On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066, authorizing the U.S. military to ban anyone from certain areas of the country, with primary focus on the West Coast. Eventually the order was used to imprison 120,000 people of Japanese descent in incarceration camps such as the Rohwer Relocation Center in remote Desha County, Arkansas. This time of fear and prejudice (the U.S. government formally apologized for the relocations in 1982) and the Arkansas Delta are the setting for Camp Nine. The novel's narrator, Chess Morton, lives in tiny Rook Arkansas. Her days are quiet and secluded until the appearance of a "relocation" center built for what was, in effect, the imprisonment of thousands of Japanese Americans. Chess's life becomes intertwined with those of two young internees and an American soldier mysteriously connected to her mother's past. As Chess watches the struggles and triumphs of these strangers and sees her mother seek justice for the people who briefly and involuntarily came to call the Arkansas Delta their home, she discovers surprising and disturbing truths about her family's painful past.

The candlefish, enormous schools of which enter the Pacific Northwest’s rivers in the spring, is so rich with oil that when supplied with a wick it can be used as a candle. Thus creatures of the water become transformed into instruments of fire and spirit, ultimately transcending this world.

Written as the author begins to navigate the second half of life, Candlefish unfolds along multiple lines of narrative and reflection. Each poem is rendered from experience and made incandescent by the spark of the author’s intellect and insight.

Whether tending the flower beds, skinnydipping on her birthday, conversing with a grown daughter, or bringing inside the teacup her husband can no longer carry, Elizabeth Biller Chapman distills each moment to its most vital components and makes them luminous with the necessity and surprise of relation.

Elizabeth Biller Chapman’s candlefish gracefully swim toward the pierced horizon all of us must face and are transformed by imaginative compassion as the book develops, season by season, from summer to spring.

The Capital Hotel is uniquely beautiful, with its cast-iron façade and marble lobby, its high-ceilinged rooms, and its rich history. Since its opening in 1876, it has been the stage for the struggles, schemes, and dreams of generations of politicians, debutantes, prostitutes, carpenters, and businessmen. And a wide variety of owners and visionaries has shaped the hotel's fortunes, among them the Yankee entrepreneur who started it all; the Italian immigrant family who kept it going in its worst days; the architect who envisioned new lives for old buildings; and the financiers and craftsmen who brought the Capital to its current glory as a luxury hotel. The story of the Capital Hotel is also the story of Little Rock, and of many American cities: built in the commercial boom of the 1870s, in full flower at the turn of the century, battered by the Depression, optimistic in the postwar era, but decrepit by the late 1960s, then renovated in the 1980s and thriving today. This lavishly illustrated volume traces the history of the hotel from its origins as a commercial building to its spectacular renovation into a jewel of downtown Little Rock.

First drafted as a novel called Oyster Point when the author was only eighteen, The Cassique of Kiawah was finally published thirty-five years later, in 1859, at the height of William Gilmore Simms’s career. It is a history through fiction of early Charleston, South Carolina, and completed Simms’s series of Revolutionary War novels. Through satire and realism he portrays the charm and the corruption of late seventeenth-century Charleston society, and he contrasts the quiet majesty of the wilderness with the violence of man. The book was widely reviewed and highly praised, and it confirmed Simms’s position as the nation’s best-known novelist.

By the 1840s American literature tradition had become fascinated with the frontier. The rural folk humor of the “Devil’s Fork” letters that a young Charles Fenton Mercer Noland (1810–1858) of central Arkansas began writing in 1837 was something the country wanted. His pieces were published regularly in New York’s Spirit of the Times, and he quickly achieved a reputation as one of the southwest’s best humorists. His tall tales told in dialect reflected the peculiar characteristics of the people of a backwoods region.

Noland’s semiautobiographical “Letters” were built around the experiences of Pete Whetstone, who, along with his neighbors, devoted himself to hunting, fishing, and an outdoors lifestyle. Through his first-person narration readers were able to experience an ideal southwest frontier existence. Here was a land of natural beauty, with clear rivers, forested mountains, and abundant game, a place where a person could live a free and rustic lifestyle.

Here too were horse races and bear fights, politics and balls. Unfortunately for Noland, an early death cut short a promising career. Had he lived longer and written more, he could have become one of America’s great nineteenth-century humorists. Midcentury America was certainly looking for one.

Finalist, 2016 Miller Williams Poetry Prize, edited by Billy Collins

Out of the contradiction, paradox, loss, and strange beauty of contemporary warfare, Brock Jones brings us Cenotaph, a collection of poems that have as their genesis Jones’s deployments to Iraq in 2002 and 2005, when he was in the US Army.

These are war poems, but also love poems and hate poems, poems about dying and living, poems about hope and hopelessness. These are poems that beautifully reflect Jones’s resignation to and rejection of the impossibility of saying anything definitive or honest about war.

These are poems that strive to do what poet Bruce Weigl described as the poet’s job: to find “some kind of miraculous way th at if you work hard enough to get the words right, that which you call horrific and wrong is defeated.”

Cenotaph is a poet doing the poet’s work: trying, hoping to get the words right.

In Champion Trees of Arkansas, Linda Williams Palmer explores the state’s largest trees of their species, registered with the Arkansas Forestry Commission as “champions.” Through her beautiful colored-pencil drawings, each magnificent tree is interpreted through the lens of season, location, history, and human connection.

Readers will get to know the cherrybark oak, rendered in fall colors, an avatar for the passing of seasons. The sugar maple, with its bare limbs and weather-beaten trunk, stands sentry over the headstones in a confederate cemetery. The 350-year-old white oak was once dubbed the Council Oak by Native Americans, and the post oak, cared for by generations of the same family, has its own story to tell.

Palmer travelled from Delta swamps to Ozark and Ouachita mountain ridges over a seven-year period to see and document the champions and to talk with property owners and others willing to share the stories of how these trees are beloved and protected by the community, and often entwined with its history. Champion Trees of Arkansas is sure to inspire art and nature lovers everywhere.

Changeable Thunder marks David Baker's emergence as a major contemporary poet. To his abiding sense of the Midwest—its politics, people, and landscapes—Baker adds a powerful historical dimension, with poems ranging from Puritan New England to the modern subway. Of particular note are poems on the works of other writers, as he reanimates Shelley's letters, Samuel Sewall's diaries, and Walt Whitman's novel. With brilliant technique, dazzling formal variety, and moving intimacy, Baker's poems explore personal illness, erotic and familial passion, artistic creation, and the constant work and changing weather of one man's life.

Ten years in the making, taken largely fron primary materials, some lent by descendents, this biography is a balanced portrait of an extraordinary Arkansas leader, progressive governor of the state from 1917 to 1921.

Winner of the 2005 Kate Tufts Discovery Award.

From the author of Blood at the Root: A Racial Cleansing in America and the National Book Award finalist Elegy for a Broken Machine: Poems, here is the first collection from award-winning poet Patrick Phillips.

A river runs through Patrick Phillips’s collection Chattahoochee, and through a family saga as powerful and poignant as the landscape in which it unfolds. Here are tales of a vanished South, elegies for the lost, and glimpses of what Flannery O’Connor called the “action of grace in territory held largely by the devil.” In language delicate and muscular, tender and raw-boned, Phillips writes of family, place, and that mythic conjunction of the two we call home.

In this newly researched and synthesized history of the Cherokees, Hoig traces the displacement of the tribe and the Trail of Tears, the great trauma of the Civil War, the destruction of tribal autonomy, and the Cherokee people's phoenix-like rise in political and social stature during the twentieth century.

The essays in Chop Suey and Sushi from Sea to Shining Sea fill gaps in the existing food studies by revealing and contextualizing the hidden, local histories of Chinese and Japanese restaurants in the United States.

The writer of these essays show how the taste and presentation of Chinese and Japanese dishes have evolved in sweat and hardship over generations of immigrants who became restaurant owners, chefs, and laborers in the small towns and large cities of America. These vivid, detailed, and sometimes emotional portrayals reveal the survival strategies deployed in Asian restaurant kitchens over the past 150 years and the impact these restaurants have had on the culture, politics, and foodways of the United States.

Some of these authors are family members of restaurant owners or chefs, writing with a passion and richness that can only come from personal investment, while others are academic writers who have painstakingly mined decades of archival data to reconstruct the past. Still others offer a fresh look at the amazing continuity and domination of the “evil Chinaman” stereotype in the “foreign” world of American Chinatown restaurants. The essays include insights from a variety of disciplines, including history, sociology, anthropology, ethnography, economics, phenomenology, journalism, food studies, and film and literary criticism.

Chop Suey and Sushi from Sea to Shining Sea not only complements the existing scholarship and exposes the work that still needs to be done in this field, but also underscores the unique and innovative approaches that can be taken in the field of American food studies.

In her first book, Chord Box, Elizabeth Lindsey Rogers envisions a world where each place is best known by its sound. Weaving complex junctions between music, speech, the body, and sexuality, these poems trace the arc of adolescence and early adulthood, rooting themselves in gritty landscapes of the South and Appalachia, China and its borderlands. Part narrative and part lyric, Rogers's poems make use of the whole field of the page, assembling an innovative poetic vocabulary that includes word, character, and symbol. By calling on figures from the recent as well as the distant past, this coming-of-age collection asks us to consider history, both personal and political. Whether struggling to make vibrato on the guitar or stringing together her first sentences in Mandarin, the speaker of these poems assumes the role of the eager student, edging her way toward an understanding with both fierceness and a sense of humility. Chord Box is exquisitely crafted and rich with feeling, a dazzling debut collection. Chord Box is part of the University of Arkansas Press Poetry Series, edited by Enid Shomer.

An excellent introduction to the man and his thoughts on the painstaking craftsmanship involved in the art of writing poetry, Ciardi Himself includes some hard lessons, but in the hands of this master teacher, the going is easy.

Among the many changes that have occurred in our country in the last forty years, few have been as significant as those heralded by the Supreme Court's decision in the Brown vs. Board of Education case in 1954. By declaring racially segregated public schools unconstitutional, the court set in motion forces that resulted in the dismantling of the legal structure of Jim Crowism. The impact of the Brown decision was national in scope, but in no other region was its impact more far-reaching and traumatic than in the South. In Arkansas, as in other Southern states, racial segregation was not merely a well-stablished way of life, it was firmly imbedded in law.

While school desegregation generated much noise and some violence elsewhere in the South, the city of Fayetteville, Arkansas confronted the issue and resolved it with a good deal of dignity and grace, becoming the first Southern city to accommodate the Brown decision.

Through this fascinating collection of interviews with those who were involved in the desegregation process—students, teachers, administrators, civic leaders, and members of local groups—we learn of the determination of citizens to obey the law of the land and to see that freedom and equality took priority over their commitment to a school system that patently discriminated against one group of citizens.

In our continuing efforts to create a society in which all races and cultures can coexist, Civil Obedience is a story worthy of our full attention.

This collection of essays represents the best recent history written on Civil War activity in Arkansas. It illuminates the complexity of such issues as guerrilla warfare, Union army policies, and the struggles hetween white and black civilians and soldiers, and also shows that the war years were a time of great change and personal conflict for the citizens of the state, despite the absence of "great" battles or armies. All the essays, which have been previously published in scholarly journals, have been revised to reflect recent scholarship in the field. Each selection explores a military or social dimension of the war that has been largely ignored or which is unique to the war in Arkansas—gristmill destruction, military farm colonies, nitre mining operations, mountain clan skirmishes, federal plantation experiments, and racial atrocities and reprisals. Together, the essays provoke thought on the character and cost of the war away from the great battlefields and suggest the pervasive change wrought by its destructiveness. In the cogent introduction Daniel E. Sutherland and Anne J. Bailey set the historiographic record of the Civil War in Arkansas, tracing a line from the first writings through later publications to our current understanding. As a volume in The Civil War in the West series, Civil War Arkansas elucidates little-known but significant aspects of the war, encouraging new perspectives on them and focusing on the less studied western theater. As such, it will inform and challenge both students and teachers of the American Civil War.

In order to bring sociology to the recognition of a social world of contingencies and of an obdurate but protean reality that changes shapes as humans define it, Stanford Lyman re-introduces the concept of “civilization,” employing it as both an intellectual resource and a proper topic for sociological investigations.

The fifteen essays in this collection by one of America’s premier sociologists reflect Lyman’s concern with all that is meant by the term civilization. Primarily inspired by his attempts to synthesize the ideas of Erving Goffman, Émile Durkheim, Max Weber, Herbert Blumer, and other social thinkers, the essays reflect the author’s abiding interest in the structures and the processes attending race relations, minority communities, and the constitution of the social self.

1991 Mid-South Sociological Association Book Award

In 2002 a distinguished interdisciplinary group of scholars gathered at the Diane D. Blair Center of Southern Politics and Society at the University of Arkansas to provide a critical evaluation of the Clinton-Gore administration. Their groundbreaking assessment of the most controversial president in modern times treats such crucial topics as race, women, and minorities; the character issue; foreign policy; and the media. This book provides a unique vantage point on the “Clinton riddle” that all future studies will need to consider.

This collection of anecdotal stories by the people who know them best introduces Bill and Hillary to the nation as only friends can. The essays collectively place the Clintons into proper social, historical, and geographical context for anyone who wants to know the former First Family on a more personal level.

Miller Williams Arkansas Poetry Prize Finalist

Finalist, 1995 National Book Award

This important collection of poems, which spans a career of nearly fifty years, demonstrates Robert Mezey's development as a notable stylist, thinker, and poet. Moving from adaptations of Latin and Spanish poems to prayers and lamentations, from elegies and plaints of lost love to flights of comic and ribald fancy, his poetry reaches to the extremes of human experience. The death of friends and family, one's self-betrayals and self-infatuations, the comical confusion of a worried mother, the art of a doomed Jewish child in a Nazi concentration camp—all these human dramas play out bravely against the backdrop of the beautiful, indifferent path. Mezey can portray aging and death or sing of love and nature with an accuracy of perception and an intensity of feeling heightened by formal clarity and restraint. With his razor-sharp eye for the singular detail, he describes missed opportunities and moments of human weakness and loss in gestures so real the reader will ache. In capturing the pain of religious doubt, the pangs of tenderness and elation, and the vagaries of fate so honestly, Mezey has wrought a high finish to each poem so that, in the words of Donald Justice, they become "absolute classics of calm and beauty."

From twenty books of verse published between 1940 and 1993, John Ciardi gives us poems of love written with care and honest discernment and poems that tellingly render the ritual dance of human life and mortality.

Before Arkansas was acquired by the United States as part of the Louisiana Purchase in 1803, it was claimed first by France, then later by Spain. Both of these cultures profoundly influenced the development of the region and its inhabitants, as evidenced in the many cultural artifacts that constitute the social, economic, and political history of colonial Arkansas.

Based on exhaustive research in French, Spanish, and American archives, Colonial Arkansas 1686–1804 is an engaging and eminently readable story of the state’s colonial period. Examining a wide range of subjects—including architecture, education, agriculture, amusements, and diversions of the period, and the Europeans’ social structures—Judge Morris S. Arnold explores and describes the relations between settlers and the indigenous Indian tribes, the early military and its activities, and the legal traditions observed by both the Spanish and French governments.

This lively and illuminating study is sure to remain the definitive history of the state’s colonial period and will be equally embraced by scholars, historians, and curious Arkansans eager to develop a fuller understanding of their rich and varied heritage.

1992 Certificate of Commendation from American Association for State and Local History

Come Walk with Me: The Art of Dorris Curtis has enormous appeal both as a memoir and as a collection of wonderful paintings. Dorris Curtis, like Grandma Moses, began painting at a late age. She worked as a school teacher for over forty years and upon retirement at the age of sixty-five, began to study art. Curtis looked up to Grandma Moses and was heavily influenced by her achievements. This book includes 103 images of Curtis’s artwork, each with an extended caption, as well as an introduction by Robert Cochran which places Curtis’s art into the larger context of both Arkansas art and American folk art as a whole. Dorris Curtis began painting at the age of sixty-five. Since her start in 1973, Curtis’s work has been exhibited in Chicago and Washington, D.C., and she has appeared as a guest on the PBS series American Art Forum. Curtis recently donated her entire collection to the University of Central Arkansas.

Exile—with its sense of suspended or impending motion, of change, loss, acceptance—gives James J. McAuley’s poems their need to be, their means of surviving the exigencies of the displaced spirit. Ancestors on both sides of his family were bards in Celtic Ireland. Although a naturalized United States citizen, McAuley has maintained his connections with his native land: the Irish times listed him among one hundred “significant Irish writers.” Although the poet writes of the familial and the domestic, he is writing at the same time of journeys out and back, of losses and recoveries. McAuley is as much at ease with the solemnity of elegy as with the invective of political satire or the sensual metaphysics of the love-poem.

The Coming of the King James Gospels is a primary publication exploring the handwritten annotations of the Oxford New Testament Company, made as members completed Matthew, Mark, Luke, and John. Their original edited pages, gathered into one binding as the Bodleian Bishops’ Bible ([1602] b.1), offer us the only known surviving record of their monumental work.

Ward Allen’s painstakingly produced collation of this Bishops’ Bible is available for the first time in acessible visual layout. It allows a reader to study simultaneously the three texts, that of the original Bishops’ Bible, the revisions suggested for the 1602 text, and the final King James version of the Gospels. Rejected readings reveal the reasoning which led to the wording of the final text. Beautifully produced, The Coming of the King James Gospels is now a prime resource for all students of the Bible and the English language.

When Laurence Lieberman writes of Guyana or islands in the Dutch West Indies, he excavates, explores, even exhumes the essence of the place. In the flora and fauna, in the rural cafes and ruins of churches and crypts, in the taste of iguana soup and the look of light through stained glass, Lieberman unfolds an exquisite atlas of the senses.

The awe of encounter, the raw impact, beauty, and sometimes the brutality of both the surroundings and the people fuel this poetry. Whether he meets an iguana hunter, a bricklayer, a witness to the United States–led Grenada invasion, or a classical composer, Lieberman gives the reader a vivid combination of his own wit and surprising observations mingled with the speech of each character.

Folk tales, legends, and island myths play a great role in his newest work. In the eddies of a river in Guyana, Lieberman dares river demons. On the island of Aruba, he hears the chants and work songs of long-dead miners in an abandoned gold mine. He briefly loses himself when he stares into the mirror of a well once frequented by slaves on Bonaire.

Coupled with natural forces—floods, volcanic eruptions, constant rains—these folk tales and the stories of the islanders’ lives create a “wedding of sun and rain,” and a map to the troves of the Caribbean hidden beneath a rich and often violent history.

Joseph M. Bailey’s memoir, Confederate Guerrilla, provides a unique perspective on the fighting that took place behind Union lines in Federal-occupied northwest Arkansas during and after the Civil War. This story—now published for the first time—will appeal to modern readers interested in the grassroots history of the Trans-Mississippi war. Bailey participated in the Battle of Pea Ridge and the siege of Port Hudson, eventually escaping to northwest Arkansas where he fought as a guerrilla against Federal troops and civilian unionists. After Federal forces gained control of the area, Bailey rejoined the Confederate army and continued in regular service in northeast Texas until the end of the war.

Historians will find the descriptions of military campaigns and the observations on guerrilla war especially valuable. According to Bailey, Southern guerrillas were motivated less by a sense of loyalty to either the Confederate or Union side than by a determination to protect their families and neighbors from the “Mountain Federals.” This partisan war waged between the rebel guerrillas and Southern Unionists was essentially a “struggle for supremacy and revenge.”

Comprehensive annotations are provided by editor T. Lindsay Baker to illuminate the clarity and reliability of Bailey’s late-life memoir.

The 2005 winner of the The Arkansas Arabic Traslation Award, sponsored by the King Fahd Center for Middle East and Islamic Studies at the University of Arkansas and the University of Arkansas Press, though written in the nineteenth century, is a richly contextualized precursor of modern Muslim wrestlings with notions of democracy and constitutionalism. Translated by the distinguished Middle East historian L. Carl Brown, this important historical work is now available to English language readers for the first time. Toward the end of his long career as an official in the Tunisian government, Ahmad ibn Abi Diyaf (Bin Diyaf) took on the task of writing a history of his country. The result was a multivolume history, concentrating on the period that Bin Diyaf experienced first-hand from within the small circle of Tunisia’s government, where he had served from the 1820s to the 1860s. It was as if a Harry Hopkins, Arthur Schlesinger Jr., or Henry Kissinger had served not just a Roosevelt, Kennedy, or Nixon, but all three presidents for an unbroken forty-year period. Not only the most penetrating and most perceptive study of nineteenth-century Tunisian political life, Bin Diyaf’s history was illustrative of the activities and ideas in play throughout the larger Ottoman world. His work was a history with a thesis. Bin Diyaf sought to show the need for his country, and for that matter the larger Ottoman world, to adopt representative and responsive forms of government as existed in Europe. His purpose was most clearly set out in the Muqaddima or Introduction to his monumental work, which Brown has translated. The ideas produced in this text roughly a century and a half ago were not institutionalized, but they did catch hold as ideas and goals influencing later developments.

Containing Multitudes: A Documentary Reader of US History provides nearly two hundred primary documents that narrate aspects of US history from the period before European contact through the twenty-first century. Presented in two volumes, this curated selection—including letters, literature, journalism, and visual art—provides access to historical voices from a wide range of subject positions and belief systems.

Designed for US history survey courses, this reader provides both analysis and instructional support in the form of brief introductory essays and questions to promote student discussion and reflection. Containing Multitudes not only conveys a rich and complex portrait of the American past but also offers readers valuable insight into the many dimensions of the historian’s craft.

Winner, 2023 J. G. Ragsdale Book Award from the Arkansas Historical Association

Because Johnny Cash cut his classic singles at Sun Records in Memphis and reigned for years as country royalty from his Nashville-area mansion, people tend to associate the Man in Black with Tennessee. But some of Cash’s best songs—including classics like “Pickin’ Time,” “Big River,” and “Five Feet High and Rising”—sprang from his youth in the sweltering cotton fields of northeastern Arkansas.

In Country Boy, Colin Woodward combines biography, history, and music criticism to illustrate how Cash’s experiences in Arkansas shaped his life and work. The grip of the Great Depression on Arkansas’s small farmers, the comforts and tragedies of family, and a bedrock of faith all lent his music the power and authenticity that so appealed to millions. Though Cash left Arkansas as an eighteen-year-old, he often returned to his home state, where he played some of his most memorable and personal concerts. Drawing upon the country legend’s songs and writings, as well as the accounts of family, fellow musicians, and chroniclers, Woodward reveals how the profound sincerity and empathy so central to Cash’s music depended on his maintaining a deep connection to his native Arkansas—a place that never left his soul.

The Country Music Message: Revisited is more than a history of commercial country music, a discussion of the performers, or a compilation of song lyrics. It is an examination of the way the “message” in country songs is relayed and received: why the songs move us as they do. As Jimmie Rogers saying in his preface, “A country song is a special form of communication——communication that more closely resembles interpersonal or face-to-face interaction between two people than do other types of mass appeal music. This close bond that exists between audience and performers, as well as the unique treatment of the song topics, helps to make the music, the performers, and the audience special. After the characteristics are reviewed, observations are made about the audience that accepts and approves these messages. The topics, and the approach to those topics by the songwriter and by the singers, tell us much about the audience that chose to listen to country music.”

If you are already a fan of country music, this book will provide insights into a process you’ve probably taken for granted. If you are a newcomer, you will better understand and appreciate the music that a “few folks are performing for a large number of people.”

The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Nemean Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms.

The Crown Games of Ancient Greece examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits—as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states.

Daniel A. Rudd, born a slave in Bardstown, Kentucky, grew up to achieve much in the years following the Civil War. His Catholic faith, passion for activism, and talent for writing led him to increasingly influential positions in many places. One of his important early accomplishments was the publication of the American Catholic Tribune, which Rudd referred to as "the only Catholic journal owned and published by colored men." At its zenith, the Tribune, run out of Detroit and Cincinnati, where Rudd lived, had ten thousand subscribers, making it one of the most successful black newspapers in the country. Rudd was also active in the leadership of the Afro-American Press Association, and he was a founding member of the Catholic Press Association. By 1889, Rudd was one of the nation's best-known black Catholics. His work was endorsed by a number of high-ranking church officials in Europe as well as in the United States, and he was one of the founders of the Lay Catholic Congress movement. Later, his travels took him to Bolivar County, Mississippi, and eventually on to Forrest City, Arkansas, where he worked for the well-known black farmer and businessperson, Scott Bond, and eventually co-wrote Bond's biography.

The Southern Tenant Farmers' Union was founded in eastern Arkansas in 1934 to protest the New Deal's enrichment of Southern cotton barons at the expense of suffering sharecroppers, both black and white. Their courageous struggle, in the face of determined and often violent resistance from their landlords, is the subject of this thorough study from Donald H. Grubbs, which was published to critical acclaim in 1971. Cry from the Cotton was the first full-scale look at the STFU and its leaders. It discloses that, although the union operated under noticeable socialist party sponsorship in its infancy, it drew much more upon the native Southern evangelical and populist traditions, much as the civil rights movement would do twenty-five years later. Grubbs convincingly demonstrates that while the STFU failed to gain immediate social justice for its members, it resulted in the formation of the Farm Security Administration, which even today continues to aid the rural poor, and it played a large part in forcing the formation of the La Follette Civil Liberties Committee, whose spotlight on management terrorism helped the CIO toward success. The volume stands as a classic on labor issues and class struggle and still echoes with the haunting plea of the dispossessed for equity.

Based on an exhibition organized by Joachim Pissarro and curator of contemporary art at Crystal Bridges Museum of American Art, Lauren Haynes, Crystals in Art: Ancient to Today explores the complex and varied connections between crystal and art throughout the world. Included are both ancient artifacts—such as engraved gems, figurines, and vases—and works from contemporary artists around the world that explore the power of crystal in art by drawing on its form, properties, and mysterious qualities. Featuring more than sixty-five works from ancient Egypt and Greece, through to Rome, China, India, Japan, the Middle East, the Americas, and beyond, this book invites readers to discover how the power of crystal transcends the boundaries of time and space.

Taken together, all of these objects illustrate how crystal has bridged the gap between things we can see and things we can’t: science and art, fact and faith, medicine and magic—the visible and the invisible.

Published in collaboration with Crystal Bridges Museum of American Art and University of Arkansas School of Art.

 

These stories of unique and distinct peoples, their interactions, and their influences on Arkansas and the South fill a void in the literature examining French and Spanish encounters with the Indians. Using historical, anthropological, and archaeological approaches, these essays collectively cover the European-Indian experience in the region, from DeSoto's first contact in 1541 through the Louisiana Purchase of 1803.

Certificate of Commendation, American Association of State and Local History