396. His history of the first conflict, 431–421, was nearly complete; Thucydides was still at work on this when the war spread to Sicily and into a conflict (415–413) likewise complete in his awful and brilliant record, though not fitted into the whole. His story of the final conflict of 413–404 breaks off (in the middle of a sentence) when dealing with the year 411. So his work was left unfinished and as a whole unrevised. Yet in brilliance of description and depth of insight this history has no superior.

The Loeb Classical Library edition of Thucydides is in four volumes.

For 250 years, the Turkic Muslims of Altishahr—the vast desert region to the northwest of Tibet—have led an uneasy existence under Chinese rule. Today they call themselves Uyghurs, and they have cultivated a sense of history and identity that challenges Beijing’s official national narrative. Rian Thum argues that the roots of this history run deeper than recent conflicts, to a time when manuscripts and pilgrimage dominated understandings of the past. Beyond broadening our knowledge of tensions between the Uyghurs and the Chinese government, this meditation on the very concept of history probes the limits of human interaction with the past.

Uyghur historical practice emerged from the circulation of books and people during the Qing Dynasty, when crowds of pilgrims listened to history readings at the tombs of Islamic saints. Over time, amid long journeys and moving rituals, at oasis markets and desert shrines, ordinary readers adapted community-authored manuscripts to their own needs. In the process they created a window into a forgotten Islam, shaped by the veneration of local saints.

Partly insulated from the rest of the Islamic world, the Uyghurs constructed a local history that is at once unique and assimilates elements of Semitic, Iranic, Turkic, and Indic traditions—the cultural imports of Silk Road travelers. Through both ethnographic and historical analysis, The Sacred Routes of Uyghur History offers a new understanding of Uyghur historical practices, detailing the remarkable means by which this people reckons with its past and confronts its nationalist aspirations in the present day.

The Liang dynasty (502–557) is one of the most brilliant and creative periods in Chinese history and one of the most underestimated and misunderstood. Under the Liang, literary activities, such as writing, editing, anthologizing, and cataloguing, were pursued on an unprecedented scale, yet the works of this era are often dismissed as “decadent” and no more than a shallow prelude to the glories of the Tang.

This book is devoted to contextualizing the literary culture of this era—not only the literary works themselves but also the physical process of literary production such as the copying and transmitting of texts; activities such as book collecting, anthologizing, cataloguing, and various forms of literary scholarship; and the intricate interaction of religion, particularly Buddhism, and literature. Its aim is to explore the impact of social and political structure on the literary world.

The turn of the third century CE—known as the Jian’an era or Three Kingdoms period—holds double significance for the Chinese cultural tradition. Its writings laid the foundation of classical poetry and literary criticism. Its historical personages and events have also inspired works of poetry, fiction, drama, film, and art throughout Chinese history, including Internet fantasy literature today. There is a vast body of secondary literature on these two subjects individually, but very little on their interface.

The image of the Jian’an era, with its feasting, drinking, heroism, and literary panache, as well as intense male friendship, was to return time and again in the romanticized narrative of the Three Kingdoms. How did Jian’an bifurcate into two distinct nostalgias, one of which was the first paradigmatic embodiment of wen (literary graces, cultural patterning), and the other of wu (heroic martial virtue)? How did these largely segregated nostalgias negotiate with one another? And how is the predominantly male world of the Three Kingdoms appropriated by young women in contemporary China? The Halberd at Red Cliff investigates how these associations were closely related in their complex origins and then came to be divergent in their later metamorphoses.

This book explores the parallel and yet profoundly different ways of seeing the outside world and engaging with the foreign at two important moments of dislocation in Chinese history, namely, the early medieval period commonly known as the Northern and Southern Dynasties (317–589 CE), and the nineteenth century. Xiaofei Tian juxtaposes literary, historical, and religious materials from these two periods in comparative study, bringing them together in their unprecedentedly large-scale interactions, and their intense fascination, with foreign cultures.

By examining various cultural forms of representation from the two periods, Tian attempts to sort out modes of seeing the world that inform these writings. These modes, Tian argues, were established in early medieval times and resurfaced, in permutations and metamorphoses, in nineteenth-century writings on encountering the Other. This book is for readers who are interested not only in early medieval or nineteenth-century China but also in issues of representation, travel, visualization, and modernity.

From Harriet Beecher Stowe's image of the Mississippi's "bosom" to Henry David Thoreau's Cape Cod as "the bared and bended arm of Massachusetts," the U.S. environment has been recurrently represented in terms of the human body. Exploring such instances of embodiment, Cecelia Tichi exposes the historically varied and often contrary geomorphic expression of a national paradigm. Environmental history as cultural studies, her book plumbs the deep and peculiarly American bond between nationalism, the environment, and the human body.

Tichi disputes the United States' reputation of being "nature's nation." U.S. citizens have screened out nature effectively by projecting the bodies of U.S. citizens upon nature. She pursues this idea by pairing Mount Rushmore with Walden Pond as competing efforts to locate the head of the American body in nature; Yellowstone's Old Faithful with the Moon as complementary embodiments of the American frontier; and Hot Springs, Arkansas, with Love Canal as contrasting sites of the identification of women and water. A major contribution to current discussions of gender and nature, her book also demonstrates the intellectual power of wedding environmental studies to the social history of the human body.

Epitomizing the radiating sun and perpetuating the cycles of life and time, fire was—and continues to be—a central force in the Mesoamerican cosmos. Mesoamericans understood heat and flames as animate forces that signified strength and vitality; the most powerful of individuals were embodied with immense heat. Moreover, fire was transformative: it was a means to destroy offerings as well as to transport offerings to otherworldly places. The importance of heat and flames is evident in a spectrum of ritual practices, ranging from the use of sweat baths to the burning of offerings. Human bodies were among the most valuable resources heated or consumed by fire.

This volume addresses the traditions, circumstances, and practices that involved the burning of bodies and bone, to move toward a better understanding of the ideologies behind these acts. It brings together scholars working across Mesoamerica who approach these dual themes (fire and the body) with different methodologies and interdisciplinary lenses. Each contributor illuminates the deeper levels of Mesoamerican ritual practice in light of these themes, while highlighting what is unique to each of the societies that shared Mesoamerican territories.

About the origins of Anglo-American poetic modernism, one thing is certain: it started with a notion of the image, described variously by Ezra Pound as an ideogram and a vortex. We have reason to be less confident, however, about the relation between these puzzling conceptions of the image and the doctrine of literary positivism that is generally held to be the most important legacy of Imagism. No satisfactory account exists, moreover, of what bearing these foundational principles may have on Pound's later engagement with fascism. Nor is it clear how figures such as the vortex and the ideogram might contribute generally to our understanding of modern visual culture and its compulsive appeal.

Radio Corpse addresses these issues and offers a fundamental revision of one of the most powerful and persistent aesthetic ideologies of modernism. Focusing on the necrophilic dimension of Pound's earliest poetry and on the inflections of materiality authorized by the modernist image, Daniel Tiffany establishes a continuum between Decadent practice and the incipient avant-garde, between the prehistory of the image and its political afterlife, between what Pound calls the "corpse language" of late Victorian poetry and a conception of the image that borrows certain "radioactive" qualities from the historical discovery of radium and the development of radiography. Emphasizing the phantasmic effects of translation (and exchange) in Pound's poetry, Tiffany argues that the cadaverous--and radiological--properties of the image culminate, formally and ideologically, in Pound's fascist radio broadcasts during World War II. Ultimately, the invisibility of these "radiant" images places in question basic assumptions regarding the optical character of images--assumptions currently being challenged by imageric technologies such as magnetic resonance imaging and positron emission tomography.

An event of the first magnitude in the history of Neo-Confucianism was the debate between Chu Hsi (1130–1200), principal architect of Neo-Confucianism, and Ch’en Liang (1143–1194), who represented an admixture of Confucian humanism with utilitarian approaches to current questions. The issues that engaged them—the conflict between ethical and practical considerations in politics and society, and the tension between traditional values and historical change—persist as human problems to this day.

This volume analyzes that debate and its place in the lives of the two philosophers within a detailed intellectual and historical context. The development of Ch’en Liang’s thought is traced through an examination of his writings, including the rare, hitherto unutilized 1212 edition of his works. Although Ch’en Liang was overshadowed by rival schools of thought in traditional China, contemporary Chinese esteem him as a person who epitomized the spirit and content of much modern criticism of the Neo-Confucian cultural legacy. This is the first book in a Western language to focus closely upon his challenge to Chu Hsi and Chu Hsi’s response.

An enduring monument of haunting beauty, the Taj Mahal seems a symbol of stability itself. The familiar view of the glowing marble mausoleum from the gateway entrance offers the very picture of permanence. And yet this extraordinary edifice presents a shifting image to observers across time and cultures. The meaning of the Taj Mahal, the perceptions and responses it prompts, ideas about the building and the history that shape them: these form the subject of Giles Tillotson’s book. More than a richly illustrated history—though it is that as well—this book is an eloquent meditation on the place of the Taj Mahal in the cultural imagination of India and the wider world.

Since its completion in 1648, the mausoleum commissioned by the fifth Mughal emperor, Shah Jahan, for his wife Mumtaz Mahal, has come to symbolize many things: the undying love of a man for his wife, the perfection of Mughal architecture, the ideal synthesis of various strands of subcontinental aesthetics, even an icon of modern India itself. Exploring different perspectives brought to the magnificent structure—by a Mughal court poet, an English Romantic traveler, a colonial administrator, an architectural historian, or a contemporary Bollywood filmmaker—this book is an incomparable guide through the varied and changing ideas inspired by the Taj Mahal, from its construction to our day. In Tillotson’s expert hands, the story of a seventeenth-century structure in the city of Agra reveals itself as a story about our own place and time.

In a dazzling new interpretation of four hundred years of modern French history, Charles Tilly focuses not on kings and courtiers but on the common people of village and farm buffeted by the inexorable advance of large-scale capitalism and the consolidation of a powerful nation-state. Tilly, author of The Vendée and many other books, chooses the contention of the masses as his medium in painting this vivid picture of the people's growing ability and willingness to fight injustice, challenge exploitation, and claim their own place in the hierarchy of power.

Contention is not necessarily disorder. The more we look at contention, says Tilly, the more we discover order created by the rooting of collective action in everyday social life through a continuous process of signaling, negotiation, and struggle. In seventeenth-century France, ordinary people did not know how to demonstrate, rally, or strike, but they had standard procedures for expelling a tax collector, undermining a corrupt official, and shaming moral offenders. By the end of the eighteenth century, French people were experimenting with delegations, public meetings, and popular justice. Through the nineteenth century, with the growth of an industrial proletariat, they developed an extensive repertoire of strikes, demonstrations, and direct attacks on landlords and capitalists, as well as conflicts setting worker against worker. In the twentieth century, scenarios of protest expanded to even larger-scale forms such as mass meetings, electoral campaigns, and broad-based social movements.

Rather than arguing these developments in the abstract, The Contentious French provides lively descriptions of real events, with pauses to make sense of their patterns. The result is a view of politics with the common struggle for power at its core and the changing structure of power as its envelope.

The Contentious French is bound to be controversial, and therefore required reading for specialists in European history, social movements, and collective action. Its fresh approach will also appeal to students and general readers.

Between 1750 and 1840 ordinary British people abandoned such time-honored forms of protest as collective seizures of grain, the sacking of buildings, public humiliation, and physical abuse in favor of marches, petition drives, public meetings, and other sanctioned routines of social movement politics. The change created--perhaps for the first time anywhere--mass participation in national politics.

Charles Tilly is the first to address the depth and significance of the transmutations in popular collective action during this period. As he unravels the story of thousands of popular struggles and their consequences, he illuminates the dynamic relationships of an industrializing, capitalizing, proletarianizing economy; a war-making, growing, increasingly interventionist state; and an internal history of contention that spawned such political entrepreneurs as Francis Place and Henry Hunt. Tilly's research rests on a catalog of more than 8,000 "contentious gatherings" described in British periodicals, plus ample documentation from British archives and historical monographs.

The author elucidates four distinct phases in the transformation to mass political participation and identifies the forms and occasions for collective action that characterized and dominated each. He provides rich descriptions not only of a wide variety of popular protests but also of such influential figures as John Wilkes, Lord George Gordon, William Cobbett, and Daniel O'Connell. This engaging study presents a vivid picture of the British populace during a pivotal era.

In 1913, the Peter Bent Brigham Hospital in Boston admitted its first patient, Mary Agnes Turner, who suffered from varicose veins in her legs. The surgical treatment she received, under ether anesthesia, was the most advanced available at the time. At the same hospital fifty years later, Nicholas Tilney—then a second-year resident—assisted in the repair of a large aortic aneurysm. The cutting-edge diagnostic tools he used to evaluate the patient’s condition would soon be eclipsed by yet more sophisticated apparatus, including minimally invasive approaches and state-of-the-art imaging technology, which Tilney would draw on in pioneering organ transplant surgery and becoming one of its most distinguished practitioners.

In Invasion of the Body, Tilney tells the story of modern surgery and the revolutions that have transformed the field: anesthesia, prevention of infection, professional standards of competency, pharmaceutical advances, and the present turmoil in medical education and health care reform. Tilney uses as his stage the famous Boston teaching hospital where he completed his residency and went on to practice (now called Brigham and Women's). His cast of characters includes clinicians, support staff, trainees, patients, families, and various applied scientists who push the revolutions forward.

While lauding the innovations that have brought surgeons' capabilities to heights undreamed of even a few decades ago, Tilney also previews a challenging future, as new capacities to prolong life and restore health run headlong into unsustainable costs. The authoritative voice he brings to the ancient tradition of surgical invasion will be welcomed by patients, practitioners, and policymakers alike.

This book recounts the emergence of central banking Ideas and Institutions In this country—from the formation of the First Bank of the United States to the enactment of the Federal Reserve System. Focusing on the Intellectual and practical origins of monetary policy, Timberlake offers the first study on the political economy of central banking. He traces the Ideas that surrounded monetary events through records of congressional debates, documents of the House and Senate, and reports of the Secretary of the Treasury and the Comptroller of the Currency. Almost none of this material has been used before as a method of analyzing monetary Institutions and their growth.

Timberlake's principal assumption is that these debates and government activities mirrored social norms. He corrects some traditional beliefs surrounding such monetary mysteries as the causes of the inflation of 1812-1815, the effects of the Specie Circular, and the decline of silver influence In the early 1890s. Economists, historians, lawyers, government policy makers, and politicians will welcome the new insights on the origins of central banking in the economic and political milieus of the eighteenth through the twentieth centuries.

A thousand-year-old story of Krishna and his wife Satyabhama retold by the most famous court poet of the Vijayanagara Empire.

Legend has it that the sixteenth-century Telugu poet Nandi Timmana composed Theft of a Tree, or Pārijātāpaharaṇamu, which he based on a popular millennium-old tale, to help the wife of Krishnadevaraya, king of the south Indian Vijayanagara Empire, win back her husband’s affections.

Theft of a Tree recounts how Krishna stole the pārijāta, a wish-granting tree, from the garden of Indra, king of the gods. Krishna does so to please his favorite wife, Satyabhama, who is upset when he gifts his chief queen a single divine flower. After battling Indra, Krishna plants the tree for Satyabhama—but she must perform a rite temporarily relinquishing it and her husband to enjoy endless happiness. The poem’s narrative unity, which was unprecedented in the literary tradition, prefigures the modern Telugu novel.

Theft of a Tree is presented here in the Telugu script alongside the first English translation.

The first English translation of a thousand-year-old story of Krishna and his wife Satyabhama, retold by the most famous court poet of the Vijayanagara Empire.

Legend has it that the sixteenth-century Telugu poet Nandi Timmana composed Theft of a Tree, or Pārijātāpaharaṇamu, to help the wife of Krishnadevaraya, king of the south Indian Vijayanagara Empire, win back her husband’s affections. Timmana based his work on a popular millennium-old Krishna tale.

Theft of a Tree recounts how Krishna stole the wish-granting pārijāta tree from the garden of Indra, king of the gods. Krishna takes the tree to please his favorite wife, Satyabhama, who is upset when he gifts his chief queen a single divine flower. After battling Indra, he plants the pārijāta for Satyabhama—but she must perform a rite temporarily relinquishing it and her husband to enjoy endless happiness.

This is the first English translation of the poem, which prefigures the modern Telugu novel with its unprecedented narrative unity.

Together with Konrad Lorenz, Niko Tinbergen is generally acknowledged as the founder of the young science of ethology. Professor Tinbergen has spent a lifetime of research exploring the behavior of many types of animals in their natural environments, and has founded centers of worldwide renown for research and teaching in the behavioral sciences, first in his native Holland and later at Oxford. His influence extends far beyond the borders of Europe and of zoology proper, and he has contributed substantially to international and interdisciplinary collaboration.

Tinbergen’s work has been characterized by many as a “breath of fresh air” in fields that were in danger of losing touch with nature and of becoming bogged down in theory. He has tirelessly worked for the use of scientific methods in the study of human behavior, both normal and abnormal. Without shying away from quantification and measurement, he has made his main contribution in what Sir Peter Medawar calls “creative observation” and in the design of meaningful experiments, even in the seemingly chaotic and continuously varying conditions of the natural habitat.

In following him in what Tinbergen likes to call his seemingly aimless wanderings, the reader will catch a unique glimpse into the workshop of ethology. Even when reporting on sophisticated experiments, or when developing new theoretical concepts and arguments, Tinbergen writes simply, lucidly, and precisely. The present volume spans forty years of pioneer investigation and includes selections on the behavior of gulls; on the homing, landmark preference, and prey findings of the digger wasp; on the food hoarding of foxes; and on creatures living scattered as a defense against predators.

These classic original studies will fascinate the increasing number of readers interested in the topical problems of animals and human behavior.

Nikolaas Tinbergen has devoted a lifetime of research to exploring the behavior of many types of animals in their natural environments, and has founded centers of worldwide renown for research and teaching in the behavioral sciences, first in his native Holland and later at Oxford. His influence extends far beyond the borders of Europe and zoology proper, and he has contributed substantially to international and interdisciplinary collaboration. He has tirelessly worked for the use of scientific methods in the study of human behavior, both normal and abnormal.

Volume I is devoted to field studies. Volume II includes accounts of Tinbergen’s remarkable laboratory experiments as well as his significant general papers. These selections explore the search for animal roots of human behavior, behavior and natural selection, appeasement signals, and the nature of ethology.

“Early Childhood Autism,” written by Professor Tinbergen and his wife Elisabeth Tinbergen, is among the most important papers. It is a pioneer work in applied ethology and is a product of thirty years of observing non-verbal expression in both animals and children. Also included is Professor Tinbergen’s 1972 Croonian Lecture, “Functional Ethology and the Human Sciences.”

These classic original studies will fascinate the increasing number of readers interested in the topical problems of animal and human behavior.

Jewish ecological discourse has shown that Judaism harbors deep concern for the well-being of the natural world. However, the movement has not articulated a Jewish theology of nature, nor has it submitted the sources of Judaism to a systematic, philosophical examination.

This volume intends to contribute to the nascent discourse on Judaism and ecology by clarifying diverse conceptions of nature in Jewish thought and by using the insights of Judaism to formulate a constructive Jewish theology of nature. The twenty-one contributors consider the Bible and rabbinic literature, examine the relationship between the doctrine of creation and the doctrine of revelation in the context of natural law, and wrestle with questions of nature and morality. They look at nature in the Jewish mystical tradition, and they face the challenges to Jewish environmental activism caused by the tension between the secular nature of the environmental discourse and Jewish religious commitments.

p>Young Children Learning provides vivid insight into the way young children think, talk, and learn from their mothers. It reveals the richness of the home as a learning environment and shows how much children can learn through the ordinary conversations of everyday life.

The book describes a research study in which four-year-old girls were tape-recorded talking to their mothers at home and to their teachers at nursery school. At home the children range freely over a wide variety of topics--work, the family, birth, growing up, death. They talk about plans for the future and puzzle over such diverse topics as the shapes of roofs and chairs, the nature of Father Christmas, and whether the queen wears curlers in bed. In many conversations the children are actively struggling to understand a new idea or the meaning of an unfamiliar word. These "passages of intellectual search" show the children to be persistent and logical thinkers.

In sharp contrast, the conversations between these same children and their nursery school teachers lack richness, depth, and variety. The questioning, puzzling child is gone: in her place is a child who seems subdued and whose conversations with adults are mainly restricted to answering questions rather than asking them. These observations show how strongly young children can be affected by the move from one setting to another, and they suggest that, even at the nursery stage, children reserve their best thinking for outside the classroom, with a resulting compartmentalization of the knowledge they acquire at school.

The book challenges the widely held belief that parents need to learn from professionals how to educate and bring up their children; above all, it persuades us to value parenting more highly and to have respect for the intellectual capabilities of young minds.

Why do some surprises delight—the endings of Agatha Christie novels, films like The Sixth Sense, the flash awareness that Pip’s benefactor is not (and never was!) Miss Havisham? Writing at the intersection of cognitive science and narrative pleasure, Vera Tobin explains how our brains conspire with stories to produce those revelatory plots that define a “well-made surprise.”

By tracing the prevalence of surprise endings in both literary fiction and popular literature and showing how they exploit our mental limits, Tobin upends two common beliefs. The first is cognitive science’s tendency to consider biases a form of moral weakness and failure. The second is certain critics’ presumption that surprise endings are mere shallow gimmicks. The latter is simply not true, and the former tells at best half the story. Tobin shows that building a good plot twist is a complex art that reflects a sophisticated understanding of the human mind.

Reading classic, popular, and obscure literature alongside the latest research in cognitive science, Tobin argues that a good surprise works by taking advantage of our mental limits. Elements of Surprise describes how cognitive biases, mental shortcuts, and quirks of memory conspire with stories to produce wondrous illusions, and also provides a sophisticated how-to guide for writers. In Tobin’s hands, the interactions of plot and cognition reveal the interdependencies of surprise, sympathy, and sense-making. The result is a new appreciation of the pleasures of being had.

The early decades of the nineteenth century in Imperial Russia embraced a sequence of catastrophic events—the assassination of Paul I, Napoleon’s invasion, the Decembrist rebellion, the cholera epidemic, the Polish uprising—along with radical changes in the fabric of society. Yet, far from exhausted by these convulsions, Russian literature blossomed as never before, producing the first in the long line of novels now regarded as masterpieces throughout the world. With all the sentimentality, nostalgia, and mythic echoes the term evokes, posterity has called this the golden age of Russian letters.

William Mills Todd describes the ideology of the educated westernized gentry (obshchestvo) of the time, then charts the various possibilities for literary life: first patronage, the salons, popular literature; then the rapid emergence of an incipient literary profession, which was encouraged by copyright laws, journals and booksellers, and an increasing readership. Through an examination of three brilliant fictions—Pushkin’s Eugene Onegin, Lermontov’s A Hero of Our Time, and Gogol’s Dead Souls—he explores the complicated interactions of literature and society as these writers “discovered” their own milieu and were discovered by it, confronting the fragility, exclusiveness, and potential for hypocrisy and self-delusion in Russian culture. Todd’s interdisciplinary approach will ensure his book’s appeal to students of comparative and other national literatures as well as of Russian culture.

How can we think about peoples and cultures unlike our own? In the early modern period, the fact of human diversity presented Europeans with little cause for anxiety: they simply assumed the superiority of the West. During the eighteenth century this view was gradually abandoned, as thinkers argued that other peoples possessed reason and sensibility, and thus deserved the same respect that Westerners accorded themselves. Since that time, however, Enlightenment belief in the universals of human nature has fallen into disrepute; critics allege that such notions have had disastrous consequences in the twentieth century, ranging from prejudice to persecution and outright genocide.

Tzvetan Todorov, an internationally admired scholar, aims in this book to salvage the good name of the Enlightenment so that its ideas can once more inspire humane thought and action. The question he poses is of urgent relevance to the conflicts of our age: How can we avoid the dangers of a perverted universalism and scientism, as well as the pitfalls of relativism? Since the French were the ideologues of universalism and played a preeminent role in the diffusion of Enlightenment ideas in Europe, Todorov focuses on the French intellectual tradition, analyzing writers ranging from Montaigne through Tocqueville, Michelet, and Renan, to Lévi-Strauss. He shows how theories of human diversity were developed in the eighteenth century, and later systematically distorted. The virtues of Enlightenment thought became vices in the hands of nineteenth-century thinkers, as a result of racism, nationalism, and the search for exoticism. Todorov calls for us to reject this legacy and to strive once again for an acceptance of human diversity, through a "critical humanism" prefigured in the writings of Rousseau and Montesquieu.

This is a work of impressive erudition and insight--a masterly synthesis that can help us think incisively about the racial and ethnic tensions confronting the world today.